Search
Search results
Adam Silvera recommended Simon vs. the Homo Sapiens Agenda in Books (curated)
Vegas (725 KP) rated Slaughterhouse Rulez (2018) in Movies
Jul 10, 2019
The story (2 more)
The horror isn't horrific
The comedy isn't funy
I expected more from this cast
Not sure where to go with this, I don't like starting a a film and not finishing it, so I kept going with it, and by the time that it kicked into gear near the end, I found I had lost all interest and was doing a other things while watching it... Not caring who lived and who died....
I expected good things from a cast that included Michael Sheen, Simon Pegg, Nick Frost and Margot Robbie... However I was massively disappointed, apart from the very occasional funny bit, the humour didn't work and wasn't funny and the horror until near the end was almost non existent...
I was trying to think of some positive things to say but all I could come up with was that the setting the school was in was beautiful and looked amazing, with doesn't really help with summing up the film...
Die hard Simon Pegg/Nick Frost fans will probably like it, but, I think it's a film that you won't miss anything if you don't bother with it.
I expected good things from a cast that included Michael Sheen, Simon Pegg, Nick Frost and Margot Robbie... However I was massively disappointed, apart from the very occasional funny bit, the humour didn't work and wasn't funny and the horror until near the end was almost non existent...
I was trying to think of some positive things to say but all I could come up with was that the setting the school was in was beautiful and looked amazing, with doesn't really help with summing up the film...
Die hard Simon Pegg/Nick Frost fans will probably like it, but, I think it's a film that you won't miss anything if you don't bother with it.
Becs (244 KP) rated Death Logs Out in Books
Aug 9, 2018
Great Thriller
I received a physical copy from Smith Publicity to review honestly and would like to thank them, along with the author for taking the time to send this out to me.
Firstly, the short chapters were what took half a star away. They work in this novel but the first couple was just a bit hard to get into and were kind of a bore. But, since I can't DNF a book, I kept trekking along regardless. I was met with an action-packed, page-turning thriller that kept me on my toes.
Religion, Nazi's, afterlife, artificial intelligence, and tons of action is littered throughout the novel. And boy, does it make it one heck of a book! This is the third installment of the Michael Nicholas series, but don't let that close the door for you on this novel. Be it a stand-alone or part of a series, this book is great either way.
The way that E. J. Simon writes, creates a sense of realism around Death Logs Out. And with the high -ranking Vatican villains, it makes you question and reevaluate the real world. Novel's like this, are the main reason why I enjoy reading Thrillers.
Firstly, the short chapters were what took half a star away. They work in this novel but the first couple was just a bit hard to get into and were kind of a bore. But, since I can't DNF a book, I kept trekking along regardless. I was met with an action-packed, page-turning thriller that kept me on my toes.
Religion, Nazi's, afterlife, artificial intelligence, and tons of action is littered throughout the novel. And boy, does it make it one heck of a book! This is the third installment of the Michael Nicholas series, but don't let that close the door for you on this novel. Be it a stand-alone or part of a series, this book is great either way.
The way that E. J. Simon writes, creates a sense of realism around Death Logs Out. And with the high -ranking Vatican villains, it makes you question and reevaluate the real world. Novel's like this, are the main reason why I enjoy reading Thrillers.
Madbatdan82 (341 KP) rated Slaughterhouse Rulez (2018) in Movies
Mar 2, 2019
Slaughterhouse Doesn't Rule!
This really pains me to write this as I LOVE Simon Pegg and Nick Frost. Ever since Spaced and Big Train I've loved everything they've done...until now. This black comedy has no laughs! The attempted 'comedy' in this is 'theyre posh' and have funny voices. It really does fall flat at every turn. The characters don't really develop and the creature designs are terrible. It would get a 3/10 but I gave it an extra mark for some good gore but all in all this is a shame and such a massive waste of Pegg, Frost and the (normally) excellent Michael Sheen who again is used for laughs by having a posh voice! Such a shame...I need to go watch Shaun of the Dead to get the bad taste out of my mouth.
