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Kevin Phillipson (10018 KP) rated Dolittle (2020) in Movies
Feb 27, 2020
Robert Downey Jr (2 more)
The animals
Michael sheen
Finally got to watch a week late due to the floods did I like the yes it perfect but I preferred it to the Eddie Murphy version I won't spoil it to much plot wise. Robert Downey Jr is always abley suppored by Michael sheen who gets to Han it up perfectly but the real stars are the animals themselves who steal the movie from Downey Jr and less said about the accent
A poignant story of family history.
Akin was such a lovely surprise of a book. It’s a touching story of an elderly widower, Noah, and his estranged 12 year old great-nephew Michael, going on holiday together to Noah’s birthplace in France. Noah hasn’t been back to Nice since he left as a four year old during WWII and wants to go there for his 80th birthday. Noah and his wife were both science professors at a New York university, and had decided not to have children so that they could concentrate on their careers. So when Michael is dropped in to Noah’s life, it’s something of a shock. Noah rises to the challenge, no matter how reluctantly, because Michaels mother is serving a five year prison sentence, his father (Noah’s nephew) is dead of an overdose, and his maternal grandmother has recently died. Noah is a good person, whether he realises it or not.
I loved how both of the characters were written: Noah is not some feeble old man, he’s fit, mentally sharp and has a great sense of humour - something that’s needed with a pre-teen! Michael puts on a front of being worldly wise, wise cracking and untouchable, whilst hiding the scared 12 year old that he is. I loved how the two of them bounced off one another. To be fair, Noah is incredibly patient with him, considering that he hasn’t had much experience with 12 year olds!
The mystery element was fascinating, too. Noah has found some photos in his deceased sisters belongings which came from their mother. They’re quite abstract: the backs of heads, legs, parts of a building, and Noah starts to find out things that he’s not sure that he likes about his mother’s war.
This search was really interesting, as were the details about Noah’s famous photographer grandfather, Père Sonne.
This is such a lovely story that looks at what it is to be family - warts and all. I would highly recommend it. It’s wonderful.
I loved how both of the characters were written: Noah is not some feeble old man, he’s fit, mentally sharp and has a great sense of humour - something that’s needed with a pre-teen! Michael puts on a front of being worldly wise, wise cracking and untouchable, whilst hiding the scared 12 year old that he is. I loved how the two of them bounced off one another. To be fair, Noah is incredibly patient with him, considering that he hasn’t had much experience with 12 year olds!
The mystery element was fascinating, too. Noah has found some photos in his deceased sisters belongings which came from their mother. They’re quite abstract: the backs of heads, legs, parts of a building, and Noah starts to find out things that he’s not sure that he likes about his mother’s war.
This search was really interesting, as were the details about Noah’s famous photographer grandfather, Père Sonne.
This is such a lovely story that looks at what it is to be family - warts and all. I would highly recommend it. It’s wonderful.
Lottie disney bookworm (1056 KP) rated Wendy, Darling in Books
Jun 17, 2021
Have you ever wondered what happened when Wendy, John and Michael returned from Neverland? Wendy, Darling by A. C Wise is about to reveal all, but let me warn you, it is far from a fairytale!
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Awix (3310 KP) rated Jabberwocky (1977) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Little bit Slithy, little bit Frabjous
Oddball comedy-drama that sets the tone for much of Terry Gilliam's career by being visually ravishing but a bit all-over-the-place story-wise. Gilliam's background at the time was in TV comedy, which may explain why so many well-known TV comics turn up in the film - apart from Michael Palin, there's Warren Clarke, Harry H Corbett, John le Mesurier, and so on.
The thing is that this isn't actually very funny - there are the seeds of some good jokes here, but the fact the movie has been filmed and edited in the style of an art-house historical drama kills most of them dead. Still, the medieval period has seldom been brought to the screen with such an authentic sense of filth, squalour, and misery, and the monster suit is pretty good. That said, if you're not into absurd comedy, Dragonslayer (1981) tells a very similar story in a more accessible style.
(And I have to say I'm astounded a film so focused on gore and bodily functions has only got a PG certificate. Caveat emptor.)
The thing is that this isn't actually very funny - there are the seeds of some good jokes here, but the fact the movie has been filmed and edited in the style of an art-house historical drama kills most of them dead. Still, the medieval period has seldom been brought to the screen with such an authentic sense of filth, squalour, and misery, and the monster suit is pretty good. That said, if you're not into absurd comedy, Dragonslayer (1981) tells a very similar story in a more accessible style.
