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Erika (17788 KP) rated The Mule (2018) in Movies
Jan 31, 2019
Clint Eastwood's latest one is having a somewhat polarizing effect for a lot of people. I liked it, and was entertained for the most part. Bradley Cooper and Michael Pena were drastically underused, and I had forgotten they were in the movie at times.
The film started out slow for me, and honestly, the part at the beginning could have been cut down considerably, and it still would have been cohesive.
I know one of the critic reviews I read complained about the non-PC situations, and, I guess if that bothers you, you probably wouldn't like the film in general.
The film started out slow for me, and honestly, the part at the beginning could have been cut down considerably, and it still would have been cohesive.
I know one of the critic reviews I read complained about the non-PC situations, and, I guess if that bothers you, you probably wouldn't like the film in general.
Sarah (7798 KP) rated The Mule (2018) in Movies
Feb 11, 2019
Impressively good
I'm going to admit something now, but I don't think I've ever seen a Clint Eastwood starring film before. Ive seen some of his directing efforts (and really liked them), but this is the first time I've seen him acting - and after seeing this, I know I've been missing out.
This is very much a slow burner. It's not so slow that nothing happens but moves at its own steady pace that just about keeps your attention and hooks you in. This is helped mostly by a stellar performance from Clint Eastwood and a great script, which inserts some fairly humorous lines into what would otherwise be a very serious subject. The plot itself is a simple and enjoyable story that kept me enthralled for the entire 2 hours. The only downside is that most of the fantastic cast apart from Eastwood himself - Bradley Cooper, Michael Peña and Laurence Fishburne especially - are sadly underused. It's great to see them, it's just a shame that we don't see them enough.
Aside from this though, it's a very good enjoyable film that's absolutely worth a watch.
This is very much a slow burner. It's not so slow that nothing happens but moves at its own steady pace that just about keeps your attention and hooks you in. This is helped mostly by a stellar performance from Clint Eastwood and a great script, which inserts some fairly humorous lines into what would otherwise be a very serious subject. The plot itself is a simple and enjoyable story that kept me enthralled for the entire 2 hours. The only downside is that most of the fantastic cast apart from Eastwood himself - Bradley Cooper, Michael Peña and Laurence Fishburne especially - are sadly underused. It's great to see them, it's just a shame that we don't see them enough.
Aside from this though, it's a very good enjoyable film that's absolutely worth a watch.
Christine A. (965 KP) rated Dead Air in Books
Aug 6, 2020
I was provided with a complimentary copy of this book so I could give an honest review. The opinions are entirely my own, and any quotes are taken from the ARC and may be different in the final published copy.
It is no secret I am proud to be from Philly. I love the people, the sports, the arts, and the energy. Philadelphia is not perfect, but if you want to get my attention, set a novel in my city. I will read it. Michael Bradley, a southern Jersey native, set his third novel in Philly and combined his knowledge of the area and radio broadcasting to write Dead Air: A Novel of Suspense.
Kaitlyn Ashe, a radio DJ in Philadelphia, receives anonymous letters that threaten the life she built for herself. That life hides secrets she does not want to be revealed but, when the letters escalate, her fiance insists on calling the police. Kaitlyn needs to figure out who knows about the Shallows before her life crashes down around her, and her secrets revealed.
Rachel Fulginiti, an Audie-nominated narrator and veteran of the stage, skillfully narrates the audiobook, allowing us to hear Kaitlyn's "radio voice" and her normal voice. You can imagine Rachel is Kaitlyn conveying the story to us.
I found the audiobook a little slow to listen to at 1.0 speed. Philadelphians do not talk slowly so I played it at a more comfortable, higher rate.
This 200-word review was published on Philomathinphila.com on 8/5/20.
It is no secret I am proud to be from Philly. I love the people, the sports, the arts, and the energy. Philadelphia is not perfect, but if you want to get my attention, set a novel in my city. I will read it. Michael Bradley, a southern Jersey native, set his third novel in Philly and combined his knowledge of the area and radio broadcasting to write Dead Air: A Novel of Suspense.
