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James Koppert (2698 KP) rated Michael Inside (1997) in Movies
Nov 4, 2019
Dark realistic Irish prison drama
Michael inside has won a lot of awards but is it as good as the hype? Well yes and no. If you don't like those slow bleak indie films you won't like this, if you do then this will be a classic. Dafhyd Flynn who plays Michael does it in a convincing understated way. This is prison life with the glamour removed. A cracking film.
Raj Rudolph (4 KP) created a post
May 7, 2018
Debbiereadsbook (1053 KP) rated The Supers )The Supers #1, Dreamspun Beyond #6) in Books
May 14, 2018
GREAT book, good narration
Independent reviewer for Divine Magazine, I was gifted the AUDIO file of this book.
Flynn joins Blaine's paranormal research group, and they visit an abandoned hospital. Things get real creepy and the guys are faced with a possession, a haunting a tragic love story and a twist I did not see coming!
Another one of those books that kinda creeps up on ya and you have no idea, not a single clue about how its all gonna go down!
While there is immediate attraction between Blaine and Flynn, it takes a while for them to act on it.
The story of Room 204 builds at an even pace and there were points where I had to rewind, and double check that Blaine had in fact, called Flynn David. The story of Room 204 (that's how I heard it, with a capital R, if that makes sense!) did not play out how I was expecting it to!
It's a little . . . fluffier. . . than other books I've read of Michael (Three Wishes) but it is a DreamSpun Beyond and they are generally so. Just enough heat and passion between Blaine and Flynn to keep the heat level high, but not scorching. Right for this book.
Kenneth Obi narrates.
Mostly, I enjoyed Obi's narration. His reading voice is clear and deep and he got over the emotions of Blaine and Flynn in all the right ways, in all the right places.
His voice for the 204 ghost comes across as really REALLY nasty in some places, though, and that is probably why I did not see that ending coming at me.I thought the ghost was going to be a bit more vengeful.
And the voices Obi gives to Blaine and Flynn are far too similar for my crappy hearing to make out the difference between them, so I struggled a bit keeping up with conversations between them
BUT!!! I will give Obi another go, as this is the first of his work I listened to.
5 stars for the book
4 stars for the narration
4.5 (rounded down to 4) overall
**same worded review will appear elsewhere**
Flynn joins Blaine's paranormal research group, and they visit an abandoned hospital. Things get real creepy and the guys are faced with a possession, a haunting a tragic love story and a twist I did not see coming!
Another one of those books that kinda creeps up on ya and you have no idea, not a single clue about how its all gonna go down!
While there is immediate attraction between Blaine and Flynn, it takes a while for them to act on it.
The story of Room 204 builds at an even pace and there were points where I had to rewind, and double check that Blaine had in fact, called Flynn David. The story of Room 204 (that's how I heard it, with a capital R, if that makes sense!) did not play out how I was expecting it to!
It's a little . . . fluffier. . . than other books I've read of Michael (Three Wishes) but it is a DreamSpun Beyond and they are generally so. Just enough heat and passion between Blaine and Flynn to keep the heat level high, but not scorching. Right for this book.
Kenneth Obi narrates.
Mostly, I enjoyed Obi's narration. His reading voice is clear and deep and he got over the emotions of Blaine and Flynn in all the right ways, in all the right places.
His voice for the 204 ghost comes across as really REALLY nasty in some places, though, and that is probably why I did not see that ending coming at me.I thought the ghost was going to be a bit more vengeful.
And the voices Obi gives to Blaine and Flynn are far too similar for my crappy hearing to make out the difference between them, so I struggled a bit keeping up with conversations between them
BUT!!! I will give Obi another go, as this is the first of his work I listened to.
5 stars for the book
4 stars for the narration
4.5 (rounded down to 4) overall
**same worded review will appear elsewhere**
Lyndsey Gollogly (2893 KP) rated Revenge in Books
Nov 30, 2023
180 of 235
Book
Revenge
By Martina Cole
⭐️⭐️⭐️
He thought he was invincible. He was wrong.
