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Matthew Krueger (10051 KP) rated Wall Street: Money Never Sleeps (2010) in Movies
Apr 28, 2021
Money Never Sleeps
Wall Street: Money Never Sleeps- is a good film. Its suspenseful, dramatic, thrilling and action packed with drama.
The plot: Following a long prison term for insider trading, Gordon Gekko (Michael Douglas) finds himself on the outside looking in at a world he once commanded. Ostensibly hoping to repair his broken relationship with his daughter, Gekko forges an alliance with her fiance, Jake (Shia LaBeouf). Although Jake comes to view Gordon as a father figure, he learns the hard way that Gekko is still a master manipulator who will stop at nothing to achieve his goals.
Its a good film.
The plot: Following a long prison term for insider trading, Gordon Gekko (Michael Douglas) finds himself on the outside looking in at a world he once commanded. Ostensibly hoping to repair his broken relationship with his daughter, Gekko forges an alliance with her fiance, Jake (Shia LaBeouf). Although Jake comes to view Gordon as a father figure, he learns the hard way that Gekko is still a master manipulator who will stop at nothing to achieve his goals.
Its a good film.
Matthew Krueger (10051 KP) rated Wall Street (1987) in Movies
Apr 17, 2021
Greed Is Good
Wall Street- is a good drama thriller. It has a good cast and director.
The plot: On the Wall Street of the 1980s, Bud Fox (Charlie Sheen) is a stockbroker full of ambition, doing whatever he can to make his way to the top. Admiring the power of the unsparing corporate raider Gordon Gekko (Michael Douglas), Fox entices Gekko into mentoring him by providing insider trading. As Fox becomes embroiled in greed and underhanded schemes, his decisions eventually threaten the livelihood of his scrupulous father (Martin Sheen). Faced with this dilemma, Fox questions his loyalties.
I do recordmend watching it.
The plot: On the Wall Street of the 1980s, Bud Fox (Charlie Sheen) is a stockbroker full of ambition, doing whatever he can to make his way to the top. Admiring the power of the unsparing corporate raider Gordon Gekko (Michael Douglas), Fox entices Gekko into mentoring him by providing insider trading. As Fox becomes embroiled in greed and underhanded schemes, his decisions eventually threaten the livelihood of his scrupulous father (Martin Sheen). Faced with this dilemma, Fox questions his loyalties.
I do recordmend watching it.
KyleQ (267 KP) rated Halloween H20: 20 Years Later (1998) in Movies
Jul 19, 2020
A pretty meh reboot.
H20 finds Jamie Lee Curtis returning to the role of Laurie Strode. For 20 years she's been in hiding from Michael Myers, she's been staying at a college campus with her son John (Josh Hartnett), but Michael is hunting them down.
H20's plot is less weird than the last couple of outings in the franchise, but it still feels a bit silly. The movie opens up showing Michael Myers doing some investigation to find out where Laurie disappeared to, which it just so happens that the nurse from the original movie had in her house. It was kind of a dumb start, and it never fully recovers from it.
There were 3 different masks used, resulting in obvious differences from shot to shot. One mask was particularly terrible, it looked like a clown mask.
The movie does benefit from a decent supporting cast including the likes of Michelle Williams, LL Cool J, Adam Arkin, Joseph Gordon-Levitt, and even Janet Leigh.
Tonally, H20 is somewhat cheesy, it shouldn't be taken too seriously, though who would at this point in the series?
Halloween H20: 20 Years Later will entertain fans of the series and horror fans alike. But don't expect it to be anything especially good.
H20's plot is less weird than the last couple of outings in the franchise, but it still feels a bit silly. The movie opens up showing Michael Myers doing some investigation to find out where Laurie disappeared to, which it just so happens that the nurse from the original movie had in her house. It was kind of a dumb start, and it never fully recovers from it.
There were 3 different masks used, resulting in obvious differences from shot to shot. One mask was particularly terrible, it looked like a clown mask.
The movie does benefit from a decent supporting cast including the likes of Michelle Williams, LL Cool J, Adam Arkin, Joseph Gordon-Levitt, and even Janet Leigh.
Tonally, H20 is somewhat cheesy, it shouldn't be taken too seriously, though who would at this point in the series?
Halloween H20: 20 Years Later will entertain fans of the series and horror fans alike. But don't expect it to be anything especially good.
David McK (3180 KP) rated Batman (1989) in Movies
Aug 3, 2019
"Some days you just can't get rid of a bomb..."
Oh, wait, wrong Batman!
