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David McK (3162 KP) rated Star Wars: Tie Fighter in Books
May 7, 2020
During the mid to late 90s, there was a series of graphic novels company, all centring around the pilots of Rogue and (later) Wraith Squadron, and 'spun-off' from the immensely popular X-Wing and TIE fighter games by the now-defunct Lucasarts company.
That's all gone by the wayside (and recatogorised as Legends) ever since Disney bought out Lucasfilm.
I picked this one up when it was on sale for part of 2020s Comixology 'May the Fourth' (be with you) sale, having previously read the novel it leads into (that novel being Alphabet Squadron). As such, this story follows a group of Imperial pilots - rather than the more common point of view of Rebel pilots - flying various missions for the Empire, leading up to the battle of Endor and receiving word of their defeat.
Yes, the art is really rather good.
Yes, the story is really rather bland.
That's all gone by the wayside (and recatogorised as Legends) ever since Disney bought out Lucasfilm.
I picked this one up when it was on sale for part of 2020s Comixology 'May the Fourth' (be with you) sale, having previously read the novel it leads into (that novel being Alphabet Squadron). As such, this story follows a group of Imperial pilots - rather than the more common point of view of Rebel pilots - flying various missions for the Empire, leading up to the battle of Endor and receiving word of their defeat.
Yes, the art is really rather good.
Yes, the story is really rather bland.
Slave to the Needle: 20 Years of Original Art from a Celebrated Seattle Tattoo Shop
Book
Professional tattoo artists and their clients showcase tattoo imagery in various forms, featuring...
David McK (3162 KP) rated True Lies (1994) in Movies
Mar 29, 2020 (Updated Apr 10, 2022)
The early to mid 90s were a great time for action movies.
Cliffhanger. Speed. And this.
Starring a pre-Governator Arnold Schwarzenneger, Jamie Lee Curtis, and a pre-TVs-Faith-from-Buffy Eliza Dushku, this basically posits the question "What if James Bond was a family man? And what if his wife doesn't know he's a spy?"
When he then discovers that said wife is - he thinks - having an affair (but is in reality falling victim to a scam artist), he then decides to 'give her a bit of excitement', which leads to her getting caught up in his 'real' job and finding out more about his life!
With a rarely-looking-hotter Tia Carrere, those tango scenes (and *that* striptease) alongside plenty of stunts and gunplay (and the Harrier jump jets) - and, of course, the one-liners! - this is a pretty enjoyable big budget action movie
(Edit: I've just discovered it's directed by a pre-Titanic James Cameron, which helps!)
Cliffhanger. Speed. And this.
Starring a pre-Governator Arnold Schwarzenneger, Jamie Lee Curtis, and a pre-TVs-Faith-from-Buffy Eliza Dushku, this basically posits the question "What if James Bond was a family man? And what if his wife doesn't know he's a spy?"
When he then discovers that said wife is - he thinks - having an affair (but is in reality falling victim to a scam artist), he then decides to 'give her a bit of excitement', which leads to her getting caught up in his 'real' job and finding out more about his life!
With a rarely-looking-hotter Tia Carrere, those tango scenes (and *that* striptease) alongside plenty of stunts and gunplay (and the Harrier jump jets) - and, of course, the one-liners! - this is a pretty enjoyable big budget action movie
(Edit: I've just discovered it's directed by a pre-Titanic James Cameron, which helps!)
Gareth von Kallenbach (962 KP) rated Mid90s (2018) in Movies
Jul 2, 2019
It doesn’t take much to remember that Jonah Hill (writer and director) had already acted in one of the greatest coming-of-age movies at the age of 24. A cursory glance at Superbad shows it to be a hilarious and quotable movie. But a deeper look at the film reveals the true story. Two high school friends (Hill and Michael Cera) who realize they are drifting apart because of incoming adulthood and that they are powerless to stop it. Keeping that in mind, Hill was quoted during the production of Mid 90s as saying that coming-of-age films are cliché and what he really wanted was to make a skateboarding movie that avoided the 80s “cowabunga” tropes. The result of that focus is Mid 90s.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
Sunny Suljic plays 13-year-old Stevie, a quiet and often confused boy looking to escape his bleak and abusive home life by connecting with a group of local skater kids. While Suljic absolutely steals the show with his superb acting, his (mostly no name) costars deserve massive kudos for this endeavor as well. Lucas Hedges (Manchester by the Sea, Three Billboards outside of Ebbing Missouri) plays Stevie’s abusive older brother Ian. Though he is quickly established in the opening shot as the antagonist, his character arc throughout the film is one of the greatest and you find yourself soon empathetic to his plight nearly as much as Stevie’s. The skater gang is comprised of Ray (Na-kel Smith), Fuckshit (Olan Prenatt), 4th Grade (Ryder McLaughlin) and Ruben (Gio Galicia). These four seem apathetically content to take Stevie under their wing after he begins hanging out at their skate shop. During this time they expose Stevie to a world of drinking, smoking, drugs and sex as well as a complex set of personalities that Stevie struggles to understand but tries desperately to emulate. This reverence begins to lead him down a path that worry not only his mother and brother, but also occasionally members of his new social group. The actors playing his newfound friends all bring a beautiful authenticity to their roles. They certainly aren’t playing “themselves”, but their personalities don’t feel concocted or forced.
