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Lyndsey Gollogly (2893 KP) rated The Weight of Him in Books
Mar 6, 2022
40 of 230
Book
The Weight of Him
By Ethel Rohan
⭐️⭐️⭐️⭐️⭐️
In The Weight of Him Billy Brennan undergoes an unforgettable journey in a starting attempt to resurrect his family and reignite hearts, his own most of all.
At four hundred pounds, Billy can always count on food. From his earliest memories, he has loved food's colors, textures and tastes. The way flavors go off in his mouth. How food keeps his mind still and his bad feelings quiet. Food has always made everything better, until the day Billy's beloved son Michael takes his own life.
Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention--his first step in an ambitious plan to save himself, and to save others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly, privately.
Despite his crushing detractors, Billy gains welcome allies: his community-at-large; a co-worker who lost his father to suicide; a filmmaker with his own dubious agenda; and a secret, miniature kingdom that Billy populates with the sub-quality dolls and soldiers he saves from disposal at the toy factory where he works. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.
Told against the backdrop of rural, contemporary Ireland, The Weight of Him is a big-hearted novel about loss and reliance that moves from tragedy to recrimination to what can be achieved when we take the stand of our lives.
This was not a book I’d normally pick up and it came to me in a box subscription. I’m so glad it did it was so beautifully written and dealt with a some important issues suicide, grief , depression, weight loss and lots more. I loved it I didn’t put it down it had such a sad underlying story. Definitely glad it landed on my tbr.
Book
The Weight of Him
By Ethel Rohan
⭐️⭐️⭐️⭐️⭐️
In The Weight of Him Billy Brennan undergoes an unforgettable journey in a starting attempt to resurrect his family and reignite hearts, his own most of all.
At four hundred pounds, Billy can always count on food. From his earliest memories, he has loved food's colors, textures and tastes. The way flavors go off in his mouth. How food keeps his mind still and his bad feelings quiet. Food has always made everything better, until the day Billy's beloved son Michael takes his own life.
Billy determines to make a difference in Michael's memory and undertakes a public weight-loss campaign, to raise money for suicide prevention--his first step in an ambitious plan to save himself, and to save others. However, Billy's dramatic crusade appalls his family, who want to simply try to go on, quietly, privately.
Despite his crushing detractors, Billy gains welcome allies: his community-at-large; a co-worker who lost his father to suicide; a filmmaker with his own dubious agenda; and a secret, miniature kingdom that Billy populates with the sub-quality dolls and soldiers he saves from disposal at the toy factory where he works. But it is only if Billy can confront the truth of the suffering and brokenness within and around him that he and others will be able to realize the recovery they need.
Told against the backdrop of rural, contemporary Ireland, The Weight of Him is a big-hearted novel about loss and reliance that moves from tragedy to recrimination to what can be achieved when we take the stand of our lives.
This was not a book I’d normally pick up and it came to me in a box subscription. I’m so glad it did it was so beautifully written and dealt with a some important issues suicide, grief , depression, weight loss and lots more. I loved it I didn’t put it down it had such a sad underlying story. Definitely glad it landed on my tbr.
Hazel (1853 KP) rated The Witchwood Crown in Books
Jul 22, 2017
Gosh, what a long book!
Review I received this book for free through Goodreads First Reads.
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Approximately 30 years ago, the first novel in Tad Williams’ Memory, Sorrow and Thorn trilogy was published. Fans all over the world adored this high fantasy story about a young kitchen boy, Simon, who goes on to become King of Ostern Ard. Now Williams’ has returned to the fictional lands with a follow-up trilogy, The Last King of Ostern Ard.
Three decades have been and gone since the ending of the previous series. The Witchwood Crown explores the changes that have occurred since the epic story finished, unfortunately, things are not looking good. Simon and his wife, Miriamele, have suffered a few personal tragedies, leaving them with two fatherless grandchildren. Young Lillia is an out spoken child who expostulates with everyone in order to get her way – she is a princess after all. Morgan, the heir, is rather obtuse in comparison; a lazy young man whose vexatious behaviour constantly causes the Royals to despair. However, this is only a tiny problem in their restless kingdom.
