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BackToTheMovies (56 KP) rated Demon House (2018) in Movies
Jun 21, 2019
Since binge watching Zak Bagan’s Haunted Museum news story tours I stumbled across this documentary. A documentary so chilling that there really isn’t much explanation or way to debunk my sceptical mind. Demon House is without a doubt the most compelling evidence of demonic activity to date.
In Gary, Indiana in 2014 The Ammons House was known as a portal to hell. The case drew media attention and the sheer amount of witnesses to these events is undeniable. Latoya Ammons claimed her and her three children had been possessed by demands. Witnesses from the Department of Child Services, law enforcement and medical professionals all witnessed the unexplained.
Zak Bagans visited the ‘Demon House’ and interviewed those who were involved in these eerie activities. Zak actually went and brought the house to investigate and thus this documentary was born.
Demon House is a thoroughly enjoyable watch. Filmed in true Ghost Adventures style, the show never forces us to believe what we are seeing, or convince you in any way shape or form. Throughout the documentary, a rollercoaster of emotions comes across the group. From noises, bangs, weird behaviours and the chilling account of past inhabitants of the home.
What I didn’t like about Demon House were the cheesy reenactments of the story told by those involved. I get that its a visual reenactment of the true-life event but it’s so cheesy and detaches me from the gripping and chilling events that I’ve been absorbing for the duration. The story gets stranger and stranger as it goes along and I cannot for the life of me debunk this movie. When the credits rolled I had so many questions.
Zak is usually quite the showman when it comes to Ghost Adventures / Deadly Possessions but even he is out of his element in this film. It’s absolutely incredible watching events unfold on screen. This documentary is irrefutable proof that something dark and unexplainable happened within that house.
Demon House was eventually torn down at Zak’s request and pieces of the house now reside in Zak’s Haunted Museum in Las Vegas. If anyone from the Haunted Museum ever reads this I’d fly all the way to Vegas JUST to review your establishment! Hit me up!
https://backtothemovies.com/spine-chilling-and-compelling-demon-house-review/
In Gary, Indiana in 2014 The Ammons House was known as a portal to hell. The case drew media attention and the sheer amount of witnesses to these events is undeniable. Latoya Ammons claimed her and her three children had been possessed by demands. Witnesses from the Department of Child Services, law enforcement and medical professionals all witnessed the unexplained.
Zak Bagans visited the ‘Demon House’ and interviewed those who were involved in these eerie activities. Zak actually went and brought the house to investigate and thus this documentary was born.
Demon House is a thoroughly enjoyable watch. Filmed in true Ghost Adventures style, the show never forces us to believe what we are seeing, or convince you in any way shape or form. Throughout the documentary, a rollercoaster of emotions comes across the group. From noises, bangs, weird behaviours and the chilling account of past inhabitants of the home.
What I didn’t like about Demon House were the cheesy reenactments of the story told by those involved. I get that its a visual reenactment of the true-life event but it’s so cheesy and detaches me from the gripping and chilling events that I’ve been absorbing for the duration. The story gets stranger and stranger as it goes along and I cannot for the life of me debunk this movie. When the credits rolled I had so many questions.
Zak is usually quite the showman when it comes to Ghost Adventures / Deadly Possessions but even he is out of his element in this film. It’s absolutely incredible watching events unfold on screen. This documentary is irrefutable proof that something dark and unexplainable happened within that house.
Demon House was eventually torn down at Zak’s request and pieces of the house now reside in Zak’s Haunted Museum in Las Vegas. If anyone from the Haunted Museum ever reads this I’d fly all the way to Vegas JUST to review your establishment! Hit me up!
https://backtothemovies.com/spine-chilling-and-compelling-demon-house-review/
Darren (1599 KP) rated Perfect Creature (2006) in Movies
Oct 24, 2019
Characters – Silus is the vampire from the brotherhood, he has a connection with his brother Edgar and will not let him take over once he becomes the blood thirty infected version of himself. Lilly is the nonsense cop that has suffered her own share of heartache with the viruses in the world, she doesn’t take any shit from anyone she believes to be guilty. Edgar is the brother of Silus that has become infected while trying to find the next cure for the human and Brotherhood medical problems which makes him the first member of the brotherhood to kill a human.
