Search
Search results
Matthew Krueger (10051 KP) rated The Jewel of the Nile (1985) in Movies
Apr 10, 2021
Eat Rock!
The Jewel of the Nile- is a good film, the cast is back, the action, the romance, the adventure, the drama and the stone. Its now a jewel.
The plot: Novelist Joan Wilder (Kathleen Turner) is living with adventurer boyfriend Jack Colton (Michael Douglas) on his yacht. But she leaves when Omar (Spiros Focas), the head of a North African nation, asks her to visit his country and write about him. Jack intends to go on a pleasure cruise to Greece, but when he learns that Joan is a pawn in Omar's quest to polish his image and gain greater power, he partners with continent-hopping criminal Ralph (Danny DeVito) in a quest to free her.
The first one is better, but this one is good.
The plot: Novelist Joan Wilder (Kathleen Turner) is living with adventurer boyfriend Jack Colton (Michael Douglas) on his yacht. But she leaves when Omar (Spiros Focas), the head of a North African nation, asks her to visit his country and write about him. Jack intends to go on a pleasure cruise to Greece, but when he learns that Joan is a pawn in Omar's quest to polish his image and gain greater power, he partners with continent-hopping criminal Ralph (Danny DeVito) in a quest to free her.
The first one is better, but this one is good.
Gareth von Kallenbach (965 KP) rated Keanu (2016) in Movies
Aug 6, 2019
When Keegan Michael-Key and Jordan Peele announced that they would be ending their program Key and Peele, I was saddened. Their lively antics, comedic sensibilities, and ability to it on political and social issues in a way that allows them to make America reflect were what their fan base love about them. We saw original, sketch comedy that was actually funny and insightful as missing in today’s environment. As part of their “retirement,” they informed their fans that this was not the end of Key and Peele, just that they were going to entertain other projects.
It was a stroke of genius. They left when all of us were wanting more… and they deliver with their current film Keanu. This buddy action comedy picks right up where they left off with their show. It is a film with a very basic plot where two friends get way in over their heads. The jokes are not cheap and offer us a chance to laugh at the things that make us uncomfortable. The two men, and Keanu the cat give us a film reminiscent of the Wilder and Pryor films.
The jokes and situations will have you laughing throughout the film. In addition, the film and storyline poke fun at stereotypes, generalizations, and tropes in order to make us laugh even more. What many of us thought could be nothing more than random sketches strewn together for cheap laughs turned out to be a well-orchestrated first step into a journey of comedic genius. Comedy fans will love this film. Those looking for a serious turn or a film that involves seamless plotlines, you are going to be disappointed, but only in that aspect.
It was a stroke of genius. They left when all of us were wanting more… and they deliver with their current film Keanu. This buddy action comedy picks right up where they left off with their show. It is a film with a very basic plot where two friends get way in over their heads. The jokes are not cheap and offer us a chance to laugh at the things that make us uncomfortable. The two men, and Keanu the cat give us a film reminiscent of the Wilder and Pryor films.
The jokes and situations will have you laughing throughout the film. In addition, the film and storyline poke fun at stereotypes, generalizations, and tropes in order to make us laugh even more. What many of us thought could be nothing more than random sketches strewn together for cheap laughs turned out to be a well-orchestrated first step into a journey of comedic genius. Comedy fans will love this film. Those looking for a serious turn or a film that involves seamless plotlines, you are going to be disappointed, but only in that aspect.
Darren (1599 KP) rated Judy (2019) in Movies
Dec 15, 2019
Verdict: Zellweger Shines
Story: Judy starts in the late 1960’s where screen legend Judy Garland (Zellweger) has been running low on money, struggling to keep a roof over her children’s heads, she must let her ex-husband Sidney Luft (Sewell) look after them, while she travels to London, where she has a fan base dying to see her in sell-out concerts.
In London Judy is managed by Rosalyn Wilder (Buckley) who must make sure she makes the shows, Judy is trying to make the money, while experiencing the flashbacks of her time working on the Wizard of Oz, being order into certain diets, being controlled. She does make new friends and learns about her own personal problems.