The Norn Queen, an antagonist of the original story, has been asleep for the past few decades. Mortals foolishly believed they were safe from the evil character, yet unexpectedly, she has awoken and is determined to destroy humanity. Too weak to carry out her own plans, she infiltrates the minds of the members of her immortal race, sending them off on perilous missions, for example, to extract blood from a live dragon.
As well as Simon’s city and the Norns, there are several more important characters and locations, each with their own on going storyline. A mix of assiduous and animus personas shake up the peace that had settled at the closing of Memory, Sorrow and Thorn. It is almost impossible to fathom whom the good and bad are, especially when reading from so many different points of view.
If the 700 odd pages did not already give it away, the inclusion of maps and appendixes prove the book to contain an extremely lengthy tale. Flitting from one set of characters to another, it is hard to keep up with the hundreds of names and roles. It does not help that the majority are unpronounceable, full of additional apostrophes making them as unlike English names as possible – a usual trait of fantasy fiction.
Not only are the names difficult to pronounce, the words and vernacular some of the characters use are just as dumbfounding. Thankfully, definitions are provided at the back of the book, but to keep flipping between pages can get quite tedious after a while.
The sheer number of characters makes it difficult to unearth the main storyline. In fact, there does not appear to be a strong plot at all. Judging by the ending, it is as though The Witchwood Crown is only an introduction to the narrative that will begin in the following book.
Reading the primary series first will have its benefits, however, it is not mandatory. New readers, like myself, are able to pick up snippets of past events and piece together the lead up to the current scenario. Although a work of historical fantasy, it is possible to see elements of real life within the story. Dragons and fairies may not exist in our world, but similar beliefs and systems are relatable. For instance, the days of the week are obviously based on the English names: Sunday, Moonday, Tiasday, Udunsday, Drorsday, Frayday and Satrinsday.
The most striking connection between real and imagined is the religious beliefs of different clans and species. Many of the mortals have taken, up what is suggested to be, a new religion. There are so many similarities; it is undoubtedly based on Christianity. Likewise, other beliefs are comparable to pagan rites and ceremonies of the distant past.
The Witchwood Crown is not an easy book to read, neither is it all that exciting. On the other hand, it is interesting. It is equivalent to reading historical information with the added benefit of mythical creatures. This is not a quick read; therefore you need to be dedicated to sitting down and pacing through the story. It is definitely targeted at high fantasy fans – in fact, the original stories influenced George R. R. Martin (A Game of Thrones) – who are used to the length and complexity of the narrative
Gareth von Kallenbach (980 KP) rated Whiplash (2014) in Movies
Aug 6, 2019
Well, I must’ve done something to incur this kind of karma recently … My editors have been assigning me some excellent films this past month and this one is another on that string …
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
intensity, drive, and jazz combine to form the synopsis of this latest film. ‘Whiplash’ is a dramatic ‘jazz thriller’ which premiered at 2014 Sundance film festival back in January and instantly received several awards and critical acclaim before hit the theaters earlier this October.
Written and directed by Damien Chazelle, ‘Whiplash’ stars Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser, Jayson Blair, Austin Stowell, and Kavita Patil.
At a music conservatory where the competition could be compared to a ‘dog-eat-dog’ philosophy, Andrew Neyman (Teller) is a promising young drummer, willing to sacrifice his personal life and nearly everything else with his ultimate goal of becoming one of the great jazz drummers in memory. Having fallen under the eye of Terence Fletcher (Simmons), an almost insane and ruthless music conductor who notices the young music prodigy’s talent and becomes the drummer’s mentor.
Assigning Neyman as 2nd then 1st chair, Fletcher at first calmly nurtures the drummer prodigy but then pulls a complete 180 berating Neyman and very nearly assaulting him with a drum cymbal and reassigns him to 2nd chair. Later, at a jazz competition where the 1st chairs music was lost and Neyman ‘saves the day’ by playing the entire music set from memory Fletcher assigns him to 1st chair as a reward only to reassign him a few days later and replace him with another ‘supposed’ drummer prodigy. All the while, Neyman is devoting all his energies and thought to his drumming to the point of boarding on a nervous breakdown and injury …. even ending his relationship with his girlfriend. Throughout all these events Fletcher continues his villainous and tyrannical treatment of Neyman all in an effort to inspire him to realize his true potential …. the potential that Fletcher believes Neyman possess.
I mentioned ‘intensity’ and ‘drive’ at the beginning of this review …. Those two key words ….
are what this film created. The drive of Neyman and the intensity of his mentor Fletcher ….
