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Gareth von Kallenbach (980 KP) rated Sing (2016) in Movies
Jul 12, 2019
The team that brought us “Despicable Me” and “Minions”‘- Illumination Entertainment, brings us the animated musical “SING”.
Buster Moon (voiced by Matthew McConaughey), has achieved his childhood dream of owning a theater. Business have become bleak, the once grand Moon Theater is in disrepair. With the bank ready to repo the property, in a stroke of desperation, Buster comes up with the idea that a singing competition would be the solution. Aided by his trusty assistant, Miss Crawley, Buster begins the audition to find the next big star.
The audition brings out all creatures great and small; from Meena, the shy elephant with the gift of song (voiced by the exceptionally talented Tori Kelly) to Mike, the mouse (voiced by Seth MacFarlane) a crooner who is out for himself. The rag-tag bunch includes Rosita (voiced by Reese Witherspoon), the stay at home mom who feels like she has lost who she was, paired with Gunther (voiced by Nick Kroll) the dancer with the greatest self image ever. Johnny (voiced by Taron Egerton) the dedicated son who does not want to go into the family business with his dad, who instead wants to sing. Rounding out the performers is Ash (voiced by Scarlett Johansson) the timid girl that breaks out into an angst-y rocker that just wants to play her music.
The story is cute and charming with some laugh-snort moments. We are given glimpses into the lives of each performer, providing us with the background on what motivates each to be in the competition. We also get some history of Buddy, how he came to own the theater, his best friend Eddie (voiced by John C. Reilly) and Eddie’s Grandmother (Older Nana – voiced by Jennifer Saunders, Younger Nana – voiced by Jennifer Hudson). The last third is the best part of the film. We finally see each performance where we were only given little glimpses prior. There are some surprising performances. I had no idea that Taron Egerton, who plays Johnny, the silverback(The Kingsmen, Eddie the Eagle) sings so beautifully. The highlight for me is when Tori Kelly (Meena) sings the Stevie Wonder tune “Don’t You Worry ‘Bout A Thing.” Her rendition lives on still as my earworm.
I was pleasantly surprised by the film, I definitely did not expect it to be quite as enjoyable. It’s not “Despicable Me” or” Minions”, it is a fun family movie that is worth watching that has laughs for the adults as well.
Buster Moon (voiced by Matthew McConaughey), has achieved his childhood dream of owning a theater. Business have become bleak, the once grand Moon Theater is in disrepair. With the bank ready to repo the property, in a stroke of desperation, Buster comes up with the idea that a singing competition would be the solution. Aided by his trusty assistant, Miss Crawley, Buster begins the audition to find the next big star.
The audition brings out all creatures great and small; from Meena, the shy elephant with the gift of song (voiced by the exceptionally talented Tori Kelly) to Mike, the mouse (voiced by Seth MacFarlane) a crooner who is out for himself. The rag-tag bunch includes Rosita (voiced by Reese Witherspoon), the stay at home mom who feels like she has lost who she was, paired with Gunther (voiced by Nick Kroll) the dancer with the greatest self image ever. Johnny (voiced by Taron Egerton) the dedicated son who does not want to go into the family business with his dad, who instead wants to sing. Rounding out the performers is Ash (voiced by Scarlett Johansson) the timid girl that breaks out into an angst-y rocker that just wants to play her music.
The story is cute and charming with some laugh-snort moments. We are given glimpses into the lives of each performer, providing us with the background on what motivates each to be in the competition. We also get some history of Buddy, how he came to own the theater, his best friend Eddie (voiced by John C. Reilly) and Eddie’s Grandmother (Older Nana – voiced by Jennifer Saunders, Younger Nana – voiced by Jennifer Hudson). The last third is the best part of the film. We finally see each performance where we were only given little glimpses prior. There are some surprising performances. I had no idea that Taron Egerton, who plays Johnny, the silverback(The Kingsmen, Eddie the Eagle) sings so beautifully. The highlight for me is when Tori Kelly (Meena) sings the Stevie Wonder tune “Don’t You Worry ‘Bout A Thing.” Her rendition lives on still as my earworm.
I was pleasantly surprised by the film, I definitely did not expect it to be quite as enjoyable. It’s not “Despicable Me” or” Minions”, it is a fun family movie that is worth watching that has laughs for the adults as well.
Gareth von Kallenbach (980 KP) rated Black Sea (2015) in Movies
Aug 6, 2019
Jude Law stars as Robinson, a former submarine captain made redundant after a long career with an underwater salvage company. Left without a pension, and blaming the company for his failed marriage, he learns from a former co-worker that a vast sum of Nazi gold is lying in wait aboard a sunken German U-boat at the bottom of the Black Sea. Upon securing financing and a submarine that has most definitely seen better days, he pulls together a crew of both British and Russian sailors, assuring every man that an equal share of the loot is to be had. Tensions among the crew soon arise and as one character chillingly questions, “What happens when one of them starts to figure out that their share gets bigger, when there is less people to share it with?”
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.
A few too many easy coincidences drive this plot along, but if you’re willing to suspend just a bit of disbelief, there’s a great tale of paranoia, claustrophobia, betrayal and greed beneath the surface. Even through Jude Law’s dodgy Scottish accent, every performance (particularly newcomer Bobby Schofield as the inexperienced Tobin) is top-notch as both he and the supporting cast provide true believability to the disregard and distrust the two groups of men come to have for each other. Between Black Sea and his unexpectedly good turn in Dom Hemingway last year, Jude Law is firmly back on my radar, as he seems to be following in Matthew McConaughey’s footsteps by taking darker, more complex and challenging roles at this point in his career. From playing a father-figure for a boy frightened of what the future holds, to a man possessed of the determination, no matter what the cost, to return home rich, Law hits every note right and is more than capable of leading a cast this talented.
My only substantial complaint is the ending. On leaving the theater, it seemed one of the better solutions to the potential corner the filmmakers were painting themselves into, though the longer its sits, the more I think a film of this unrelenting intensity deserves an ending with some poignancy. Admittedly, I would have found something bleaker to be more satisfying. The easy route out taken in the last five minutes by director Kevin Macdonald and writer Dennis Kelly are a bit of a let-down when compared with the pulse pounding hour and forty-five minutes that precedes it, and for me it will only detract from Black Sea’s memorability.
With the mention of a submarine drama, it is almost inevitable that comparisons to Das Boot will be drawn. For the purposes of reviewing Black Sea however, I have been unable to do so as my only viewing of it was about a decade ago, when I very foolishly had the ambition to see not only the uncut 6-hour mini-series version that was put together for German television, but to do so in a single sitting. I was successful, but only in terms of completing the task. I know it was great and that it is above equal in the genre of submarine films, but at this point I’d be hard pressed to recall even a few minutes of it. It would seem, in this case, that Black Sea got a fair shake to be judged on its own merits (and that I now have a German epic to revisit, albeit in the slightly more truncated director’s cut form this time).
A few nitpicky complaints aside, and in direct contradiction with my take on the abysmally poor Blackhat from the other week, this is a fine example of a well-made, wall-to-wall suspense-filled thriller, and the film I wish I had started the year off with. Released in early December in the UK, where it has received generally positive reviews, it’s unfortunate that it has landed stateside in the January/February season of no-hopes.