(And I have to say I'm astounded a film so focused on gore and bodily functions has only got a PG certificate. Caveat emptor.)
LeftSideCut (3778 KP) rated Halloween H20: 20 Years Later (1998) in Movies
Apr 22, 2021
After the detritus that was Halloween 5 and 6, H20 is a somewhat refreshing sequel that brings the series back to basics. The return of Jamie Lee Curtis is of course a huge plus point. Revisiting her character 20 years later is a pleasure, and Curtis is brings her A-game, as she always does. The rest of the cast are perfectly likable as well.
Story wise, H20 is a direct sequel to the first two movies, ignoring everything that came in between, a good decision considering how convoluted the overarching story became before. Existing in a post Scream world means that H20 has its fair share of meta moments, as EVERY horror immediately following Wes Craven's classic did. It's all a little on the nose, but any horror fan surely can't help but crack a smile during the hugely unsubtle nod to Psycho.
Unfortunately, there are some downfalls. The script leaves a lot to be desired, flitting between quoting the original Halloween (a lot) and just being plain overdramatic. The pacing is also a little iffy - considering the runtime clocks in at under 90 minutes, H20 flirts with boredom more than once. When Michael Myers is finally in the midst of things, it's hard not to be distracted by his weird looking (and frequently changing) mask.
Overall though, H20 is a good time that doesn't take itself too seriously. A pretty middle of the road slasher, but far from the worst in the series.
Story wise, H20 is a direct sequel to the first two movies, ignoring everything that came in between, a good decision considering how convoluted the overarching story became before. Existing in a post Scream world means that H20 has its fair share of meta moments, as EVERY horror immediately following Wes Craven's classic did. It's all a little on the nose, but any horror fan surely can't help but crack a smile during the hugely unsubtle nod to Psycho.
Unfortunately, there are some downfalls. The script leaves a lot to be desired, flitting between quoting the original Halloween (a lot) and just being plain overdramatic. The pacing is also a little iffy - considering the runtime clocks in at under 90 minutes, H20 flirts with boredom more than once. When Michael Myers is finally in the midst of things, it's hard not to be distracted by his weird looking (and frequently changing) mask.
Overall though, H20 is a good time that doesn't take itself too seriously. A pretty middle of the road slasher, but far from the worst in the series.
Movie Metropolis (309 KP) rated Unlocked (2017) in Movies
Jun 10, 2019
London Has Fallen, but good
Every year it happens, a big blockbuster comes along and absolutely obliterates the competition at the box office. This year, that award has gone to the much-hyped and slightly disappointing Guardians of the Galaxy: Vol 2.
Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching?
After being tricked into providing information to the wrong side, a CIA interrogator (Noomi Rapace) finds herself at the centre of a devastating biological attack on London. As she tries to dodge those that pursue her, she stumbles along a terrifying web of lies along the way.
At its core, Unlocked is an enjoyable romp that verges on the side of unremarkable but a few standout scenes, cracking cast and confident direction ensure it is one of the better films in a genre clogged with tripe.
Speaking of that cracking cast, it features the likes of John Malkovich, Toni Collette, Orlando Bloom and Michael Douglas. Each of these stars act well though some, Malkovich in particular, are sorely underused. Nevertheless, he and Collette add a level of class to proceedings whilst Douglas looks like he’s there just for the wages.
The story, written by Peter O’Brien is actually pretty good. It’s nothing particularly original, but manages to sustain enough interest to see Unlocked through its taut 98 minute running time. In fact, I wouldn’t mind seeing a sequel, it’s genuinely that intriguing.
The parallels to last year’s London Has Fallen will no doubt be drawn and the fragile subject matter that both films tackle is one that is perhaps a little too hard to stomach for some moviegoers. However, Unlocked delves into the topic of British terrorism in a much more sensitive way, rather than money-making with all-out spectacle.
Cinematography wise, it’s more of the same – competent but unexceptional. The action is staged well but Michael Apted struggles with the smaller details; there’s some lazy editing and poor sound mixing. The special effects are few and far between, helping the film’s cause in a way, but those that are there are more than up to the task of bolstering its appeal.