Completely and utterly tonally different than the Adam West incarnation, this version has Michael Keaton - at the time, a controversial casting choice of an actor known for more comedic roles - taking on the role of Bruce Wayne/Batman in a very Gothic setting: all high rises, smoke and corruption.
With Commissioner Gordon only given a token role, and changing elements of the Batman mythos in giving Jack Nicholson's Joker a pre-Joker identity (and in having him responsible for the murder of Bruce's parents), this Batman also does not seem at all concerned with his famous no-killing rule (or is it a guideline?). It's also definitely a product of its time, complete with songs by Prince woven into the narrative!
Oh, wait, wrong Batman!
Completely and utterly tonally different than the Adam West incarnation, this version has Michael Keaton - at the time, a controversial casting choice of an actor known for more comedic roles - taking on the role of Bruce Wayne/Batman in a very Gothic setting: all high rises, smoke and corruption.
With Commissioner Gordon only given a token role, and changing elements of the Batman mythos in giving Jack Nicholson's Joker a pre-Joker identity (and in having him responsible for the murder of Bruce's parents), this Batman also does not seem at all concerned with his famous no-killing rule (or is it a guideline?). It's also definitely a product of its time, complete with songs by Prince woven into the narrative!
Andy K (10821 KP) rated Halloween H20: 20 Years Later (1998) in Movies
Oct 5, 2018
Jamie Lee returns!
Coming off the pukefest that was the Curse of Michael Myers, filmmakers had nowhere to go but up.
Seeing Jamie Lee Curtis back as Laurie Strode alongside younger versions of Michelle Williams, Josh Hartnett and Joseph Gordon-Levitt gave me a thrill. Unfortunately, the screenplay is substandard and doesn't really give the characters much to do.
Since she was last seen, Laurie has gone into hiding with her teenage son and is now a teacher at a private school in California still haunted by the events on Halloween 20 years ago.
The last act redeems the film a little with the family reunion and final confrontation being enjoyable and nostalgic; however, when the film ends I still had the feeling like an opportunity to make a truly great horror film was wasted.
Seeing Jamie Lee Curtis back as Laurie Strode alongside younger versions of Michelle Williams, Josh Hartnett and Joseph Gordon-Levitt gave me a thrill. Unfortunately, the screenplay is substandard and doesn't really give the characters much to do.
Since she was last seen, Laurie has gone into hiding with her teenage son and is now a teacher at a private school in California still haunted by the events on Halloween 20 years ago.
The last act redeems the film a little with the family reunion and final confrontation being enjoyable and nostalgic; however, when the film ends I still had the feeling like an opportunity to make a truly great horror film was wasted.
Lee KM Pallatina (951 KP) rated The Dark Knight (2008) in Movies
Jun 24, 2019
Wanna know how I got these oscars?
directed, produced, and co-written by Christopher Nolan and Based on the DC Comics character Batman.
the second installment in Nolan's The Dark Knight Trilogy.
Bruce Wayne/Batman (Christian Bale) allies himself with Lieutenant James Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart) to reduce crime in Gotham, but are seemingly outsmarted by a criminal mastermind known as the Joker (Heath Ledger) who seeks test Batman's influence by creating chaos in Gotham.
also Michael Caine reprises his role as Bruce Wayne's butler Alfred Pennyworth, Maggie Gyllenhaal as Rachel Dawes, and Morgan Freeman as Lucius Fox.
This was unfortunately Heath Ledger's final movie before his untimely passing and is considered his greatest portrayal, which won him the Oscar award for best supporting actor.
The Dark Knight grossed over a billion dollars worldwide, becoming the fourth film in history to gross more than $1 billion worldwide and the highest-grossing film of 2008.
the second installment in Nolan's The Dark Knight Trilogy.
Bruce Wayne/Batman (Christian Bale) allies himself with Lieutenant James Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart) to reduce crime in Gotham, but are seemingly outsmarted by a criminal mastermind known as the Joker (Heath Ledger) who seeks test Batman's influence by creating chaos in Gotham.
also Michael Caine reprises his role as Bruce Wayne's butler Alfred Pennyworth, Maggie Gyllenhaal as Rachel Dawes, and Morgan Freeman as Lucius Fox.
This was unfortunately Heath Ledger's final movie before his untimely passing and is considered his greatest portrayal, which won him the Oscar award for best supporting actor.
The Dark Knight grossed over a billion dollars worldwide, becoming the fourth film in history to gross more than $1 billion worldwide and the highest-grossing film of 2008.
