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Andy K (10821 KP) rated Much Ado About Nothing (1993) in Movies
Dec 27, 2018
Shakespeare fun
Writer/director/star Kenneth Branagh brings one of his several Shakespeare adaptations to the big screen with a very memorable cast including Denzel Washington, Emma Thompson, Michael Keaton and a very young Kate Beckinsale.
If you like old English you will love the comedy, mistaken identity with a little tragedy. This one is not too heavy and can be enjoyed by everyone.
If you like old English you will love the comedy, mistaken identity with a little tragedy. This one is not too heavy and can be enjoyed by everyone.
LeftSideCut (3778 KP) rated Hubie Halloween (2020) in Movies
Oct 9, 2020
I would class Happy Gilmore as a good Adam Sandler comedy. I would class Jack & Jill as a straight up abomination of cinema. Hubie Halloween sits somewhere comfortably in the middle.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.
Joey Santiago recommended Marquee Moon by Television in Music (curated)
Kevin Wilson (179 KP) rated Back to the Future (1985) in Movies
Jul 23, 2018
Amazing plot (3 more)
Fantastic cast
Lovable characters
Interesting take on a time machine
1 of my favourite movies of all time!
This is a masterpiece and a classic.
The writing is spot on, the acting and cast are perfect and could never be replaced if there was ever talk of a remake (please dont)
The idea to have the time machine as a car was genius. I know the initial idea was a refrigerator which would have been weird so I'm happy they changed their mind. The effects of going up to 88 miles per hour and see the light flash in front of the delorian before it speeds through time was impressive. They got the look of the 50s spot on.
Michael j fox and Christopher lloyd give excellent performances. Their characters are lovable, fun and just perfect. Crispin Glover is as weird as ever but great as George while lea Thompson was also great Lorraine but not as believable as an older version of herself.Tom Wilson was perfect as the bully biff and was shocked not to see him in more stuff afterwards.
The plot is great. Go back in time, make sure your parents get together to make sure your born. This was great chance for many funny scenes involving Marty and his parents. But this is where the logic didn't make sense. He went through all this so why don't his parents remember him from when they were younger.
If you ain't seen this before, where have you been? It's a classic and a must see for anyone. It's funny, it's charming and it's geeky at times.
The writing is spot on, the acting and cast are perfect and could never be replaced if there was ever talk of a remake (please dont)
The idea to have the time machine as a car was genius. I know the initial idea was a refrigerator which would have been weird so I'm happy they changed their mind. The effects of going up to 88 miles per hour and see the light flash in front of the delorian before it speeds through time was impressive. They got the look of the 50s spot on.
Michael j fox and Christopher lloyd give excellent performances. Their characters are lovable, fun and just perfect. Crispin Glover is as weird as ever but great as George while lea Thompson was also great Lorraine but not as believable as an older version of herself.Tom Wilson was perfect as the bully biff and was shocked not to see him in more stuff afterwards.
The plot is great. Go back in time, make sure your parents get together to make sure your born. This was great chance for many funny scenes involving Marty and his parents. But this is where the logic didn't make sense. He went through all this so why don't his parents remember him from when they were younger.
If you ain't seen this before, where have you been? It's a classic and a must see for anyone. It's funny, it's charming and it's geeky at times.
Gareth von Kallenbach (965 KP) rated Dolittle (2020) in Movies
Jan 18, 2020
The new Universal Studios movie Dr. Dolittle stars Robert Downey Jr as Dr. Dolittle, Antonio Banderas as King Rassouli, Michael Sheen as Dr. Mudfly, Emma Thompson as Poly, Jessie Buckley as Queen Victoria, and a host of other well-known stars as the voices of the animals, including John Cena, Ralph Fiennes and Selna Gomez. Dolittle is directed by Stephen Gaghan
Dr. Dolittle is a charming movie.
The audience is taken on a wonderful adventure across oceans and far away kingdoms in search of a magical cure for young Queen Victoria.