Kaitlyn Ashe, a radio DJ in Philadelphia, receives anonymous letters that threaten the life she built for herself. That life hides secrets she does not want to be revealed but, when the letters escalate, her fiance insists on calling the police. Kaitlyn needs to figure out who knows about the Shallows before her life crashes down around her, and her secrets revealed.
Rachel Fulginiti, an Audie-nominated narrator and veteran of the stage, skillfully narrates the audiobook, allowing us to hear Kaitlyn's "radio voice" and her normal voice. You can imagine Rachel is Kaitlyn conveying the story to us.
I found the audiobook a little slow to listen to at 1.0 speed. Philadelphians do not talk slowly so I played it at a more comfortable, higher rate.
This 200-word review was published on Philomathinphila.com on 8/5/20.
JT (287 KP) rated The Mule (2018) in Movies
Mar 10, 2020
With the internet flower business putting him into foreclosure, Earl Stone (Eastwood) must find alternative ways to make money. A man who was more dedicated to things growing in the ground than the family he neglected until it was too late he turns up at his granddaughter’s birthday party and doesn’t get a warm welcome.
Leaving with a business card and the offer to drive and deliver goods – no questions asked. Initially reluctant, Earl accepts the offer unbeknown to him the type of cargo he would be carrying.
Grizzled and back to doing what he does best, Clint Eastwood commands a screen presence like no other.
Eastwood’s grizzled charisma is not lost and he strikes up a friendly bond with some members of the cartel as his popularity rises. This puts him on the radar of DEA agents Bates (Bradley Cooper) and Treviño (Michael Peña) who piece together clues as to the identity of the mysterious driver known to the cartel as ‘El Tata’.
While there is a sufficient amount of tension, the film focuses on Earl desperately trying to reconnect with his family and make amends for all the times he wasn’t there – including his daughter’s wedding.
When we’re not in the passenger seat we’re following the DEA as they close in on ‘El Tata’. Changes in hierarchy within the cartel threaten to turn everything on its head and Earl is forced to make a number of decisions that will ultimately save him and his family.
The Mule has some heart-warming moments and is blessed with a strong cast. It’s not as gritty as Gran Torino but it worked for me.
Leaving with a business card and the offer to drive and deliver goods – no questions asked. Initially reluctant, Earl accepts the offer unbeknown to him the type of cargo he would be carrying.
Grizzled and back to doing what he does best, Clint Eastwood commands a screen presence like no other.
Eastwood’s grizzled charisma is not lost and he strikes up a friendly bond with some members of the cartel as his popularity rises. This puts him on the radar of DEA agents Bates (Bradley Cooper) and Treviño (Michael Peña) who piece together clues as to the identity of the mysterious driver known to the cartel as ‘El Tata’.
While there is a sufficient amount of tension, the film focuses on Earl desperately trying to reconnect with his family and make amends for all the times he wasn’t there – including his daughter’s wedding.
When we’re not in the passenger seat we’re following the DEA as they close in on ‘El Tata’. Changes in hierarchy within the cartel threaten to turn everything on its head and Earl is forced to make a number of decisions that will ultimately save him and his family.
The Mule has some heart-warming moments and is blessed with a strong cast. It’s not as gritty as Gran Torino but it worked for me.
LeftSideCut (3778 KP) rated Guardians of the Galaxy (2014) in Movies
Nov 13, 2020
2014 was a damn fine year for Marvel Studios in terms of quality, their two outputs being The Winter Soldier and Guardians of the Galaxy. They're just a big double-whammy example of how comic book movies can get things right.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
LeftSideCut (3778 KP) rated Hellraiser (1987) in Movies
Nov 14, 2021
All these years later, and Hellraiser is still a treat. I've always had respect for Clive Barker's directorial debut. It came out in a decade where the genre had become more schlocky and less serious with each passing year, and dared to go for the jugular with its straight shooting, no nonsense brand of horror.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.
Lee (2222 KP) rated The Mule (2018) in Movies
Jan 29, 2019 (Updated Jan 29, 2019)
A simple, enjoyable story
It appears there's just no stopping Clint Eastwood. Not only does he star in The Mule, a movie 'inspired by a true story', but he's also on producing and directing duties too. Just when you think you've seen him in his last ever role, he's back, 88 years old and still going strong!
