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Matthew Krueger (10051 KP) rated Unlawful Entry (1992) in Movies
Feb 17, 2021
Kurt Russell (1 more)
Ray Liotta
One Man's Obsession
Unlawful Entry- is a really good suspense thriller. The suspense, the thrills, the drama, the mystery are all excellent.
The plot: Happily married Michael (Kurt Russell) and Karen Carr (Madeleine Stowe) call the police after a failed robbery. Officer Pete Davis (Ray Liotta) arrives and helps arrange the installation of a new security system. The grateful Carrs have Pete to dinner and strike up a friendship. Pete invites Michael to ride with him during a night's patrol and gives him the chance to beat up the burglar. Michael refuses and tells the disturbed cop to stay away, but Pete begins stalking the terrified couple.
Its a excellent film. Highly recordmend.
The plot: Happily married Michael (Kurt Russell) and Karen Carr (Madeleine Stowe) call the police after a failed robbery. Officer Pete Davis (Ray Liotta) arrives and helps arrange the installation of a new security system. The grateful Carrs have Pete to dinner and strike up a friendship. Pete invites Michael to ride with him during a night's patrol and gives him the chance to beat up the burglar. Michael refuses and tells the disturbed cop to stay away, but Pete begins stalking the terrified couple.
Its a excellent film. Highly recordmend.
Bubba Gee (147 KP) rated King of Thieves (2018) in Movies
Jul 2, 2019
Thiefy yet wrinkly
Good film about a heist, sort of like oceans 13 with grandpa's. It's a good story with plenty of strong points.
There's a fairly well known cast boasting such names as Michael Caine, Jim Broadbent, Ray Winstone, and Michael Gambon.
Lots of backstabbing going on as well as these fellas prove at any age, there's no honour amongst thieves.
Worth a watch
There's a fairly well known cast boasting such names as Michael Caine, Jim Broadbent, Ray Winstone, and Michael Gambon.
Lots of backstabbing going on as well as these fellas prove at any age, there's no honour amongst thieves.
Worth a watch
Lee (2222 KP) rated The Founder (2017) in Movies
Jul 26, 2017
These days McDonalds is everywhere. You don’t have to travel too far before you see those familiar golden arches – in fact, there are three of them within a two mile radius of my home! I’m not personally a big fan of them, but that’s not to say I haven’t enjoyed the odd meal occasionally when in a hurry. It’s one of those things that’s just always been there in life, taken for granted without much of a thought as to how it all came to be so huge. Turns out there’s a pretty interesting story to be told involving a couple of pioneering brothers, and the guy who eventually completely screwed them over…
Michael Keaton is Ray Kroc, a hardworking salesman who always seems to be on the road while his bored wife (Laura Dern) is at home. Repeatedly getting the brush off from restaurant owners who don’t want to buy his amazing new five-spindled milkshake machine and frustrated by the slow, unreliable service from the drive-ins where he goes to get his lunch. For this part of the movie, we’re actually pretty sympathetic with Ray as he struggles in his lonely, boring, unfullfilling job, listening to motivational records in motel rooms as he drifts off to sleep. And then he gets a call from two brothers, Dick and Mac McDonald. They don’t just want to buy one of his milkshake machines, they want to buy at least six in order to cope with demand in their restaurant. Ray puts down the phone and his mind immediately goes into overdrive – what kind of restaurant have these guys got that’s producing this kind of demand? He pulls out a map and looks them up – they’re in San Bernadino California, so he heads off in his car to pay them a visit.
When he arrives, the place is packed with customers queuing for food. As Ray joins the queue a woman assures him that he won’t have to wait long and sure enough, after placing his 15 cent order for a burger, fries and soft drink (bargain!), he promptly gets his order within 30 seconds – served in a paper bag, no plates, no cutlery. He thinks there must be some mistake and it’s pretty amusing to see the bemused look on his face as he struggles to accept the concept that we now all take for granted. Fast, cheap food that you can eat absolutely anywhere you want – in your car, at the park, it’s up to you.