Robert Downey Jr. does a phenomenal job in portraying Dr. Dolittle. He plays the role with emotion and charm. His life has been sad since the passing of his wife, and he secludes himself with the only beings he wants to have contact with, his animal menagerie. He is interrupted in his solitude by a request from the palace to find a cure for young Queen Victoria who has been poisoned.
Dr. Dolittle and his animal menagerie set off on an epic adventure to hunt down the one thing that might save the Queen, the sap from a tree that Dolittles late wife has been researching. On the way, they must get around the nefarious Dr. Blair Mudfly, and Rassouli the king of pirates.
Younger viewers are sure to be kept engaged, as the movie is fast paced and they will not have the chance to be bored. The audience are sure to be pleased with the vitality and humor that each role brings to the film.
The movie is perfect for families to view together and everyone will enjoy it.
Dr. Dolittle is a charming movie.
The audience is taken on a wonderful adventure across oceans and far away kingdoms in search of a magical cure for young Queen Victoria.
Robert Downey Jr. does a phenomenal job in portraying Dr. Dolittle. He plays the role with emotion and charm. His life has been sad since the passing of his wife, and he secludes himself with the only beings he wants to have contact with, his animal menagerie. He is interrupted in his solitude by a request from the palace to find a cure for young Queen Victoria who has been poisoned.
Dr. Dolittle and his animal menagerie set off on an epic adventure to hunt down the one thing that might save the Queen, the sap from a tree that Dolittles late wife has been researching. On the way, they must get around the nefarious Dr. Blair Mudfly, and Rassouli the king of pirates.
Younger viewers are sure to be kept engaged, as the movie is fast paced and they will not have the chance to be bored. The audience are sure to be pleased with the vitality and humor that each role brings to the film.
The movie is perfect for families to view together and everyone will enjoy it.
Bob Mann (459 KP) rated Johnny English Strikes Again (2018) in Movies
Sep 28, 2021
Spy spoof caper that’s only passably amusing.
It’s a HILARIOUS concept. It’s Bond but not as we know it: a suave, sophisticated, well-dressed hero but someone who’s a complete klutz when it comes to the spy business. Rowan Atkinson is perfect in the role: because when he plays his face ”straight” he IS strangely good-looking and certainly pulls off the air of confidence, intelligence and sophistication well.
So it was that 2003’s Johnny English was a refreshing novelty. Roll forwards 15 years (via 2011’s “Johnny English Reborn”) and the concoction needs… you know… actual JOKES.
For “Johnny English Strikes Again” is unfortunately a pretty lame affair.
The Plot
Johnny English (Atkinson) is retired from MI7 and living life as a Geography teacher at a public school. Aside from teaching them about sheep farming in Australia and magma, English delights in teaching his young pupils the tricks of the spy trade: “You’re looking particularly beautiful tonight”, with a twinkle and a vodka martini in hand. “You’re looking particularly beautiful tonight” repeats the class.
But the quiet life of English is about to end, since a cyber-attack has exposed all of MI7’s current agents and the Prime Minister (Emma Thompson) needs to re-hire a retired agent who is currently ‘off the grid’. But noone – friend or foe – is safe when the bumbling English and his faithful helper Bough (Ben Miller) go back into the field.
The Turns
As UK comedy professionals, Atkinson and Miller deliver their English/Bough schtick serviceably enough. The brilliant Emma Thompson though is woefully underused as a straight-woman, being asked to do little more than an exasperated Theresa May impersonation.
If you need a sexy and sophisticated femme fatale for a Bond spoof, what better than a real ex-Bond girl? So the extremely sexy and sophisticated Olga Kurylenko (Camille from “Quantum of Solace”) plays Ophelia Bhuletova, which sounds much funnier when pronounced by Atkinson. And a very good job she does too.
The Review
To emphasise the positive for a moment, the film is suitably glossy, which are table stakes for a spy caper like this or Austin Powers.