Performance – Dougray Scott is fine without being that impactful in the leading role and the same could be said for Saffron Burrows, the highlight of the film would be Leo Gregory as the Edgar the bloody thirsty crazy vampire.
Story – The story does feel like it could be another chapter of the Underworld saga, it has the vampires of the world living in peace with the humans but when one goes rogue it becomes personal. This isn’t the most original and strays too far into the middle of the fantasy world we are trying so desperately to head towards. We don’t find enough time to create the fantasy world that could become a franchise let alone a new story because in the end this could have just been a crime thriller.
Action/Fantasy/Horror – The action is fine, it mostly contains fights that try to offer an extra punch where needed but isn’t the most original, while the fantasy world doesn’t click for the story we are experiencing, the horror is tame too with it only being a couple of vampire like moments.
Settings – We have murky settings which is designed to show us the different in class between the two races.
Special Effects – The effects are all fine and at least the film doesn’t turn into a bad CGI moment film.
Scene of the Movie – The special gun that instant sleeps and enemy.
That Moment That Annoyed Me – It just doesn’t seem to feel fresh in any way.
Final Thoughts – Disappointing movie that doesn’t connect with the audience on the levels it could have because it wants to be a fantasy film but plays out only like a dark crime thriller.
Overall: Disappointing film.
Performance – Dougray Scott is fine without being that impactful in the leading role and the same could be said for Saffron Burrows, the highlight of the film would be Leo Gregory as the Edgar the bloody thirsty crazy vampire.
Story – The story does feel like it could be another chapter of the Underworld saga, it has the vampires of the world living in peace with the humans but when one goes rogue it becomes personal. This isn’t the most original and strays too far into the middle of the fantasy world we are trying so desperately to head towards. We don’t find enough time to create the fantasy world that could become a franchise let alone a new story because in the end this could have just been a crime thriller.
Action/Fantasy/Horror – The action is fine, it mostly contains fights that try to offer an extra punch where needed but isn’t the most original, while the fantasy world doesn’t click for the story we are experiencing, the horror is tame too with it only being a couple of vampire like moments.
Settings – We have murky settings which is designed to show us the different in class between the two races.
Special Effects – The effects are all fine and at least the film doesn’t turn into a bad CGI moment film.
Scene of the Movie – The special gun that instant sleeps and enemy.
That Moment That Annoyed Me – It just doesn’t seem to feel fresh in any way.
Final Thoughts – Disappointing movie that doesn’t connect with the audience on the levels it could have because it wants to be a fantasy film but plays out only like a dark crime thriller.
Overall: Disappointing film.
Erika (17788 KP) rated Kindred (2020) in Movies
Jul 10, 2021
Kindred is a psychological thriller/horror about the reluctantly pregnant Charlotte (Tamara Lawrance) after her boyfriend, Ben (Edward Holcroft), dies in a workplace accident. After this accident, Charlotte is taken in by Ben’s mother (Fiona Shaw), and creepy stepbrother, Thomas (Jack Lowden). They proceed to basically torture her and question her sanity.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies
Oct 17, 2020
Boris Karloff (1 more)
Bela Lugosi
Invasion
The Body Snatcher- is not related to "The Body Snatchers". Yes it is confused. Cause i thought this was the oringal version of "Invasion of the Body Snatchers", just called "The Body Snatcher". Nope it turns out its two different things. Both based off of books. This film is based off of "The Body Snatcher" by Robert Louis Stevenson. While "Invasion of the Body Snatchers" is based off of Jack Finney's 1954 science fiction novel "The Body Snatchers". So yea not confusing at all.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
Gareth von Kallenbach (971 KP) rated The Marksman (2021) in Movies
Jan 12, 2021
Liam Neeson is back in “The Marksman” and despite some flaws; the film provides what his fans want and is an engaging and topical film.
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5
Neeson plays Jim; a widower who spends his time on a tiny and struggling ranch in Arizona near the border. Jim is facing foreclosure from the bank after dealing with devastating medical bills for his late wife and feels that as a former Marine he has been given a bad deal by the system.
Jim often drives along the border fence and radios in suspected crossings but is willing to provide aid to those who finds in distress.
When Jim encounters a young woman and her son Miguel (Jacob Perez); he is drawn into conflict when they are pursued by some dangerous people which forces Jim to shoot when weapons are drawn killing one of the group in the process as well as the boy’s mother.