Thoughts on Judy
Characters – Judy Garland is the screen legend, she has been struggling in the mid-40s with a reputation that claims she is difficult, needing to find a way to have an income, she moves to London for a string of shows, which soon sell out, giving her a chance at recovering her career, only her demons will continue to haunt her. Sidney Luft is the ex-husband that wants to have custody of their children back in America. Rosalyn Wilder is trying to manage Judy on the London, she does what she can, getting the most out of her. Bernard Delfont is financing the concerts, he is left disappointed with Judy, echoing what it was like for her as a child star. Most of the supporting characters don’t get much to do, while we focus a lot more on Judy’s life.
Performances – Renee Zellweger is fantastic in this leading role, completely controlling the scenes, making us feel every emotion that Judy would go through. Rufus Sewell, Jessie Buckley and Michael Gambon are all strong, though they don’t get much to work with.
Story – The story here follows Judy Garland’s arrival in London for a set of concerts, hoping to revive her career, only her past demons and reputation come back to haunt her once again. The story might show more of her time on the big stage in London which is all fine, but the tragic side of her story only comes in small flashbacks, these scenes are filled with pain and would have been a lot more interesting to see, just how badly she was treated at a young age by the blossoming Hollywood system. We don’t see much between The Wizard of Oz and 1968 either, which is where her bad reputation comes from, this would have also been nice to see, what caused this reputation, was it fair etc. we just seem to skip a lot, despite how interesting the loneliness Judy is experiencing in London would be.
Biopic – We only get to see a couple of moments from Judy’s life, part of the making of Wizard of Oz and then her 1968 concert tour in London, different stages of her career, different problems in her life.
Settings – The film has a couple of main settings, the set of Wizard of Oz, the stage in London and the hotel where she was staying in her time in London, they show her strength, her weakness and the place that broke her early in her life.
Scene of the Movie – Somewhere Over the Rainbow.
That Moment That Annoyed Me – Not learning enough about why Judy became difficult to work with.
Final Thoughts – This is an interesting biopic, where we get to see a difficult stage of her career, Zellweger is fantastic and elevates this film to new levels.
Overall: Nice Biopic, With Something Missing.
Story: Judy starts in the late 1960’s where screen legend Judy Garland (Zellweger) has been running low on money, struggling to keep a roof over her children’s heads, she must let her ex-husband Sidney Luft (Sewell) look after them, while she travels to London, where she has a fan base dying to see her in sell-out concerts.
In London Judy is managed by Rosalyn Wilder (Buckley) who must make sure she makes the shows, Judy is trying to make the money, while experiencing the flashbacks of her time working on the Wizard of Oz, being order into certain diets, being controlled. She does make new friends and learns about her own personal problems.
Thoughts on Judy
Characters – Judy Garland is the screen legend, she has been struggling in the mid-40s with a reputation that claims she is difficult, needing to find a way to have an income, she moves to London for a string of shows, which soon sell out, giving her a chance at recovering her career, only her demons will continue to haunt her. Sidney Luft is the ex-husband that wants to have custody of their children back in America. Rosalyn Wilder is trying to manage Judy on the London, she does what she can, getting the most out of her. Bernard Delfont is financing the concerts, he is left disappointed with Judy, echoing what it was like for her as a child star. Most of the supporting characters don’t get much to do, while we focus a lot more on Judy’s life.
Performances – Renee Zellweger is fantastic in this leading role, completely controlling the scenes, making us feel every emotion that Judy would go through. Rufus Sewell, Jessie Buckley and Michael Gambon are all strong, though they don’t get much to work with.
Story – The story here follows Judy Garland’s arrival in London for a set of concerts, hoping to revive her career, only her past demons and reputation come back to haunt her once again. The story might show more of her time on the big stage in London which is all fine, but the tragic side of her story only comes in small flashbacks, these scenes are filled with pain and would have been a lot more interesting to see, just how badly she was treated at a young age by the blossoming Hollywood system. We don’t see much between The Wizard of Oz and 1968 either, which is where her bad reputation comes from, this would have also been nice to see, what caused this reputation, was it fair etc. we just seem to skip a lot, despite how interesting the loneliness Judy is experiencing in London would be.
