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Sarah (7798 KP) rated Ant-Man and the Wasp (2018) in Movies
Apr 20, 2019
Not bad, but nothing special
The first Ant-Man film was a pleasant surprise and much better than expected, but it was still lacking in some of the magic of the other Marvel films. Sadly Ant-Man and The Wasp suffers even more than the first.
I love Paul Rudd and I think he's the best thing about this film by far, his Scott Lang is nothing other than lovable. The second best things about this film are Michael Douglas who is surprisingly funny and of course Michael Pena, but sadly the rest of the cast fall flat. The bad guys aren't particularly threatening and the whole film lacks any real threat, tension or suspense. I'm also not a big fan of Hope. I have nothing against Evangeline Lilly but I find Hope a little dull and irritating and not endearing in the slightest.
The effects in this are good but after the first film there's nothing particularly remarkable. The plot just seems a bit generic and boring, and the film drags and it isn't even on for 2 hours. I just found the whole thing a bit meh, it's entertaining enough with just enough humour and nods to the other Marvel characters but it's nothing special. What I liked the most was the toy-like end credits sequence. Oh and the post credits scene is totally not worth it. This isn't a bad Marvel film, and certainly isn't anywhere near the likes of Iron Man 3, but it's just a good/average film lacking anything memorable. And that's not good enough when it has to follow something like Infinity War.
I love Paul Rudd and I think he's the best thing about this film by far, his Scott Lang is nothing other than lovable. The second best things about this film are Michael Douglas who is surprisingly funny and of course Michael Pena, but sadly the rest of the cast fall flat. The bad guys aren't particularly threatening and the whole film lacks any real threat, tension or suspense. I'm also not a big fan of Hope. I have nothing against Evangeline Lilly but I find Hope a little dull and irritating and not endearing in the slightest.
The effects in this are good but after the first film there's nothing particularly remarkable. The plot just seems a bit generic and boring, and the film drags and it isn't even on for 2 hours. I just found the whole thing a bit meh, it's entertaining enough with just enough humour and nods to the other Marvel characters but it's nothing special. What I liked the most was the toy-like end credits sequence. Oh and the post credits scene is totally not worth it. This isn't a bad Marvel film, and certainly isn't anywhere near the likes of Iron Man 3, but it's just a good/average film lacking anything memorable. And that's not good enough when it has to follow something like Infinity War.
Lyndsey Gollogly (2893 KP) rated Corrupt (Devil's Night #1) in Books
Feb 14, 2021
24 of 250
Kindle
Corrupt (Devils night book 1)
By Penelope Douglas
Once read a review will be written via Smashbomb and link posted in comments
Erika
I was told that dreams were our heart’s desires. My nightmares, however, became my obsession.
His name is Michael Crist.
My boyfriend’s older brother is like that scary movie that you peek through your hand to watch. He's handsome, strong, and completely terrifying. The star of his college’s basketball team and now gone pro, he’s more concerned with the dirt on his shoe than me.
But I noticed him.
I saw him. I heard him. The things that he did, and the deeds that he hid…For years, I bit my nails, unable to look away.
Now, I’ve graduated high school and moved on to college, but I haven’t stopped watching Michael. He’s bad, and the dirt I’ve seen isn’t content to stay in my head anymore.
Because he’s finally noticed me.
Michael
Her name is Erika Fane, but everyone calls her Rika.
My brother’s girlfriend grew up hanging around my house and is always at our dinner table. She looks down when I enter a room and stills when I am close. I can always feel the fear rolling off of her, and while I haven’t had her body, I know that I have her mind. That’s all I really want anyway.
Until my brother leaves for the military, and I find Rika alone at college.
In my city.
Unprotected.
The opportunity is too good to be true, as well as the timing. Because you see, three years ago she put a few of my high school friends in prison, and now they’re out.
We’ve waited. We’ve been patient. And now every last one of her nightmares will come true.
