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Eilidh G Clark (177 KP) rated Pigeon English in Books
Jul 2, 2019
This is a great first novel
This is a must read. Written in first person and from the point of view of Harry, an eleven year old boy (If my memory serves me well) is the most intelligent and convincing narration I have come across. The novel is funny yet disturbing and the reader is told of the young boys own world but through the innocence of a (not quite mature enough to understand the world) boy. Present tense with analepsis allows the reader into the distance between his old life and his new life. Kelman's terrific talent of show not tell, and the young protagonists inexperience creates a sense of irony, as the adult reader see's what the child is too young to notice himself.
I am not going to go into the plot as I feel that this is something I do not want to spoil but believe me, Kelman's characters are fully fleshed out and the world they live in as real as any run down council estate in the UK. This novel surprised me, made me laugh and brought me to tears and has left a tiny book shaped hole in my heart. Well done Stephen Kelman
I am not going to go into the plot as I feel that this is something I do not want to spoil but believe me, Kelman's characters are fully fleshed out and the world they live in as real as any run down council estate in the UK. This novel surprised me, made me laugh and brought me to tears and has left a tiny book shaped hole in my heart. Well done Stephen Kelman
graveyardgremlin (7194 KP) rated Cleopatra's Moon in Books
Feb 15, 2019
<i>Cleopatra's Moon</i> tells the childhood story of Cleopatra Selene, daughter of Marc Antony (Marcus Antonius) and the most famous Cleopatra (VII) in history. The story covers her life from ages six to sixteen, from her parents' fall from power to the capture of Cleopatra Selene and her brothers to their lives living in Rome.
Catered to the young adult market, <i>Cleopatra's Moon</i> has a lot to offer older readers as well. While there may not be as much meat on the bones as many adult historical fiction novels have, the history is plentiful and smoothly incorporated into the story. Aside from a few, minor instances, not much Cleopatra Selene said or did stood out as odd and the history seemed sound (though I am far from an expert). The author's writing style is easy to read, has a nice flow, and the descriptions are well-done; I could easily picture the surroundings, so the scenes came alive for me. She doesn't shy away from suggestive scenes, making the story feel more realistic, though nothing is described explicitly either. The author is up front about what is and is not fact in the six-page section at the end of book entitled "The Facts Within the Fiction," which gives the reader more information about the people mentioned within the book. If anyone goes into this book expecting more love story than historical fiction, they will be sadly disappointed. Any love story takes a back seat to Cleopatra Selene's struggle with both herself and her circumstances in life.
If I had one quibble with the book, it was the children's and Cleopatra Selene's voices. The children sounded a bit too mature at times, including Cleopatra Selene when young. Although in her case, it was more her voice didn't change much throughout the ten years the book covered and it was too familiar. I've come across other young adult protagonists that sounded very similar to her, both historical and contemporary, so I was hoping hers would be a bit more distinctive from the rest. Still, it's a very small thing and I did like Cleo Selene; she wasn't passive, but she wasn't aggressive either, she fell somewhere in between the two, which worked well for the book.
After all has been said, <i>Cleopatra's Moon</i> does what any (good) historical fiction novel should aspire to, it made me want to know more about the time, people, and places.
Catered to the young adult market, <i>Cleopatra's Moon</i> has a lot to offer older readers as well. While there may not be as much meat on the bones as many adult historical fiction novels have, the history is plentiful and smoothly incorporated into the story. Aside from a few, minor instances, not much Cleopatra Selene said or did stood out as odd and the history seemed sound (though I am far from an expert). The author's writing style is easy to read, has a nice flow, and the descriptions are well-done; I could easily picture the surroundings, so the scenes came alive for me. She doesn't shy away from suggestive scenes, making the story feel more realistic, though nothing is described explicitly either. The author is up front about what is and is not fact in the six-page section at the end of book entitled "The Facts Within the Fiction," which gives the reader more information about the people mentioned within the book. If anyone goes into this book expecting more love story than historical fiction, they will be sadly disappointed. Any love story takes a back seat to Cleopatra Selene's struggle with both herself and her circumstances in life.