Biopic – We only get to see a couple of moments from Judy’s life, part of the making of Wizard of Oz and then her 1968 concert tour in London, different stages of her career, different problems in her life.
Settings – The film has a couple of main settings, the set of Wizard of Oz, the stage in London and the hotel where she was staying in her time in London, they show her strength, her weakness and the place that broke her early in her life.
Scene of the Movie – Somewhere Over the Rainbow.
That Moment That Annoyed Me – Not learning enough about why Judy became difficult to work with.
Final Thoughts – This is an interesting biopic, where we get to see a difficult stage of her career, Zellweger is fantastic and elevates this film to new levels.
Overall: Nice Biopic, With Something Missing.
Bob Mann (459 KP) rated Judy (2019) in Movies
Sep 28, 2021
Neither a true biopic nor a musical, a very sad and sombre film worth seeing for a sure-fire nominee for Zellweger for the Oscars.
Decline and Fall (Part 1).
This is an extremely sombre film. I will go as far as saying that it is well-and-truly a “Father Ted” film (see glossary).
The Story.
Young Judy Garland is a starlet in the MGM studio system run by Louis B. Mayer (a villainous Richard Cordery). She doesn’t have a life outside of the movies; is fed diet pills and “pep-pills” that destroy her sleep; and she is starting to get fed up with it all. No wonder then that she grows up to be an alcoholic insomniac with a trail of failed marriages and a temperamental nature.
Thus, through flash-backs to the young Judy (the English Darci Shaw, in her movie debut) we track the older Judy (Renée Zellweger) through the last tragic years of her life. Unable to work, due to a reputation that proceeds her, she is forced to take up the offer from Bernard Delfont (Michael Gambon) of a residency at London’s “Talk of the Town”. This separates her from her older daughter (Liza Minnelli played by Gemma-Leah Devereux) and, crucially, her younger children Lorna (Bella Ramsey) and Joey (Lewin Lloyd). (Their Dad is Sidney Luft (“Victoria’s” Rufus Sewell): hence Lorna being Lorna Luft). This separation increases Judy’s mental decline.
Also in a constant state of stress is Rosalyn Wilder (Jessie Buckley) who has the unenviable job of trying to keep Garland on the straight and narrow to perform every night.
A Towering Performance.
Whatever I think about the film overall (and we’ll come to that), this is 100% the “Renée Zellweger show”. It’s an extraordinary performance, and is pitch perfect, both in terms of capturing Garland’s mannerisms and vocal style. If Zellweger doesn’t get an Oscar nomination for this then I’ll eat my favourite orange baseball hat! I’ll have to review the final short-list, but I would not be remotely surprised if she won for this.
Elsewhere is the cast, Michael Gambon gives a reliable performance as Delfont (his second depiction this year after the turn by Rufus Jones in “Stan and Ollie“!) and the rising star that is Jessie Buckley is also effective as Wilder in a much quieter role than we’re used to seeing her in.
Musical? Or biopic?
Is this a musical? Or a biopic? Or neither? Actually, I would suggest it’s neither. There’s been a curious split in the last year between films like “Bohemian Rhapsody“, which were biopics with music, to “Rocketman” which was very much a musical based around a biopic.
“Judy” can’t be classed as a musical since (and I checked my watch) the first musical number doesn’t come until FORTY MINUTES into the picture. Neither is it a true biopic, focusing only on a few short months of Garland’s extensive career, the ‘young Judy’ scenes being nothing but short flashbacks to set the scene. This probably makes sense, else a true biopic of the wonder that was Judy Garland would have turned into a 4 hour plus epic!
A rough ride, but could I care?
Above all, it’s a depressing watch, like seeing a sick animal in distress. But I never felt the film got to the heart of the matter to really make me CARE enough. The nearest it gets is with a moving portion where Judy makes the evening (if not the lifetime) of some super-fans – Dan (Andy Nyman) and Stan (Daniel Cerqueira). She goes home with them for omelettes and a sing-song: a strong nod towards Garland’s extensive following, even today, among the gay community. The finale, where the couple try to salvage an on-stage psychiatric session by Judy is touching but, for me, not tear-inducing.