I was in two minds all the way through this book but something kept me hooked! It was intriguing and turned out to be an interesting storyline. There were some bits I was uncomfortable with as I don’t really enjoy reading certain scenes. Overall though I enjoyed it in the end.
Kindle
Corrupt (Devils night book 1)
By Penelope Douglas
Once read a review will be written via Smashbomb and link posted in comments
Erika
I was told that dreams were our heart’s desires. My nightmares, however, became my obsession.
His name is Michael Crist.
My boyfriend’s older brother is like that scary movie that you peek through your hand to watch. He's handsome, strong, and completely terrifying. The star of his college’s basketball team and now gone pro, he’s more concerned with the dirt on his shoe than me.
But I noticed him.
I saw him. I heard him. The things that he did, and the deeds that he hid…For years, I bit my nails, unable to look away.
Now, I’ve graduated high school and moved on to college, but I haven’t stopped watching Michael. He’s bad, and the dirt I’ve seen isn’t content to stay in my head anymore.
Because he’s finally noticed me.
Michael
Her name is Erika Fane, but everyone calls her Rika.
My brother’s girlfriend grew up hanging around my house and is always at our dinner table. She looks down when I enter a room and stills when I am close. I can always feel the fear rolling off of her, and while I haven’t had her body, I know that I have her mind. That’s all I really want anyway.
Until my brother leaves for the military, and I find Rika alone at college.
In my city.
Unprotected.
The opportunity is too good to be true, as well as the timing. Because you see, three years ago she put a few of my high school friends in prison, and now they’re out.
We’ve waited. We’ve been patient. And now every last one of her nightmares will come true.
I was in two minds all the way through this book but something kept me hooked! It was intriguing and turned out to be an interesting storyline. There were some bits I was uncomfortable with as I don’t really enjoy reading certain scenes. Overall though I enjoyed it in the end.
JT (287 KP) rated Haywire (2012) in Movies
Mar 10, 2020
With all the acting talent that was on offer in this film how could Soderbergh give us such an overrated pile of rubbish and waste said talent in an instant. Thank the lord I didn’t purchase this on Blu-ray as I was originally intending to; otherwise it would have been in the box and back to the shop the following day.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.
There is nothing wrong with casting a female in the lead role for an action film, it worked for Angelina Jolie in Tomb Raider, Wanted and Salt. Here though, Gina Carano, who had no acting talent at all and came from a Muay Thai background meant she would need little training in the fight choreography, but lots in the acting department. It was clear then that no one directed her to that department. Sharing the screen with the likes of Fassbender, Douglas, and McGregor she was well out of place.
Mallory Kane (Gina Carano) is a black ops soldier who has been double crossed and is now out for revenge. The plot that is so overdone it is boring with nothing new to offer at all. The film is told from Kane’s point of view to Scott (Michael Angarano), a customer in the diner who she escapes with. Looking at Soderbergh’s back catalogue he’s never really tackled a high octane action flick, and it shows right from the outset. The fight scenes are powerful and well put together but then I’m sure that is down to Carano’s skill and experience as a real life fighter.
Soderbergh tries to make it too slick and too involved. When all we are begging for is a decent car chase or explosion, something to get us off our seats and fist pump the air. This doesn’t happen, even if she does dispatch Fassbender with ease or leaves poor Channing Tatum with a broken arm.
The cast list is admirable, but in their own way they are used sparingly. Douglas’s government agent gets a little screen time, as does the shady contact Antonio Banderas who, like Douglas, is only around for a short space of time. The less said about McGregor the better as quite frankly he was crap! I personally didn’t rate this at all. Soderbergh is a good director but his foray into action was a bit of a let down and a great disappointment.
Movie Metropolis (309 KP) rated Ant-Man (2015) in Movies
Jun 10, 2019
Paul Rudd like you've never seen him before
You can almost hear the groans, yet another superhero film bulldozes its way into cinemas. Sandwiched between the ambitious Avengers: Age of Ultron and the Fantastic Four reboot, Marvel’s Ant-Man is the first of this year’s summer superheroes.
