Search
Search results
Cyn Armistead (14 KP) rated The Rose and the Thorn (The Riyria Chronicles, #2) in Books
Mar 1, 2018
Carma (21 KP) rated Best of Three (Just Everyday Heroes: Night Shift, #3) in Books
Jun 17, 2019
Best of Three is the 3rd book (shocking I know haha) in the Just Everyday Heroes:Night Shift series featuring the Dixon siblings. A sort of spin-off/continuation of Just Everyday Heroes:Day Shift
Emma Dixon is the wildest of her sisters and a thorn in her big brothers side. She doesnt think before she acts by any stretch of the imagination. She is someone that acts first and thinks second. She doesnt know how else to be until a car accident changes her wild streak drastically.
Dr Nate Sullivan is a single dad raising a teenage son. He has little time or patience for a woman like Emma, someone without constraints or limitations. When a car accident puts her on his operating table he literally puts her life back together. Can he handle this wild woman in his life.
Nate is the only man to ever be immune to Emmas charms, she doesnt quite know how she feels about that. Does it make him more mysterious to her or does she just have the hots for him rebuffs and all.
After some hysterical antics that may involving stalking Nates son Michael and Emmas psuedo daughter Shannon, these 2 find they may just be more suited for each other than either one ever imagined. Together, Emma calms down while Nate looses up, a match made in the operating room.
Emma Dixon is the wildest of her sisters and a thorn in her big brothers side. She doesnt think before she acts by any stretch of the imagination. She is someone that acts first and thinks second. She doesnt know how else to be until a car accident changes her wild streak drastically.
Dr Nate Sullivan is a single dad raising a teenage son. He has little time or patience for a woman like Emma, someone without constraints or limitations. When a car accident puts her on his operating table he literally puts her life back together. Can he handle this wild woman in his life.
Nate is the only man to ever be immune to Emmas charms, she doesnt quite know how she feels about that. Does it make him more mysterious to her or does she just have the hots for him rebuffs and all.
After some hysterical antics that may involving stalking Nates son Michael and Emmas psuedo daughter Shannon, these 2 find they may just be more suited for each other than either one ever imagined. Together, Emma calms down while Nate looses up, a match made in the operating room.
Darren (1599 KP) rated 40 Days and 40 Nights (2002) in Movies
Jun 20, 2019
Story: 40 Days and 40 Nights starts as we meet Matt (Hartnett) who has been struggling with his break up from Nicole (Shaw), this has led Matt to a string of one night stands that lead to him having visions of a black hole. Matt’s brother John (Tree) is in training to become a priest where Matt learns about lent and vows to give up all sexual activity for 40 days and 40 nights.
When his roommate Ryan (Costanzo) decides to spread the news about the vow a betting pool opens up and to make Matt’s life more difficult when he finally meets the perfect woman Erica (Sossamon). Matt has to learn to balance his vow while starting a new relationship where sex is out of the question.
40 Days and 40 Nights is a film I did enjoy watching even if I can see big flaws in the story, this mostly comes from the idea that it is written that every guy is obsessed with sex and couldn’t possible go 40 days without having it. The problems comes where everyone is against Matt rather than having even just one person supporting him through his self-improvement idea. I do however feel the story works for what it is trying to be even if it comes off unbelievable throughout.
Actor Review
Josh Hartnett: Matt Sullivan is a struggling man who can’t get over his ex-girlfriend Nicole. Running through a string of one night stands he wakes from these with a vision of the world coming to an end. Coming up with the idea to give up sexual activity for lent his life becomes a game for people around the world who has bet on when it will end and the perfect woman come into his life his whole life becomes difficult. Josh shows with this performance he can handle comedy.
Shannyn Sossamon: Erica has been struggling to find the right guy and her job doesn’t help. She meets Matt and see him as a different guy to the normal ones she meets but doesn’t fully understand the vow. Shannyn is good in this role being a strong leading lady.