Perhaps it’s the other way around? When the movie ends, you left with the same feeling you might imagine if you tried a 5 shot espresso. This film shows how much music (in this case jazz) can affect an individual. How anyone’s true passion can push someone beyond what is would be described as normal.
Teller and Simmons had the rare good fortunes as far as the casting in which they could both be the lead actors in this film where the intensity is magnified by the reaction of the other’s volatile attitude from one minute to the next. It was like watching a violent chemical reaction unfold in a science lab. You almost found yourself wanting to duck for cover when Neyman and Fletcher started fuming at each other. At the apex of this volatile relationship was the goal of realizing Neyman’s potential again, it was all about the drive and the intensity.
Despite the films praise, it has not been without criticism …. In recent edition of Slate, an internet culture and current affairs magazine, Forrest Wickman accused the film of distorting and misinterpreting an anecdote regarding legendary jazz composer and saxophonist Charlie Parker. Both main characters Fletcher and Neyman mention that drummer Jo Jones threw a cymbal at the teenaged Parker’s head as retaliation for Parker’s supposedly losing the beat of the composition they were performing in Count Basie’s band during a 1930s performance. According to Wickman, “Jones didn’t throw the cymbal at Parker’s head. He threw it at the floor near his feet, ‘gonging’ him off. It wasn’t an episode of physical abuse.” Jones was upset at Parker’s failure to change key with the rest of the band NOT losing the beat.
Alas, there is a an occurrence of the dreaded ‘artistic license’ in the film. And although it’s disappointing to see such an excellent film ‘alter history’ in order to better meld with the film’s script/premise the movie was so well done that I kind of let that slip by. If the performances by Teller and Simmons aren’t enough to convince you … At least go for the music! If you’re into ‘real’ jazz and not the ‘Starbucks Coffeehouse Crap’ that J.K. Simmons refers to in the film, then ‘Whiplash’ is definitely a film worth checking out. Definitely NOT one for the kids as there is A LOT of foul adult language in the film. Once again, I’m going to give this film 4 out of 5 stars.
Haley Mathiot (9 KP) rated Darcy's Voyage in Books
Apr 27, 2018
In this Pride and Prejudice variation, Elizabeth meets a strange kind man in a carriage when she is eighteen, and they both hold on to the memory of each other for two years. Elizabeth gets a chance to visit her aunt and uncle in America when she is twenty, and Mr. Darcy travels to America on his ship, the Pemberly Promise, to get his sister. But Elizabeth falls ill in the steerage, and Darcy is concerned for her more than he thought he would be, though he can’t explain it. Darcy makes a deal with Elizabeth: Since his room has an extra bed that she could heal in, and he needs a wife on the ship to avoid the young female suitors, he asks Elizabeth to marry him, and promises to annul the marriage when they get back to England.
Elizabeth and Darcy don’t recognize each other for a while, but soon it becomes obvious that they met in the carriage two years ago. It’s also obvious that they enjoy the same things, build each other up, and support each other well… and pretty soon they’re falling in love.
But misunderstandings lead to tragic occurrences, and secrets falling into the wrong hands can prove dangerous. Darcy and Elizabeth don’t know that the other loves them, and serious damage could happen if the wrong information falls into the wrong hands…
Darcy’s Voyage was a fun read. The book used some of the original story line, and most of the characters were accurate and the same in character traits and personalities—except Georgiana, who was far to outgoing—and there were some delightful new characters.
I liked the plot. It was original and creative, but it did have it’s flaws. First, I’d have liked more conflict between Elizabeth and Darcy. Their relationship had a few bumps, but seemed to be just a little to perfect. Second, Darcy’s idea of marrying Elizabeth so she could have his other bed was a little far fetched. A gentleman would have just given up his room, not married her. Still, I did like it and was able to overlook the little things that made my eyebrow quirk up.
The thing that I liked most was the artistic license. This was a great re-telling of the classic characters. It was original and cute and creative. And it was clean! which made my day.
Content/recommendation: no language, no sex, no violence. Ages 14+
Elizabeth and Darcy don’t recognize each other for a while, but soon it becomes obvious that they met in the carriage two years ago. It’s also obvious that they enjoy the same things, build each other up, and support each other well… and pretty soon they’re falling in love.