The screenplay is by Tom Edge, from the stage play by Peter Quilter. The director is relative movie-newcomer Rupert Goold.
I liked this movie, but did I like it enough to rush and see it again? No, not really. Worth seeing though to appreciate the odds-on favourite (surely!) for the Best Actress Oscar of this year.
This is an extremely sombre film. I will go as far as saying that it is well-and-truly a “Father Ted” film (see glossary).
The Story.
Young Judy Garland is a starlet in the MGM studio system run by Louis B. Mayer (a villainous Richard Cordery). She doesn’t have a life outside of the movies; is fed diet pills and “pep-pills” that destroy her sleep; and she is starting to get fed up with it all. No wonder then that she grows up to be an alcoholic insomniac with a trail of failed marriages and a temperamental nature.
Thus, through flash-backs to the young Judy (the English Darci Shaw, in her movie debut) we track the older Judy (Renée Zellweger) through the last tragic years of her life. Unable to work, due to a reputation that proceeds her, she is forced to take up the offer from Bernard Delfont (Michael Gambon) of a residency at London’s “Talk of the Town”. This separates her from her older daughter (Liza Minnelli played by Gemma-Leah Devereux) and, crucially, her younger children Lorna (Bella Ramsey) and Joey (Lewin Lloyd). (Their Dad is Sidney Luft (“Victoria’s” Rufus Sewell): hence Lorna being Lorna Luft). This separation increases Judy’s mental decline.
Also in a constant state of stress is Rosalyn Wilder (Jessie Buckley) who has the unenviable job of trying to keep Garland on the straight and narrow to perform every night.
A Towering Performance.
Whatever I think about the film overall (and we’ll come to that), this is 100% the “Renée Zellweger show”. It’s an extraordinary performance, and is pitch perfect, both in terms of capturing Garland’s mannerisms and vocal style. If Zellweger doesn’t get an Oscar nomination for this then I’ll eat my favourite orange baseball hat! I’ll have to review the final short-list, but I would not be remotely surprised if she won for this.
Elsewhere is the cast, Michael Gambon gives a reliable performance as Delfont (his second depiction this year after the turn by Rufus Jones in “Stan and Ollie“!) and the rising star that is Jessie Buckley is also effective as Wilder in a much quieter role than we’re used to seeing her in.
Musical? Or biopic?
Is this a musical? Or a biopic? Or neither? Actually, I would suggest it’s neither. There’s been a curious split in the last year between films like “Bohemian Rhapsody“, which were biopics with music, to “Rocketman” which was very much a musical based around a biopic.
“Judy” can’t be classed as a musical since (and I checked my watch) the first musical number doesn’t come until FORTY MINUTES into the picture. Neither is it a true biopic, focusing only on a few short months of Garland’s extensive career, the ‘young Judy’ scenes being nothing but short flashbacks to set the scene. This probably makes sense, else a true biopic of the wonder that was Judy Garland would have turned into a 4 hour plus epic!
A rough ride, but could I care?
Above all, it’s a depressing watch, like seeing a sick animal in distress. But I never felt the film got to the heart of the matter to really make me CARE enough. The nearest it gets is with a moving portion where Judy makes the evening (if not the lifetime) of some super-fans – Dan (Andy Nyman) and Stan (Daniel Cerqueira). She goes home with them for omelettes and a sing-song: a strong nod towards Garland’s extensive following, even today, among the gay community. The finale, where the couple try to salvage an on-stage psychiatric session by Judy is touching but, for me, not tear-inducing.
The screenplay is by Tom Edge, from the stage play by Peter Quilter. The director is relative movie-newcomer Rupert Goold.
I liked this movie, but did I like it enough to rush and see it again? No, not really. Worth seeing though to appreciate the odds-on favourite (surely!) for the Best Actress Oscar of this year.
Gareth von Kallenbach (965 KP) rated Now You See Me (2013) in Movies
Aug 7, 2019
When you were little and you saw your very first magic show, you were probably amazed just by the simple action of a magician waving his magic wand and pulling a rabbit out of his hat. The only explanation you needed was that it was magic.
Not knowing that “the closer you look, the less you see as you become older you become less and less convinced that magic exists.