Lee (2222 KP) rated Slaughterhouse Rulez (2018) in Movies
Nov 2, 2018 (Updated Nov 2, 2018)
Absolutely awful
A fracking site close to a private school deep in the countryside causes a sinkhole to appear. From which, a bunch of subterranean creatures emerge and begin munching on the teachers and pupils. It's then up to a group of them to band together and do whatever it takes in order to save the school.
Slaughterhouse Rulez boasts an impressive cast, including Michael Sheen, Simon Pegg and Nick Frost. Pegg and Frost are even credited as executive producers, so you'd be forgiven for expecting something along the lines of the brilliant three flavours Cornetto trilogy. Unfortunately, it comes nothing close, and I cannot believe those 3 had anything to do with this. The characters are mostly lazily written stereotypes and it's not at all funny. The creatures themselves have good potential, but due to poor editing they don't even come across as scary. It's just not very good at all. Such a disappointment.
Slaughterhouse Rulez boasts an impressive cast, including Michael Sheen, Simon Pegg and Nick Frost. Pegg and Frost are even credited as executive producers, so you'd be forgiven for expecting something along the lines of the brilliant three flavours Cornetto trilogy. Unfortunately, it comes nothing close, and I cannot believe those 3 had anything to do with this. The characters are mostly lazily written stereotypes and it's not at all funny. The creatures themselves have good potential, but due to poor editing they don't even come across as scary. It's just not very good at all. Such a disappointment.
LeftSideCut (3778 KP) rated Slaughterhouse Rulez (2018) in Movies
Sep 30, 2020
Slaughterhouse Rulez is a textbook example of a swing and a miss. It tries to give us a nice slice of comedy horror, but executes it pretty miserably.
A few things I liked...
- The fracking company were moustache twirling type villains, and were fairly amusing in the tiny amount of screentime dedicated to them.
- The CGI for the monsters is pretty decent, and the practical effects for close ups are also good.
- The whole final act when the monsters eventually turned up was effectively entertaining
But....
It takes a painfully long time to get to that bit. The hour plus of runtime preceding the monsters attacking is mostly boring setup, messy pacing and dialogue and a waste of a good cast.
The younger cast are fine, but it's hard not to feel that Simon Pegg, Nick Frost, Margot Robbie and Michael Sheen are just severely under utilised, in a sometimes humorous comedy that is trying ball achingly hard to be an Edgar Wright movie.
Slaughterhouse Rulez isn't awful by any means, more accurately frustrating because it feels like a much better movie is buried somewhere beneath the final product.
A few things I liked...
- The fracking company were moustache twirling type villains, and were fairly amusing in the tiny amount of screentime dedicated to them.
- The CGI for the monsters is pretty decent, and the practical effects for close ups are also good.
- The whole final act when the monsters eventually turned up was effectively entertaining
But....
It takes a painfully long time to get to that bit. The hour plus of runtime preceding the monsters attacking is mostly boring setup, messy pacing and dialogue and a waste of a good cast.
The younger cast are fine, but it's hard not to feel that Simon Pegg, Nick Frost, Margot Robbie and Michael Sheen are just severely under utilised, in a sometimes humorous comedy that is trying ball achingly hard to be an Edgar Wright movie.
Slaughterhouse Rulez isn't awful by any means, more accurately frustrating because it feels like a much better movie is buried somewhere beneath the final product.
Joe Goodhart (27 KP) rated Doctor Who: The Death of Art in Books
Nov 30, 2020
Time for some troof! I tried reading this back when it first came out. I found it $2.95 at a used book store in the U.S. (Philadelphia, to be exact). The premise seemed neat and I saw a mention of Ace in the first few pages, so I felt I was on board. Yeah, no.
Jump ahead to now, I have been re-visiting key 7th Doctor NAs (sorry, but anyone who thinks NuWHO is groundbreaking or mentally stimulating, needs to read some of these and re-evaluate that statement. Just steer clear of this one!). This one was next on my list, as I wanted to give it a second chance, as my mind is so much more freer these days.
Unfortunately, my original opinion still stands for me: this book is rubbish! The beginning is interesting, but then goes so far out of the loop with that Chapter about alien race the Quoth. When Simon Bucher-Jones is on his game, he is A-MAZ-ING, not unlike Brian Michael Bendis when he writes his own creations, but when he sucks like this? <b>PEEEEE-YOOOO!</b>
By all means, do not waste any time, energy, etc. trying to endure this! Your mind will hate for years to come!
