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Matthew Krueger (10051 KP) rated Lone Survivor (2014) in Movies
Jan 26, 2021 (Updated Feb 2, 2021)
Mark Walhbeg (1 more)
Ben Foster
Never Out of the Fight
Lone Survivor- is a intense action thriller thats based on a true story. Its slow at first, but around halfway in, it gets good.
The plot:In 2005 Afghanistan, Navy SEALs Marcus Luttrell (Mark Wahlberg), Michael Murphy (Taylor Kitsch), Danny Dietz (Emile Hirsch) and Matthew "Axe" Axelson (Ben Foster) deploy on a mission of surveillance and to take out Taliban leader Ahmad Shah. Though spotted by goatherds, Luttrell and his team decide not to kill them. But one of the Afghans alerts a group of Taliban fighters to the invaders, and a terrible battle ensues, in which the SEALs find themselves hopelessly outnumbered and outgunned.
Its a must see film.
The plot:In 2005 Afghanistan, Navy SEALs Marcus Luttrell (Mark Wahlberg), Michael Murphy (Taylor Kitsch), Danny Dietz (Emile Hirsch) and Matthew "Axe" Axelson (Ben Foster) deploy on a mission of surveillance and to take out Taliban leader Ahmad Shah. Though spotted by goatherds, Luttrell and his team decide not to kill them. But one of the Afghans alerts a group of Taliban fighters to the invaders, and a terrible battle ensues, in which the SEALs find themselves hopelessly outnumbered and outgunned.
Its a must see film.
Matthew Krueger (10051 KP) rated Falling Down (1993) in Movies
Apr 17, 2021
Bad Day
Falling Down- is a excellent drama. It has suspense, thrills and mystery. Micheal Douglas is excellent in this.
The plot: A middle-aged man dealing with both unemployment and divorce, William Foster (Michael Douglas) is having a bad day. When his car breaks down on a Los Angeles highway, he leaves his vehicle and begins a trek across the city to attend his daughter's birthday party. As he makes his way through the urban landscape, William's frustration and bitterness become more evident, resulting in violent encounters with various people, including a vengeful gang and a dutiful veteran cop (Robert Duvall).
Its a excellent film and recordmend watching it.
The plot: A middle-aged man dealing with both unemployment and divorce, William Foster (Michael Douglas) is having a bad day. When his car breaks down on a Los Angeles highway, he leaves his vehicle and begins a trek across the city to attend his daughter's birthday party. As he makes his way through the urban landscape, William's frustration and bitterness become more evident, resulting in violent encounters with various people, including a vengeful gang and a dutiful veteran cop (Robert Duvall).
Its a excellent film and recordmend watching it.
Whatchareadin (174 KP) rated Forever Layla in Books
Apr 3, 2019
David Foster is 17 years old, a few days away from being 18, on the road as a sound guy for his best friend, Michael's Band, and his life is about to change forever.
Layla is 24. She's in town from California and when she see David for the first time, like this, she's not quite sure what to do.
How does Layla know so much about David? Did his friends put her up to this as a prank for his birthday? But Layla knows things he would never tell Michael. So as David gets to know Layla better and as she gets to know the David she already knows in a whole other way, they form a bond that is not so easily broken.
Forever Layla is a story of love, happiness, trust, and science all wrapped up in one. David is living in 1994 and Layla shows up in his life from 2014. David is the kind of man every girl dreams of meeting, but Layla is afraid to mess up his life what she already knows. How can she make a life with him without giving away too much about who she is and how and why is now in his life.
This is a very well written book and it was very difficult to put down.
I loved the story of David and Layla. I was rooting for them to be together Forever as the title suggests. Their love was intense and amazing. To have a love like that with someone that you are willing to give up so much of yourself in order to make them happy and make their dreams come true.
Layla is 24. She's in town from California and when she see David for the first time, like this, she's not quite sure what to do.
How does Layla know so much about David? Did his friends put her up to this as a prank for his birthday? But Layla knows things he would never tell Michael. So as David gets to know Layla better and as she gets to know the David she already knows in a whole other way, they form a bond that is not so easily broken.
Forever Layla is a story of love, happiness, trust, and science all wrapped up in one. David is living in 1994 and Layla shows up in his life from 2014. David is the kind of man every girl dreams of meeting, but Layla is afraid to mess up his life what she already knows. How can she make a life with him without giving away too much about who she is and how and why is now in his life.
This is a very well written book and it was very difficult to put down.
I loved the story of David and Layla. I was rooting for them to be together Forever as the title suggests. Their love was intense and amazing. To have a love like that with someone that you are willing to give up so much of yourself in order to make them happy and make their dreams come true.
