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David Jason: My Life
Book
This is the long-awaited autobiography of one of Britain's best-loved actors, and the star of Only...
First of the Year: v. 3: 2010
Book
This is the third volume of the 'First of the Year' annual series. Contributors such as Armond...
BankofMarquis (1832 KP) rated A Fish Called Wanda (1988) in Movies
Jul 2, 2020
A Jolly Good Time
A member of my family mentioned when discussing the 1988 John Cleese comedy A FISH CALLED WANDA that you can tell much about a person over what part of this film that you like the most. Do you like:
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
a). The John Cleese/Jamie Lee Curtis love story
b). The "caper"
c). The beleaguered, unsuccessful hit-man Ken
d). The old lady and her 3 dogs
e). Kevin Kline as Otto
For me, that's easy - ALL OF IT! I find that A FISH CALLED WANDA is a very funny, richly acted comedy/caper that brings forth 4 characters that are easy to spend 2 hours with. Starting with John Cleese as Barrister Archie Leach. Cleese conceived, wrote, starred-in and (at times) directed this film and his "British humor" (honed from years as a member of the MONTY PYTHON comedy troupe) is in full force here. He has a reserved appearance about him that covers a wild man underneath yearning to break free.
Jamie Lee Curtis is quite good as the center of the film, Wanda Gershwitz, a cunning conman who will stop at nothing - and step over everyone - to get what she wants. I find that Curtis is under-rated as an actress and a comedienne and this picture shows that she can hold her own against 3 comedy greats at the top of their game.
The 2nd member of the Monty Python troupe to appear in this film is the remarkable Michael Palin as hapless hit-man, Ken. He becomes increasingly frustrated and frantic -and increasingly funny - as he attempts to complete his assignment throughout the course of this film.
But...the real star of this film...and the actor/character that steals the film away from everyone else...is Kevin Kline's Oscar winning performance as Otto, Wanda's erstwhile love who has a very high opinion of himself. It is rare that a comedic performance wins an Oscar - Kline's win is the the last one to do so - but it is easy to see why the Academy decided to reward Kline for it is a committed performance that is wild, wacky and over-the-top, but not overtly so. Kline has been very good in many other pictures/performances before and after this film, but he never reached the height that he reached in this film.
The film has veteran director Charles Crichton listed as Director with Cleese listed as co-Director (though Cleese insisted that Crichton did all the work and he only put his name on it to assuage the fears of studio executives over Crichton's advanced age). Well...Crichton does a wonderful job of letting the lunacy explode on the scene while keeping a lid on it and moving the action along at a brisk pace.
Wanda is one of those films that people remember fondly, but do not revisit. I would highly recommend you do, it's a jolly good time.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sarah (7798 KP) rated Monty Python's Life of Brian (1979) in Movies
Mar 15, 2021
A classic
Film #16 on the 100 Movies Bucket List: Monty Python’s Life of Brian
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
Life of Brian (1979] is an old school comedy classic, and alongside Python’s take on the Holy Grail, were fairly revered comedies when I was growing up and I doubt there’s many people over a certain age that haven’t seen these films. Films like this are my favourite type of comedy, and I just wish they still made films similar today.
Life of Brian follows Brian (Graham Chapman), who was born on the same night one stable down from Jesus, yet has lived an entirely different life. Fed up of the Romans, Brian joins the People’s Front of Judea led by Reggie (John a Cleese), whose aim is to get the Romans out of Judea. After being caught infiltrating the palace and put in front of Pontius Pilate (Michael Palin), Brian escapes capture and in his bid to hide from the Romans, winds up relaying some of the teachings he learnt from Jesus. This spurs a crowd into thinking he is the next Messiah, leaving Brian to try and evade his followers as well as the Romans, with rather dire consequences.
This is the Pythons second proper feature film, following on from the hugely successful Holy Grail and their tv series, Flying Circus. Directed by Terry Jones, the purpose of Life of Brian was to lampoon and satirise the New Testament, and more specifically, to make fun of followers of mistaken religious figures. To be quite honest, I don’t think they could make comedy films like this anymore. This lampoon, satire style was fairly rife even up until the 90s (with the likes of Hot Shots and The Naked Gun sequels), but I think they’d struggle to make anything like this nowadays which is a great shame. The humour in this isn’t offensive at all, it’s intelligent and adult and whipsmart and wonderfully done. Admittedly there are a few scenes that may cause some offence purely because it was made when times were different over 40 years ago, but there’s also a lot in here that is surprisingly relevant even in today’s society – one scene where the People’s Front of Judea discuss women’s rights and a request from Stan to be known as Loretta is unexpectedly well done and respectful, albeit with a Python comedy edge. There are some genius works of comedy in this film too that have become cult favourites, from Palin’s depiction of Pontius Pilate with a speech impediment (“Stwike him centuwion, vewy wuffly!”) to Terry Jones’ mother crying out to Brian’s followers that “he’s not the Messiah, he’s a very naughty boy!”. Personally, Palin’s take on Pilate and all of his scenes are my favourite of the entire film.
This isn’t to say that Life of Brian is perfect. There are some scenes and acting that are maybe a little too pantomime-esque (even for a parody) and there are some jokes and scenes that don’t quite land - the alien scene (yes I did say “alien”) is one that jumps to mind. Because of this some scenes can seem rather drawn out if you don’t get the gag. Humour like this isn’t for everyone, although for me it’s my favourite kind. This is British comedy at its best and a shining example that humour doesn’t be crude to be funny. I mean who else other than the Monty Python troupe could pull off crucified men singing “Always Look on the Bright Side of Life”?