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Eastwood is Earl Stone, a highly successful horticulturist and Korean war veteran who we first meet in 2005. He arrives at a horticulture convention where he charms the ladies, engages in friendly competitive banter with other exhibitors and sneers at the guy promoting a new way of ordering flowers over the internet, before going on to win first prize for best bloom. But over the years all of this success has been at the expense of his family and while he's buying everyone in the bar a drink to celebrate his win, his daughter is getting married, wondering where her father is while her mother consoles her. A life on the road devoted to work has lost Earl the most important thing in life.
Shifting forward 12 years to 2017 and Earl has been forced to close up the flower business, blaming the damn internet for it all. He pays off his farm workers as best he can before heading off to his granddaughters house where she is holding a garden party. His presence only causes tension though - his daughter can't bear to be anywhere near him, while his ex wife takes the opportunity to once again give him a piece of her mind, disappointed that despite a lifelong devotion to work, he now can't even afford to help pay for his granddaughters upcoming wedding.
So when an offer comes his way, working as a mule for the cartel in return for good money, Earl accepts. An old man traveling, with no previous speeding tickets, is less likely to be stopped than the traditional Latinos they usually use, and Earl benefits by continuing his love of traveling the country in his trusty old truck. He tries the charming old man routine with the cartel members he comes into contact with on both sides of his deliveries, with varying degrees of success, but in-between he manages to just enjoy life - driving on the open road, singing along to the radio for hours on end. And the money certainly is good - Earl is able to buy a brand new truck, help pay for his granddaughters wedding and even help prevent a bar he's been going to for the last 50 or so years from closing. He gradually becomes more trusted within the cartel, becoming responsible for transporting increasingly larger quantities of drugs and drawing the attention of the more powerful cartel members. Attending big parties at their lavish houses, dancing with bikini clad girls and engaging in threesomes, this ninety something certainly is making the most of his twilight years! As power shifts within the cartel and Earl gets drawn deeper in, he finds himself having to decide between the cartel and his family. A decision with very different but serious consequences depending on which path he chooses.
All the while Earl is having his fun, the net is closing in on him in the form of a couple of DEA agents played by Bradley Cooper and Michael Peña. Under pressure to secure a bust from boss Lawrence Fishburne, they're getting closer and closer to capturing the cartels top mule. All three of these actors are seriously underused though in what are essentially pretty standard cop roles.
The Mule is a fairly simple movie with no big sense of drama, and certainly no Breaking Bad levels of cartel tension. However, I was never bored at any point and just found myself completely engrossed in it all, swept along by the genial nature of Earl and what was an enjoyable, sentimental story.
Ryan Hill (152 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
May 10, 2019
"He may have been your father boy but he wasn't your daddy"
The follow-up chapter to Guardians of the Galaxy and fifteenth instalment in the Marvel Cinematic Universe, Guardians of the Galaxy Vol. 2 is bigger in both scale & scope and continues the journey of this oddball gang of extra-terrestrial misfits while also bringing more figures from their past into the spotlight and although its vibrant use of colour palette & another tightly curated soundtrack are notable highlights, the film as a whole lacks the freshness of the original.
The story of Guardians of the Galaxy Vol. 2 finds Peter Quill, Gamora, Drax, Rocket & Baby Groot embracing their new roles of the Guardians as they are hired by a galactic race to save a valuable item from an inter-dimensional beast, a mission they successfully accomplish, but when Rocket steals some of the very items they just fought to protect, they're attacked by a fleet of drones and crash-land on a planet where they meet a mysterious figure who may have answers to Quill's true origin.
Written & directed by James Gunn, the film opens with a flashback but it is the main title sequence where it gets into the groove and wholeheartedly evokes the pleasant delights of the original. And while there are more flashes of it down the line, Gunn's writing & direction falls short of achieving the same feat twice, for not all attempts at humour hit the right spot this time and one can easily tell that the director is trying a tad too hard to match the consistent vibe & free-flowing wit of its predecessor.