Paulo Costanzo: Ryan is Matt’s roommate who is always looking to go out and meet girls for sex. He keeps watch over Matt after telling everyone about the vow. Paulo is solid as this supporting friend even if this generic.
Adam Tree: John Sullivan is the priest in training brother of Matt’s who doesn’t believe he can achieve his vow because he knows how difficult it is to go through. Adam is solid but in the end is just another supporting character.
Support Cast: 40 Days and 40 Nights has a supporting cast which includes plenty of different characters that are trying to make Matt break his vow with not a single person actually supporting him.
Director Review: Michael Lehmann – Michael gives us a fun comedy even if it is very one sided with the reactions and mind set people are meant to be in.
Comedy: 40 Days and 40 Nights has moments of comedy which mostly surround people trying to make Matt break the vow.
Romance: 40 Days and 40 Nights does try to tackle relationships by trying to make it more about how sex isn’t the most important part of the relationship.
Settings: 40 Days and 40 Nights keeps the settings around San Francisco which is always a great visual location for a film.
Suggestion: 40 Days and 40 Nights is one to try it does have good moments of good comedy but it also has a story which seems to be very much sex is all people think about. (Try It)
Best Part: Hartnett works for comedy.
Worst Part: Not everyone is sex obsessed.
Romantic Moment: No contact date.
Believability: The way things go I would say no.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $17 Million
Runtime: 1 Hour 36 Minutes
Tagline: It’s Easy to Say But Harder To Do!
Overall: Simple comedy that does work well for what it is trying to achieve.
https://moviesreview101.com/2017/07/25/40-days-and-40-nights-2002/
When his roommate Ryan (Costanzo) decides to spread the news about the vow a betting pool opens up and to make Matt’s life more difficult when he finally meets the perfect woman Erica (Sossamon). Matt has to learn to balance his vow while starting a new relationship where sex is out of the question.
40 Days and 40 Nights is a film I did enjoy watching even if I can see big flaws in the story, this mostly comes from the idea that it is written that every guy is obsessed with sex and couldn’t possible go 40 days without having it. The problems comes where everyone is against Matt rather than having even just one person supporting him through his self-improvement idea. I do however feel the story works for what it is trying to be even if it comes off unbelievable throughout.
Actor Review
Josh Hartnett: Matt Sullivan is a struggling man who can’t get over his ex-girlfriend Nicole. Running through a string of one night stands he wakes from these with a vision of the world coming to an end. Coming up with the idea to give up sexual activity for lent his life becomes a game for people around the world who has bet on when it will end and the perfect woman come into his life his whole life becomes difficult. Josh shows with this performance he can handle comedy.
Shannyn Sossamon: Erica has been struggling to find the right guy and her job doesn’t help. She meets Matt and see him as a different guy to the normal ones she meets but doesn’t fully understand the vow. Shannyn is good in this role being a strong leading lady.
Paulo Costanzo: Ryan is Matt’s roommate who is always looking to go out and meet girls for sex. He keeps watch over Matt after telling everyone about the vow. Paulo is solid as this supporting friend even if this generic.
Adam Tree: John Sullivan is the priest in training brother of Matt’s who doesn’t believe he can achieve his vow because he knows how difficult it is to go through. Adam is solid but in the end is just another supporting character.
Support Cast: 40 Days and 40 Nights has a supporting cast which includes plenty of different characters that are trying to make Matt break his vow with not a single person actually supporting him.
Director Review: Michael Lehmann – Michael gives us a fun comedy even if it is very one sided with the reactions and mind set people are meant to be in.
Comedy: 40 Days and 40 Nights has moments of comedy which mostly surround people trying to make Matt break the vow.
Romance: 40 Days and 40 Nights does try to tackle relationships by trying to make it more about how sex isn’t the most important part of the relationship.
Settings: 40 Days and 40 Nights keeps the settings around San Francisco which is always a great visual location for a film.
Suggestion: 40 Days and 40 Nights is one to try it does have good moments of good comedy but it also has a story which seems to be very much sex is all people think about. (Try It)
Best Part: Hartnett works for comedy.