Overall, Unlocked is an entertaining thriller that has a stellar cast. It’s well paced, nicely shot and tackles the subjects of urban terrorism sensitively, but you’ll have a hard time remembering it a few months down the line, it’s marketing has just been that terrible.
https://moviemetropolis.net/2017/05/06/london-has-fallen-but-good-unlocked-review/
Then, a fortnight later, another massive hit arrives, Alien: Covenant this time, meaning any films caught between the two behemoths are generally forgotten. In 2016, that forgotten movie was Eye in the Sky. This year, it’s Michael Apted’s terrorism thriller, Unlocked. But is it a film worth watching?
After being tricked into providing information to the wrong side, a CIA interrogator (Noomi Rapace) finds herself at the centre of a devastating biological attack on London. As she tries to dodge those that pursue her, she stumbles along a terrifying web of lies along the way.
At its core, Unlocked is an enjoyable romp that verges on the side of unremarkable but a few standout scenes, cracking cast and confident direction ensure it is one of the better films in a genre clogged with tripe.
Speaking of that cracking cast, it features the likes of John Malkovich, Toni Collette, Orlando Bloom and Michael Douglas. Each of these stars act well though some, Malkovich in particular, are sorely underused. Nevertheless, he and Collette add a level of class to proceedings whilst Douglas looks like he’s there just for the wages.
The story, written by Peter O’Brien is actually pretty good. It’s nothing particularly original, but manages to sustain enough interest to see Unlocked through its taut 98 minute running time. In fact, I wouldn’t mind seeing a sequel, it’s genuinely that intriguing.
The parallels to last year’s London Has Fallen will no doubt be drawn and the fragile subject matter that both films tackle is one that is perhaps a little too hard to stomach for some moviegoers. However, Unlocked delves into the topic of British terrorism in a much more sensitive way, rather than money-making with all-out spectacle.
Cinematography wise, it’s more of the same – competent but unexceptional. The action is staged well but Michael Apted struggles with the smaller details; there’s some lazy editing and poor sound mixing. The special effects are few and far between, helping the film’s cause in a way, but those that are there are more than up to the task of bolstering its appeal.
Overall, Unlocked is an entertaining thriller that has a stellar cast. It’s well paced, nicely shot and tackles the subjects of urban terrorism sensitively, but you’ll have a hard time remembering it a few months down the line, it’s marketing has just been that terrible.
https://moviemetropolis.net/2017/05/06/london-has-fallen-but-good-unlocked-review/
David McK (3425 KP) rated Assassin's Creed: Renaissance in Books
Jan 28, 2019
The Assassin's Creed video-games, for anyone who has been living in a cave for the last (roughly) decade or so, are Ubisoft's free-roaming murder-em-up games, detailing the ongoing secretive war between the order of the Assassins, and that of the Templars.
To date, I've played pretty much all of those games (or, atl least, those released for the PS3 and PS4), with the exception of Assassin's Creed: Unity. I'm also a heacvy reader, and have also seen to so-so Assassin's Creed movie (starring Michael Fassbender) that made the - in my eyes, wise, - decision to introduce a new character and historical period.
As such, I think it's fair to say I know enough about the series itself.
Of that series, the most enjoyable game (IMO) have been those set in the Renaissance period; those starring Ezio Auditore - the protaganist of this novel. Unfortunatley, however, this is a virtual retreading of the plot of the game, complete with passages where Ezio learns how to blend in (C'mon! It makes sense in the game, but not exactly an exciting narrative) or has to race hios accomplices from points A to point B (again, gives the player something to do in the game, but not exaclt exciting to read about).
It also doesn't help that this liberally mixes modern-day English and expressions with Italian phrases throughout (that require constant look-up to the glossary), nor that the author seemingly manages to make an entertaining game and compelling central character(s) into a bit of a chore to read through. On the plus side, it does away with all the modern-day Desmond sections from the game ...
Overall, however, I'm not impressed (sadly).
To date, I've played pretty much all of those games (or, atl least, those released for the PS3 and PS4), with the exception of Assassin's Creed: Unity. I'm also a heacvy reader, and have also seen to so-so Assassin's Creed movie (starring Michael Fassbender) that made the - in my eyes, wise, - decision to introduce a new character and historical period.
As such, I think it's fair to say I know enough about the series itself.
Of that series, the most enjoyable game (IMO) have been those set in the Renaissance period; those starring Ezio Auditore - the protaganist of this novel. Unfortunatley, however, this is a virtual retreading of the plot of the game, complete with passages where Ezio learns how to blend in (C'mon! It makes sense in the game, but not exactly an exciting narrative) or has to race hios accomplices from points A to point B (again, gives the player something to do in the game, but not exaclt exciting to read about).