But misunderstandings lead to tragic occurrences, and secrets falling into the wrong hands can prove dangerous. Darcy and Elizabeth don’t know that the other loves them, and serious damage could happen if the wrong information falls into the wrong hands…
Darcy’s Voyage was a fun read. The book used some of the original story line, and most of the characters were accurate and the same in character traits and personalities—except Georgiana, who was far to outgoing—and there were some delightful new characters.
I liked the plot. It was original and creative, but it did have it’s flaws. First, I’d have liked more conflict between Elizabeth and Darcy. Their relationship had a few bumps, but seemed to be just a little to perfect. Second, Darcy’s idea of marrying Elizabeth so she could have his other bed was a little far fetched. A gentleman would have just given up his room, not married her. Still, I did like it and was able to overlook the little things that made my eyebrow quirk up.
The thing that I liked most was the artistic license. This was a great re-telling of the classic characters. It was original and cute and creative. And it was clean! which made my day.
Content/recommendation: no language, no sex, no violence. Ages 14+
Whatchareadin (174 KP) rated Genuine Fraud in Books
May 10, 2018
***3.5 Stars***
Jule and Imogen are both orphans. But their lives couldn't have ended up more different. Imogen was adopted into a wealthy family at a young age and Jule was sent to live with an aunt. Though they were raised differently, it's this one similarity that draws them to one another. There is just one problem, Jule is look for someone to love and love her in return and once she has latched on to Imogen she will stop at nothing to get it. And Imogen, drops the person as soon as she finds the love she is looking for. How will this work out for this pair.
So this book was confusingly good! I gave it 3.5 stars because even though the story kept me interested it was also very confusing. First of all, it starts with chapter 18 and the story is told in reverse chronological order. Then it ends with chapter 19. Every character in this book is absolutely crazy, which isn't a bad thing, but at the end I was still confused.
Jule is a good listener, and that skill alone allows her to make her way into other people's lives without them even realizing she wasn't there from the beginning. She has a great memory and can remember numbers, dates and details perfectly. She has also been trained to use these skills to her advantage. This along with the training she received to be an expert fighter, she can go very far in life as long as she isn't caught.
Imogen is spoiled. She doesn't know what she wants to do with her life, but she is happy to travel around the world and spend her money until she finds out. Surrounded by friends all the time, she finds it hard to find herself and when she get tired or bored, she just moves on from those people and places to something new.
Jule and Imogen have a unique friendship. They are old school friends, right? They were so close. But what will happen when Imogen is tired of Jule? Will she dump her like the rest? Like I said before I was so confused by the end of this book. I wasn't sure which was truth and what was <u> Genuine Fraud</u>.
Jule and Imogen are both orphans. But their lives couldn't have ended up more different. Imogen was adopted into a wealthy family at a young age and Jule was sent to live with an aunt. Though they were raised differently, it's this one similarity that draws them to one another. There is just one problem, Jule is look for someone to love and love her in return and once she has latched on to Imogen she will stop at nothing to get it. And Imogen, drops the person as soon as she finds the love she is looking for. How will this work out for this pair.
So this book was confusingly good! I gave it 3.5 stars because even though the story kept me interested it was also very confusing. First of all, it starts with chapter 18 and the story is told in reverse chronological order. Then it ends with chapter 19. Every character in this book is absolutely crazy, which isn't a bad thing, but at the end I was still confused.
Jule is a good listener, and that skill alone allows her to make her way into other people's lives without them even realizing she wasn't there from the beginning. She has a great memory and can remember numbers, dates and details perfectly. She has also been trained to use these skills to her advantage. This along with the training she received to be an expert fighter, she can go very far in life as long as she isn't caught.
Imogen is spoiled. She doesn't know what she wants to do with her life, but she is happy to travel around the world and spend her money until she finds out. Surrounded by friends all the time, she finds it hard to find herself and when she get tired or bored, she just moves on from those people and places to something new.
Jule and Imogen have a unique friendship. They are old school friends, right? They were so close. But what will happen when Imogen is tired of Jule? Will she dump her like the rest? Like I said before I was so confused by the end of this book. I wasn't sure which was truth and what was <u> Genuine Fraud</u>.
