"My abiding memory really, was spending several months in Ireland in a big country mansion, post-Welcome To The Pleasuredome, and attempting to write songs for the Liverpool album while travelling the world with Frankie and things. We were in the house of the King of Leinster, who'd decided to rent it out to pop groups who needed rehearsal space - I think the Thompson Twins had been there previously - and Paul [Rutherford, Frankie singer], who I think is an even bigger Kate Bush fan than me, brought the album and it never left the turntable. We knew that Julian Mendelsohn, who'd mixed 'Relax' and 'Two Tribes', had been involved in it. It just stayed on the turntable for what seemed like months, over and over and over again. Almost to its detriment in a way. It's just an incredible record. What more you can say?"

"I hadn’t seen that movie when I made First Cow, but then I went to Cannes and was on the jury. I had just finished editing, and when I got back from Cannes, I was going to do my sound mix. I met Alice [Rohrwacher, director of Happy as Lazzaro] – she was on the jury with me – and so I watched her film before I went, and I love this film and I thought, “Oh my God, there are some similar things to First Cow as far as, like, Lazzaro wakes up in some other house and you don’t know how much time has passed…” I put that on my list because it was very important to me to let Alice know I found her so inspiring and great, and I felt a real simpatico with her filmmaking. It feels in the world of my memory of making First Cow."