Ray offers to take the brothers out to dinner so that he can hear their story. It’s a wonderful, captivating story too, one that could so easily have been the entire movie. The brothers have such a good rapport as they passionately talk about what they’ve worked to achieve. Moving their restaurant to where it is now, developing their own machines for applying perfect amounts of ketchup and mustard into each bun and spending six hours sketching out potential restaurant layouts on a tennis court while their restaurant staff choreograph their optimised cooking routines. Everything has been tweaked to perfection, even down to the exact cooking time and temperature for their fries. After sleeping on all this information, Ray goes back to the brothers early the next morning and offers them the idea of franchising. But, it’s something they’ve dabbled in before and gave up on, having felt that they had no control over the quality and attention to detail that they pride themselves on in their own restaurant. Eventually Ray wins them over though and a contract is drawn up. The brothers get final say on everything and get half a percent of the profits but it’s up to Ray to setup the franchises and find the people to run them.
It’s a slow, hard process though and although Ray does setup a few successful restaurants, he soon becomes frustrated at the lack of money he seems to be making and the lack of control he has on the decision making process whenever he wants to save costs. The McDonald brothers just seem to keep saying ‘no’! But after he receives some business advice, telling him he should be concentrating on buying the land that the restaurants are on rather than the burgers being cooked, the tide begins to turn. He eventually becomes powerful enough to overpower the brothers, trademark their name, and generally take credit for everything the brothers worked for and built, eventually putting them out of business.
Kroc becomes ruthless, and a complete arsehole. The brothers did eventually make some decent money out of their final deal with Ray, but it certainly wasn’t the 100 million dollars a year they could have been making if they’d been treated right. You really feel for them, as they completely lose control of everything. But you can’t help wondering if things would have worked out that much different for them if they had never met Ray at all. Their restaurant will certainly have continued to do well for a while, but by focusing on just their one restaurant, how long before somebody else stole their idea and ran with it, somebody with the drive and vision to make real money like Ray, leaving them with no money settlement at all? After all, as the motivational LP that Ray listens to clearly pointed out at the start of the movie, “Nothing in the world can take the place of persistence, talent will not, nothing is more common than unsuccessful men with talent …”.
Michael Keaton is Ray Kroc, a hardworking salesman who always seems to be on the road while his bored wife (Laura Dern) is at home. Repeatedly getting the brush off from restaurant owners who don’t want to buy his amazing new five-spindled milkshake machine and frustrated by the slow, unreliable service from the drive-ins where he goes to get his lunch. For this part of the movie, we’re actually pretty sympathetic with Ray as he struggles in his lonely, boring, unfullfilling job, listening to motivational records in motel rooms as he drifts off to sleep. And then he gets a call from two brothers, Dick and Mac McDonald. They don’t just want to buy one of his milkshake machines, they want to buy at least six in order to cope with demand in their restaurant. Ray puts down the phone and his mind immediately goes into overdrive – what kind of restaurant have these guys got that’s producing this kind of demand? He pulls out a map and looks them up – they’re in San Bernadino California, so he heads off in his car to pay them a visit.
When he arrives, the place is packed with customers queuing for food. As Ray joins the queue a woman assures him that he won’t have to wait long and sure enough, after placing his 15 cent order for a burger, fries and soft drink (bargain!), he promptly gets his order within 30 seconds – served in a paper bag, no plates, no cutlery. He thinks there must be some mistake and it’s pretty amusing to see the bemused look on his face as he struggles to accept the concept that we now all take for granted. Fast, cheap food that you can eat absolutely anywhere you want – in your car, at the park, it’s up to you.