Whatchareadin (174 KP) rated The Book Thief in Books
May 10, 2018
4.5 stars
Liesel Meminger is 9 years old and it is 1939. Her mother is taking her and her brother to live with another family where they will be safe. Unfortunately, the brother doesn't make it. Liesel takes only two things with her to her new home; the memory of her brother and her first stolen book, <u>The Gravediggers Handbook</u>.
When Liesel arrives on Himmel street in Molching, Germany, she is greeted by Rosa and Hans Hubermann. They welcome her into their home and she immediately is to call them Mama and Papa. Even though Liesel is illiterate, Hans works with her every night when she is awakened with nightmares of her brothers death. They retreat to the basement to do their reading.
For 5 years, Liesel lives on Himmel street during one of the most treacherous times in Germany. She makes friends and enemies along the way and steals 5 more books.
First I would like to thank [a:Victoria Dougherty|8054971|Victoria Dougherty|https://d.gr-assets.com/authors/1394817245p2/8054971.jpg]for recommending this book to me. I have always been a fan of historical fiction and this book did not disappoint in any way, shape or form. I thoroughly enjoyed this story. I could see myself on Himmel Street with Liesel. I could see what she could see and I could feel the torment she went through. I thank God every time I finish a book like this because I live in a place and a time where these things aren't a constant worry for me. I don't have to have my possessions packed and ready to go when I raid sirens going off. I don't even hear raid sirens. This is a book everyone needs to read if they haven't.
Another thing I found very interesting in this book was that it was narrated by death. If that's not enough to make you want to read this...One of my favorite passages in the book is this "Here is a small fact...You are going to die." Simple but true. One day we all will die. I hope and pray it is not in the way that the multitudes of people died in this book, but I know that one day it will happen.
Liesel Meminger is 9 years old and it is 1939. Her mother is taking her and her brother to live with another family where they will be safe. Unfortunately, the brother doesn't make it. Liesel takes only two things with her to her new home; the memory of her brother and her first stolen book, <u>The Gravediggers Handbook</u>.
When Liesel arrives on Himmel street in Molching, Germany, she is greeted by Rosa and Hans Hubermann. They welcome her into their home and she immediately is to call them Mama and Papa. Even though Liesel is illiterate, Hans works with her every night when she is awakened with nightmares of her brothers death. They retreat to the basement to do their reading.
For 5 years, Liesel lives on Himmel street during one of the most treacherous times in Germany. She makes friends and enemies along the way and steals 5 more books.
First I would like to thank [a:Victoria Dougherty|8054971|Victoria Dougherty|https://d.gr-assets.com/authors/1394817245p2/8054971.jpg]for recommending this book to me. I have always been a fan of historical fiction and this book did not disappoint in any way, shape or form. I thoroughly enjoyed this story. I could see myself on Himmel Street with Liesel. I could see what she could see and I could feel the torment she went through. I thank God every time I finish a book like this because I live in a place and a time where these things aren't a constant worry for me. I don't have to have my possessions packed and ready to go when I raid sirens going off. I don't even hear raid sirens. This is a book everyone needs to read if they haven't.
Another thing I found very interesting in this book was that it was narrated by death. If that's not enough to make you want to read this...One of my favorite passages in the book is this "Here is a small fact...You are going to die." Simple but true. One day we all will die. I hope and pray it is not in the way that the multitudes of people died in this book, but I know that one day it will happen.
Neon's Nerd Nexus (360 KP) created a post
May 28, 2019
Kristy H (1252 KP) rated All is Not Forgotten in Books
Feb 13, 2018
One evening, teenage Jenny Kramer heads to a party. She's headed to meet a boy, but when she spots him with another girl, she's devastated. Drunk and embarrassed, Jenny heads into the woods to be alone; instead, she is attacked and viciously raped for over a hour. After the horrific incident, Jenny is given "the treatment," which erases the incident from her memory. But Jenny cannot move on from that awful night. Neither can her father, Tom, who is consumed by thoughts of tracking down the attacker. Meanwhile, Jenny's mother, just wants everything to go back to normal. Jenny is taken to a psychiatrist, Dr. Forrester, who has some experience with the treatment, including another client of his--a war veteran named Sean. Can Dr. Forrester help Sean and Jenny retrieve their memories? Will Jenny track down her rapist before she's consumed by that night's events?