Jim turns the boy over to the Border Patrol where his daughter Sarah (Katheryn Winnick), is in charge of the local office and is concerned when he learns the boy is to be sent back to family. Seeing the individuals he had previously had a gunfight with waiting for Miguel to cross; Jim decides to honor the dying wish of Miguel’s mother to take him to family in Chicago; even when that means abducting Miguel from custody.
The trip not only puts Jim at odds with his daughter but as well as Miguel who wants to return home and causes the dangerous individuals to cross into the U.S. to ruthlessly track Jim and Miguel to exact their revenge.
The film moves at a steady and deliberate pace until the finale gives fans a taste of the action that they would come to expect. It does take some patience as I saw numerous opportunities for a person of Jim’s skill to attempt to set an ambush, trap, or counter the dangers facing them but the final resolutions are enjoyable and satisfying.
While the film does not have the action and intensity of some of Neeson’s recent works; it does provide enough entertainment to make it worth a watch and does contain content based on some very volatile and controversial topics which would spur intense debate.
3 stars out of 5
Kim Pook (101 KP) rated Love you to death (2019) in Movies
Jun 2, 2022
Police arrive at a house in 2013, The door is unlocked so they enter to find a dead body on the bed. We are shown a montage of pictures of a sick teen girl called Esme and her mum, it seems they had been raising a lot of money because of her illness.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
Rewind to a few months before the death, it's Esmes 16th birthday and then her routine appointment, but sadly she is showing no signs of improving. During a shopping trip they bump into Esmes estranged dad, and it's clear there is hostility between him and Esmes mum. We soon discover that Esme has had the illness since she was 4 years old and also has a learning disability which just adds to the sadness of her illness.
It soon becomes evident how controlling her mother is though, she refuses to let anyone take Esme anywhere, controls what she eats as well as which doctors are allowed to treat her. After Esme is attacked at a gaming convention, the mother purchases a gun for protection and it isn't long before she's using it against an intruder.
About half an hour into the movie, we are thrown back to 2005, and we see Esmes side of the story. Esmes mum has a conversation with a nurse who confirms that Esme was misdiagnosed and she was fine, I won't go into that too much incase you want to watch it, but basically Esmes mum continues to fake Esmes illness. You will have to watch the movie to see how she achieves this, by tricking everyone including medical staff.
I enjoyed the movie but I was so shocked to find out it was based on a true story, I immediately went on to watch the documentary to compare and I felt they did do the true story justice, they included Esmes mum always holding her hand and hitting her if she didn't do as she was expected to do. The way Esme (gypsy rose) meets her boyfriend was different in real life, I felt the movie made him out to be this sweet guy trying to save Esme but in real life he was very disturbed, but then again it was told through Esmes eyes, so it was probably to show what she saw at the time.
Laura Doe (1350 KP) rated When He Was Wicked (Bridgertons, #6) in Books
Jan 9, 2022
I was surprised with how different this book was from all the others, but in a good way. It meant that I didn’t get bored as the others are fairly similar looking back on them.
We start 2 years into Francesca’s marriage, which is completely different to the other books as we follow them as they are looking for their future spouse. Then rather unfortunately, her beloved husband - John dies, leaving her widowed only 2 years into their marriage.
His cousin, and both Francesca and John’s best friend, Michael is also shocked to the core at his death and at his newfound Earldom. Michael has also been in love with Francesca since he met her, but out of loyalty to his cousin has never told anyone of this. In previous books, I would have guessed that Michael would have pursued Francesca straight away, but I was glad that I was wrong and it made it a much better read that he didn’t.
This book deals with a few different medical issues, which at the end Julia Quinn does explain more about and confirmed my suspicions as to why John died. It was definitely such a different pace to this book and it was nice to change up the style slightly. I enjoyed the excerpts of letters at the start of each chapter (although still not quite as good as Lady Whistledown’s comments!) and it definitely gave more of an insight into what they were thinking, especially as it included letters that weren’t sent at all.