Worst Part: Not everyone is sex obsessed.
Romantic Moment: No contact date.
Believability: The way things go I would say no.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $17 Million
Runtime: 1 Hour 36 Minutes
Tagline: It’s Easy to Say But Harder To Do!
Overall: Simple comedy that does work well for what it is trying to achieve.
https://moviesreview101.com/2017/07/25/40-days-and-40-nights-2002/
Gareth von Kallenbach (965 KP) rated Friended To Death (2014) in Movies
Aug 6, 2019
Actress turned filmmaker Sarah Smick might well be the next Nicole Sullivan should fortune smile upon her. Not many people will have seen her debut film, Old Souls, but if Friended to Death is any indication, she shows that she has the chops to create satire. Although her second film is not entirely perfect, it shows that she does have a lot to say in a screenplay that examines friendship in the real life sense.
Ryan Hansen (Zach McGowan, Veronica Mars) is a terrific actor, and he plays the perfect narcissistic jerk. As Michael Harris, he’s unsympathetic to everyone he knows, including his new mate Emil (Zach McGowan, Shameless) whom he treats poorly.
Harris is more obsessive with telling his Facebook friends what is going on in his day-to-day life. But when he gets fired from his job as a traffic cop, just what does he do next? He definitely does not go crying to his mom about it. Instead, he hatches a plot to fake his death (with the help of Emil) and look online to see who will miss him.
No one. This movie is not about saying how terrible and unsympathetic people are. Instead, it reveals that one can not treat social media as the end all be all of how relationships are defined. The screenplay is well thought out to show a hyperbole of extremes. Harris is more obsessed with what is said online than in person. At the same time, Harris does not realize that Emil is helping him despite his many reservations. He does not realize that he does have a friend who is doing his best to pull that stick out of Harris’ ass, but the further in it goes, more problems arises.
However, social media has its uses. It has a purpose in the world of business, but in society, that’s another question. When Harris uses it as his lifeblood and measure of his worth, maybe what he needs is a reality check (with perhaps a sociologist/psychologist to treat him).
The underlying themes of what this film examines is great, but sadly the execution is hit and miss. Unless viewers can actually care for the protagonist, the reason to continue watching will depend on either wanting to see how Harris’ life will pan out or wondering who the comely women in red (Sarah Smick) is involved in this plot. As Sylvie, this woman has a beef to settle with Harris, and to watch how that pans out is almost as nutty as watching an episode of MadTV. This subplot actually carries this movie a lot more, and it has all the meat to make watching this movie all the more interesting.
Ryan Hansen (Zach McGowan, Veronica Mars) is a terrific actor, and he plays the perfect narcissistic jerk. As Michael Harris, he’s unsympathetic to everyone he knows, including his new mate Emil (Zach McGowan, Shameless) whom he treats poorly.
Harris is more obsessive with telling his Facebook friends what is going on in his day-to-day life. But when he gets fired from his job as a traffic cop, just what does he do next? He definitely does not go crying to his mom about it. Instead, he hatches a plot to fake his death (with the help of Emil) and look online to see who will miss him.
No one. This movie is not about saying how terrible and unsympathetic people are. Instead, it reveals that one can not treat social media as the end all be all of how relationships are defined. The screenplay is well thought out to show a hyperbole of extremes. Harris is more obsessed with what is said online than in person. At the same time, Harris does not realize that Emil is helping him despite his many reservations. He does not realize that he does have a friend who is doing his best to pull that stick out of Harris’ ass, but the further in it goes, more problems arises.
However, social media has its uses. It has a purpose in the world of business, but in society, that’s another question. When Harris uses it as his lifeblood and measure of his worth, maybe what he needs is a reality check (with perhaps a sociologist/psychologist to treat him).
The underlying themes of what this film examines is great, but sadly the execution is hit and miss. Unless viewers can actually care for the protagonist, the reason to continue watching will depend on either wanting to see how Harris’ life will pan out or wondering who the comely women in red (Sarah Smick) is involved in this plot. As Sylvie, this woman has a beef to settle with Harris, and to watch how that pans out is almost as nutty as watching an episode of MadTV. This subplot actually carries this movie a lot more, and it has all the meat to make watching this movie all the more interesting.