But the script by William Davies (who did the previous Johnny Englishes, but nothing much since “Reborn”) doesn’t deliver any real laugh-out-loud moments. My hopes were raised when the “pensioner interviews” happened and Charles Dance, Edward Fox and Michael Gambon turned up. Great, I thought… having the old timers play off Atkinson will be fun. But unfortunately they were nothing but cameos and (although one of the film’s comedy highlights) they came and went in the blink of an eye.
Elsewhere the film relied too much on a few running jokes: ostensibly the need for health and safety in MI7, where guns are rather frowned upon, given their potential to caused injury or worse. A ‘virtual reality’ training mission also delivers smiles but outstays its welcome.
The film is a first-time feature for TV-comedy director David Kerr.
Final thoughts
There are films which are wildly offensive. There are films that are just plain bad. This is neither: it is as Douglas Adams might have described it as “Mostly Harmless”. But to get any more than the rating I have given it, a comedy film has to make me laugh and this one failed miserably. It’s a watchable TV film for a rainy afternoon, but not worth heading out to the cinema to watch.
So it was that 2003’s Johnny English was a refreshing novelty. Roll forwards 15 years (via 2011’s “Johnny English Reborn”) and the concoction needs… you know… actual JOKES.
For “Johnny English Strikes Again” is unfortunately a pretty lame affair.
The Plot
Johnny English (Atkinson) is retired from MI7 and living life as a Geography teacher at a public school. Aside from teaching them about sheep farming in Australia and magma, English delights in teaching his young pupils the tricks of the spy trade: “You’re looking particularly beautiful tonight”, with a twinkle and a vodka martini in hand. “You’re looking particularly beautiful tonight” repeats the class.
But the quiet life of English is about to end, since a cyber-attack has exposed all of MI7’s current agents and the Prime Minister (Emma Thompson) needs to re-hire a retired agent who is currently ‘off the grid’. But noone – friend or foe – is safe when the bumbling English and his faithful helper Bough (Ben Miller) go back into the field.
The Turns
As UK comedy professionals, Atkinson and Miller deliver their English/Bough schtick serviceably enough. The brilliant Emma Thompson though is woefully underused as a straight-woman, being asked to do little more than an exasperated Theresa May impersonation.
If you need a sexy and sophisticated femme fatale for a Bond spoof, what better than a real ex-Bond girl? So the extremely sexy and sophisticated Olga Kurylenko (Camille from “Quantum of Solace”) plays Ophelia Bhuletova, which sounds much funnier when pronounced by Atkinson. And a very good job she does too.
The Review
To emphasise the positive for a moment, the film is suitably glossy, which are table stakes for a spy caper like this or Austin Powers.
But the script by William Davies (who did the previous Johnny Englishes, but nothing much since “Reborn”) doesn’t deliver any real laugh-out-loud moments. My hopes were raised when the “pensioner interviews” happened and Charles Dance, Edward Fox and Michael Gambon turned up. Great, I thought… having the old timers play off Atkinson will be fun. But unfortunately they were nothing but cameos and (although one of the film’s comedy highlights) they came and went in the blink of an eye.
Elsewhere the film relied too much on a few running jokes: ostensibly the need for health and safety in MI7, where guns are rather frowned upon, given their potential to caused injury or worse. A ‘virtual reality’ training mission also delivers smiles but outstays its welcome.
The film is a first-time feature for TV-comedy director David Kerr.
Final thoughts
There are films which are wildly offensive. There are films that are just plain bad. This is neither: it is as Douglas Adams might have described it as “Mostly Harmless”. But to get any more than the rating I have given it, a comedy film has to make me laugh and this one failed miserably. It’s a watchable TV film for a rainy afternoon, but not worth heading out to the cinema to watch.
Gareth von Kallenbach (965 KP) rated The Rum Diary (2011) in Movies
Aug 7, 2019
For those unfamiliar with Hunter S. Thompson’s work (as I am), you may not recognize that this movie is based on his book of the same title, first published in 1998. Hunter S. Thompson is the same author who gave us the novel for which the film Fear and Loathing in Las Vegas was based on.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.