However, numerous setbacks that included a director walking out halfway through filming meant that Ant-Man would be haunted by the action behind-the-scenes, rather than that on it. But what is the finished product like?
Peyton Reed took over from Edgar Wright after some “creative differences” and directs one of the best films to come out of Marvel studios, despite a few issues.
The film follows the story of former criminal Scott Lang, played by Paul Rudd, as he is tasked with becoming the mightily tiny superhero and stop a dangerous form of weaponry falling into the wrong hands – notably those of Darren Cross.
Helping him along the way is scientist Hank Pym, Michael Douglas, and his daughter Hope – played by the wonderful Evangeline Lilly.
Rudd’s casting raised a few eyebrows during the films pre-production but he is as charming as ever and really gets stuck into the role of a superhero. Michael Douglas and Evangeline Lilly are both more than a match for Rudd’s charisma and play their roles well.
What sets Ant-Man apart from the plethora of other big-budget superhero movies is the unique way the titular character utilises the environments around him. Summoning a host of ants to infiltrate buildings adds a new dimension to the genre that is much needed.
The CGI during these sequences is absolutely top-notch. When Rudd shrinks down we are drawn into a whole new world of giant carpet pile and huge ants and it’s hard not to get involved with the insects – you’ll never look at them in the same way again.
Marvel’s usual sense of humour is also in fine form, but again taking a different approach. This is a film well aware of the fact that Ant-Man is a ridiculous character, one of the most bizarre creations to ever come out of the studio.
Thankfully, this doesn’t stop Ant-Man from being ridiculously good fun. The action sequences are thrilling and beautifully choreographed throughout the film and on the whole show that the change in director hasn’t harmed the finished product.
However, like the titular character, the film feels ultimately, very small. After the city-levelling antics of Avengers: Age of Ultron and all the previous Marvel movies, Ant-Man comes across a little lightweight and lacking in substance.
Overall, Paul Rudd’s first foray into the superhero genre is highly commendable. Peyton Reed has managed to overcome near constant bad publicity to create a film that’s funny, thrilling and a little different.
Marvel will continue to churn out these movies until audiences are fed up with the genre, and if the quality remains at this level, it may be a while yet.
https://moviemetropolis.net/2015/07/19/paul-rudd-like-youve-never-seen-him-ant-man-review/
However, numerous setbacks that included a director walking out halfway through filming meant that Ant-Man would be haunted by the action behind-the-scenes, rather than that on it. But what is the finished product like?
Peyton Reed took over from Edgar Wright after some “creative differences” and directs one of the best films to come out of Marvel studios, despite a few issues.
The film follows the story of former criminal Scott Lang, played by Paul Rudd, as he is tasked with becoming the mightily tiny superhero and stop a dangerous form of weaponry falling into the wrong hands – notably those of Darren Cross.
Helping him along the way is scientist Hank Pym, Michael Douglas, and his daughter Hope – played by the wonderful Evangeline Lilly.
Rudd’s casting raised a few eyebrows during the films pre-production but he is as charming as ever and really gets stuck into the role of a superhero. Michael Douglas and Evangeline Lilly are both more than a match for Rudd’s charisma and play their roles well.
What sets Ant-Man apart from the plethora of other big-budget superhero movies is the unique way the titular character utilises the environments around him. Summoning a host of ants to infiltrate buildings adds a new dimension to the genre that is much needed.
The CGI during these sequences is absolutely top-notch. When Rudd shrinks down we are drawn into a whole new world of giant carpet pile and huge ants and it’s hard not to get involved with the insects – you’ll never look at them in the same way again.
Marvel’s usual sense of humour is also in fine form, but again taking a different approach. This is a film well aware of the fact that Ant-Man is a ridiculous character, one of the most bizarre creations to ever come out of the studio.
Thankfully, this doesn’t stop Ant-Man from being ridiculously good fun. The action sequences are thrilling and beautifully choreographed throughout the film and on the whole show that the change in director hasn’t harmed the finished product.