Ray offers to take the brothers out to dinner so that he can hear their story. It’s a wonderful, captivating story too, one that could so easily have been the entire movie. The brothers have such a good rapport as they passionately talk about what they’ve worked to achieve. Moving their restaurant to where it is now, developing their own machines for applying perfect amounts of ketchup and mustard into each bun and spending six hours sketching out potential restaurant layouts on a tennis court while their restaurant staff choreograph their optimised cooking routines. Everything has been tweaked to perfection, even down to the exact cooking time and temperature for their fries. After sleeping on all this information, Ray goes back to the brothers early the next morning and offers them the idea of franchising. But, it’s something they’ve dabbled in before and gave up on, having felt that they had no control over the quality and attention to detail that they pride themselves on in their own restaurant. Eventually Ray wins them over though and a contract is drawn up. The brothers get final say on everything and get half a percent of the profits but it’s up to Ray to setup the franchises and find the people to run them.
It’s a slow, hard process though and although Ray does setup a few successful restaurants, he soon becomes frustrated at the lack of money he seems to be making and the lack of control he has on the decision making process whenever he wants to save costs. The McDonald brothers just seem to keep saying ‘no’! But after he receives some business advice, telling him he should be concentrating on buying the land that the restaurants are on rather than the burgers being cooked, the tide begins to turn. He eventually becomes powerful enough to overpower the brothers, trademark their name, and generally take credit for everything the brothers worked for and built, eventually putting them out of business.
Kroc becomes ruthless, and a complete arsehole. The brothers did eventually make some decent money out of their final deal with Ray, but it certainly wasn’t the 100 million dollars a year they could have been making if they’d been treated right. You really feel for them, as they completely lose control of everything. But you can’t help wondering if things would have worked out that much different for them if they had never met Ray at all. Their restaurant will certainly have continued to do well for a while, but by focusing on just their one restaurant, how long before somebody else stole their idea and ran with it, somebody with the drive and vision to make real money like Ray, leaving them with no money settlement at all? After all, as the motivational LP that Ray listens to clearly pointed out at the start of the movie, “Nothing in the world can take the place of persistence, talent will not, nothing is more common than unsuccessful men with talent …”.
Bookapotamus (289 KP) rated The History of Jane Doe in Books
May 29, 2018
I was really intrigued by the description of this book and happy when I won the chance to read and review it. The History of Jane Doe is an ode to first loves, and a journey through mental illness. It's fun, it's sad, it's heartbreaking while also being heartwarming.
Ray is a high-schooler history-buff in love with Jane. She enters his life and him and his best friend Simon are forever changed. But she hides some deep dark secrets that torment her and Ray has a hard time seeing into her head, as is usually the case when loving someone who is depressed, and he struggles to find his way through her dark past so that they can have a future. This is a history of her life, written by Ray, flipping between the past and present of one devastating day when everything changes.
Michael Belanger writes that he's experienced some painful episodes in his life, and it's evident in how eloquently he decribes feelings of sadness and darkness. I can imagine this book will make quite a few people very sad, as most everyone knows someone who suffers from depression, or anxiety, or other forms of mental illness. But I also think it will probably help just as many. I applaud him for his candor and insights into a rarely talked-about issue.
If you love 13 Reasons Why, or anything by John Green, you will love this story. The witty banter between Ray and Jane, Simon and Mary is refreshing and fun, and it's an interesting look into mental illness, how things in life can trigger it, and change a person, and and exploration of how it affects all those around you, and how even though you may think you are ending your suffering, you are ultimately just passing it on to those who loved you.
What I took away most from this is that even if you feel like you are drowning in darkness and can't see past the shadows, you never know what a light you'll be to someone else.
Ray is a high-schooler history-buff in love with Jane. She enters his life and him and his best friend Simon are forever changed. But she hides some deep dark secrets that torment her and Ray has a hard time seeing into her head, as is usually the case when loving someone who is depressed, and he struggles to find his way through her dark past so that they can have a future. This is a history of her life, written by Ray, flipping between the past and present of one devastating day when everything changes.