Gareth von Kallenbach (965 KP) rated Halloween (2018) in Movies
Jun 19, 2019
“Halloween” has long been considered by many to have been the film that started the “Slasher” subculture. The independent movie became a box office smash and made Michael Myers a cultural icon ever since its debut in 1978.
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Although multiple sequels and a reboot followed over the years; they did not match the intensity of the original as they opted for higher body counts and gore versus suspense and story and in many ways became almost a parody of themselves as Michael would cut down cast after cast of teens and anyone else in his way.
The new film takes the approach that none of the films after the first ever happened so instead of Michael stalking Lorrie in a hospital in “Halloween 2”; he was captured and incarcerated in an mental institute for the last forty years where he has remained silent despite his Doctor (Haluk Bilginer) best efforts to get him to speak as he attempts to understand what motivates a person described as pure evil.
The forty years since “The Night He Came Home” has not been kind to Laurie Strode (Jamie Lee Curtis); as since her encounter with Michael: she has become a hard drinking isolationist who suffers from severe Post Traumatic Syndrome. Laurie has become obsessed with guns, weapons, and protection to the point that it has cost her two marriages and even had her only child Karen (Judy Greer) taken from her by the state which has resulted in her having a fractured relationship with her and her granddaughter Allyson (Andi Matichak).
When a pair of journalists attempt to interview Laurie to try to get her to agree to a face to face with Michael; it sets a chain of events into motion which leads to Michael escaping during a prison transfer.
Michael wastes no time in returning home leaving a trail of death in his path and sets him on a collision course with Laurie who has spent the last forty years preparing for his return.
The film is a true sequel to the original as aside from the second film; it is the closest in tone and theme to the original. While it does have more gore and a higher body count in keeping with the modern expectations of a film of this type, writers David Gordon Green and Danny McBride clearly understand the source material and have crafted an extension of the original versus a continuation refurbished. The fact that John Carpenter has returned as an Executive Producer also helps.
The film wisely sets the focus on the characters which makes the horror aspects more compelling as this is not a bunch of anonymous victims we are watching.
A sequel is reportedly in development and I hope this creative team returns as this was a truly worthy sequel to the classic original that was long overdue.
http://sknr.net/2018/10/17/halloween/
Gareth von Kallenbach (965 KP) rated The Dark Knight Rises (2012) in Movies
Aug 7, 2019
Christian Bale reprises his role as Bruce Wayne/Batman in the final installment of Christopher Nolan’s Batman trilogy, The Dark Knight Rises,and is forced to come face to face with new villains once again. This time it is the terrorist leader Bane (Tom Hardy) and cat burglar, Selina Kyle (Anne Hathaway).
In the previous movie Batman had to combat the famed Joker who caused havoc in the city of Gotham. Joker convinced Harvey Dent to seek revenge against Batman and those responsible for the death of his lover, Rachel Dawes. Dent decides to use his lucky coin to decide the fate of those he assumes are responsible, Commissioner Gordon (Gary Oldman) and his family being just a few of the people captured within Dent’s grip of revenge. While Batman saved the life of Gordon’s young son, many still die. Batman decided to let the public think that he was the one responsible for all the deaths to keep Dent’s name in good standing with the public. Gordan on the other hand knows the truth.
The Dark Knight Rises is set eight years after the extensive damage the Joker brought upon the city and its residents. During this time, Batman isolated himself within the walls of Wayne Manor as Gotham rebuilt itself with the help of Gordon and John Blake (Joseph Gordon Leavitt).
During a celebration of Dent’s life and his successes, Gordan is tempted to tell the people of Gotham the truth behind the murders eight years ago but finds that it may not be the right time to do so. Terrorist leader Bane arrives and takes over the celebration and wounds Gordon forcing his subordinate Blake to take over. After Wayne learns that one of his projects he had been investing in over the years was actually being used for nuclear devices, Wayne decides to shut down the project. One of Wayne’s business rivals is suspected to have employed terrorist leader Bane to takeover the company and use its nuclear devices against the city.
After finding out the truth Bruce Wayne decides to return to the streets of Gotham as Batman, though the decision is met with great resistance by his trusty butler Alfred (Michael Caine). Bane has taken the lead in bringing Wayne Enterprises down and an intense confrontation leaves Batman hurt and condemned to an inescapable prison. Bane is left free to wreak uncontested havoc on Gotham, once again bringing a violent storm of perilous destruction upon its people. While Batman is stuck in Bane’s prison, we learn the sordid history of Bane.