However, like the titular character, the film feels ultimately, very small. After the city-levelling antics of Avengers: Age of Ultron and all the previous Marvel movies, Ant-Man comes across a little lightweight and lacking in substance.
Overall, Paul Rudd’s first foray into the superhero genre is highly commendable. Peyton Reed has managed to overcome near constant bad publicity to create a film that’s funny, thrilling and a little different.
Marvel will continue to churn out these movies until audiences are fed up with the genre, and if the quality remains at this level, it may be a while yet.
https://moviemetropolis.net/2015/07/19/paul-rudd-like-youve-never-seen-him-ant-man-review/
Cyn Armistead (14 KP) rated Unusual Suspects: Stories of Mystery & Fantasy in Books
Mar 1, 2018
Another uneven anthology. I still have it in my hands, so I'll try to hit each story briefly.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
BankofMarquis (1832 KP) rated Ant-Man and The Wasp: Quantumania (2023) in Movies
Mar 18, 2023
Middle of the Road Marvel
The good news for long-time, hard core Marvel Cinematic Universe fans is that the next “big bad” in the Marvel Cinematic Universe has been unleashed and we will now get to see “Kang The Conqueror” (in his permutations) battling our heroes for the foreseeable future.
The bad news is that for casual fans – and folks that are just plain tired of the MCU – things are going to get more complex and convoluted as the MCU heads deeper into the “Comic Bookiness” of their source material.
Such is the case with ANT-MAN AND THE WASP: QUANTUMANIA, the 3rd standalone Ant Man film starring Paul Ruud, Evangeline Lilly and Michael Douglas. It is a very “Comic Bookie” film in that it takes the audience to the “Quantum Realm” and all the quirky characters and locations therein.
Director Peyton Reed (who helmed the previous 2 Ant-Man films) leans into this “Comic Bookieness” in that he accents the weird and bizarre and creates comic-book-like panels on the images on the screen. Consequently, this makes the film interesting to look at, but for the most part, there is not much substance under the surface.
For their part, Ruud, Lilly, Douglas, Michelle Pfeiffer (returning from the 2nd Ant-Man film) and newcomer Kathryn Newton (taking over the role of Ruud’s daughter, Cassie) are game in what they are asked to work with and react to (mostly to a green screen with CGI filled in later) and they all are winning (enough) presences on screen to spend a very enjoyable time with.
Jonathan Majors is on-board as Kang the Conqueror (a version of him was seen at the end of the first season of the Disney+ series LOKI) and he brings his considerable acting chops, gravitas and weight to the proceedings. He is a force to be reckoned with which was apparent from almost the first time he commanded the screen in this film. It will be interesting to see where he takes things from here.
The problem with this film is that it is (mostly) style with very little substance. Necessarily, the plot drives a more dramatic, darker theme to this Ant-Man film than in previous outings and the film suffers because of it. One of the charms of the Ant-Man films is that Director Reed was able to lean into the inherent goofiness of Paul Ruud and the absurd idea of him being able to shrink. That quirkiness and sense of fun is gone – as are regular characters played in the past 2 films by the likes of Bobby Canavale, Judy Greer, Randall Park (who has a blink or you’ll miss him cameo) and (most egregiously) Michael Pena.
What they are replaced by are some quirky “Quantum Realm” characters – most of whom are CGI and are voiced by some very good voice performers – it just doesn’t hit the same, since the overall theme is darker. Katy M. O’Brian and William Jackson Harper (who is rounding into a very intriguing performer) bring gusto to their roles as a few members of the Quantum realm, which helps pick up the sagginess of this film, but not enough. Not even a Bill Murray appearance can elevate this film to something funner than it is.
All in all a “fine” entry in the Marvel Cinematic Universe – and one that will remind you very much that you are watching a film based on Comic Book characters – but it falls squarely in the middle of the MCU entries...a catalogue of which is becoming very deep (maybe too deep), indeed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The bad news is that for casual fans – and folks that are just plain tired of the MCU – things are going to get more complex and convoluted as the MCU heads deeper into the “Comic Bookiness” of their source material.