BankofMarquis (1832 KP) rated The Cider House Rules (1999) in Movies
Apr 26, 2020
Great acting, great writing, great directing
When we do our "Secret Cinema" adventures at our house (one person picks the film and the rest of the family doesn't know what it is until it starts running), we try to give clues. This film was nominated for 7 Oscars for the 1999 season, winning 2 - including a 2nd BEST SUPPORTING ACTOR OSCAR for a veteran actor. It is based on a wonderful novel and features 3 young actors well before they became stars.
Sound interesting? Then check out THE CIDER HOUSE RULES.
Based on the novel by John Irving, THE CIDER HOUSE RULES follows the life of Homer Wells (a pre-SPIDERMAN Tobey Maguire), a young orphan who is raised/mentored by the head of his Orphanage, Dr. Wilbur Larch (Michael Caine). When Homer decides to leave the orphanage and experience the world, he learns quite a bit about life including THE CIDER HOUSE RULES.
This is one of those "coming of age/follow a person through their life"-type films that relies heavily on style, substance and the performance of the actors on the screen. And under the Direction of Swedish Director Lasse Hallstrom and with words of the Screenplay by the author of the novel, John Irving, and with terrific actors like Maguire and Caine (amongst others) speaking those lines - a spell is cast and a heartwarming, life-affirming experience unfolds.
Caine won his 2nd Oscar for his role as Dr. Larch. This is a complex character who has his own, very certain, views on the world and is uncompromising in his care for others. It is a wonderful performance - even taking into account the peculiar Maine/United States accent Caine puts on. His character's empathy, strength and vulnerability are at play throughout this performance and he is a very deserving recipient of the Oscar.
A very young Charlize Theron and a (then) unknown Paul Rudd are engaging, charming and extremely photogenic as a young couple that Homer leaves the orphanage to see the world with. Rudd is the embodiment of the "nice guy" in this film - you can see the seeds of a career of playing "the nice guy" in this performance. Theron radiates beauty, power and a self-reliance that shows the strong actress she will become. While Homer's relationship with Dr. Larch is the heart and conflict of this film, the trio of McGuire/Theron/Rudd are the soul. The film also features a bevy of strong character actors in smaller roles that prop this film up. Jane Alexander, Kathy Baker, J.K. Simmons, Kate Nelligan and Delroy Lindo all shine in smaller roles - as do some of the child actors that portray other orphans like Keiran Caulkin and (especially) Per Erik Sullivan as the physically compromised Fuzzy.
But...none of this works if Maguire doesn't hold this film together (for we see this world/film through his eyes and he is in every scene) and he brings it. He has a quiet charm and innocence that helps bring us into his world in a welcoming way. Certainly, the awkwardness that Homer shows around Theron will be in evidence when he plays Peter Parker years later, but it is the inner strength that Maguire shows that really makes this character shine.
John Irving wrote the screen play based on his novel - and the results are satisfying, both to those who've never read the book (or have encountered an Irving novel/book before) or veteran readers/lovers of Irving's work (like myself).
All of this is wrapped in a package by Director Lasse Hallstrom (MY LIFE AS A DOG) in a charming, loving way that show the people, events and times through a lens that amplifies the proceedings in a way that is welcoming and engaging.
It is always a bit of a concern of mine to revisit a film that I remember fondly, but in this case, I am glad I jumped at the chance to revisit this charming film.
And you'll be glad you did, too.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Sound interesting? Then check out THE CIDER HOUSE RULES.
Based on the novel by John Irving, THE CIDER HOUSE RULES follows the life of Homer Wells (a pre-SPIDERMAN Tobey Maguire), a young orphan who is raised/mentored by the head of his Orphanage, Dr. Wilbur Larch (Michael Caine). When Homer decides to leave the orphanage and experience the world, he learns quite a bit about life including THE CIDER HOUSE RULES.