This novel gets you immediately from the beginning (definite trigger warning for violence/rape, though). The entire book is told from the perspective of Dr. Forrester, which gives it a totally unique slant. Is he reliable? He's certainly a weird guy, and hearing the story from his side only makes things more intriguing. I thought the story would be more about both sides of forgetting and "the treatment," but it's really, truly the story of Jenny's rape, tracking down her rapist, and the interconnected story of several people in her town.
Overall, this is a great thriller, with a ton of twists and turns. I always enjoy a novel where I don't actually see every plot piece coming, and this one didn't disappoint. The cast of characters in the novel is varied and intricate. Some of the good doctor's machinations are a little preposterous, but it doesn't detract from the your enjoyment of the book. Even better, the ending kept up with the earlier parts of the novel and actually made me go "wow." A very enjoyable, different, twisty thriller - worth picking up.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!); it is available everywhere on 7/12/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This novel gets you immediately from the beginning (definite trigger warning for violence/rape, though). The entire book is told from the perspective of Dr. Forrester, which gives it a totally unique slant. Is he reliable? He's certainly a weird guy, and hearing the story from his side only makes things more intriguing. I thought the story would be more about both sides of forgetting and "the treatment," but it's really, truly the story of Jenny's rape, tracking down her rapist, and the interconnected story of several people in her town.
Overall, this is a great thriller, with a ton of twists and turns. I always enjoy a novel where I don't actually see every plot piece coming, and this one didn't disappoint. The cast of characters in the novel is varied and intricate. Some of the good doctor's machinations are a little preposterous, but it doesn't detract from the your enjoyment of the book. Even better, the ending kept up with the earlier parts of the novel and actually made me go "wow." A very enjoyable, different, twisty thriller - worth picking up.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!); it is available everywhere on 7/12/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Debbiereadsbook (1444 KP) rated Forged In Flood in Books
Jul 21, 2018
new favourite from this author!
I had the honour of beta reading this book, so I was gifted my copy of this book.
Ten years ago, a stupid mistake nearly cost 3 young men their lives. It left them all scarred in a multitude of ways. Ivan has shut himself off from everyone, working in his beloved forge, while Rolland and Wes have taken it upon themselves to educate the youth of today on the errors of drink driving. But Wes and Rolly have had enough of waiting for Ivan, their Viking to get over his self inflicted guilt. And they choose the night of the worst flooding in living memory to make Ivan see sense.
This is NOT part of the Sin Bin series, but there are some cross-over characters, mainly Sarah and her husband Remi. You don't NEED to read them, but you SHOULD!
I loved this! I've loved almost all of Ms Donovan's work, and each and every time, the new book becomes my new favourite, and this is no exception!
Ivan makes this book, he really does. His struggle dealing with his guilt. His struggle dealing with becoming like his namesake of a father, and him not really wanting to. Dealing with the destruction of his forge and his home. Dealing with the after effects of the original accident, and a second one too.
But mainly, because watching him deal with his ever growing attraction to Wes and Rolly, and his NEED to be with them, is a joy to behold! He doesn't want it, not at first but they are persistent buggers now they have decided to pursue Ivan, rather than waiting for him to come to them.
There are some lighter moments, written only in a way Ms Donovan can. Her boys do like to play with their food and these three are no exception to that rule. I don't think I can ever look at a pot of honey in the same way, every again!
Because I read it in one sitting, because it made me cry in places, because it made me laugh out loud in others (and not many books can do that with me when I'm reading!) and just bloody well because . . . . .
5 stars
**same worded review will appear elsewhere**
Ten years ago, a stupid mistake nearly cost 3 young men their lives. It left them all scarred in a multitude of ways. Ivan has shut himself off from everyone, working in his beloved forge, while Rolland and Wes have taken it upon themselves to educate the youth of today on the errors of drink driving. But Wes and Rolly have had enough of waiting for Ivan, their Viking to get over his self inflicted guilt. And they choose the night of the worst flooding in living memory to make Ivan see sense.
This is NOT part of the Sin Bin series, but there are some cross-over characters, mainly Sarah and her husband Remi. You don't NEED to read them, but you SHOULD!
I loved this! I've loved almost all of Ms Donovan's work, and each and every time, the new book becomes my new favourite, and this is no exception!