Such is the case with ANT-MAN AND THE WASP: QUANTUMANIA, the 3rd standalone Ant Man film starring Paul Ruud, Evangeline Lilly and Michael Douglas. It is a very “Comic Bookie” film in that it takes the audience to the “Quantum Realm” and all the quirky characters and locations therein.
Director Peyton Reed (who helmed the previous 2 Ant-Man films) leans into this “Comic Bookieness” in that he accents the weird and bizarre and creates comic-book-like panels on the images on the screen. Consequently, this makes the film interesting to look at, but for the most part, there is not much substance under the surface.
For their part, Ruud, Lilly, Douglas, Michelle Pfeiffer (returning from the 2nd Ant-Man film) and newcomer Kathryn Newton (taking over the role of Ruud’s daughter, Cassie) are game in what they are asked to work with and react to (mostly to a green screen with CGI filled in later) and they all are winning (enough) presences on screen to spend a very enjoyable time with.
Jonathan Majors is on-board as Kang the Conqueror (a version of him was seen at the end of the first season of the Disney+ series LOKI) and he brings his considerable acting chops, gravitas and weight to the proceedings. He is a force to be reckoned with which was apparent from almost the first time he commanded the screen in this film. It will be interesting to see where he takes things from here.
The problem with this film is that it is (mostly) style with very little substance. Necessarily, the plot drives a more dramatic, darker theme to this Ant-Man film than in previous outings and the film suffers because of it. One of the charms of the Ant-Man films is that Director Reed was able to lean into the inherent goofiness of Paul Ruud and the absurd idea of him being able to shrink. That quirkiness and sense of fun is gone – as are regular characters played in the past 2 films by the likes of Bobby Canavale, Judy Greer, Randall Park (who has a blink or you’ll miss him cameo) and (most egregiously) Michael Pena.
What they are replaced by are some quirky “Quantum Realm” characters – most of whom are CGI and are voiced by some very good voice performers – it just doesn’t hit the same, since the overall theme is darker. Katy M. O’Brian and William Jackson Harper (who is rounding into a very intriguing performer) bring gusto to their roles as a few members of the Quantum realm, which helps pick up the sagginess of this film, but not enough. Not even a Bill Murray appearance can elevate this film to something funner than it is.
All in all a “fine” entry in the Marvel Cinematic Universe – and one that will remind you very much that you are watching a film based on Comic Book characters – but it falls squarely in the middle of the MCU entries...a catalogue of which is becoming very deep (maybe too deep), indeed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Total Recall (1990) in Movies
Mar 20, 2018
Just Great Sci-Fi
Total Recall is pure 90's action at its best. Cool fight scenes and gun battles are littered throughout, but never forced or never at the sacrifice of pacing. It definitely made up for some of my smaller gripes like having a lame villain. Seriously, Richter (Michael Ironside) was about as terrifying as my obese beagle. And what was up with the cheesy girl fight? Just not needed.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.
As a whole, though, Total Recall succeeds in a number of ways, some expected, some surprising. The film centers around Arnold Schwarzenegger's character Douglas Quaid who is bored with his life and needs an escape. After visiting a place called Recall where your dreams become reality, Quaid becomes mixed up in the center of a crazy mystery where he is a secret agent.
The film provides a solid mystery that keeps you entertained. The puzzle unravels in layers as you figure out a little bit more with every minute that passes. I appreciated the nice twists that kept things interesting. Director Paul Verhoeven wasn't just satisfied with getting by with swanky visuals and a big budget action star. The story's substance ultimately makes it better than what it could have been.
The twists and turns of the story are set against the backdrop of a creative future world. I liked the small touches like the lady changing her nail color with the touch of a pen and the bland driving robots. One of my favorite scenes, both in this movie and in film period, involves Quaid outsmarting the bad guys with a number of holograms. It was a cool trick that had I been watching in a theater in 1990: Mind blown.