From French director Louis Leterrier who has brought us films like “The Transporter” and ” Unleashed” comes an “Ocean’s Eleven” style film about four magicians who pull off one of the biggest heists the world has ever seen by using magic.
Calling themselves The Four Horseman, four magicians with very different abilities come together as one to pull off something no other magician has ever attempted.
The leader of the pack is J. Daniel Atlas (Jesse Eisenberg), who is a master at sleight-of-hand and blatant arrogance. A mentalist who specializes in hypnosis and is no stranger to being devious himself is Merritt McKinney (Woody Harrelson). The very talented pickpocket Jack Wilder (Dave Franco) not only steals the audience’s hearts but also can pick a lock blindfolded if he had to.
Last but by no means least is Henley Reeves (Isla Fisher), the sexy escape artist who can even escape a tank full of piranhas without a scratch.
The story follows The Four Horseman embarking on a journey of teleporting and robbing a Parisian bank and reining it over the cheering Las Vegas audience at their first venue.
They don’t stop there. There show takes them from Vegas to the renewed city of New Orleans and then to New York where the grand finally takes place whilst spreading the wealth of their heists to the deserving audience members in grand Robin Hood fashion.
This film is excellent! It doesn’t leave you hanging and answers all your questions. The elaborate tricks performed proved to be very entertaining and exciting!
A neat touch was adding a woman to the mix as you don’t really see any women magicians out there other than the assistants who get sawed in half.
The cast was great and had great chemistry however I would have liked to see a bit more of character backstory. Morgan Freeman, Michael Caine and Mark Ruffalo are also a part of the seemingly big cast. The special effects were not only entertaining but extremely appealing to the eye.
Though the storyline is a little scatterbrained it is anything but a bore and leaves you wanting to experience more. After seeing the film, I had an overwhelming need to watch other magician movies like “The Great Houdini”, “The Prestige”, and “The Illusionist”. It also brought back those same feelings I had as a child experiencing the magic and mystery a true magician can provide. This film left me wanting to see it for a second time.
Not knowing that “the closer you look, the less you see as you become older you become less and less convinced that magic exists.
From French director Louis Leterrier who has brought us films like “The Transporter” and ” Unleashed” comes an “Ocean’s Eleven” style film about four magicians who pull off one of the biggest heists the world has ever seen by using magic.
Calling themselves The Four Horseman, four magicians with very different abilities come together as one to pull off something no other magician has ever attempted.
The leader of the pack is J. Daniel Atlas (Jesse Eisenberg), who is a master at sleight-of-hand and blatant arrogance. A mentalist who specializes in hypnosis and is no stranger to being devious himself is Merritt McKinney (Woody Harrelson). The very talented pickpocket Jack Wilder (Dave Franco) not only steals the audience’s hearts but also can pick a lock blindfolded if he had to.
Last but by no means least is Henley Reeves (Isla Fisher), the sexy escape artist who can even escape a tank full of piranhas without a scratch.
The story follows The Four Horseman embarking on a journey of teleporting and robbing a Parisian bank and reining it over the cheering Las Vegas audience at their first venue.
They don’t stop there. There show takes them from Vegas to the renewed city of New Orleans and then to New York where the grand finally takes place whilst spreading the wealth of their heists to the deserving audience members in grand Robin Hood fashion.
This film is excellent! It doesn’t leave you hanging and answers all your questions. The elaborate tricks performed proved to be very entertaining and exciting!
A neat touch was adding a woman to the mix as you don’t really see any women magicians out there other than the assistants who get sawed in half.
The cast was great and had great chemistry however I would have liked to see a bit more of character backstory. Morgan Freeman, Michael Caine and Mark Ruffalo are also a part of the seemingly big cast. The special effects were not only entertaining but extremely appealing to the eye.
Though the storyline is a little scatterbrained it is anything but a bore and leaves you wanting to experience more. After seeing the film, I had an overwhelming need to watch other magician movies like “The Great Houdini”, “The Prestige”, and “The Illusionist”. It also brought back those same feelings I had as a child experiencing the magic and mystery a true magician can provide. This film left me wanting to see it for a second time.