REVENGE by the 'undisputed queen of crime writing' (Guardian) and Sunday Times No.1 bestseller Martina Cole is an unflinching novel that exposes a world that many would rather ignore...
Michael Flynn is untouchable. He's the boss of a dangerous empire, the biggest the criminal world has ever seen. No one crosses him, no one gets in his way, and everyone does what he says - including the law.
But you don't get to where Michael is without making enemies. Someone is out for revenge. And it's best served when least expected.
I liked this but it wasn’t my favourite of hers I found some of it too similar to some of her other stories and yes I know she has a type and way of writing but this wasn’t as good as those she’s written before. Although it was brutal and possibly more so than others.
Book
Revenge
By Martina Cole
⭐️⭐️⭐️
He thought he was invincible. He was wrong.
REVENGE by the 'undisputed queen of crime writing' (Guardian) and Sunday Times No.1 bestseller Martina Cole is an unflinching novel that exposes a world that many would rather ignore...
Michael Flynn is untouchable. He's the boss of a dangerous empire, the biggest the criminal world has ever seen. No one crosses him, no one gets in his way, and everyone does what he says - including the law.
But you don't get to where Michael is without making enemies. Someone is out for revenge. And it's best served when least expected.
I liked this but it wasn’t my favourite of hers I found some of it too similar to some of her other stories and yes I know she has a type and way of writing but this wasn’t as good as those she’s written before. Although it was brutal and possibly more so than others.
Suswatibasu (1701 KP) rated Trumpocracy: The Corruption of the American Republic in Books
Mar 15, 2018 (Updated Mar 15, 2018)
A thoughtful, well-argued factual account of the US presidency
I actually enjoyed this rather Republican perspective of the Trump administration, especially as it seems to be less sensationalist than Michael Wolff's controversial book, @Fire and Fury: Inside the Trump White House.
Former George W. Bush speechwriter, David Frum, writes about the biggest threat to democracy in a factual, scholarly way without resorting to tabloid remarks. Frum carefully builds his argument using well-recognised sources from across the political, historical and media spectrum.
While he is clearly not a fan of the President, his critique mostly focusses on how Trump distorts and uses his power unconstitutionally, attempting to subvert institutions for his own benefit. But he also criticises those around him who have helped him stay in power such as Paul Ryan and Michael Flynn. What is worrying is the increase of military personnel and financiers who surround him, similar to those of many authoritarian nations, who exacerbate irrational decision-making.
He speaks about his voter base which also includes swathes of young white men, who are disillusioned and care less about religion and sexism - hence why Hillary Clinton was unable to change their minds. It is a well-argued, eye-opening book that does not resort to character bashing.
Former George W. Bush speechwriter, David Frum, writes about the biggest threat to democracy in a factual, scholarly way without resorting to tabloid remarks. Frum carefully builds his argument using well-recognised sources from across the political, historical and media spectrum.
While he is clearly not a fan of the President, his critique mostly focusses on how Trump distorts and uses his power unconstitutionally, attempting to subvert institutions for his own benefit. But he also criticises those around him who have helped him stay in power such as Paul Ryan and Michael Flynn. What is worrying is the increase of military personnel and financiers who surround him, similar to those of many authoritarian nations, who exacerbate irrational decision-making.
He speaks about his voter base which also includes swathes of young white men, who are disillusioned and care less about religion and sexism - hence why Hillary Clinton was unable to change their minds. It is a well-argued, eye-opening book that does not resort to character bashing.
Blazing Minds (92 KP) rated Beast (2017) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Beast is the story of a troubled woman (played by Jessie Buckley) living in an isolated community who finds herself pulled between the control of her oppressive family and the allure of a secretive outsider (played by Johnny Flynn) who is suspected of a series of brutal murders. As the relationship grows between them, the movie takes us on an uneasy journey as she breaks away from her family and movies in with Pascal, after he is suspected of the murders, Moll stands by him against her families wishes and the suspicions of the town-folk where she lives.
Directed and written by Michael Pearce, Beast, which is his first full-length feature is a stunning movie, he takes his time to build up the points in the film that have your jaw dropping and treats the production as something that you don’t just watch, you get sucked into and feel as if you have become part of the community watching from afar an still being shocked by the outcomes.