Fun film that hits you with more substance than your run-of-the-mill action-sci-fi flick. I give Total Recall an 83. The film's quality made me hate the 2012 version even more.
Alison Brie recommended The American President (1995) in Movies (curated)
Bob Mann (459 KP) rated Ant-Man and the Wasp (2018) in Movies
Sep 28, 2021
Large and Small on screen, but just ends up middling.
So, for the first time we divided last night at the cinema. I went off to watch “Ant-Man and the Wasp” and my wife – not a Marvel fan – went to see “Mamma Mia! Here We Go Again” (for the THIRD time!). Incidentally, Mamma Mia 2 seems to be the movie phenomenon of the summer, taking over from “The Greatest Showman” as the movie phenomenon of the winter. It’s been out three weeks now and the shows are still selling out, with people (mostly groups of women) being turned away at the ticket desk. I can see this one running in theatres until October, when they bring out a sing-a-long edition and it carries on running ‘til Christmas. Extraordinary.
But, let’s turn from big things to small things. In a prologue we see a young Dr Hank Pym (Michael Douglas) and wife Janet (Michelle Pfeiffer) torn apart as Janet miniturises herself into the “quantum realm” to save the world from nuclear disaster. But in the present day Hank thinks there might be a way to find and retrieve Janet with the help of their superhero daughter Hope (“The Wasp”, played by Evangeline Lilly). (“What the f*** have you been thinking about instead for the last 30 years while I’ve been sat here avoiding neutrons”, would be the imagined response from Janet, but we don’t go there!).
But Scott Lang (aka “Ant Man”, Paul Rudd), having also been to the quantum realm, holds a key part of the puzzle. To add to their problems, a strange ghost-like girl called Ava has her own reasons for retrieving the lost soul, but in ways that will tear Janet limb from limb. Can Hank, Hope and Scott succeed, while dodging both The Ghost, the FBI and other criminal forces intent on seizing Pym’s technology?
I must admit that I’d somewhat forgotten how “Ant Man” ended three years ago, which together with the one film missing from my Marvel-watching canon being “Captain America: Civil War” left me somewhat confused by why we start the film with our hero Lang under two-year’s house arrest. But much fun is had with Lang’s curfew and the frustration of FBI agent Jimmy Woo (Randall Park) in trying to catch him breaking the rules.
For we are again at the comedic end of the Marvel universe. However the comedy is extremely uneven this time and doesn’t sit particularly well with the dramatic and emotional elements of the film. It’s certainly nowhere near the consistently funny content of the surprisingly good “Thor: Ragnarok”. Some of Rudd’s lines just smell of “trying too hard”.
Adding comedic value is Michael Peña returning here as Scott’s partner Luis. His motor-mouth routine after taking a truth drug (“not a truth drug”!) was hilarious, with the rest of the cast miming his words in flashback.
It has to be said though that there are some truly great sight-gags, to rival the Thomas the Tank Engine scenes in the first film. The expanding salt-cellar; the expanding / contracting car and building moments; and the “skateboard” scenes. But all – and I mean ALL – of these scenes were universally spoiled by the trailer, such that the reaction to them was “oh, that’s that bit then”. NEVER has there been a better case for a teaser trailer that basically said “Ant Man’s back; here’s ONE wow-factor visual”. It’s just criminal. Interestingly, re the trailer, there was also at least one scene (the “you go high, I’ll go low” one, which I thought was very funny) that didn’t make the cut I saw.
Acting wise you can’t fault the cast with Lilly just great as “The Wasp”. If I was her, I would have said “OK… I’ll do the film, but I get to keep the suit!”. That would be her age monitoring device for years to come…. “Does the zip still do up at the back? Do my impossibly pert breasts still align with these impossibly well-moulded contours?”. It’s also great to see Michael Douglas and Laurence Fishburne going head-to-head in the acting stakes. Walton Goggins again crops up as a believable bad-guy, a performance I really enjoyed, but the star turn for me in the whole film was a career-making performance by Hannah John-Kamen as Ava/The Ghost: she’s previously only had small supporting roles in “Tomb Raider” and “Ready Player One”. Looking like a Star Wars sand-person in her outfit she removes her mask to reveal a stunningly piercing gaze and great screen presence. One to watch for the future.