To say much more would give a lot of the story away. Suffice it to say, The Dark Knight Rises is this year’s best comic book movie so far. The graphics, action, soundtrack and opening sequence are amazing. The storyline leaves you wanting more. Christopher Nolan has does an excellent job in all the installments of Batman but is remarkably exceptional in the third and final installment of the series.
In the previous movie Batman had to combat the famed Joker who caused havoc in the city of Gotham. Joker convinced Harvey Dent to seek revenge against Batman and those responsible for the death of his lover, Rachel Dawes. Dent decides to use his lucky coin to decide the fate of those he assumes are responsible, Commissioner Gordon (Gary Oldman) and his family being just a few of the people captured within Dent’s grip of revenge. While Batman saved the life of Gordon’s young son, many still die. Batman decided to let the public think that he was the one responsible for all the deaths to keep Dent’s name in good standing with the public. Gordan on the other hand knows the truth.
The Dark Knight Rises is set eight years after the extensive damage the Joker brought upon the city and its residents. During this time, Batman isolated himself within the walls of Wayne Manor as Gotham rebuilt itself with the help of Gordon and John Blake (Joseph Gordon Leavitt).
During a celebration of Dent’s life and his successes, Gordan is tempted to tell the people of Gotham the truth behind the murders eight years ago but finds that it may not be the right time to do so. Terrorist leader Bane arrives and takes over the celebration and wounds Gordon forcing his subordinate Blake to take over. After Wayne learns that one of his projects he had been investing in over the years was actually being used for nuclear devices, Wayne decides to shut down the project. One of Wayne’s business rivals is suspected to have employed terrorist leader Bane to takeover the company and use its nuclear devices against the city.
After finding out the truth Bruce Wayne decides to return to the streets of Gotham as Batman, though the decision is met with great resistance by his trusty butler Alfred (Michael Caine). Bane has taken the lead in bringing Wayne Enterprises down and an intense confrontation leaves Batman hurt and condemned to an inescapable prison. Bane is left free to wreak uncontested havoc on Gotham, once again bringing a violent storm of perilous destruction upon its people. While Batman is stuck in Bane’s prison, we learn the sordid history of Bane.
To say much more would give a lot of the story away. Suffice it to say, The Dark Knight Rises is this year’s best comic book movie so far. The graphics, action, soundtrack and opening sequence are amazing. The storyline leaves you wanting more. Christopher Nolan has does an excellent job in all the installments of Batman but is remarkably exceptional in the third and final installment of the series.
Movie Metropolis (309 KP) rated Halloween (2018) in Movies
Jun 10, 2019
A True successor to the original
Halloween 1978 and little-known director John Carpenter terrifies thousands of impressionable horror fans with the introduction of ‘The Shape’. Jamie Lee Curtis becomes the new ‘scream queen’ and all is well in the world of the slasher genre.
Fast-forward to 2009 and Rob Zombie directs the sequel to his reasonably successful remake of Halloween, but it was poorly received by critics and audiences alike. Why? Well Zombie’s grungy, rock-anthem vibe didn’t really sit too well with Michael Myers and the result was a distasteful and messy outing that set the franchise back nearly 10 years.
Of course, in between 1978 and 2009, the series was ripped apart, put back together again until it was a shadow of its former self. Anyone remember Busta Rhymes doing a vague impression of a karate master in Halloween: Resurrection? Best forget about that.
Nevertheless, director David Gordon Green, a lifetime fan of Carpenter’s iconic original is in the chair to helm a direct sequel to the 1978 classic. That’s right, it forgoes every single film apart from the first. But is it a worthy sequel to one of the greatest horror films of all time?
It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield. But this time, she’s ready for him.
Having Jamie Lee Curtis and John Carpenter back for this instalment is already a coup for Gordon Green. Clearly, they thought enough of the material that he and co-writer Danny McBride had produced to give one more shot at crafting a properly deserved sequel. And it works very well, so well in fact that we have, barring the original, the best Halloween movie to date.
Jamie Lee Curtis is absolutely fabulous as a world-weary Laurie Strode. Traumatised by the events of 40 years ago, she holds herself up in a cabin on the outskirts of Haddonfield, flanked by floodlights and CCTV cameras. The script does a very good job at showing how massive events can destroy an individual’s life and Curtis’ understated performance is a highlight here.
Judy Greer gets a nicely fleshed out role as Karen, Laurie’s daughter. She’s an incredibly talented actress and it’s a world away from the one-dimensional characters she’s been given to play in blockbusters like Jurassic World. The great thing about this film is that each of the main characters feels real. There’s no cheap sex scenes, the kills are well-placed and the dialogue is superbly written – you actually believe these are real people, rather than characters in a movie.