Directed and written by Michael Pearce, Beast, which is his first full-length feature is a stunning movie, he takes his time to build up the points in the film that have your jaw dropping and treats the production as something that you don’t just watch, you get sucked into and feel as if you have become part of the community watching from afar an still being shocked by the outcomes.
Gareth von Kallenbach (965 KP) rated American Assassin (2017) in Movies
Jul 11, 2019
Traumatic events affect people differently. Some avoid anything that resembles that moment or triggers memories of it. Others are impacted so deeply that they must take action. American Assassin, based on the Vince Flynn books, features Dylan O’Brien (Maze Runner) as Mitch Rapp who wants to avenge the killing of his girlfriend in a terrorist attack. Upon his attempt to track down the men responsible, he is recruited by the CIA to help them track down the perpetrator of several attacks on civilian and military targets.
The film is ambitious in its approach to entering the realm of spy thrillers. There is no real depth to the film or moments that make the audience truly invested in the characters onscreen. At times, the story feels rushed, repetitive, and confusing. The actions scenes, however, are engrossing and give the audience the sense of chaos that would be felt if they were a part of it. The most interesting aspect of the film is not the story, but Michael Keaton’s portrayal of Stan Hurley, who leads Rapp on their international quest to find a rogue agent and prevent a nuclear detonation. Keaton’s character seems to be a combination of some of his more iconic roles allowing for much more depth, connection to be made between him and the other characters, despite the lack of chemistry between them collectively.
American Assassin is a good action film for those looking for an escape in the theaters, but for those looking for something that will rival any of the Bourne films, or the James Bond series, they are going to be sorely disappointed.
The film is ambitious in its approach to entering the realm of spy thrillers. There is no real depth to the film or moments that make the audience truly invested in the characters onscreen. At times, the story feels rushed, repetitive, and confusing. The actions scenes, however, are engrossing and give the audience the sense of chaos that would be felt if they were a part of it. The most interesting aspect of the film is not the story, but Michael Keaton’s portrayal of Stan Hurley, who leads Rapp on their international quest to find a rogue agent and prevent a nuclear detonation. Keaton’s character seems to be a combination of some of his more iconic roles allowing for much more depth, connection to be made between him and the other characters, despite the lack of chemistry between them collectively.
American Assassin is a good action film for those looking for an escape in the theaters, but for those looking for something that will rival any of the Bourne films, or the James Bond series, they are going to be sorely disappointed.
Jesters_folly (230 KP) rated Tron Legacy (2010) in Movies
Nov 20, 2020
Contains spoilers, click to show
Ok this was actually good which is a bit surprising as there have been a few sequels to older films released over the past few years and they haven't all be great, not that they haven't necessarily been bad but, depending on how they continuing they have been a bit problematic. Either by using now outdated concepts or trying to to match modern political standards and missing the mark, Ghostbusters I'm looking at you. Tron: Legacy goes down the path of of handing the franchise over to the next generation in a similar manner to Bill and Ted Face the Music and I think Tron does it better.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.
I'll start by saying that Tron: Legacy is not as original or forward thinking as it's predecessor but that is to be expected. The original had Ideas that were slightly before it's time which i talk about in my review of that film. Tron: Legacy can't re do that originality, partly because its a sequel and so is constrained by the world built in the original but also because a lot of the ideas have been used since, we've had the likes of 'The Matrix' and 'Wreck-it Ralph' and so Tron: Legacy seems to concentrate on being a Tron film and nothing more.
The film keeps close to the original by bringing back quite a few things, we have Jeff Bridges and Bruce Boxleitner reprising their roles of Kevin Flynn And Alan Bradley, with Kevin now trapped in the computer world known as the Grid. The light cycles are back as well as few other craft. The effects have been updated but the grid and it's games are still very recognisable and there are a few through back lines and scenes.
Tron: Legacy does feel a bit Matrixy at times, neither of the flynns are Neo but it does draw on the familiar God/Devil tropes that you often see. The costumes are more cyber punk than the original, still using the red/blue lighting but also being more PVC and trench coat in its aesthetic with many characters supporting visors or crash helmets, to the point that Daft Punk actually look like they belong there.