Directed by original “Ant Man” director Peyton Reed, it’s a perfectly entertaining watch for a summer night, but it is uneven in tone, perhaps the result of the team of five credited with the writing. Ask me in two months’ time to tell you anything about it and I will probably struggle. It’s a “meh” sort of film for me.
But, let’s turn from big things to small things. In a prologue we see a young Dr Hank Pym (Michael Douglas) and wife Janet (Michelle Pfeiffer) torn apart as Janet miniturises herself into the “quantum realm” to save the world from nuclear disaster. But in the present day Hank thinks there might be a way to find and retrieve Janet with the help of their superhero daughter Hope (“The Wasp”, played by Evangeline Lilly). (“What the f*** have you been thinking about instead for the last 30 years while I’ve been sat here avoiding neutrons”, would be the imagined response from Janet, but we don’t go there!).
But Scott Lang (aka “Ant Man”, Paul Rudd), having also been to the quantum realm, holds a key part of the puzzle. To add to their problems, a strange ghost-like girl called Ava has her own reasons for retrieving the lost soul, but in ways that will tear Janet limb from limb. Can Hank, Hope and Scott succeed, while dodging both The Ghost, the FBI and other criminal forces intent on seizing Pym’s technology?
I must admit that I’d somewhat forgotten how “Ant Man” ended three years ago, which together with the one film missing from my Marvel-watching canon being “Captain America: Civil War” left me somewhat confused by why we start the film with our hero Lang under two-year’s house arrest. But much fun is had with Lang’s curfew and the frustration of FBI agent Jimmy Woo (Randall Park) in trying to catch him breaking the rules.
For we are again at the comedic end of the Marvel universe. However the comedy is extremely uneven this time and doesn’t sit particularly well with the dramatic and emotional elements of the film. It’s certainly nowhere near the consistently funny content of the surprisingly good “Thor: Ragnarok”. Some of Rudd’s lines just smell of “trying too hard”.
Adding comedic value is Michael Peña returning here as Scott’s partner Luis. His motor-mouth routine after taking a truth drug (“not a truth drug”!) was hilarious, with the rest of the cast miming his words in flashback.
It has to be said though that there are some truly great sight-gags, to rival the Thomas the Tank Engine scenes in the first film. The expanding salt-cellar; the expanding / contracting car and building moments; and the “skateboard” scenes. But all – and I mean ALL – of these scenes were universally spoiled by the trailer, such that the reaction to them was “oh, that’s that bit then”. NEVER has there been a better case for a teaser trailer that basically said “Ant Man’s back; here’s ONE wow-factor visual”. It’s just criminal. Interestingly, re the trailer, there was also at least one scene (the “you go high, I’ll go low” one, which I thought was very funny) that didn’t make the cut I saw.
Acting wise you can’t fault the cast with Lilly just great as “The Wasp”. If I was her, I would have said “OK… I’ll do the film, but I get to keep the suit!”. That would be her age monitoring device for years to come…. “Does the zip still do up at the back? Do my impossibly pert breasts still align with these impossibly well-moulded contours?”. It’s also great to see Michael Douglas and Laurence Fishburne going head-to-head in the acting stakes. Walton Goggins again crops up as a believable bad-guy, a performance I really enjoyed, but the star turn for me in the whole film was a career-making performance by Hannah John-Kamen as Ava/The Ghost: she’s previously only had small supporting roles in “Tomb Raider” and “Ready Player One”. Looking like a Star Wars sand-person in her outfit she removes her mask to reveal a stunningly piercing gaze and great screen presence. One to watch for the future.