If I had one quibble with the book, it was the children's and Cleopatra Selene's voices. The children sounded a bit too mature at times, including Cleopatra Selene when young. Although in her case, it was more her voice didn't change much throughout the ten years the book covered and it was too familiar. I've come across other young adult protagonists that sounded very similar to her, both historical and contemporary, so I was hoping hers would be a bit more distinctive from the rest. Still, it's a very small thing and I did like Cleo Selene; she wasn't passive, but she wasn't aggressive either, she fell somewhere in between the two, which worked well for the book.
After all has been said, <i>Cleopatra's Moon</i> does what any (good) historical fiction novel should aspire to, it made me want to know more about the time, people, and places.
Becs (244 KP) rated Words That Kill in Books
Oct 2, 2019
I’ve always had a thing for poetry and have loved every single poetry collection that I have gotten my hands on. My husband got me Words That Kill by Vivid Vega for this past Christmas. When I started to read it, I couldn’t put it down, it was just so good and so emotional. But I eventually had to take a break because it was starting to mess with me. There are not many poetry collections that touch on the mental health subject and I’m glad that there is now one available to the public.
Genre: Mental Health, Young Adult
Audience: Young Adult but also mature audiences as well
Reading level: Middle to High School
Interests: Depression, Mental Health, Anxiety, Suicide, Abuse, Hope, and Love.
Style: Light to hard – depending on the person.
Point of view: First person
Difficulty reading: Very easy to read but be warned, it does make you very emotional.
Promise: Words That Kill promises a poetry collection that talks about mental health and it delivers.
Quality: I believe everybody should read this even if they haven’t dealt with mental health.
Insights: Not taking the grammatical and spelling errors, the poems were a lot lighter to read compared to Rupi Kuar or even Shakespeare.
Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. This is only because it wasn’t really a story, more of a poem that brings memories of the past back to life.
Favorite quote: “There is no need to hide in the shade, the light will come and your pain will fade.” – This is a great representation of how depression works. You have your good and your bad moments.
Aesthetics: The thing that drew me to the book in the first place, minus the topic of mental health of course, was the fact that the entire book is white words on an entirely black background. I’ve never seen a book have that aesthetically pleasing style and I love it!
“Like a flower, I will bloom again – depression.”
Genre: Mental Health, Young Adult
Audience: Young Adult but also mature audiences as well
Reading level: Middle to High School
Interests: Depression, Mental Health, Anxiety, Suicide, Abuse, Hope, and Love.
Style: Light to hard – depending on the person.
Point of view: First person
Difficulty reading: Very easy to read but be warned, it does make you very emotional.
Promise: Words That Kill promises a poetry collection that talks about mental health and it delivers.
Quality: I believe everybody should read this even if they haven’t dealt with mental health.
Insights: Not taking the grammatical and spelling errors, the poems were a lot lighter to read compared to Rupi Kuar or even Shakespeare.
Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. This is only because it wasn’t really a story, more of a poem that brings memories of the past back to life.
Favorite quote: “There is no need to hide in the shade, the light will come and your pain will fade.” – This is a great representation of how depression works. You have your good and your bad moments.
Aesthetics: The thing that drew me to the book in the first place, minus the topic of mental health of course, was the fact that the entire book is white words on an entirely black background. I’ve never seen a book have that aesthetically pleasing style and I love it!
“Like a flower, I will bloom again – depression.”
Micah Ulibarri (79 KP) rated The Peace and The Panic by Neck Deep in Music
Mar 26, 2018
Peace Panic Pop Punk
Neck Deep, most well known for their song, "December", came to turn the amps up to 11. Mostly known for a more acoustic sound that lends itself to pop punk, the Welsh five-piece has brought a full electric, high-energy album to bear on an audience that didn't know we needed more pop punk anthems.
The album mostly deals with mature themes of growing older, as well as the state of the world and losing people close to you. The lead singer, Ben Barlow's, father died during their writing of this album and it shows in the emotional lyrics and texture of the songs.
The album starts out with the more jump-up-and-down and blast-your-car-stereo tunes until getting in the last half of the album with a couple more ballad-y titles like "Wish You Were Here" and "Nineteen Seventy-Something".
Some favorite tracks of mine are the more Alt-rock sounding "Happy Judgement Day" and "Don't Wait, as well as the emotional "Nineteen Seventy-Something" and the deceptively Happy-sounding "Where Do We Go When We Go".