The Rum Diary follows Paul Kemp (played by Johnny Depp), a failed novelist turn journalist, who finds himself at a critical turning point in his life. Having written two and a half novels that were never published, he was having trouble finding his voice, in that he needed to find a way to “write like him” as Paul put it himself. So he decides to do some freelance writing for a small publication located in San Juan, Puerto Rico in 1960.
The movie opens with Kemp waking up in a hotel, and you can immediately, and clearly, see that he partakes in certain pleasures of life. After reporting to work at San Juan Star, Kemp meets Sala (played by Michael Rispoli), the photographer for the Star who quickly becomes his cohort. The editor-in-chief of the San Juan Star, Lotterman (played by Richard Jenkins) indicates to Kemp that the publication is only a few months away from being closed down, and that there really isn’t much to look forward to. He assigns Kemp to do some fluff pieces and the horoscope section of the paper.
Kemp is not content with this as he is looking at this experience as a way to put his career back on track. Over the next few days, during his adventures with Sala, he comes across a few different story ideas that are immediately shot down by Lotterman, as they emphasize the things that are wrong with San Juan, and Lotterman feels that the focus should be on the good things (like bowling alleys).
During one of his nights of boozing, he meets Chenault (played by Amber Heard). She’s aloof, mysterious, and of course… Kemp falls immediately in love with her. She just happens to be the girlfriend of Sanderson (played by Aaron Eckhart). Sanderson immediately recognizes the talents that Kemp has and begins recruiting him for a real estate scam. The idea is to get a foothold and build a new hotel on a private island that is used for United States military testing, but will soon be relinquished from that purpose. Sanderson and a group of investors want Kemp to put a brilliant positive spin on the hotel investment so that the public opinion, and that of those in a position to block the development, is a positive one.
Things begin to unravel as Kemp and Sala’s shenanigans keep getting them into trouble, culminating in a heated night where Kemp, Sala, Chenault and Sanderson end up at a bar during the St. Thomas Carnival.
The Rum Diary was highly entertaining with a great supporting cast. Giovani Ribisi provides an excellent distraction from some of the more serious events of the movie as he appears every now and then as Moburg, another reporter for the San Juan Star. The movie played like a great alcohol-induced, drug-fueled adventures of a journalist in the 1960s. Definitely some quirky moments, and you will find yourself laughing at many of Kemp and Sala’s exploits.
My only gripe with the movie is how it ended. The build up to Kemp printing the story and putting it out there leaves you wanting more. While I don’t think the film will reach the same cult-status that Fear and Loathing in Las Vegas will, it is definitely entertaining (all the way until the end). It is a good nod to Thompson and fans of his books and movie adaptations are sure to enjoy.
Phillip McSween (751 KP) rated Creed (2015) in Movies
May 28, 2019
About More Than Just Punching...but the Punching is Good Too
Adonis Creed (Michael B. Jordan), son of former heavyweight champion Apollo Creed, looks to follow in his father’s footsteps and become a legend in his own right.
Acting: 10
The wheels of Creed don’t turn without a stellar performance from star Michael B. Jordan as Adonis. I love what he does with the character, moving with a humble grit and intensity that lets you know that this won’t just be another Rocky character. Tessa Thompson matches his sincerity with realness playing the role of Bianca, love interest of Adonis. She is sensational as Bianca with a smile that can light up a room and the chill attitude of an average person you might meet on the street. Of course Sylvester Stallone does what he does best playing the role that he was born to play in Rocky Balboa. He’s a little older and a little wiser, yet, at his core, Stallone captures the essence of the character we have grown to love over the last forty years.
Beginning: 6
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
The conflict comes not just from the boxing matches, but in the knowing of Adonis trying to rise through the ranks. You see where he is at and rooting for where he ends up. The opponents he faces off against are more seasoned making it fun to watch Adonis’ progression as he continues to improve from the young punk that got knocked on his ass in the gym at the beginning of the movie. Watching the final matchup got me just as excited as when I watched Rocky take on the Russian.