Before this book, we didn’t know too much about Francesca, other than she’d married an Earl and spent a lot of time in Scotland, but this book made her more than just a mention and you realised that she is a bit different from her siblings and probably quite enjoys being away from everyone. I also liked how it brought together the events in both Colin’s story and Eloise’s story as they happen so close together, I think it ties the stories up quite neatly as you sometimes forget during this book that Francesca was a Bridgerton since she doesn’t spend a lot of time with them in this book.
This has definitely firmly cemented its place in my top 3 of this series and I’m hoping that the next book is just as good to read.
We start 2 years into Francesca’s marriage, which is completely different to the other books as we follow them as they are looking for their future spouse. Then rather unfortunately, her beloved husband - John dies, leaving her widowed only 2 years into their marriage.
His cousin, and both Francesca and John’s best friend, Michael is also shocked to the core at his death and at his newfound Earldom. Michael has also been in love with Francesca since he met her, but out of loyalty to his cousin has never told anyone of this. In previous books, I would have guessed that Michael would have pursued Francesca straight away, but I was glad that I was wrong and it made it a much better read that he didn’t.
This book deals with a few different medical issues, which at the end Julia Quinn does explain more about and confirmed my suspicions as to why John died. It was definitely such a different pace to this book and it was nice to change up the style slightly. I enjoyed the excerpts of letters at the start of each chapter (although still not quite as good as Lady Whistledown’s comments!) and it definitely gave more of an insight into what they were thinking, especially as it included letters that weren’t sent at all.
Before this book, we didn’t know too much about Francesca, other than she’d married an Earl and spent a lot of time in Scotland, but this book made her more than just a mention and you realised that she is a bit different from her siblings and probably quite enjoys being away from everyone. I also liked how it brought together the events in both Colin’s story and Eloise’s story as they happen so close together, I think it ties the stories up quite neatly as you sometimes forget during this book that Francesca was a Bridgerton since she doesn’t spend a lot of time with them in this book.
This has definitely firmly cemented its place in my top 3 of this series and I’m hoping that the next book is just as good to read.
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Whatchareadin (174 KP) rated Wonder in Books
Apr 9, 2019
August Pullman is not your typical 10 year old. He has never been to school, he has had countless surgeries, and he has a rare facial deformity. But despite all of that, his outlook on life is very positive. This year, Auggie, as he likes to be called, and his family have decided it is time for him to go to school. He has been homeschooled all of this time because of the countless doctor's appointments and medical tests he had to do that it wasn't practical. But he's finally reached the stage of his life where none of that is necessary. Of course, he and his parents are a little skeptical about how this will all play out. How will the other children treat him and will he be able to make new friends?
I have had this book on my TBR for a while. When I saw that the movie was coming out, I pushed it closer to the top. My daughter, who is also 10 was very interested in seeing this movie as well. I told her we had to read the book first. So we read it together. I love that we both have this passion for reading and that we can talk about this book together and then enjoy the movie.
This book brought me to tears several times. First of all, the way they describe Auggie in the book is horrible. His ears look like cauliflower, his eyes come too far down, his cheeks look punched in, his mouth is like a turtle. When he is first introduced to school, Mr. Tushman has a few kids show him around the school. Only one, Jack, seems like a really good kid.
The book follows Auggie and his family and friends through his first year at school, Beecher Prep. The book is mostly told from Auggie's point of view, but also there is a section for his sister Olivia(Via); the first person to sit with him at lunch, Summer; Jack, one of the first people Auggie meets at the school; Justin, a friend of Olivia's; and Miranda, another friend of Olivia's who gave Auggie a special gift one time that he cherished.
This book will touch your heart and soul and it shows you the importance of treating people as you would like to be treated despite what they may look like.
I can't wait for my daughter to finish the book so we can go and see the movie together. Although I'm already having some issues seeing as the book describes Auggie's mom as a Brazilian and Julia Roberts is not...
I have had this book on my TBR for a while. When I saw that the movie was coming out, I pushed it closer to the top. My daughter, who is also 10 was very interested in seeing this movie as well. I told her we had to read the book first. So we read it together. I love that we both have this passion for reading and that we can talk about this book together and then enjoy the movie.
This book brought me to tears several times. First of all, the way they describe Auggie in the book is horrible. His ears look like cauliflower, his eyes come too far down, his cheeks look punched in, his mouth is like a turtle. When he is first introduced to school, Mr. Tushman has a few kids show him around the school. Only one, Jack, seems like a really good kid.