This is one of those "coming of age/follow a person through their life"-type films that relies heavily on style, substance and the performance of the actors on the screen. And under the Direction of Swedish Director Lasse Hallstrom and with words of the Screenplay by the author of the novel, John Irving, and with terrific actors like Maguire and Caine (amongst others) speaking those lines - a spell is cast and a heartwarming, life-affirming experience unfolds.
Caine won his 2nd Oscar for his role as Dr. Larch. This is a complex character who has his own, very certain, views on the world and is uncompromising in his care for others. It is a wonderful performance - even taking into account the peculiar Maine/United States accent Caine puts on. His character's empathy, strength and vulnerability are at play throughout this performance and he is a very deserving recipient of the Oscar.
A very young Charlize Theron and a (then) unknown Paul Rudd are engaging, charming and extremely photogenic as a young couple that Homer leaves the orphanage to see the world with. Rudd is the embodiment of the "nice guy" in this film - you can see the seeds of a career of playing "the nice guy" in this performance. Theron radiates beauty, power and a self-reliance that shows the strong actress she will become. While Homer's relationship with Dr. Larch is the heart and conflict of this film, the trio of McGuire/Theron/Rudd are the soul. The film also features a bevy of strong character actors in smaller roles that prop this film up. Jane Alexander, Kathy Baker, J.K. Simmons, Kate Nelligan and Delroy Lindo all shine in smaller roles - as do some of the child actors that portray other orphans like Keiran Caulkin and (especially) Per Erik Sullivan as the physically compromised Fuzzy.
But...none of this works if Maguire doesn't hold this film together (for we see this world/film through his eyes and he is in every scene) and he brings it. He has a quiet charm and innocence that helps bring us into his world in a welcoming way. Certainly, the awkwardness that Homer shows around Theron will be in evidence when he plays Peter Parker years later, but it is the inner strength that Maguire shows that really makes this character shine.
John Irving wrote the screen play based on his novel - and the results are satisfying, both to those who've never read the book (or have encountered an Irving novel/book before) or veteran readers/lovers of Irving's work (like myself).
All of this is wrapped in a package by Director Lasse Hallstrom (MY LIFE AS A DOG) in a charming, loving way that show the people, events and times through a lens that amplifies the proceedings in a way that is welcoming and engaging.
It is always a bit of a concern of mine to revisit a film that I remember fondly, but in this case, I am glad I jumped at the chance to revisit this charming film.
And you'll be glad you did, too.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated Bad Times at the El Royale (2018) in Movies
Sep 28, 2021
Why is everyone not raving about this movie?
Imagine a ménage à trois of Agatha Christie, Alfred Hitchcock and Quentin Tarantino at the Overlook Hotel with a banging 60’s soundtrack. Got that unpleasant vision in your mind? Good! You’re halfway there to getting the feel of “Bad Times at the El Royale”. And they really are bad times!
The Plot
It’s 1969 and an oddball set of characters arrive at the faded glory of the El Royale hotel at Lake Tahoe: “a bi-state establishment” straddling the Nevada/California border: so describes the manager-cum-bellhop-cum-bartender-cum-cleaner Miles Miller (Lewis Pullman, soon to appear as Maverick in the “Top Gun” sequel). The motley crew include Laramie Seymour Sullivan, a vacuum cleaner salesman (Jon Hamm); Father Daniel Flynn, an oddly-acting priest (Jeff Bridges); Darlene Sweet, a struggling Motown-style singer (Cynthia Erivo); and Emily Summerspring, a rude and abrupt hippy-chick with attitude (Dakota Johnson). But noone is quite who they seem and their twisted and convoluted lives combine in a memorable night of surprise and violence at the El Royale.