Genre: 9
Almost as classic as the originals, Cinderella Man, or Raging Bull…but not quite. Those were movies that established the genre while this one transformed it. One of the absolute best in the realm of boxing.
Memorability: 10
The memorability comes in the journey. Despite being the son of a hall of fame boxer, Adonis doesn’t grow up with a silver spoon in his mouth. He has to really grind to get to a place of prominence and you get to be a part of that every single step of the way. Adonis has a dream that he can’t run from. From the first time you see him hit the mat to the thrilling conclusion, the movie is packed with memorable moments and a strong message about fighting for your dreams.
Pace: 10
The movie has enough in-the-ring action and training to keep the audience engaged. In between all of that awesomeness, it’s a treat watching the romance develop Adonis and Bianca as well. Creed never lingers too long in the “soft” spots. Before you know it the gloves are back on and we’re watching another showdown.
Plot: 10
Adonis has a dream that he can’t run from and the story doesn’t let him off the hook. I appreciated the unique spin on the “Father’s Foosteps” story. It’s not what you expect and it gives you yet another reason to root for Adonis. The story doesn’t have a ton of moving parts, but it does a fantastic job of doing a lot with a little.
Resolution: 10
Overall: 95
One of my favorite scenes in Creed is the first date between Adonis and Bianca. You hear about hopes and dreams and the obstacles that stand in the way. Watching these strar-crossed lovers succeed together drives the movie deeper than boxing. I hope this series continues to pack a punch for years to come.
Acting: 10
The wheels of Creed don’t turn without a stellar performance from star Michael B. Jordan as Adonis. I love what he does with the character, moving with a humble grit and intensity that lets you know that this won’t just be another Rocky character. Tessa Thompson matches his sincerity with realness playing the role of Bianca, love interest of Adonis. She is sensational as Bianca with a smile that can light up a room and the chill attitude of an average person you might meet on the street. Of course Sylvester Stallone does what he does best playing the role that he was born to play in Rocky Balboa. He’s a little older and a little wiser, yet, at his core, Stallone captures the essence of the character we have grown to love over the last forty years.
Beginning: 6
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
The conflict comes not just from the boxing matches, but in the knowing of Adonis trying to rise through the ranks. You see where he is at and rooting for where he ends up. The opponents he faces off against are more seasoned making it fun to watch Adonis’ progression as he continues to improve from the young punk that got knocked on his ass in the gym at the beginning of the movie. Watching the final matchup got me just as excited as when I watched Rocky take on the Russian.
Genre: 9
Almost as classic as the originals, Cinderella Man, or Raging Bull…but not quite. Those were movies that established the genre while this one transformed it. One of the absolute best in the realm of boxing.
Memorability: 10
The memorability comes in the journey. Despite being the son of a hall of fame boxer, Adonis doesn’t grow up with a silver spoon in his mouth. He has to really grind to get to a place of prominence and you get to be a part of that every single step of the way. Adonis has a dream that he can’t run from. From the first time you see him hit the mat to the thrilling conclusion, the movie is packed with memorable moments and a strong message about fighting for your dreams.
Pace: 10
The movie has enough in-the-ring action and training to keep the audience engaged. In between all of that awesomeness, it’s a treat watching the romance develop Adonis and Bianca as well. Creed never lingers too long in the “soft” spots. Before you know it the gloves are back on and we’re watching another showdown.
Plot: 10
Adonis has a dream that he can’t run from and the story doesn’t let him off the hook. I appreciated the unique spin on the “Father’s Foosteps” story. It’s not what you expect and it gives you yet another reason to root for Adonis. The story doesn’t have a ton of moving parts, but it does a fantastic job of doing a lot with a little.
Resolution: 10
Overall: 95
One of my favorite scenes in Creed is the first date between Adonis and Bianca. You hear about hopes and dreams and the obstacles that stand in the way. Watching these strar-crossed lovers succeed together drives the movie deeper than boxing. I hope this series continues to pack a punch for years to come.