The book follows Auggie and his family and friends through his first year at school, Beecher Prep. The book is mostly told from Auggie's point of view, but also there is a section for his sister Olivia(Via); the first person to sit with him at lunch, Summer; Jack, one of the first people Auggie meets at the school; Justin, a friend of Olivia's; and Miranda, another friend of Olivia's who gave Auggie a special gift one time that he cherished.
This book will touch your heart and soul and it shows you the importance of treating people as you would like to be treated despite what they may look like.
I can't wait for my daughter to finish the book so we can go and see the movie together. Although I'm already having some issues seeing as the book describes Auggie's mom as a Brazilian and Julia Roberts is not...
Lindsay (1706 KP) rated An Amish Cradle in Books
Feb 15, 2018 (Updated Apr 9, 2019)
In His Father’s Arms by Beth Wiseman: This is a story about a couple that struggles with a baby with Down syndrome. What they do not know if how to deal with it. Ruth Anne finds out the truth about her best friend first pregnancy. Ruth Anne can not understand why her best friend is acting really strange around her and her baby boy.
Levi is also struggling to deal with his little boy illness. He knows his little cousin died from this illness. He afraid that is son will be taken from him. Do learn to deal with their little boy medical issues and learn to trust God?
A Son for Always by Amy Clipston: Carolyn is happy to know that she is a pregnant with her and Joshua first child together. She worried that she will have to keep her job and financially secure Ben's future.
Joshua seems to want to let Carolyn that she can stop working at the hotel. Carolyn is still having doubts that Joshua will help her with Ben future. Even though, Joshua has adopted Ben and wanted Ben to have his last name.
Carolyn needs a sign that Joshua will treat her son Ben as his own. She gets that sign, but I do not want to tell you when or how. That would be giving the ending away.
A Heart Full of Love by Kathleen Fuller: Ellie is expecting her first child with her husband. Though when she gives birth to twins. Her mother decides that will take care of the twins and keep them safe. In doing so, she will not let Ellie bond with her daughters.
What is Ellie's mother dealing with that she won't let Ellie take care of her own daughters. Ellie knows she will need help with her daughters. Ellie wants time with her daughters and takes care of them.
Ellie starts to have questions about what happen with a girl named Rachel. She goes over to her parents house and to find the answers. What a sweet ending his story has.
An Unexpected Blessing by Vannetta Chapman: Etta finds out that she is expecting once again. She as a frighting labor. She seems happy with her new little one. She is worried about her overgrown son, David and wants her to return.
Her other children are overjoyed for her and their dad. They help to give her the crib that was made be their dad. They get a surprise when their one son returns. He gets a surprise as well.
Levi is also struggling to deal with his little boy illness. He knows his little cousin died from this illness. He afraid that is son will be taken from him. Do learn to deal with their little boy medical issues and learn to trust God?
A Son for Always by Amy Clipston: Carolyn is happy to know that she is a pregnant with her and Joshua first child together. She worried that she will have to keep her job and financially secure Ben's future.
Joshua seems to want to let Carolyn that she can stop working at the hotel. Carolyn is still having doubts that Joshua will help her with Ben future. Even though, Joshua has adopted Ben and wanted Ben to have his last name.
Carolyn needs a sign that Joshua will treat her son Ben as his own. She gets that sign, but I do not want to tell you when or how. That would be giving the ending away.
A Heart Full of Love by Kathleen Fuller: Ellie is expecting her first child with her husband. Though when she gives birth to twins. Her mother decides that will take care of the twins and keep them safe. In doing so, she will not let Ellie bond with her daughters.
What is Ellie's mother dealing with that she won't let Ellie take care of her own daughters. Ellie knows she will need help with her daughters. Ellie wants time with her daughters and takes care of them.
Ellie starts to have questions about what happen with a girl named Rachel. She goes over to her parents house and to find the answers. What a sweet ending his story has.
An Unexpected Blessing by Vannetta Chapman: Etta finds out that she is expecting once again. She as a frighting labor. She seems happy with her new little one. She is worried about her overgrown son, David and wants her to return.
Her other children are overjoyed for her and their dad. They help to give her the crib that was made be their dad. They get a surprise when their one son returns. He gets a surprise as well.