The set pieces are more extravagant than last time and they are beautifully designed & gorgeously rendered on the screen. Cinematography makes vivid use of all existing colours and the resulting frames flourish with radiant hues from start to finish. Pacing isn't a big issue but Editing does lack the smoothness of its predecessor. Every moment in the movie relies heavily on visual effects and the VFX team leaves no stone unturned to make sure there is nothing to complain about, whether it's the celestial bodies or CGI characters or any set piece.
Coming to the performances, Guardians of the Galaxies Vol. 2 features Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker & Karen Gillan in their reprising roles while new additions include Kurt Russell & Pom Klementieff. But of all the big names, it's Rooker who impresses the most and his character of Yondu easily stands out as a show-stealer. One of the best things about the first film was its eclectic soundtrack and this sequel delivers in that field yet again with another awesome mix that seamlessly blends into the narrative.
On an overall scale, Guardians of the Galaxy Vol. 2 may not be a better film than its predecessor but it is still a worthy sequel that offers its own set of thrills & amusement, and happens to be just as much fun & entertaining an experience, if not more. It certainly earns its spot in the Marvel Cinematic Universe and its colourful images, dazzling visuals & first-rate soundtrack, in addition to its witty plot, idiosyncratic characters & wonderful performances, puts it right up there with Marvel Studios' better sequels. Enjoyable, entertaining & a whole lot of fun, Guardians of the Galaxy Vol. 2 is definitely a solid summer blockbuster extravaganza.
The story of Guardians of the Galaxy Vol. 2 finds Peter Quill, Gamora, Drax, Rocket & Baby Groot embracing their new roles of the Guardians as they are hired by a galactic race to save a valuable item from an inter-dimensional beast, a mission they successfully accomplish, but when Rocket steals some of the very items they just fought to protect, they're attacked by a fleet of drones and crash-land on a planet where they meet a mysterious figure who may have answers to Quill's true origin.
Written & directed by James Gunn, the film opens with a flashback but it is the main title sequence where it gets into the groove and wholeheartedly evokes the pleasant delights of the original. And while there are more flashes of it down the line, Gunn's writing & direction falls short of achieving the same feat twice, for not all attempts at humour hit the right spot this time and one can easily tell that the director is trying a tad too hard to match the consistent vibe & free-flowing wit of its predecessor.
The set pieces are more extravagant than last time and they are beautifully designed & gorgeously rendered on the screen. Cinematography makes vivid use of all existing colours and the resulting frames flourish with radiant hues from start to finish. Pacing isn't a big issue but Editing does lack the smoothness of its predecessor. Every moment in the movie relies heavily on visual effects and the VFX team leaves no stone unturned to make sure there is nothing to complain about, whether it's the celestial bodies or CGI characters or any set piece.
Coming to the performances, Guardians of the Galaxies Vol. 2 features Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker & Karen Gillan in their reprising roles while new additions include Kurt Russell & Pom Klementieff. But of all the big names, it's Rooker who impresses the most and his character of Yondu easily stands out as a show-stealer. One of the best things about the first film was its eclectic soundtrack and this sequel delivers in that field yet again with another awesome mix that seamlessly blends into the narrative.
On an overall scale, Guardians of the Galaxy Vol. 2 may not be a better film than its predecessor but it is still a worthy sequel that offers its own set of thrills & amusement, and happens to be just as much fun & entertaining an experience, if not more. It certainly earns its spot in the Marvel Cinematic Universe and its colourful images, dazzling visuals & first-rate soundtrack, in addition to its witty plot, idiosyncratic characters & wonderful performances, puts it right up there with Marvel Studios' better sequels. Enjoyable, entertaining & a whole lot of fun, Guardians of the Galaxy Vol. 2 is definitely a solid summer blockbuster extravaganza.
BankofMarquis (1832 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jul 5, 2018
Does what a good sequel needs to do
I have to admit that I really liked, but did not LOVE the first Guardians of the Galaxy film, so when I entered the local cineplex to check out Volume 2, I had lowered my expectations, figuring I'd find a film that was filled with "sequel-itis" and be just a step down from the previous film.
Boy...was I wrong.
I LOVED GUARDIANS OF THE GALAXY, VOLUME 2. This sequel succeeded in doing what a good sequel needs to do - take the premise, feel, characters and style of the first film and build on it.