Jump ahead to now, I have been re-visiting key 7th Doctor NAs (sorry, but anyone who thinks NuWHO is groundbreaking or mentally stimulating, needs to read some of these and re-evaluate that statement. Just steer clear of this one!). This one was next on my list, as I wanted to give it a second chance, as my mind is so much more freer these days.
Unfortunately, my original opinion still stands for me: this book is rubbish! The beginning is interesting, but then goes so far out of the loop with that Chapter about alien race the Quoth. When Simon Bucher-Jones is on his game, he is A-MAZ-ING, not unlike Brian Michael Bendis when he writes his own creations, but when he sucks like this? <b>PEEEEE-YOOOO!</b>
By all means, do not waste any time, energy, etc. trying to endure this! Your mind will hate for years to come!
Bookapotamus (289 KP) rated The History of Jane Doe in Books
May 29, 2018
I was really intrigued by the description of this book and happy when I won the chance to read and review it. The History of Jane Doe is an ode to first loves, and a journey through mental illness. It's fun, it's sad, it's heartbreaking while also being heartwarming.
Ray is a high-schooler history-buff in love with Jane. She enters his life and him and his best friend Simon are forever changed. But she hides some deep dark secrets that torment her and Ray has a hard time seeing into her head, as is usually the case when loving someone who is depressed, and he struggles to find his way through her dark past so that they can have a future. This is a history of her life, written by Ray, flipping between the past and present of one devastating day when everything changes.
Michael Belanger writes that he's experienced some painful episodes in his life, and it's evident in how eloquently he decribes feelings of sadness and darkness. I can imagine this book will make quite a few people very sad, as most everyone knows someone who suffers from depression, or anxiety, or other forms of mental illness. But I also think it will probably help just as many. I applaud him for his candor and insights into a rarely talked-about issue.
If you love 13 Reasons Why, or anything by John Green, you will love this story. The witty banter between Ray and Jane, Simon and Mary is refreshing and fun, and it's an interesting look into mental illness, how things in life can trigger it, and change a person, and and exploration of how it affects all those around you, and how even though you may think you are ending your suffering, you are ultimately just passing it on to those who loved you.
What I took away most from this is that even if you feel like you are drowning in darkness and can't see past the shadows, you never know what a light you'll be to someone else.
Ray is a high-schooler history-buff in love with Jane. She enters his life and him and his best friend Simon are forever changed. But she hides some deep dark secrets that torment her and Ray has a hard time seeing into her head, as is usually the case when loving someone who is depressed, and he struggles to find his way through her dark past so that they can have a future. This is a history of her life, written by Ray, flipping between the past and present of one devastating day when everything changes.
Michael Belanger writes that he's experienced some painful episodes in his life, and it's evident in how eloquently he decribes feelings of sadness and darkness. I can imagine this book will make quite a few people very sad, as most everyone knows someone who suffers from depression, or anxiety, or other forms of mental illness. But I also think it will probably help just as many. I applaud him for his candor and insights into a rarely talked-about issue.
If you love 13 Reasons Why, or anything by John Green, you will love this story. The witty banter between Ray and Jane, Simon and Mary is refreshing and fun, and it's an interesting look into mental illness, how things in life can trigger it, and change a person, and and exploration of how it affects all those around you, and how even though you may think you are ending your suffering, you are ultimately just passing it on to those who loved you.
What I took away most from this is that even if you feel like you are drowning in darkness and can't see past the shadows, you never know what a light you'll be to someone else.
Bob Mann (459 KP) rated The Death Of Stalin (2017) in Movies
Sep 29, 2021
Death…. Torture…. Child Abuse…. LOL??
Armando Iannucci is most familiar to TV audiences on both sides of the pond for his cutting political satire of the likes of “Veep” and “The Thick of It”, with his only previous foray into directing movies being “In the Loop”: a spin-off of the latter series. Lovers of his work will know that he sails very close to the wind on many occasions, such that watching can be more of a squirm-fest than enjoyment.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.