Michael Belanger writes that he's experienced some painful episodes in his life, and it's evident in how eloquently he decribes feelings of sadness and darkness. I can imagine this book will make quite a few people very sad, as most everyone knows someone who suffers from depression, or anxiety, or other forms of mental illness. But I also think it will probably help just as many. I applaud him for his candor and insights into a rarely talked-about issue.
If you love 13 Reasons Why, or anything by John Green, you will love this story. The witty banter between Ray and Jane, Simon and Mary is refreshing and fun, and it's an interesting look into mental illness, how things in life can trigger it, and change a person, and and exploration of how it affects all those around you, and how even though you may think you are ending your suffering, you are ultimately just passing it on to those who loved you.
What I took away most from this is that even if you feel like you are drowning in darkness and can't see past the shadows, you never know what a light you'll be to someone else.
Awix (3310 KP) rated King of Thieves (2018) in Movies
Oct 10, 2018
Michael Caine leads a crack team of crock crooks in robbing a safe deposit vault in London in this loosely-based-on-reality black comedy thriller. Quite apart from Caine, the film has an excellent cast (Jim Broadbent, Tom Courtenay, Ray Winstone, Paul Whitehouse, and Michael Gambon, plus Charlie Cox for the streaming generation), which will probably be what draws most people to it.
Initially this looks like it's going to be a slightly cosy comedy thriller about blokes who are too old be robbers any more, but - very pleasantly - it quite soon acquires some real heft and gravity to it, with the various members of the gang falling out and attempting to double-cross each other - most of these actors are well-known as comedians, but there is some proper meaty drama here and scenes with a definite tension to them.
Not quite as much Caine as you might hope for, but he is still the guv'nor as far as British film acting is concerned, and this is his best role for a while. Everyone else is good too. The film never quite gets the shifts between comedy and gangster thriller right, and the low budget keeps it from being very cinematic, but it's an engaging movie driven by great performances.
Initially this looks like it's going to be a slightly cosy comedy thriller about blokes who are too old be robbers any more, but - very pleasantly - it quite soon acquires some real heft and gravity to it, with the various members of the gang falling out and attempting to double-cross each other - most of these actors are well-known as comedians, but there is some proper meaty drama here and scenes with a definite tension to them.
Not quite as much Caine as you might hope for, but he is still the guv'nor as far as British film acting is concerned, and this is his best role for a while. Everyone else is good too. The film never quite gets the shifts between comedy and gangster thriller right, and the low budget keeps it from being very cinematic, but it's an engaging movie driven by great performances.
Suswatibasu (1701 KP) rated The Founder (2017) in Movies
Oct 16, 2017 (Updated Oct 16, 2017)
The land of finders keepers, losers weepers
The story of McDonald's pretty much sums up the American dream sadly. A crook of a salesman / businessman Ray Kroc, played by Michael Keaton, comes across two hardworking brothers Mac (John Carroll Lynch) and Dick McDonald (Nick Offerman), who have essentially cracked the idea of how to provide fast food.
They are satisfied with their humble beginnings at a small diner in San Bernardino, but are cajoled by Kroc into franchising - who essentially steals it from under their nose by buying the land that it was based upon. It's really quite tragic because Kroc turned it from an honest operation into the greedy corporation that we have today. That being said, I love Keaton, he's versatile and can play anything from a lovable scallywag to evil incarnate.
While it's not Oscar worthy as such, it's an interesting biopic nevertheless.
They are satisfied with their humble beginnings at a small diner in San Bernardino, but are cajoled by Kroc into franchising - who essentially steals it from under their nose by buying the land that it was based upon. It's really quite tragic because Kroc turned it from an honest operation into the greedy corporation that we have today. That being said, I love Keaton, he's versatile and can play anything from a lovable scallywag to evil incarnate.
While it's not Oscar worthy as such, it's an interesting biopic nevertheless.
Andy K (10821 KP) rated Back to the Future (1985) in Movies
Apr 10, 2019
My entire childhood
So funny how seeing a "decked out" DeLorean in a Target parking lot the other day made me want to rewatch Back to the Future again soon. It had been on my rewatch list ever since I purchased the trilogy on Blu Ray on Black Friday, but just hadn't gotten around to it yet.