Zuky the BookBum (15 KP) rated Good Me, Bad Me in Books
Mar 15, 2018
Read my review here: http://bookbumzuky.wordpress.com/
AVAILABLE NOW!
<b><i>I promised to be the best I could. I promised to try… Forgive me.</b></i>
Wow. This book was far, far better than I was expecting it to be. I had left it in my library for so long that I had forgotten what it was even about when I picked it up to read. <i>Be warned,</i> there are <b>triggers</b> to note in this book (sexual, physical and emotional abuse of a child, self harm and child murder) but Land is decent enough not to delve too deeply into any of these topics.
The plot for this was new to me, I don’t think I’ve ever read a novel with a similar plot line, though I may be forgetting (I won’t be forgetting about this one)! Annie, whose name is changed to Milly for protection reasons, is the daughter of a serial killer. And while her mother's trial looms, Milly is trying to move on, forget her old life and fit in with her foster family but nightmarish nighttime visits and a constant inner voice from her mother don’t make any of this easy. Stuck in a battle of nature and nurture, Milly is terrified of what she might become. Fighting with herself daily to be the “good me” is tough, because afterall, she is her mother's daughter.
The writing style of this novel is incredible. It was snappy, fast paced yet added to the mystery of the plot. It kept me wanting to know more, which is exactly why I read the novel in under 24 hours. My only, <i>tiny</i>, gripe with the writing, was sometimes, <i>very occasionally</i>, sentences were structured in a way that made it sound like Milly was Yoda... but I only noticed it a couple of times throughout the entire thing.
<b>Twisted, shocking, unputdownable and unforgettable.</b> This is set to be one of the best debuts of 2017 and is by far one of the best debuts I’ve read this year (I finished this in late 2016, not early 2017!!). I’m excited to see what other books Land can produce.
Thanks to Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this in exchange for an honest review.
AVAILABLE NOW!
<b><i>I promised to be the best I could. I promised to try… Forgive me.</b></i>
Wow. This book was far, far better than I was expecting it to be. I had left it in my library for so long that I had forgotten what it was even about when I picked it up to read. <i>Be warned,</i> there are <b>triggers</b> to note in this book (sexual, physical and emotional abuse of a child, self harm and child murder) but Land is decent enough not to delve too deeply into any of these topics.
The plot for this was new to me, I don’t think I’ve ever read a novel with a similar plot line, though I may be forgetting (I won’t be forgetting about this one)! Annie, whose name is changed to Milly for protection reasons, is the daughter of a serial killer. And while her mother's trial looms, Milly is trying to move on, forget her old life and fit in with her foster family but nightmarish nighttime visits and a constant inner voice from her mother don’t make any of this easy. Stuck in a battle of nature and nurture, Milly is terrified of what she might become. Fighting with herself daily to be the “good me” is tough, because afterall, she is her mother's daughter.
The writing style of this novel is incredible. It was snappy, fast paced yet added to the mystery of the plot. It kept me wanting to know more, which is exactly why I read the novel in under 24 hours. My only, <i>tiny</i>, gripe with the writing, was sometimes, <i>very occasionally</i>, sentences were structured in a way that made it sound like Milly was Yoda... but I only noticed it a couple of times throughout the entire thing.
<b>Twisted, shocking, unputdownable and unforgettable.</b> This is set to be one of the best debuts of 2017 and is by far one of the best debuts I’ve read this year (I finished this in late 2016, not early 2017!!). I’m excited to see what other books Land can produce.
Thanks to Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this in exchange for an honest review.
Bob Mann (459 KP) rated Hell or High Water (2016) in Movies
Sep 29, 2021
“Sometimes a blind pig finds a truffle”.
One of the joys (and stresses) of the run up to the Oscar weekend is to try to catch all the major award films before the big event. As I bitched about in my BAFTA write-up, UK release dates do NOT make this an easy task, with some films like Paul Verhoeven’s “Elle”, featuring Best Actress nominee Isabelle Huppert, not released until mid March.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
Gareth von Kallenbach (965 KP) rated Machine Gun Preacher (2011) in Movies
Aug 7, 2019
“Machine Gun Preacher” stars Gerard Butler, Michelle Monaghan, Kathy Baker, Michael Shannon, Madeline Carrol, and is directed by Marc Foster (previously directed “The Kite Runner” , “Quantum Of Solace” , “Monsters Ball” , and “Finding Neverland”).