Gareth von Kallenbach (965 KP) rated Creed 3 (2023) in Movies
Mar 5, 2023
Life for Adonis Creed (Michael B. Jordan), is going well. He has a loving
wife (Tessa Thompson), and daughter (Mile Davis-Kent), and has retired
from boxing after defeating an old rival and ensuring his legacy.
Creed spends his time with his family and developing young fighters at his
gym and is prepping the current champion for his next big match against
Viktor Drago.
An unexpected figure from Creed’s past arrives in the form of Damian
Anderson (Jonathan Majors), a friend of Creed’s troubled youth has
just completed eighteen years in prison.
Damian was the current Golden Gloves champion when he was arrested and
believes he is due his title shot and Creed is the one who can make it
happen.
Creed tries to teach his friend that a person without a single professional fight does not get a magical title shot and with his large
the gap from the ring he would need to grind it out to get a shot.
When an incident occurs just before a scheduled fight and without any
established fighters available to make the date of the fight, Creed gives
his friend a shot and sees that his brutal style of boxing is not what he
would endorse.
Upon winning the title Damian lets it go to his head and gloats at how Creed
had the life he should have had and blames Creed for his past issues and
for not visiting him or staying in contact.
Naturally, this puts the two former friends on a path of no return with a
climatic boxing match being the solution.
“Creed III” does not have the benefit of Sylvester Stallone but you can
still get whips of his character’s influence on Creed and Jordan does a
very solid job Directing the film. He produces strong character moments
which help define the struggles and motivations that each of them faces and
the boxing sequences are very engaging and will have you cheering along.
Majors does a great job in what could have been a routine bad guy
performance. He gives Damian a drive and purpose but also shows the path
that Creed could easily have followed had fate not gone as it did and how
watching someone get everything you dreamed of while you are in prison can
turn even the best of a man cold and bitter.
The film satisfies from start to finish and the character moments and
boxing blend to make not only a very enjoyable film but one that shows
that there is plenty of life in the franchise.
4 stars out of 5
wife (Tessa Thompson), and daughter (Mile Davis-Kent), and has retired
from boxing after defeating an old rival and ensuring his legacy.
Creed spends his time with his family and developing young fighters at his
gym and is prepping the current champion for his next big match against
Viktor Drago.
An unexpected figure from Creed’s past arrives in the form of Damian
Anderson (Jonathan Majors), a friend of Creed’s troubled youth has
just completed eighteen years in prison.
Damian was the current Golden Gloves champion when he was arrested and
believes he is due his title shot and Creed is the one who can make it
happen.
Creed tries to teach his friend that a person without a single professional fight does not get a magical title shot and with his large
the gap from the ring he would need to grind it out to get a shot.
When an incident occurs just before a scheduled fight and without any
established fighters available to make the date of the fight, Creed gives
his friend a shot and sees that his brutal style of boxing is not what he
would endorse.
Upon winning the title Damian lets it go to his head and gloats at how Creed
had the life he should have had and blames Creed for his past issues and
for not visiting him or staying in contact.
Naturally, this puts the two former friends on a path of no return with a
climatic boxing match being the solution.
“Creed III” does not have the benefit of Sylvester Stallone but you can
still get whips of his character’s influence on Creed and Jordan does a
very solid job Directing the film. He produces strong character moments
which help define the struggles and motivations that each of them faces and
the boxing sequences are very engaging and will have you cheering along.
Majors does a great job in what could have been a routine bad guy
performance. He gives Damian a drive and purpose but also shows the path
that Creed could easily have followed had fate not gone as it did and how
watching someone get everything you dreamed of while you are in prison can
turn even the best of a man cold and bitter.
The film satisfies from start to finish and the character moments and
boxing blend to make not only a very enjoyable film but one that shows
that there is plenty of life in the franchise.
4 stars out of 5
Bob Mann (459 KP) rated Last Christmas (2019) in Movies
Nov 25, 2019
Alas, Christmas
Oh Dear! Now I wouldn't go as far as saying I had "high hopes" for this film, but as a real fan of the goo-fest that is "Love Actually" I at least thought this might fill some seasonal void in the run up to the festive season. "Best Christmas film of the decade!!" screams the marketing. Er... no.