Considering I had been under the impression that this genre had died, this album is a breath of fresh air from a vista of young adult, relatable angst that I had forgotten how to express.
The album mostly deals with mature themes of growing older, as well as the state of the world and losing people close to you. The lead singer, Ben Barlow's, father died during their writing of this album and it shows in the emotional lyrics and texture of the songs.
The album starts out with the more jump-up-and-down and blast-your-car-stereo tunes until getting in the last half of the album with a couple more ballad-y titles like "Wish You Were Here" and "Nineteen Seventy-Something".
Some favorite tracks of mine are the more Alt-rock sounding "Happy Judgement Day" and "Don't Wait, as well as the emotional "Nineteen Seventy-Something" and the deceptively Happy-sounding "Where Do We Go When We Go".
Considering I had been under the impression that this genre had died, this album is a breath of fresh air from a vista of young adult, relatable angst that I had forgotten how to express.
Gareth von Kallenbach (980 KP) rated Grown Ups (2010) in Movies
Aug 8, 2019
After the death of the coach that inspired them in their youth a rag-tag group of grown up friends take a trip up to a cabin to reconnect with each other and their families. Adam Sandler (Lenny Feder), Chris Rock (Kurt McKenzie), Kevin James (Eric Lamonsoff), David Spade (Marcus Higgins), and Rob Schneider (Rob Hilliard) star together in this almost family friendly comedy. Furthering the densely star studded cast is Selma Hyack Pinault as Lenny’s famous clothing designer wife and Saturday Night Live alum Maya Roudolf as the wife of Kurt.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
The film is surely a little vulgar for young audiences blending Adam Sandler’s adult themed comedic styling’s with a touching story about the long term bonds of families and friends. From the very start one wonders who is the intended audience of this film?
Further challenging the success of “Grown Ups” is that the film is not classic Adam Sandler, but an attempt at creating something more mature among the frequent cameos of numerous comedians. The film does, however, manage a few classically Sandler-esque comedic moments. While adults may find the blend of maturity along side slapstick antics odd, children seem to find the sophomoric physical comedy and slightly too mature moments in this film hilarious.
Yet what is most impressive about “Grown Ups” is that the characters, while overly dramatized, are believable, making this less than excellent film at least honest. This honesty combined with the strongly pushed moral theme of family togetherness results in a film that displays growth from the film star veteran and co-author, Sandler.
Further making the film bearable is the somewhat sappy yet honest plotline that keeps the audience’s attention in the frequent lulls between decent jokes. So in the end “Grown Ups” is a film about friendship and the challenges faced by those trying to connect with their families in the modern world and while it isn’t a great, it is mildly interesting.
Hazel (1853 KP) rated The Storm (The Rain, #2) in Books
Dec 17, 2018
My rating: 3.5
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
Kyera (8 KP) rated The Prisoner of Cell 25 (Michael Vey, #1) in Books
Feb 1, 2018
Michael is a 14-year-old who gets bullied in school, and just so happens to have electrical powers? The tale seems familiar until the exciting addition of having these special abilities is introduced. One of my favourite superpowers or forms of magic is one that is based on the elements, so I was very curious to see how electricity would be represented here. It was fascinating to see how it could manifest itself differently and be used in a variety of situations.
The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.
As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
It was definitely very trope-y, but that's not necessarily a bad thing - it completely depends upon your reading preference. I personally enjoy some tropes but when they're overused you tend to connect with the characters less because they're no longer unique. The biggest one for me in this book was the characterization of our three leads and how one dimensional it made them. I don't want to spoil the story, but once you read the book you will understand my issues with the characterization. I would love to see more character development over the next few novels.
As there are six other books in the series, I expect that the character development and world building will be improved upon. It wasn't until the end of the book that I started to feel more of a connection to the characters and curiosity about the world. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
Kyera (8 KP) rated Rise of the Elgen (Michael Vey, #2) in Books
Feb 1, 2018
Michael is a 14-year-old who has electrical powers and is joined in this novel by his fellow Electro-Clan members. In this book, Michael and his friends must battle the Elgen again in order to save his mother from their clutches. It was nice to see the world we had come to inhabit in the first book expanded in the second. We got a deeper look into the Elgen, their plans and one of their other secret locations. If you haven't read the first book, this may spoil you so please read that (or my first review) before you read the second book's review.