Ivan makes this book, he really does. His struggle dealing with his guilt. His struggle dealing with becoming like his namesake of a father, and him not really wanting to. Dealing with the destruction of his forge and his home. Dealing with the after effects of the original accident, and a second one too.
But mainly, because watching him deal with his ever growing attraction to Wes and Rolly, and his NEED to be with them, is a joy to behold! He doesn't want it, not at first but they are persistent buggers now they have decided to pursue Ivan, rather than waiting for him to come to them.
There are some lighter moments, written only in a way Ms Donovan can. Her boys do like to play with their food and these three are no exception to that rule. I don't think I can ever look at a pot of honey in the same way, every again!
Because I read it in one sitting, because it made me cry in places, because it made me laugh out loud in others (and not many books can do that with me when I'm reading!) and just bloody well because . . . . .
5 stars
**same worded review will appear elsewhere**
Gareth von Kallenbach (980 KP) rated The Hangover (2009) in Movies
Aug 9, 2019
The road trip gone awry has been a staple of Hollywood comedies for years. Bing Crosby and Bob Hope provided tons of laughs with their “Road To” films which have continued with films ranging from “Road Trip” to the Chevy Chase “Vacation” film series. In the new movie “The Hangover”, Director Todd Phillips follows upon his many successes which include “Old School”, and “Starsky and Hutch” to create one of the funniest films in recent memory.
When Doug (Justin Bartha) is about to be married, his friends Stu (Ed Helms) and Phil (Bradley Cooper) decide to give Doug a bachelor party. With his eccentric future brother-in-law Alan (Zach Galifinakis) in tow, the guys hit the town for a night to remember. Or maybe not.
After a rooftop toast overlooking the scenic Las Vegas strip, Stu, Phil, and Alan awaken to find their lavish suite at Ceasar’s Palace destroyed and everything from a tiger to a chicken sharing their room. Henpecked Stu panics, having told his girlfriend they were going to wine country and is at a loss to explain the state of the room as well as his missing tooth. With all three men nursing a severe hangover and Doug nowhere to be found, things take a turn for the worse when a baby is discovered in the closet of their suite. Desperate to get to the bottom of the previous night and locate Doug, the guys try to piece together their lost night.
As the plot unfolds, the guys go from a wedding chapel to a hospital and police station, and trying to stay ahead of new threats and complications that arise. With Doug’s wedding looming in a few hours, the group takes extreme measures to find their friend and get him to the alter on time.
What follows is a hysterical and highly enjoyable comedy that rarely lets up long enough for you to stop laughing before unleashing even more comedy. The ensemble cast is strong and have great camaraderie and chemistry. The film loses some momentum in the final act but rebounds nicely with the final segments. Make sure you stay for the credits for some hysterical stuff and some great celebrity cameos. While some may find the humor crude and sophomoric, if you are not easily offended, you will laugh loud and often at this comedic delight.
When Doug (Justin Bartha) is about to be married, his friends Stu (Ed Helms) and Phil (Bradley Cooper) decide to give Doug a bachelor party. With his eccentric future brother-in-law Alan (Zach Galifinakis) in tow, the guys hit the town for a night to remember. Or maybe not.
After a rooftop toast overlooking the scenic Las Vegas strip, Stu, Phil, and Alan awaken to find their lavish suite at Ceasar’s Palace destroyed and everything from a tiger to a chicken sharing their room. Henpecked Stu panics, having told his girlfriend they were going to wine country and is at a loss to explain the state of the room as well as his missing tooth. With all three men nursing a severe hangover and Doug nowhere to be found, things take a turn for the worse when a baby is discovered in the closet of their suite. Desperate to get to the bottom of the previous night and locate Doug, the guys try to piece together their lost night.
As the plot unfolds, the guys go from a wedding chapel to a hospital and police station, and trying to stay ahead of new threats and complications that arise. With Doug’s wedding looming in a few hours, the group takes extreme measures to find their friend and get him to the alter on time.
What follows is a hysterical and highly enjoyable comedy that rarely lets up long enough for you to stop laughing before unleashing even more comedy. The ensemble cast is strong and have great camaraderie and chemistry. The film loses some momentum in the final act but rebounds nicely with the final segments. Make sure you stay for the credits for some hysterical stuff and some great celebrity cameos. While some may find the humor crude and sophomoric, if you are not easily offended, you will laugh loud and often at this comedic delight.