Andy K (10821 KP) rated The Man Who Killed Don Quixote (2018) in Movies
Jul 1, 2019
25+ years in the making!
Up until its release, "The Man Who Killed Don Quixote" would have been at the top of any movie list featuring movies in development hell never to actually make it to the big screen. Those who are interested should read the lengthy details of the various derailed productions of the film including its original incarnation starring Johnny Depp and the late Jean Rochefort. The film chronicles can even be viewed on their own in the 2002 documentary film "Lost in La Mancha".
To say director Terry Gilliam has had a hard time getting some of his quirky films made, financed and released is an understatement for sure. Films like "Brazil", "The Adventures of Baron Munchausen" or "Tideland" had their difficulties making it to the big screen. How about having the main star of your film die in the middle of production? He had that issue as well during filming of "The Imaginarium of Doctor Parnassus" when Heath Ledger passed away. Thanks to the help of Johnny Depp, Collin Farrell and Jude Law stepping in, the film was able to be released eventually.
Over the years I had kept up with Gilliam's repeated attempts to get the film financed and made including another time where he had cast fellow Python vet Michael Palin in the lead or even Robert Duvall was attached at one point.
The movie itself is a marvel of tenacity for Gilliam and I am very glad he was finally able to make it.
This final version of the film stars Adam Driver as troubled film director, Toby, and Jonathan Pryce as Don Quixote.
Toby is not thrilled about his current production and wanders back to the small Spanish town where he had met some of the locals and made a student film about Quixote 10 years earlier. He finds his "Quixote" living out a sideshow fantasy having lost his grip on reality thinking he is still Quixote today. Toby decides to launch an adventure with him through the Spanish countryside as his "Sancho Panza". Through their quests they encounter a multitude of interesting, wacky and outlandish characters who feed into the Quixote fantasy.
I have to say the film's look left me breathless. As with Gilliam's entire library of films, the production design, art direction and cinematography were astonishing really delving you into this larger than life world and helped move along some of the weaker elements.
Gilliam's goal with the screenplay was to adapt the classic Quixote story to be told under up to date circumstances and I'm not sure he completely succeeded. Some of the scenes and dialogue were boring and the movie's plot dragged at times. The mixing of world's was a little confusing and not sure the payoff entirely wrapped the story to conclusion.
Besides playing Kylo Wren, I am not sure Adam Driver will end up having a long career in film as I thought he was flat and not entertaining to watch as I am sure Depp would have been in the role. Jonathan Pryce was a joy to watch and every scene he was in he really stole the show.
It was fun to watch some elements from some of Gilliam's other work on display including the red knight from "The Fisher King", the sprawling landscapes from "Baron Munchausen" or "Time Bandits" and even the sideshow from "Parnassus".
Overall, I am glad I finally got to watch it as I am sure Gilliam was to finally film and release his long-awaited project. I guess I would say I was entertained, but felt like it fell short of being a true classic.
To say director Terry Gilliam has had a hard time getting some of his quirky films made, financed and released is an understatement for sure. Films like "Brazil", "The Adventures of Baron Munchausen" or "Tideland" had their difficulties making it to the big screen. How about having the main star of your film die in the middle of production? He had that issue as well during filming of "The Imaginarium of Doctor Parnassus" when Heath Ledger passed away. Thanks to the help of Johnny Depp, Collin Farrell and Jude Law stepping in, the film was able to be released eventually.
Over the years I had kept up with Gilliam's repeated attempts to get the film financed and made including another time where he had cast fellow Python vet Michael Palin in the lead or even Robert Duvall was attached at one point.
The movie itself is a marvel of tenacity for Gilliam and I am very glad he was finally able to make it.
This final version of the film stars Adam Driver as troubled film director, Toby, and Jonathan Pryce as Don Quixote.
Toby is not thrilled about his current production and wanders back to the small Spanish town where he had met some of the locals and made a student film about Quixote 10 years earlier. He finds his "Quixote" living out a sideshow fantasy having lost his grip on reality thinking he is still Quixote today. Toby decides to launch an adventure with him through the Spanish countryside as his "Sancho Panza". Through their quests they encounter a multitude of interesting, wacky and outlandish characters who feed into the Quixote fantasy.
I have to say the film's look left me breathless. As with Gilliam's entire library of films, the production design, art direction and cinematography were astonishing really delving you into this larger than life world and helped move along some of the weaker elements.
Gilliam's goal with the screenplay was to adapt the classic Quixote story to be told under up to date circumstances and I'm not sure he completely succeeded. Some of the scenes and dialogue were boring and the movie's plot dragged at times. The mixing of world's was a little confusing and not sure the payoff entirely wrapped the story to conclusion.
Besides playing Kylo Wren, I am not sure Adam Driver will end up having a long career in film as I thought he was flat and not entertaining to watch as I am sure Depp would have been in the role. Jonathan Pryce was a joy to watch and every scene he was in he really stole the show.
It was fun to watch some elements from some of Gilliam's other work on display including the red knight from "The Fisher King", the sprawling landscapes from "Baron Munchausen" or "Time Bandits" and even the sideshow from "Parnassus".
Overall, I am glad I finally got to watch it as I am sure Gilliam was to finally film and release his long-awaited project. I guess I would say I was entertained, but felt like it fell short of being a true classic.