The movie follows the true life story of Sam Childers (Gerard Butler) a former biker gang member/drug dealer who, at a major crossroads in his life, experiences a spirtial awakening and becomes a devoted preacher and family man. One day, after hearing another preacher speak about the plight of the thousands of kidnapped and orphaned children in africa as the result of civil war, Childers makes the life changing decision to go to Africa and assist in the building and repair of homes and ‘safe zones’ for refugees that have been damaged or destroyed by the chaos engulfing the countries of Sudan and Uganda. However, upon seeing the destruction and widespread horror inflicted upon the people (in particular the children) Childers decides he cannot stand idly by and do nothing to help.
Ignoring the warnings of overwhlemed peacekeepers and aid workers in the area, Sam decides to construct an orhanage where he thinks it’s needed the most – right in the center of the most volitile area in the Sudan, which also happens to be controlled by the brutal and ultra-violent LRA (Lord’s Resistance Army). The LRA roam from village to village kidnapping children and forcing them to become soliders for the LRA or even worse. In the beginning, Childers meets with success finding as many orphaned children as he can and ferrying them to his orphanage where they find food, shelter, and medical aid. But it is not enough. After several attacks and ambushes, Childers decides he cannot let the LRA continue to sadistically destroy lives. Sam begins to lead missions deep into LRA territory, taking the fight to the enemy while struggling with the knowledge that the situation grows darker every day for the people he is trying to help – in the Sudan and for his family back home.
This movie is definately intense and NOT for the faint of heart. I have not had the chance to read Sam Childers book which the movie is supposedly based on. As far as redemption tales go, this as realistic as it gets, in the sense that sometimes in order to find the salvation or spiritual awakening you seek, you’re forced to sacrifice all and risk losing everything you hold dear in this life in order to find it. Even with the knowledge that once you arrive at the end of that journey, you may not find the awakening you so desperately fought for.
The performances in this movie were all excellent. Kudos to Gerard Butler and Michelle Monaghan in particular. The young actors who portrayed the orphans and child soldiers definately knocked it out of the park as well. Butler also produced the movie which lends more credence to the whole theory that if one of the lead actors has a hand in the behind-the-scences work of the movie, chances are it’ll be a movie worth seein’. I’d encourage you to go see it regardless of the time of day in theaters or grab it on DVD. Rated R for extreme violence throughout and some sexual content.
The movie follows the true life story of Sam Childers (Gerard Butler) a former biker gang member/drug dealer who, at a major crossroads in his life, experiences a spirtial awakening and becomes a devoted preacher and family man. One day, after hearing another preacher speak about the plight of the thousands of kidnapped and orphaned children in africa as the result of civil war, Childers makes the life changing decision to go to Africa and assist in the building and repair of homes and ‘safe zones’ for refugees that have been damaged or destroyed by the chaos engulfing the countries of Sudan and Uganda. However, upon seeing the destruction and widespread horror inflicted upon the people (in particular the children) Childers decides he cannot stand idly by and do nothing to help.
Ignoring the warnings of overwhlemed peacekeepers and aid workers in the area, Sam decides to construct an orhanage where he thinks it’s needed the most – right in the center of the most volitile area in the Sudan, which also happens to be controlled by the brutal and ultra-violent LRA (Lord’s Resistance Army). The LRA roam from village to village kidnapping children and forcing them to become soliders for the LRA or even worse. In the beginning, Childers meets with success finding as many orphaned children as he can and ferrying them to his orphanage where they find food, shelter, and medical aid. But it is not enough. After several attacks and ambushes, Childers decides he cannot let the LRA continue to sadistically destroy lives. Sam begins to lead missions deep into LRA territory, taking the fight to the enemy while struggling with the knowledge that the situation grows darker every day for the people he is trying to help – in the Sudan and for his family back home.
This movie is definately intense and NOT for the faint of heart. I have not had the chance to read Sam Childers book which the movie is supposedly based on. As far as redemption tales go, this as realistic as it gets, in the sense that sometimes in order to find the salvation or spiritual awakening you seek, you’re forced to sacrifice all and risk losing everything you hold dear in this life in order to find it. Even with the knowledge that once you arrive at the end of that journey, you may not find the awakening you so desperately fought for.
The performances in this movie were all excellent. Kudos to Gerard Butler and Michelle Monaghan in particular. The young actors who portrayed the orphans and child soldiers definately knocked it out of the park as well. Butler also produced the movie which lends more credence to the whole theory that if one of the lead actors has a hand in the behind-the-scences work of the movie, chances are it’ll be a movie worth seein’. I’d encourage you to go see it regardless of the time of day in theaters or grab it on DVD. Rated R for extreme violence throughout and some sexual content.