The original score for the film was done by Trent Reznor and Atticus Ross as well as a selection of 1990s Hip Hop. And while the original music by Reznor and Ross accents the film perfectly, the 90s throwback songs struggle to do more than remind the viewer of the period and provide the sporadic nostalgia kick. In fact, most of the 90s nostalgia does little to add to the film. Thus, while the opportunity was there to give us a solid examination and social commentary on 1990s culture, Hill seems to fall short of that concept and instead uses the references as a gimmick to tie in smaller plot points.
In addition to the music, there are a few other elements that add to the hipster vintage nature of the film. It was shot entirely on 16mm and is presented in square 1:1 ratio. While this is certainly an unusual choice as more movies are shifted to wide screen formats and square televisions are no longer produced, it pushes the film closer towards the verité genre that is necessary to keep it within the indie style guide.
Mid 90s, along with Eighth Grade have positioned A24 studios in a fantastic place. They’ve demonstrated their willingness to get behind first time writer/directors and the results have been impressive to say the least. If they can remain on this type of pace I could see how the Academy would take notice come awards season.
So despite his view that they are cliché, Jonah Hill has once again created a poignant and powerful coming-of-age movie and he’s managed to wrap it into just enough skateboarding reality to give us the love letter he was hoping to produce. The film is not without its faults, but it’s not one you should miss.
Jonah Hill recommended Small Town Ecstasy (2002) in Movies (curated)
David McK (3162 KP) rated Specter of the Past (Star Wars: The Hand of Thrawn Duology, #1) in Books
Jan 28, 2019
Back in the early 90s (round about '91 or so, so pre Special Editions), Timothy Zahn released a new Star Wars novel - <i>Heir to the Empire</i> - that would both become the first in a trilogy, and the first in the Star Wars expanded universe (EU) series as a whole.
The main antagonist of those stories was Grand Admiral Thrawn, a brilliant strategist who believed that a species art held the their weakness. Indeed, the novels were also the first to ever name the capitol of the Empire and the Old Republic ('Coruscant').
By the end of the trilogy, Thrawn was defeated and assassinated. Or was he?
This novel was first released in the mid 90's, round about the time of the Special Editions, and before the first of the Prequel trilogy. Set 10 years after the events of <i>The Last Command</i>, this also sees the return of certain characters from Zahn's previous entries in the Star Wars canon, but (I felt) was not quite as entertaining a read.
The main antagonist of those stories was Grand Admiral Thrawn, a brilliant strategist who believed that a species art held the their weakness. Indeed, the novels were also the first to ever name the capitol of the Empire and the Old Republic ('Coruscant').
By the end of the trilogy, Thrawn was defeated and assassinated. Or was he?
This novel was first released in the mid 90's, round about the time of the Special Editions, and before the first of the Prequel trilogy. Set 10 years after the events of <i>The Last Command</i>, this also sees the return of certain characters from Zahn's previous entries in the Star Wars canon, but (I felt) was not quite as entertaining a read.
Rob Halford recommended Korn by Korn in Music (curated)
VHS Camera
Photo & Video and Entertainment
App
VHS Camera records video with a real-time old effect. It’s a must have app for every iPhone/iPad...
I think I might have first read this in the mid to late 90s. Anyway, there or thereabouts. Definitely before the resurgence of 'classic' fantasy brought about by the Lord of the Rings (and The Hobbit) movies of the early 21st century.
I recently decided to give it a re-read (in 2020). What is now clear(er) to me than to the just-becoming-a-teenager I was on my first read is just how heavily indebted this is to JRR Tolkien, and just how much it reads like someone-decided-to-play-a-game-of-D&D-and-write-down-what-their-characters-did.
That latter probably shouldn't come as a surprise, given that one of the authors of this actually helped design that game.
Here, in the first of the 'core' Dragonlance novels, we have your standard archetypes: Halfling (Kender), Warrior, Knight, Elf, Half-Elf, Wizard, Barbarian all going off on what becomes various quests that (surprise surprise!) involve delving in dungeons and various sundry other enclosed spaces ...
I'll probably re-read the sequels, just because.
I recently decided to give it a re-read (in 2020). What is now clear(er) to me than to the just-becoming-a-teenager I was on my first read is just how heavily indebted this is to JRR Tolkien, and just how much it reads like someone-decided-to-play-a-game-of-D&D-and-write-down-what-their-characters-did.
That latter probably shouldn't come as a surprise, given that one of the authors of this actually helped design that game.
Here, in the first of the 'core' Dragonlance novels, we have your standard archetypes: Halfling (Kender), Warrior, Knight, Elf, Half-Elf, Wizard, Barbarian all going off on what becomes various quests that (surprise surprise!) involve delving in dungeons and various sundry other enclosed spaces ...
I'll probably re-read the sequels, just because.