And build on it, it does. Director James Gunn states that the first Guardians was about "a family coming together", and the 2nd movie is about "a family staying together" - and this is a family I want around and staying together.
Starting with the "core 5" - StarLord (Chris Pratt), Gamora (Zoe Saldona), Drax (Dave Bautista), Rocket Racoon (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel). These are all welcome characters that grow from the first movie to the 2nd, each with a purpose in this film and with something important to do. I enjoyed seeing them all again. Special notice should be paid to Bautista, who's Drax left me somewhat cold in the first film. Here he is a delight. Add to this returning characters Yondu (Michael Rooker) and Nebula (Karen Gillan) as well as newcomers Mantis (Pom Klementieff), Ayesha (Elizabeth Debicki) and Ego (Kurt Russell) and you have an ensemble that is easy and fun to watch.
At some point in the film, I thought to myself "now, THIS is a comic book film!" and I think it is because of the action and the visuals. The action moves fast and furious all the while populating a Universe (literally) that is eye-popping and interesting to watch. Director Gunn keeps things moving along, never staying too long in one place whilst avoiding the shaky-cam action. I always knew where I was in an action scene, what the characters are working on or for and what the outcomes might be. It is a refreshing change from the disorienting "shaky-cam" that the Bourne movies have wrought.
And, of course, nothing can top the soundtrack. The first film's "Awesome Mix" was a strong, joyous part of that movie. "Awesome Mix, Vol. 2" picks right up where the first one left off. The songs picked for this film did not disappoint.
Nor did much of this film. I enjoyed myself - and the antics of this gang - from start to finish, including the 5(!) extra scenes in the credits.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Boy...was I wrong.
I LOVED GUARDIANS OF THE GALAXY, VOLUME 2. This sequel succeeded in doing what a good sequel needs to do - take the premise, feel, characters and style of the first film and build on it.
And build on it, it does. Director James Gunn states that the first Guardians was about "a family coming together", and the 2nd movie is about "a family staying together" - and this is a family I want around and staying together.
Starting with the "core 5" - StarLord (Chris Pratt), Gamora (Zoe Saldona), Drax (Dave Bautista), Rocket Racoon (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel). These are all welcome characters that grow from the first movie to the 2nd, each with a purpose in this film and with something important to do. I enjoyed seeing them all again. Special notice should be paid to Bautista, who's Drax left me somewhat cold in the first film. Here he is a delight. Add to this returning characters Yondu (Michael Rooker) and Nebula (Karen Gillan) as well as newcomers Mantis (Pom Klementieff), Ayesha (Elizabeth Debicki) and Ego (Kurt Russell) and you have an ensemble that is easy and fun to watch.
At some point in the film, I thought to myself "now, THIS is a comic book film!" and I think it is because of the action and the visuals. The action moves fast and furious all the while populating a Universe (literally) that is eye-popping and interesting to watch. Director Gunn keeps things moving along, never staying too long in one place whilst avoiding the shaky-cam action. I always knew where I was in an action scene, what the characters are working on or for and what the outcomes might be. It is a refreshing change from the disorienting "shaky-cam" that the Bourne movies have wrought.
And, of course, nothing can top the soundtrack. The first film's "Awesome Mix" was a strong, joyous part of that movie. "Awesome Mix, Vol. 2" picks right up where the first one left off. The songs picked for this film did not disappoint.
Nor did much of this film. I enjoyed myself - and the antics of this gang - from start to finish, including the 5(!) extra scenes in the credits.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Jesters_folly (230 KP) rated Tron Legacy (2010) in Movies
Nov 20, 2020
Contains spoilers, click to show
Ok this was actually good which is a bit surprising as there have been a few sequels to older films released over the past few years and they haven't all be great, not that they haven't necessarily been bad but, depending on how they continuing they have been a bit problematic. Either by using now outdated concepts or trying to to match modern political standards and missing the mark, Ghostbusters I'm looking at you. Tron: Legacy goes down the path of of handing the franchise over to the next generation in a similar manner to Bill and Ted Face the Music and I think Tron does it better.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.