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Boudu Saved From Drowning (1932)
Boudu Saved From Drowning (1932)
1932 | Comedy
(0 Ratings)
Movie Favorite

"Again, Renoir’s humor and compassion, and the way he captures the streets of Paris. Michel Simon is a real, bizarre, challenging genius—like a French Brando in his anarchic, charismatic danger."

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Anna Sui recommended L'Atalante (1934) in Movies (curated)

 
L'Atalante (1934)
L'Atalante (1934)
1934 | Romance
(0 Ratings)
Movie Favorite

"Although this movie portrays the very real and gritty life on a river barge, there is something so poetic in it. You’ll never forget the contrast between Père Jules (Michel Simon)—who can puff smoke from a cigarette out of the face tattooed around his belly button—and the romantic belief of Juliette (Dita Parlo) that you can see the image of your true love in water."

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Michel Gondry recommended L'Atalante (1934) in Movies (curated)

 
L'Atalante (1934)
L'Atalante (1934)
1934 | Romance
(0 Ratings)
Movie Favorite

"L’Atalante from Jean Vigo. I discovered this film when I started to have growing interest in movies. That movie is from the 1930s. It was shot with very little money, and the director was sick. I mean, it’s pure poetry. This movie, it’s a very simple story, and you have Michel Simon, who plays an amazing character. It’s just a great combination of a vision that’s close to surrealism and a Grecian film look. It’s extremely touching."

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Port of Shadows (1938)
Port of Shadows (1938)
1938 | Crime, Drama, Romance
(0 Ratings)
Movie Favorite

"As clearly as there is only one Lino Ventura, there is a sole Jean Gabin. Neither have I seen a replica of Michèle Morgan nor Michel Simon (one of the reasons why Renoir’s Boudu should be in this list, but . . .). Port of Shadows is a pure actor-based melodrama full of prewar pessimism. Bicycle Thieves proves that even the tiniest dreams can be torn to pieces. Never in the history of cinema has hope been served in so minimalistic but heartbreaking a way as in the last shot of this masterpiece."

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Bicycle Thieves (1948)
Bicycle Thieves (1948)
1948 | Drama
8.0 (3 Ratings)
Movie Favorite

"As clearly as there is only one Lino Ventura, there is a sole Jean Gabin. Neither have I seen a replica of Michèle Morgan nor Michel Simon (one of the reasons why Renoir’s Boudu should be in this list, but . . .). Port of Shadows is a pure actor-based melodrama full of prewar pessimism. Bicycle Thieves proves that even the tiniest dreams can be torn to pieces. Never in the history of cinema has hope been served in so minimalistic but heartbreaking a way as in the last shot of this masterpiece."

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Kara Skinner (332 KP) rated Grind in Books

Jun 12, 2019  
Grind
Grind
Edward Vukovic | 2016 | Contemporary, Fiction & Poetry
7
8.0 (2 Ratings)
Book Rating
First of all, can we appreciate how cool this cover is? It’s makes me want to drink so much tea and coffee. When Edward Vukovic offered me a free print copy in exchange for an honest review, I couldn’t pass it up, even though it’s a bit darker than the usual books I read for Lover’s Quarrel.

I knew this book was going to be good and it didn’t disappoint. Ziva’s an excellently complex and well-written character. And this book has the ability to pull you into its world with its excellent descriptions and smooth language.

Unfortunately, this can be a dark and dreary world that will sometimes leave you in unnecessary suspense. Time can also be a little wonky, too, due to the several points of view.

While there are many storylines, Ziva and Isaac are the main characters. Ziva’s an immigrant from Macedonia, trying to make a living working at a clothing factory so she can eventually gain independence from her brother and his wife. Isaac is a bar owner and amateur writer trying to get over the death the death of his own wife.

They by far have the happiest story and they work so well together. I wish the book focused more on them and less on other characters. Every time something important happened with them– Isaac asks Ziva out for coffee, Ziva appears on his doorstep, anything that foreshadows hope and happiness and excitement– storylines were switched. We were suddenly on Simon’s point of view, or Michel’s. And I could have done with less of that.

Especially less focus on Simon.

Simon’s a negative guy with a negative outlook. He’s like an Edgar Allen Poe story in the form of a person. He’ll make you hate life and he hurts everyone around him. Getting through his chapters took forever because he was so dreary.

Michel, a homeless man hiding from dangerous old contacts, had a pretty good storyline. Actually, it was really interesting and complex. If it were its own book, then it would have been a great book to read. But shared with Ziva and Isaac, is was a pain in the butt. And it really hurt both storylines.

Because both storylines were crammed into only 391 pages, they both suffered. I wanted to know more about Michel’s past and Danielle’s home life, and see more of the two of them. I also wanted to know more about Ziva and what happens with her and Isaac, as well as what happens with her work. Ziva’s brother was really well-developed in the beginning and then he just disappears. What’s that about? And what the hell are Ziva and Isaac going to do about the really fast development in their relationship? (I wish I could say, but it’s too much of a spoiler.)

While this is still an excellently written book with an intricate plot, Vukovic’s storytelling skill is not all the way honed yet. I have no doubt that this book will be followed by better books by him.