The turns
I’ve often expressed my admiration for the Screen Actor’s Guild Awards and their category of “Best Ensemble Cast”: at a time when there are controversial suggestions of additions to the Oscars, this is one I would like to see (along with a “Best Stunt Team” award that I’ve previously lobbied for). And here is my second serious candidate for the “Best Ensemble Cast” Oscar in 2018, my first being “Three Billboards in Ebbing, Missouri” (which in their books would count as 2017 anyway!) Everyone really works hard on this film and the larger than life characters suck you into the story because of the quality and intensity of their performances.
Out in front of the pack are the simply brilliant Jeff Bridges and Cynthia Erivo, an actress new to me who has a great voice and made a big impression. Scenes between the pair are just electric. Jon Hamm is as quirkily great as ever and Dakota “not Fanning” Johnson is far better in this film than any recent stuff I’ve seen her in. Another standout was another newcomer to me – young Cailee Spaeny as Rose, looking for all the world in some scenes like a young Carey Mulligan. While we’re on lookalikes, Lewis Pullman (best known to me for “Battle of the Sexes“) looks very like Tom Holland in some scenes.
The Review
I found this film to be just enormously entertaining. It is very Tarantino-esque in its claustrophobic nature (compare it with “The Hateful 8” in that respect) and with its quirky episodic flash cards (compare with “Pulp Fiction” or “Kill Bill”) but for me was much more appetising since – although very violent – it never stooped to the queasy “blow your face off” excesses of Tarantino, that I personally find distasteful. Where it apes Hitchcock is in its intricate plotting: the story regularly throws you off-balance with some genuinely surprising twists and turns that you never see coming. And the interesting time-splicing and flashbacks also keep you on your mental toes. To say any more or to give any examples would be a spoilerish crime, so I will refrain. This is a dish best served cold (so avoid the trailer if you can).
The film has a marvellous sense of place and time and key to establishing that is some superb set design; some brilliant costumes; and – most of all – an exquisitely chosen song catalogue. The great Michael Giacchino is behind the music, and he does a truly fabulous job, not just with the song selection but also with the background music. This never seems to intrude noticeably until the end titles, when you realise it’s been insistently working on you all the time: the best sort of soundtrack.
There are some films that make you marvel how someone sat at a keyboard and got a screenplay down on paper so satisfyingly. While it could be accused of aping Tarantino somewhat, for me this is still one such film. The writer/director Drew Goddard has come from the J.J. Abrams stable of “Alias” and “Lost”, and has previously written the great screenplays for films including “Cloverfield”, “The Martian” and “World War Z“. His only previous directorial feature was “The Cabin in the Woods” (which I’ve not seen), but after this he is definitely on my movie radar: his next film will be “X-force”: a “Deadpool 2” follow-on with Ryan Reynolds, Josh Brolin and Zazie Beetz, and I can’t wait to see that.
If there’s a criticism it’s that at 141 minutes its a tad long. It never to me felt like a film that long, such was the entertainment value, but while I just loved the development of character just a few of the scenes felt a little leisurely and superfluous. Trim 10 minutes off the running time – no more – and it might have felt tighter still.
I didn’t mention one star name in “The Turns” section, and that’s Chris Hemsworth. He actually does a great job in his demanding Messianic role of Billy Lee, but I just had trouble equating the “Thor” star as being “all kinds of bad”: this felt like a slight misstep in the casting to me.
Summary
This film is without a doubt going to storm into my Top 10 for the year. It’s an entertaining delight, full of twists, turns, deliciously wordy dialogue and a satisfyingly open ending. I can’t believe this film hasn’t been top billing in multiplexes up and down the country for WEEKS on end. If you get the chance, my advice would be to seek this out before it disappears.
The Plot
It’s 1969 and an oddball set of characters arrive at the faded glory of the El Royale hotel at Lake Tahoe: “a bi-state establishment” straddling the Nevada/California border: so describes the manager-cum-bellhop-cum-bartender-cum-cleaner Miles Miller (Lewis Pullman, soon to appear as Maverick in the “Top Gun” sequel). The motley crew include Laramie Seymour Sullivan, a vacuum cleaner salesman (Jon Hamm); Father Daniel Flynn, an oddly-acting priest (Jeff Bridges); Darlene Sweet, a struggling Motown-style singer (Cynthia Erivo); and Emily Summerspring, a rude and abrupt hippy-chick with attitude (Dakota Johnson). But noone is quite who they seem and their twisted and convoluted lives combine in a memorable night of surprise and violence at the El Royale.