While the body count is high, Halloween doesn’t rely on the murders to progress the story forward. This is very much Laurie’s film as opposed to Michael’s and it works very well. There’s some nice juxtaposition as shots that would have involved Michael in the original, choose to put Laurie front and centre here. Halloween features some tasteful references to the original as well as its less-well received sequels. They’re not immediately obvious for those not too familiar with the series, but die-hards will enjoy seeing those homages pop up every now and then.
Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it
The film starts relatively slowly with a not quite successful side-plot involving two investigative journalists, but once Michael Myers gets his mask back, the film rarely lets up until the end. Populated by enough kills and scares to keep the audience happy, this is a Halloween movie that doesn’t rely too much on jump scares. There’s a few, but they’re nicely filmed which helps lift them above the mundane.
To look at, this is a film that is head and shoulders above anything else in the genre. Gordon Green uses incredibly fluid camera techniques that almost mimic those of the original. In one extended sequence, Myers moves in and out of shot as the camera follows him from house to house, selecting his next victim. With no cuts in between, it’s a stunning scene to watch and very effective.
Thankfully, the writing duo has decided to pass on giving Michael anything resembling a back story. The embodiment of ‘pure evil’ as Samuel Loomis once put it, Myers needn’t have any motives – and that’s what makes him so terrifying. In fact, his first kill here reaffirms his evil characteristics and it’s clear that David Gordon Green and Danny McBride were aiming for this take on the character.
Then there’s the score. John Carpenter has returned to craft new music for this instalment and it is by far the best score in the series, possibly even better than the original. That haunting Halloween theme tune is back, but upgraded with guitar riffs and electronic percussion. It’s a fabulous update that works perfectly with the modern characters and an older Michael.
While it’s true that the film isn’t out-and-out scary, the finale is exquisite as Laurie and Michael come face-to-face once again. Only the abrupt ending and forgetting of some key characters lets it down. After all, what’s the point in caring about a character and never learning of their fate?
Overall, Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it. While this is sure to make bucket loads at the box-office, it feels like it was crafted with care by a writing team and director that absolutely adores the series. It’s a must watch.
https://moviemetropolis.net/2018/10/20/halloween-2018-review-a-true-successor-to-the-original/
Fast-forward to 2009 and Rob Zombie directs the sequel to his reasonably successful remake of Halloween, but it was poorly received by critics and audiences alike. Why? Well Zombie’s grungy, rock-anthem vibe didn’t really sit too well with Michael Myers and the result was a distasteful and messy outing that set the franchise back nearly 10 years.
Of course, in between 1978 and 2009, the series was ripped apart, put back together again until it was a shadow of its former self. Anyone remember Busta Rhymes doing a vague impression of a karate master in Halloween: Resurrection? Best forget about that.
Nevertheless, director David Gordon Green, a lifetime fan of Carpenter’s iconic original is in the chair to helm a direct sequel to the 1978 classic. That’s right, it forgoes every single film apart from the first. But is it a worthy sequel to one of the greatest horror films of all time?
It’s been 40 years since Laurie Strode survived a vicious attack from crazed killer Michael Myers on Halloween night. Locked up in an institution, Myers manages to escape when his bus transfer goes horribly wrong. Laurie now faces a terrifying showdown when the masked madman returns to Haddonfield. But this time, she’s ready for him.
Having Jamie Lee Curtis and John Carpenter back for this instalment is already a coup for Gordon Green. Clearly, they thought enough of the material that he and co-writer Danny McBride had produced to give one more shot at crafting a properly deserved sequel. And it works very well, so well in fact that we have, barring the original, the best Halloween movie to date.
Jamie Lee Curtis is absolutely fabulous as a world-weary Laurie Strode. Traumatised by the events of 40 years ago, she holds herself up in a cabin on the outskirts of Haddonfield, flanked by floodlights and CCTV cameras. The script does a very good job at showing how massive events can destroy an individual’s life and Curtis’ understated performance is a highlight here.
Judy Greer gets a nicely fleshed out role as Karen, Laurie’s daughter. She’s an incredibly talented actress and it’s a world away from the one-dimensional characters she’s been given to play in blockbusters like Jurassic World. The great thing about this film is that each of the main characters feels real. There’s no cheap sex scenes, the kills are well-placed and the dialogue is superbly written – you actually believe these are real people, rather than characters in a movie.