This review will be spoiler free.
The plot: Kate (Emilia Clarke) is an immigrant from the former-Yugoslavia now living in London. She has a dead-end job working for "Santa" (Michelle Yeoh) in a Christmas shop in Covent Garden. She is perennially lubricated both with drink and other bodily fluids thanks to her hedonistic lifestyle. And she really likes George Michael.
But life just seems vacuous and to have no purpose for her anymore. Her composure is not helped by her mother (Emma Thompson) constantly fussing about her health, since Kate has only recently recovered from a serious illness.
Dropping into her life then comes Tom (Henry Golding). Smartly dressed and calmly reassuring, Tom seems to have the potential to start turning Kate's life around. But is she prepared to listen?
There are startling similarities here with Phoebe Waller-Bridge's triumphant tribute to hedonistic 30-something sex-addicted females everywhere.... "Fleabag". Kate is similarly louche, hopping from bed to bed in a heartbeat. She has a dysfunctional family and - most strikingly - she has a particularly difficult relationship with her high-achieving sister. This is not helped by a remarkable similarity between the actress playing Marta (Lydia Leonard ) and Fleabag's Clare (Sian Clifford). But whereas Fleabag is both brilliantly written, heart-rending and hilarious, this simply is not.
There were a total of two laughs in the movie for me. Period. Both were lines delivered by Emma Thompson, and if you've seen the film you probably know the ones. Now, I'm aware that Thompson co-wrote the script and she is, of course, a national acting treasure. But here the script is clunky and all of the "comic" scenes are so laboured and forced that they land like leaden weights.
And some of it makes no sense whatsoever. There is some strange Danish sauerkraut salesman (Peter Mygind) with a crush on "Santa". He suddenly appears in the shop acting like some escaped mental patient. When he first appears, acting bizarrely, you think, "oh, there must be some fascinating backstory between these two - a murky past they are trying to rekindle". But no! This is the first time they have EVER met? It's completely bonkers!
Much was made of this being Michelle Yeoh's "first comedy". Sorry, but if she proves anything here it is that she is not a comic actress.
Emilia Clarke is still looking to land in a decent mainstream role outside "Game of Thrones", after a failed Terminator sequel, a half-decent weepie ("Me Before You") and the commercial failure that was "Solo". Here she certainly looks curvaciously cute as the Christmas elf. But unfortunately cute can't save her from the car-crash of a script.
Similarly Henry Golding is well-dressed eye-candy for the ladies, almost doing a re-tread of his cool and laid-back character from the excellent "Crazy Rich Asians". Without the same need to be "zany", he fairs slightly better from the script. But again, this feels like one to shuffle into a quiet corner of his CV.
What can I say that's even remotely good about this? Three things:
1) London. It looks glorious, decked out in lights like some chocolate-box-cover cum tourist-board publicity shot. London is one of the most photogenic cities on the planet, and I could relate to Tom's mantra to "look up" and see all of the architectural quirks and foibles that exist around every corner in that wonderful city;
2) The payoff. Exactly when you get the payoff will depend on how much you know going in (if you've managed to avoid the trailer... continue to avoid it!) and how attentive you are. There's an "aha!" moment. And it's nicely played out.
3) There's a topical xenophobic Brexit angle, that's a little clumsy in the exposition but - in my view - is good for the telling.
This is a movie desperately trying to blend "Love Actually" with another Christmas classic (no... not "Die Hard"... but to say more would introduce spoilers!) But in my view it misses badly.
The director is Paul Feig, famous for "Bridesmaids" and "Spy" and infamous for the female "Ghostbusters" reboot.
There are clearly lovers of this film. At the time of writing it has made an impressive $51M on its $25M budget. But I went with another three cinema-goers from my family, all of differing ages and sentiments: and we all universally agreed on the rating for this one.
(For the graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2019/11/25/one-manns-movies-film-review-last-christmas-2019/ . Thanks).
