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Jon Cryer recommended GoodFellas (1990) in Movies (curated)

 
GoodFellas (1990)
GoodFellas (1990)
1990 | Crime, Drama, Thriller

"It is one of the most effective and, in my mind, realistic gangster movies ever made in that it shows you what the allure of that criminal life is, but it also shows how petty and dangerous and stupid it is. But all the time you’re dragged along. It has this incredible compelling force that drags you along whether you want to go or not. And, I think, a beautiful and brutal use of comedy along with absolute horror and fear and moments of sort of operatic beauty, like when they open up the back of the truck with the Eric Clapton song, and the camera goes in to find one of the dead gang members. That mixed with these incredible moments of subtlety like when Ray Liotta realizes that Robert De Niro may well be setting him up. It’s just this tiny little moment. It’s great because it’s incredibly small, mixed with these incredibly big things. And they shoot Michael Imperioli in the foot. You know, come on, that’s wonderful."

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Back to the Future (1985)
Back to the Future (1985)
1985 | Adventure, Comedy, Sci-Fi
My entire childhood
So funny how seeing a "decked out" DeLorean in a Target parking lot the other day made me want to rewatch Back to the Future again soon. It had been on my rewatch list ever since I purchased the trilogy on Blu Ray on Black Friday, but just hadn't gotten around to it yet.

To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.



The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.

Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.

Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.



Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.

If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?

  
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Kevin Phillipson (9961 KP) Jul 29, 2020

Going to see it next week at my local cinema

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JT (287 KP) rated 13 (2011) in Movies

Mar 10, 2020  
13 (2011)
13 (2011)
2011 | Drama, Mystery
4
4.0 (1 Ratings)
Movie Rating
Given the calibre of talent on show here you’d be forgiven for thinking that this film might have been a little more popular.

Most of them play second fiddle to Vince (Riley) who finds himself in a spot of bother when he takes the place of someone in an organised game of Russian roulette were people gamble on the outcome.

Along for the ride in this barrel spinning thriller is Ray Winstone and Mickey Rourke who themselves are part of the circle of men putting their lives on the line for a potential big payout.

Michael Shannon is cast as the adjudicator making sure that everyone follows the rules and has the right amount of bullets in the chamber, he’s hardly pushing his acting talents to any great length. Statham avoids kicking anyone’s head in for an entire film as the brother of Winestone’s character, Ronald.

The film in fact is a remake of Babluani’s original 13 Tzameti, in which his son plays the lead role, that film faired a lot better with critics. Obviously that meant Babluani remaking the film and testing it out on the English speaking audience, getting a few house hold names to try and sell it.

Aside from the Russian roulette scenes the film generally falls flat, the ending is awful and there is no real pay off, you could almost see what was going to happen mile off.

I think directors should start sticking to the originals only and avoid the Hollywood remake for the sake of having their reputation tarnished in anyway.