It also doesn't help that this liberally mixes modern-day English and expressions with Italian phrases throughout (that require constant look-up to the glossary), nor that the author seemingly manages to make an entertaining game and compelling central character(s) into a bit of a chore to read through. On the plus side, it does away with all the modern-day Desmond sections from the game ...
Overall, however, I'm not impressed (sadly).
Charlie Cobra Reviews (1840 KP) rated I Am Mother (2019) in Movies
Jul 7, 2020
Intriguing and Intense
I Am Mother is a 2019 sci-fi/thriller movie directed by Grant Sputore, with screenplay written by Michael Lloyd Green. It was produced by Penguin Empire, Southern Light Films, Mister Smith Entertainment and Endeavor Content and distributed by Netflix and Studio Canal. The film stars Luke Hawker, Clara Ruggard, Rose Byrne, and Hilary Swank.
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
Joe Goodhart (27 KP) rated Rocket: The Blue River Score in Books
Nov 30, 2020
I have to confess: I went into this one with low expectations, largely due to trying to read the previous Rocket outing, Matthew Rosenberg's ROCKET RACCOON: GROUNDED! That book was just depressing as hell, and every character in it just felt wholly out-of-character, as if Rosenberg no flarking clue as to who the characters actually were and how they were SUPPOSED to behave! Fortunately, my pre-"low expectations" were ill-placed, as Trash Panda's outing was as far from the depressing wreck that Rosenberg churned out!
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Yes, first and foremost, it was a Rocket Raccoon story, but it was also so much more. It felt not unlike SMOKIN' ACES or SNATCH...only on another planet, with aliens and an augmented raccoon! Writer Al Ewing is clearly a fan of pulp noir novels, and it shows throughout. Ah, if only Marvel would realize what a great film this mini would make!
If you like the wise-cracking, sometimes edgy wit of RR - basically, the RR of the MCU - then this is a book for you! Rocket has a great scheme in here, as well as some good intentions, all of which amounts to a double-cross and an ending that effectively resolves everything with a somewhat bittersweet ending. Bravo, Mr. Ewing! I truly hope Marvel lets him helm another RR solo mini!
And, if that does happen, allowed for another Ewing-helmed outing with RR, I hope that brings along artist Adam Gorham and colorist Michael Garland. Those two brought this fun li'l space heist to life ever so well! I was a big fan of Sara Pichelli's GOTG art for Rocket, but as good as she was, I feel these two were just as good, if not better! Definitely artists (and colorists) to keep an eye out for!
End of the day, you could do a whole lot worse that reading ROCKET: THE BLUE RIVE SCORE. *cough* CIVIL WAR II *cough* Bendis' ALL-NEW X-MEN run *cough cough*
Neon's Nerd Nexus (360 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 21, 2019
The last crusade
Dora And The Explorer And The Lost City Of Gold maybe this years biggest shocker. A mix of Tomb Raider & Indiana Jones this one really does hit you right in the nostalgia gland. After not knowing anything about this character what so ever I was seriously expecting to walk out this movie shortly after it began, so imagine my surprise when just 15 minutes in I found myself not only highly entertained but actually full on laughing constantly at all the jokes too. Ok so Im not really sure who this movie is aimed at to be honest as theres not much in here that will apeal to young kids bar the strange inclusion of two horribly animated cgi characters (which I feel didn't fit at all with the look of the film & ruined the overall visual style of the movie). Dora the movie is also so self aware & full of strange adult humour/jokes that seemingly mock its own source material too which found hilarious. This along with how the overall tone was handled made such a fun & fresh aproach for a kids film that made it exciting & enjoyable to watch. Visually its beautiful with such vibrancy & vastness that sets feel alive/exciting to explore. They really captured the sense of adventure & discovery here & although most of the film is just a re-skin of Indiana jones and the last crusade it never felt stale or any less thrilling bringing back the same feelings I had while watching those films way back when I first saw them in my youth. Cast wise everyone one does a smashing job at over acting which only adds to the tone & humour with Michael Pena owning every scene he's in with his energy alone. Miles better than the last Tomb Raider & Indy films & filled with such randomness, strangeness, 4th wall breaking & fun Dora is a film recent Disney movies could learn a thing or to from, its genuinely hilarious, has great production values, a decent sense of threat, positive messages about leaving your comfort zone & a smart self awareness making it a really enjoyable watch. Oh & that Danny Trejo cameo 😂