Like a lot of Cyberpunk films there is a night club and this has one of the films stand out characters, Castor, played by Michael Sheen who is doing his best 'Ziggy Stardust' impression.
The strange thing is, this is a good film, with good franchise potential and Disney don't seem to have marketed it well, it's 10 years old (at the time of writing) and isn't mentioned much and it's only due to watching this on Disney+ that I now know about the spin off animated series, Tron: Uprising, which I'm going to have to watch.
BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
May 6, 2019
A Classic in Every Sense of the Word
"Of all the gin joints, in all the towns, in all the world, she walks into mine."
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
"We'll always have Paris."
"Here's looking at you, kid."
"Louis, I think this is the beginning of a beautiful friendship."
And many, many, many other iconic lines were featured in the brilliant 1942 all-time Classic CASABLANCA. Listed as "Warner Brothers Project #410", this film was supposed to be "just another film", but it turned out to be something more.
Starring Humphrey Bogart, Ingrid Bergman and Claude Rains, CASABLANCA tells the story of refugees trying to flee Nazi controlled France (via Casablanca) in WWII. Amongst the denizens of Casablanca, there is Rick Blain, proprieter of Rick's Cafe American - a place where one can buy documents needed to escape, as well as escape - through a bottle.
Humphrey Bogart is perfectly cast as the jaded, "I stick my neck out for no one", Rick. He is cynical, corrupt, selfish...but he also has a heart of gold underneath it all. Bogie plays all of these layers - richly - at once, and was rewarded with an Academy Award nomination. He would lose to Paul Lukas for WATCH ON THE RHINE - a film I haven't seen, so can't judge as to the merits of his win. But...based on Bogart's performance...I'd say he was robbed.
Rick's "partner in crime' is Capt. Louis Renault of the Casablanca police. He is cheerfully and unapologetic-ally played by Claude Rains, who also was nominated (but didn't win) for his performance. These two play off each other brilliantly and the chemistry between these two is evident and I would have LOVED to see another film featuring these two fine performers. I'd say the chemistry between these two actors is a high point in this film, if it weren't for...
Ingrid Bergman as Ilse Lund - a past romance of Rick's. When Ilse and her husband, Viktor Laszlo enters Rick's seeking transit papers to flee the Nazi's, the instant spark and chemistry between Bogart and Bergman is palatable. You can feel the heat between the two of them through the screen and the longing and regret for "what could have been" is heartbreaking. If you were to show an example of "screen chemistry" the scenes between Bogart in Bergman in this film would be "Exhibit A".
Credit for all of this - and for keeping the plot machinations moving forward - is Warner Brothers "contract director" Michael Curtiz - one of the greatest Directors of "old Hollywood." His credits include the Errol Flynn ROBIN HOOD, James Cagney's Oscar turn as George M. Cohan in YANKEE DOODLE DANDY, CASABLANCA, the Bing Crosby/Danny Kaye WHITE CHRISTMAS and John Wayne in THE COMMANCHERO'S - all big budget, big expectations films that delivered the goods. Curtiz won the Oscar for his work in this film.
Assisting him are the two men who wrote so many memorable lines...twin brothers Julius and Phillip Epstein. They (deservedly) won an Oscar for their screenplay - the only set of Twins to win the Oscar.
The supporting cast - including Paul Henreid, Sydney Greenstreet and Peter Lorre - are exceptional as well, as are great scene after great scene - including the "Marseilles" scene and, of course, the fog covered airport scene at the end.
If you haven't seen this film in awhile, do yourself a favor and check it out. If you have NEVER seen it, I envy you the experience of seeing this wonderful black and white film for the first time. It is consistently listed as one of the top 5 films of all time - and earns that ranking. It truly is one of the greatest films - with some of the greatest performances - of all time.
Certainly, if you wanted just one example of Studio "Old Hollywood" movie making, this would be the one movie to watch.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Zuky the BookBum (15 KP) rated Zodiac in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/june-29th-2016
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.