I felt the same way about the second book as I did the first. The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
There was a little more character development in this novel than the first, as I found myself connecting to the characters more. Although I still don't find that they are three-dimensional enough, I do care if they succeed or not. The relationship between Michael and Taylor was very insta-love-y in the first book, but I liked seeing more support for it in this book. It is starting to feel more authentic and less like an overused trope.
As there are five other books in the series, I hope that the character development and world building will be improved upon. It definitely continued from the first to the second book and I felt more knowledgeable about the world as the story continued. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
I felt the same way about the second book as I did the first. The overall idea of this story was very intriguing, although I found the writing to be lacking at times. One of the biggest elements that drew me out of the story was the author's inability to choose a word other than <i>said</i> to describe when a person was speaking. It became frustrating to listen to the characters talk when the entire page just repeated, "he said... she said... then they said... he said again." By that point, I was pretty over the word said. It definitely detracted from the story, which I found enjoyable overall.
There was a little more character development in this novel than the first, as I found myself connecting to the characters more. Although I still don't find that they are three-dimensional enough, I do care if they succeed or not. The relationship between Michael and Taylor was very insta-love-y in the first book, but I liked seeing more support for it in this book. It is starting to feel more authentic and less like an overused trope.
As there are five other books in the series, I hope that the character development and world building will be improved upon. It definitely continued from the first to the second book and I felt more knowledgeable about the world as the story continued. The author definitely writes for a younger audience; the writing style was not as developed or mature as I would expect for a young adult reader.
I would recommend it to middle-grade readers, as well as young adult/teen readers who enjoy their fantasy books in a familiar setting. Don't expect flowery writing or deep characterization, just let the story take you on a fun, easy journey.
Merissa (12051 KP) rated Courage (The Dreughan #1) in Books
Oct 30, 2018
Courage (The Dreughan #1) by Lena North
Courage is the first book in the Dreughan series, which I bought after reading and loving Seaborn.
What can I say about this? First of all, Vilda is the absolute star of the show - which is only right being as it is her book! She is a very mature character, for all her physical age is young. Just think back to medieval times, and consider they married at fourteen, and then things will make more sense. I loved how Sannah and Troy were there for her, even more so when we heard the reasons for that. As for the Dreughan crew, I loved all of them. Absolutely and utterly.
This is a great story, intricate enough to keep an adult happy whilst still being action packed enough to keep the younger readers engrossed. This is the first book in a trilogy, so don't expect everything to be wrapped up in this book. This IS the only book with Vilda as the main focus though, which just makes the other books just as interesting as this one.
If I am being 100% honest here, I will say there were a couple of errors in this book. Just words misspelt, but still, the writing was so good I am more than happy to overlook those as they definitely didn't impact my enjoyment of the story at all.
I have gone from this book straight into Reason. I am LOVING this series, and can't recommend it highly enough. Absolutely fantastic.
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
What can I say about this? First of all, Vilda is the absolute star of the show - which is only right being as it is her book! She is a very mature character, for all her physical age is young. Just think back to medieval times, and consider they married at fourteen, and then things will make more sense. I loved how Sannah and Troy were there for her, even more so when we heard the reasons for that. As for the Dreughan crew, I loved all of them. Absolutely and utterly.
This is a great story, intricate enough to keep an adult happy whilst still being action packed enough to keep the younger readers engrossed. This is the first book in a trilogy, so don't expect everything to be wrapped up in this book. This IS the only book with Vilda as the main focus though, which just makes the other books just as interesting as this one.
If I am being 100% honest here, I will say there were a couple of errors in this book. Just words misspelt, but still, the writing was so good I am more than happy to overlook those as they definitely didn't impact my enjoyment of the story at all.
I have gone from this book straight into Reason. I am LOVING this series, and can't recommend it highly enough. Absolutely fantastic.
* Verified Purchase ~ July 2018. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kelly (279 KP) Jan 22, 2019
Cassie (21 KP) Jan 22, 2019