This review will be spoiler free.
The plot: Kate (Emilia Clarke) is an immigrant from the former-Yugoslavia now living in London. She has a dead-end job working for "Santa" (Michelle Yeoh) in a Christmas shop in Covent Garden. She is perennially lubricated both with drink and other bodily fluids thanks to her hedonistic lifestyle. And she really likes George Michael.
But life just seems vacuous and to have no purpose for her anymore. Her composure is not helped by her mother (Emma Thompson) constantly fussing about her health, since Kate has only recently recovered from a serious illness.
Dropping into her life then comes Tom (Henry Golding). Smartly dressed and calmly reassuring, Tom seems to have the potential to start turning Kate's life around. But is she prepared to listen?
There are startling similarities here with Phoebe Waller-Bridge's triumphant tribute to hedonistic 30-something sex-addicted females everywhere.... "Fleabag". Kate is similarly louche, hopping from bed to bed in a heartbeat. She has a dysfunctional family and - most strikingly - she has a particularly difficult relationship with her high-achieving sister. This is not helped by a remarkable similarity between the actress playing Marta (Lydia Leonard ) and Fleabag's Clare (Sian Clifford). But whereas Fleabag is both brilliantly written, heart-rending and hilarious, this simply is not.
There were a total of two laughs in the movie for me. Period. Both were lines delivered by Emma Thompson, and if you've seen the film you probably know the ones. Now, I'm aware that Thompson co-wrote the script and she is, of course, a national acting treasure. But here the script is clunky and all of the "comic" scenes are so laboured and forced that they land like leaden weights.
And some of it makes no sense whatsoever. There is some strange Danish sauerkraut salesman (Peter Mygind) with a crush on "Santa". He suddenly appears in the shop acting like some escaped mental patient. When he first appears, acting bizarrely, you think, "oh, there must be some fascinating backstory between these two - a murky past they are trying to rekindle". But no! This is the first time they have EVER met? It's completely bonkers!
Much was made of this being Michelle Yeoh's "first comedy". Sorry, but if she proves anything here it is that she is not a comic actress.
Emilia Clarke is still looking to land in a decent mainstream role outside "Game of Thrones", after a failed Terminator sequel, a half-decent weepie ("Me Before You") and the commercial failure that was "Solo". Here she certainly looks curvaciously cute as the Christmas elf. But unfortunately cute can't save her from the car-crash of a script.
Similarly Henry Golding is well-dressed eye-candy for the ladies, almost doing a re-tread of his cool and laid-back character from the excellent "Crazy Rich Asians". Without the same need to be "zany", he fairs slightly better from the script. But again, this feels like one to shuffle into a quiet corner of his CV.
What can I say that's even remotely good about this? Three things:
1) London. It looks glorious, decked out in lights like some chocolate-box-cover cum tourist-board publicity shot. London is one of the most photogenic cities on the planet, and I could relate to Tom's mantra to "look up" and see all of the architectural quirks and foibles that exist around every corner in that wonderful city;
2) The payoff. Exactly when you get the payoff will depend on how much you know going in (if you've managed to avoid the trailer... continue to avoid it!) and how attentive you are. There's an "aha!" moment. And it's nicely played out.
3) There's a topical xenophobic Brexit angle, that's a little clumsy in the exposition but - in my view - is good for the telling.
This is a movie desperately trying to blend "Love Actually" with another Christmas classic (no... not "Die Hard"... but to say more would introduce spoilers!) But in my view it misses badly.
The director is Paul Feig, famous for "Bridesmaids" and "Spy" and infamous for the female "Ghostbusters" reboot.
There are clearly lovers of this film. At the time of writing it has made an impressive $51M on its $25M budget. But I went with another three cinema-goers from my family, all of differing ages and sentiments: and we all universally agreed on the rating for this one.
(For the graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2019/11/25/one-manns-movies-film-review-last-christmas-2019/ . Thanks).
Christine A. (965 KP) Dec 28, 2018
Andy K (10821 KP) Dec 28, 2018