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Our Little Cruelties
Our Little Cruelties
Liz Nugent | 2020 | Thriller
8
6.7 (3 Ratings)
Book Rating
Interesting (2 more)
Great characters
Creates emotion
Not a thriller (0 more)
Does a lot with little
This was not exactly as I perceived it, I thought it would be a thriller/crime fiction type story but it is not. However, that doesn't detract from how good it is.

The story is full of twists and turns, that slowly unwind the characters and explain why they are how they are, sort of. I think the characters are brilliant and the way they are described/actions they take just makes you hate them.

Overall its sad to think that families are like this and it was interesting to see the same events from different viewpoints. I liked that the time frames shifted but were still easy to follow, when I first realised this I was apprehensive as I often forget to read the chapter name as I'm too excited to crack on.

There could have been more delving into the many mental health issues in the book. I also didn't like the hinting towards mental health being hereditary.
  
Mad To Be Normal (2018)
Mad To Be Normal (2018)
2018 |
8
8.0 (1 Ratings)
Movie Rating
Mental Health in the 60s
I’ll admit, whenever I see David Tennant’s name on a cast list I get excited. As a long time fan, I’ve watched him play a variety of roles brilliantly. So when I was given the opportunity to review Mad To Be Normal and I learned what the plot was, how could I refuse? Set in the 60s, the film follows Scottish psychiatrist R.D. Laing and his unconventional approach to mental health treatment, causing controversy within the psychiatry field.

Although I don’t know much about Laing, Tennant really shone in the central role and delivered a truly captivating character who was riddled with his own underlying issues. He’s a tricky one because sometimes you really sympathise and agree with him, but other times he’s so utterly frustrating. The film showed us many different sides to him, and created a well-rounded exploration of the man in question. He’s compassionate but also terribly naive, and that’s a dangerous combination indeed. Tennant is joined by Elisabeth Moss, Michael Gambon and Gabriel Byrne which is an excellent line up.

One of the best things about this film is the characters, because everyone does such an amazing job of portraying complex characters with equally as complex relationships. Moss plays student Angie who quickly becomes a love interest of Laing’s, and joins him in his work. Much like Laing, she is also well-rounded and has good traits and bad ones, the latter resulting in rather turbulent moments throughout the film.

I especially enjoyed the way mental health was portrayed by characters, as you could tell they were struggling and trying so hard to deal with their illnesses. It was dealt with respectfully and honestly, whilst still showing the risks of untreated mental health conditions. Gabriel Byrne in particular stands out in his portrayal of Jim, going from someone friendly and sentimental to someone violent and dangerous very quickly. It would have been good to learn more about each character and their individual backgrounds for context’s sake, replacing the unnecessary scenes with this. Nevertheless, the insight into mental health in this era was fascinating, particularly scenes involving the inhumane treatment known as electroshock therapy. It shows we have come a long way since then, but we still have a long way to go.

The stellar performances are accompanied with some great set design, which I imagine would provide some welcome nostalgia for those familiar with the era. I loved Laing’s quirky style both in his interior design, behaviour and clothing choices, making him stand out even more. He’s flamboyant in every sense of the word, but not always for the right reasons. For his time, Laing was clearly very open minded, caring and in favour of self-expression, further conflicting with the beliefs of wider society. Although open mindedness is a good thing, his goes too far which ultimately would lead to his eventual downfall.

Robert Mullan has done a great job bringing this important figure to life on screen, putting together a cast that perfectly delivered this story. Whilst I would have liked more context around both the patients and Laing himself, the film still delivered a powerful message in its 1 hour 45 minute run time. It’s definitely worth a watch.

https://lucygoestohollywood.com/2018/08/04/mental-health-in-the-60s-mad-to-be-normal-review/
  
Turtles All The Way Down
Turtles All The Way Down
John Green | 2017 | Fiction & Poetry
9
8.4 (60 Ratings)
Book Rating
When I heard about Turtles All The Way Down being released, I didn’t know how I felt. It sounded like a book I would like, but at the same time it was by John Green and I had a strict policy to myself that I wouldn’t get it until it was in paperback and in the sale.

And I kinda stuck to that. I didn’t buy it for myself. I got it for Christmas because I decided that I actually quite wanted to read it and for once I could try and throw my prejudices away.

Aza and her best friend Daisy decide to try and find out where a missing billionaire has gone. This billionaire is coincidentally Aza’s childhood best friend’s father, and the reward for finding him is $100,000.

Aza struggles with mental health illnesses throughout the book, and the book includes narratives between Ava and her thoughts which perfectly show how mental health effects people and what it actually feels like to not be in control of your thoughts. It also shows how your mental health affects people around you, even if it’s a bit brutal when it comes to that.

I love that Daisy is constantly writing fanfics throughout the novel and found her whole attitude entertaining. She’s the typical fictional best friend and is so lovable despite her flaws. She’s one of those characters who is impossible to hate.

I’m a convert. I love John Green now and I may go and try his other books again because Turtles All The Way Down is one of my top books of 2017.