While the body count is high, Halloween doesn’t rely on the murders to progress the story forward. This is very much Laurie’s film as opposed to Michael’s and it works very well. There’s some nice juxtaposition as shots that would have involved Michael in the original, choose to put Laurie front and centre here. Halloween features some tasteful references to the original as well as its less-well received sequels. They’re not immediately obvious for those not too familiar with the series, but die-hards will enjoy seeing those homages pop up every now and then.
Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it
The film starts relatively slowly with a not quite successful side-plot involving two investigative journalists, but once Michael Myers gets his mask back, the film rarely lets up until the end. Populated by enough kills and scares to keep the audience happy, this is a Halloween movie that doesn’t rely too much on jump scares. There’s a few, but they’re nicely filmed which helps lift them above the mundane.
To look at, this is a film that is head and shoulders above anything else in the genre. Gordon Green uses incredibly fluid camera techniques that almost mimic those of the original. In one extended sequence, Myers moves in and out of shot as the camera follows him from house to house, selecting his next victim. With no cuts in between, it’s a stunning scene to watch and very effective.
Thankfully, the writing duo has decided to pass on giving Michael anything resembling a back story. The embodiment of ‘pure evil’ as Samuel Loomis once put it, Myers needn’t have any motives – and that’s what makes him so terrifying. In fact, his first kill here reaffirms his evil characteristics and it’s clear that David Gordon Green and Danny McBride were aiming for this take on the character.
Then there’s the score. John Carpenter has returned to craft new music for this instalment and it is by far the best score in the series, possibly even better than the original. That haunting Halloween theme tune is back, but upgraded with guitar riffs and electronic percussion. It’s a fabulous update that works perfectly with the modern characters and an older Michael.
While it’s true that the film isn’t out-and-out scary, the finale is exquisite as Laurie and Michael come face-to-face once again. Only the abrupt ending and forgetting of some key characters lets it down. After all, what’s the point in caring about a character and never learning of their fate?
Overall, Halloween is a resounding success. It takes what audiences loved about the original and updates them in a sequel that, while not being wholly original, respects what came before it. While this is sure to make bucket loads at the box-office, it feels like it was crafted with care by a writing team and director that absolutely adores the series. It’s a must watch.
https://moviemetropolis.net/2018/10/20/halloween-2018-review-a-true-successor-to-the-original/
Darren (1599 KP) rated 10 Things I Hate About You (1999) in Movies
Jun 20, 2019
This modern take on the Shakespeare play ‘The Taming Of The Shrew’.
This follows a group of teenagers through school. When new boy Cameron (Joseph Gordon-Levitt) starts up at the school he sees Bianca (Larisa Oleynik) he falls in love. There is a problem with anyone who wants to date Bianca and that is her sister Kat (Julia Stiles) a very angry young lady and their father put a rule on when Kat dates Bianca cane date.
Cameron and Michael (David Krumholtz) come up with a play to trick popular boy Joey (Andrew Keegan) to pay Patrick (Heath Ledger) to date Kat, opening the door for Bianca to date.
Can Patrick tame the shrew?
This is a very good teen comedy filled with young too be star actors in Ledger, Levitt, and Stiles. The story is nicely put together and creates characters that are the good ones are liked and the bad ones are disliked. It also has a very nice soundtrack which keeps the montage scenes going very well. There are some very memorable scenes including the moment where Patrick sings from a crowd to Kat, very funny and heart felt performance.v
https://moviesreview101.com/2012/07/14/10-things-i-hate-about-you-1999/
This follows a group of teenagers through school. When new boy Cameron (Joseph Gordon-Levitt) starts up at the school he sees Bianca (Larisa Oleynik) he falls in love. There is a problem with anyone who wants to date Bianca and that is her sister Kat (Julia Stiles) a very angry young lady and their father put a rule on when Kat dates Bianca cane date.
Cameron and Michael (David Krumholtz) come up with a play to trick popular boy Joey (Andrew Keegan) to pay Patrick (Heath Ledger) to date Kat, opening the door for Bianca to date.
Can Patrick tame the shrew?
This is a very good teen comedy filled with young too be star actors in Ledger, Levitt, and Stiles. The story is nicely put together and creates characters that are the good ones are liked and the bad ones are disliked. It also has a very nice soundtrack which keeps the montage scenes going very well. There are some very memorable scenes including the moment where Patrick sings from a crowd to Kat, very funny and heart felt performance.v
https://moviesreview101.com/2012/07/14/10-things-i-hate-about-you-1999/