Directed by original “Ant Man” director Peyton Reed, it’s a perfectly entertaining watch for a summer night, but it is uneven in tone, perhaps the result of the team of five credited with the writing. Ask me in two months’ time to tell you anything about it and I will probably struggle. It’s a “meh” sort of film for me.
Lyndsey Gollogly (2893 KP) rated Hideaway ( Devils Night book 2) in Books
Feb 14, 2022
28 of 230
Kindle
Hideaway ( Devils Night book 2)
By Penelope Douglas
⭐️⭐️⭐️⭐️
DEVIL'S NIGHT is returning! Hiding places, chases, and all the games are back...
BANKS
Buried in the shadows of the city, there’s a hotel called The Pope. Ailing, empty, and dark, it sits abandoned and surrounded by a forgotten mystery.
But you think it’s true, don’t you, Kai Mori? The story about the hidden twelfth floor. The mystery of the dark guest who never checked in and never checks out. You think I can help you find that secret hideaway and get to him, don’t you?
You and your friends can try to scare me. You can try to push me. Because even though I struggle to hide everything I feel when you look at me—and have ever since I was a girl—I think maybe what you seek is so much closer than you’ll ever realize.
I will never betray him.
So sit tight.
On Devil’s Night, the hunt will be coming to you.
KAI
You have no idea what I seek, Little One. You don’t know what I had to become to survive three years in prison for a crime I would gladly commit again.
No one can know what I’ve turned into.
I want that hotel, I want to find him, and I want this over.
I want my life back.
But the more I’m around you, the more I realize this new me is exactly who I was meant to be.
So come on, kid. Don’t chicken out. My house is on the hill. So many ways in, and good luck finding your way out.
I’ve seen your hideaway. Time to see mine.
*Hideaway is a romantic suspense suitable for ages 18+. While the romance is a stand-alone, the plot is a continuation of events that began in CORRUPT (Devil's Night, #1). It is strongly recommended that you have read Corrupt prior to reading this.
So I definitely enjoyed this more than book 1. I’m still not Adam of Michael but the rest I’m warming up to! I really liked Banks and I loved to see her finally be loved. Definitely recommend if you like some spice but some of it can be a bit close to the edge. Looking forward to reading more.
Kindle
Hideaway ( Devils Night book 2)
By Penelope Douglas
⭐️⭐️⭐️⭐️
DEVIL'S NIGHT is returning! Hiding places, chases, and all the games are back...
BANKS
Buried in the shadows of the city, there’s a hotel called The Pope. Ailing, empty, and dark, it sits abandoned and surrounded by a forgotten mystery.
But you think it’s true, don’t you, Kai Mori? The story about the hidden twelfth floor. The mystery of the dark guest who never checked in and never checks out. You think I can help you find that secret hideaway and get to him, don’t you?
You and your friends can try to scare me. You can try to push me. Because even though I struggle to hide everything I feel when you look at me—and have ever since I was a girl—I think maybe what you seek is so much closer than you’ll ever realize.
I will never betray him.
So sit tight.
On Devil’s Night, the hunt will be coming to you.
KAI
You have no idea what I seek, Little One. You don’t know what I had to become to survive three years in prison for a crime I would gladly commit again.
No one can know what I’ve turned into.
I want that hotel, I want to find him, and I want this over.
I want my life back.
But the more I’m around you, the more I realize this new me is exactly who I was meant to be.
So come on, kid. Don’t chicken out. My house is on the hill. So many ways in, and good luck finding your way out.
I’ve seen your hideaway. Time to see mine.
*Hideaway is a romantic suspense suitable for ages 18+. While the romance is a stand-alone, the plot is a continuation of events that began in CORRUPT (Devil's Night, #1). It is strongly recommended that you have read Corrupt prior to reading this.
So I definitely enjoyed this more than book 1. I’m still not Adam of Michael but the rest I’m warming up to! I really liked Banks and I loved to see her finally be loved. Definitely recommend if you like some spice but some of it can be a bit close to the edge. Looking forward to reading more.