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
Given the calibre of talent on show here you’d be forgiven for thinking that this film might have been a little more popular.
Most of them play second fiddle to Vince (Riley) who finds himself in a spot of bother when he takes the place of someone in an organised game of Russian roulette were people gamble on the outcome.
Along for the ride in this barrel spinning thriller is Ray Winstone and Mickey Rourke who themselves are part of the circle of men putting their lives on the line for a potential big payout.
Michael Shannon is cast as the adjudicator making sure that everyone follows the rules and has the right amount of bullets in the chamber, he’s hardly pushing his acting talents to any great length. Statham avoids kicking anyone’s head in for an entire film as the brother of Winestone’s character, Ronald.
The film in fact is a remake of Babluani’s original 13 Tzameti, in which his son plays the lead role, that film faired a lot better with critics. Obviously that meant Babluani remaking the film and testing it out on the English speaking audience, getting a few house hold names to try and sell it.
Aside from the Russian roulette scenes the film generally falls flat, the ending is awful and there is no real pay off, you could almost see what was going to happen mile off.
I think directors should start sticking to the originals only and avoid the Hollywood remake for the sake of having their reputation tarnished in anyway.
Most of them play second fiddle to Vince (Riley) who finds himself in a spot of bother when he takes the place of someone in an organised game of Russian roulette were people gamble on the outcome.
Along for the ride in this barrel spinning thriller is Ray Winstone and Mickey Rourke who themselves are part of the circle of men putting their lives on the line for a potential big payout.
Michael Shannon is cast as the adjudicator making sure that everyone follows the rules and has the right amount of bullets in the chamber, he’s hardly pushing his acting talents to any great length. Statham avoids kicking anyone’s head in for an entire film as the brother of Winestone’s character, Ronald.
The film in fact is a remake of Babluani’s original 13 Tzameti, in which his son plays the lead role, that film faired a lot better with critics. Obviously that meant Babluani remaking the film and testing it out on the English speaking audience, getting a few house hold names to try and sell it.
Aside from the Russian roulette scenes the film generally falls flat, the ending is awful and there is no real pay off, you could almost see what was going to happen mile off.
I think directors should start sticking to the originals only and avoid the Hollywood remake for the sake of having their reputation tarnished in anyway.
LeftSideCut (3778 KP) rated Hubie Halloween (2020) in Movies
Oct 9, 2020
I would class Happy Gilmore as a good Adam Sandler comedy. I would class Jack & Jill as a straight up abomination of cinema. Hubie Halloween sits somewhere comfortably in the middle.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.
It's pretty much follows the formula of what's come before - Adam Sandler portrays a loser that falls over a lot and talks in a silly voice, there's some sort of heart-warming redemption plot that results in him not being a loser and getting the girl. It's ball achingly predictable, but is wrapped up in a very Halloween-y package, so that's nice I guess.
The main issue is that I just didn't laugh. There are a few amusing lines here and there (June Squibb wearing vulgar novelty t-shirts is always a good shour) but most of the humour falls flat. Adam Sandler talking in a silly voice has never been funny, and you can't change my mind.
The supporting cast is a fairly impressive collection of names - Steve Buschemi, Julie Bowen, Ray Liotta, Maya Rudolph, Noah Schnapp from Stranger Things, Tim Meadows, Michael Chiklis, Ben Stiller, goddam Shaquille O'Neal (legit probably the best part of the whole movie) - even Kenan Thompson of Kenan & Kel fame. And of course Kevin James, this being a Sandler film and all....
There's not much really to say. The mystery aspect of the plot doesn't really feel intriguing at any part, and it's honestly just another run of the mill Adam Sandler comedy. Relatively entertaing as a seasonal watch, and I'm sure kids will love it, but ultimately, pretty damn average.