The turns
I’ve often expressed my admiration for the Screen Actor’s Guild Awards and their category of “Best Ensemble Cast”: at a time when there are controversial suggestions of additions to the Oscars, this is one I would like to see (along with a “Best Stunt Team” award that I’ve previously lobbied for). And here is my second serious candidate for the “Best Ensemble Cast” Oscar in 2018, my first being “Three Billboards in Ebbing, Missouri” (which in their books would count as 2017 anyway!) Everyone really works hard on this film and the larger than life characters suck you into the story because of the quality and intensity of their performances.
Out in front of the pack are the simply brilliant Jeff Bridges and Cynthia Erivo, an actress new to me who has a great voice and made a big impression. Scenes between the pair are just electric. Jon Hamm is as quirkily great as ever and Dakota “not Fanning” Johnson is far better in this film than any recent stuff I’ve seen her in. Another standout was another newcomer to me – young Cailee Spaeny as Rose, looking for all the world in some scenes like a young Carey Mulligan. While we’re on lookalikes, Lewis Pullman (best known to me for “Battle of the Sexes“) looks very like Tom Holland in some scenes.
The Review
I found this film to be just enormously entertaining. It is very Tarantino-esque in its claustrophobic nature (compare it with “The Hateful 8” in that respect) and with its quirky episodic flash cards (compare with “Pulp Fiction” or “Kill Bill”) but for me was much more appetising since – although very violent – it never stooped to the queasy “blow your face off” excesses of Tarantino, that I personally find distasteful. Where it apes Hitchcock is in its intricate plotting: the story regularly throws you off-balance with some genuinely surprising twists and turns that you never see coming. And the interesting time-splicing and flashbacks also keep you on your mental toes. To say any more or to give any examples would be a spoilerish crime, so I will refrain. This is a dish best served cold (so avoid the trailer if you can).
The film has a marvellous sense of place and time and key to establishing that is some superb set design; some brilliant costumes; and – most of all – an exquisitely chosen song catalogue. The great Michael Giacchino is behind the music, and he does a truly fabulous job, not just with the song selection but also with the background music. This never seems to intrude noticeably until the end titles, when you realise it’s been insistently working on you all the time: the best sort of soundtrack.
There are some films that make you marvel how someone sat at a keyboard and got a screenplay down on paper so satisfyingly. While it could be accused of aping Tarantino somewhat, for me this is still one such film. The writer/director Drew Goddard has come from the J.J. Abrams stable of “Alias” and “Lost”, and has previously written the great screenplays for films including “Cloverfield”, “The Martian” and “World War Z“. His only previous directorial feature was “The Cabin in the Woods” (which I’ve not seen), but after this he is definitely on my movie radar: his next film will be “X-force”: a “Deadpool 2” follow-on with Ryan Reynolds, Josh Brolin and Zazie Beetz, and I can’t wait to see that.
If there’s a criticism it’s that at 141 minutes its a tad long. It never to me felt like a film that long, such was the entertainment value, but while I just loved the development of character just a few of the scenes felt a little leisurely and superfluous. Trim 10 minutes off the running time – no more – and it might have felt tighter still.
I didn’t mention one star name in “The Turns” section, and that’s Chris Hemsworth. He actually does a great job in his demanding Messianic role of Billy Lee, but I just had trouble equating the “Thor” star as being “all kinds of bad”: this felt like a slight misstep in the casting to me.
Summary
This film is without a doubt going to storm into my Top 10 for the year. It’s an entertaining delight, full of twists, turns, deliciously wordy dialogue and a satisfyingly open ending. I can’t believe this film hasn’t been top billing in multiplexes up and down the country for WEEKS on end. If you get the chance, my advice would be to seek this out before it disappears.