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The Failure of the southern column to continue to advance north after the battle of Rosebud set the stage for the annihilation of George Armstrong Custer and his five companies of the 7th Calvary at the Little Big Horn. For nearly 150 years everything possible has been written except the true causes and culprits of the bloody fiasco at the Little Big Horn on June 25, 1876, that shocked the American nation like no other post-Civil War event. Dr. Tucker has relied primarily on source material to expose those individuals American's leading military and civilian officials, who were most responsible for the greatest military disaster. Revealing the Machiavellian currents, dark threads that had artificially manufactured against the Sioux by America's top leaders, including the president, to gain their territory of the Black Hills. He provides with a new understanding of why Custer died on that mountaintop with his most faithful followers. This book brings the reader closer to understanding exactly what occurred on that fateful day that left one man standing and the rest 7th Calvary and Custer dead in the dirt. This book does cover some of the previous books written but you can tell that Dr. Tucker took the time to research further not completely satisfied with the consciences the previous researchers on the Little Big Horn or the life of Custer. I highly recommend this book to anyone who is interested in post-civil war history, military history or Custer. The overall view was quite refreshing in the fact it covers how much was honestly lost that day not just the dead of those men.
ClareR (5721 KP) rated A Long Petal of the Sea in Books
Jan 14, 2020
My first, and not my last, Isabel Allende book!
A Long Petal of the Sea is my first foray into the books of Isabel Allende, and after reading this, it most certainly wont be my last.
This is the sweeping historical story of the Dalmau family, their role in the Spanish Civil War, their escape in to France (which was horrific), and their journey to Chile as refugees on the ship ‘Winnipeg’ arranged by the poet Pablo Neruda.
It’s a devastating and yet heartwarming look at humanity and it’s ability to endure. I hadn’t known about the concentration-style camps that the French forced the Spanish refugees in to after Franco and his right wing party won the Civil War. It looks as though people have always been able to destroy one another in inhuman ways (this is no surprise to me, by the way). We see more of the use of concentration camps in Chile after the military coup.
The main characters, Victor and Roser Dalmau continue to see Chile as their home, over and above Spain. They show us that home is where your friends, family and community are - and that you can make this home anywhere.
This book really is a joy to read. I’ve learnt so much of the history of this time, as well as having the pleasure of just reading a great story.
Many thanks to NetGalley and Bloomsbury for my copy of this book to read.
This is the sweeping historical story of the Dalmau family, their role in the Spanish Civil War, their escape in to France (which was horrific), and their journey to Chile as refugees on the ship ‘Winnipeg’ arranged by the poet Pablo Neruda.
It’s a devastating and yet heartwarming look at humanity and it’s ability to endure. I hadn’t known about the concentration-style camps that the French forced the Spanish refugees in to after Franco and his right wing party won the Civil War. It looks as though people have always been able to destroy one another in inhuman ways (this is no surprise to me, by the way). We see more of the use of concentration camps in Chile after the military coup.
The main characters, Victor and Roser Dalmau continue to see Chile as their home, over and above Spain. They show us that home is where your friends, family and community are - and that you can make this home anywhere.
This book really is a joy to read. I’ve learnt so much of the history of this time, as well as having the pleasure of just reading a great story.
Many thanks to NetGalley and Bloomsbury for my copy of this book to read.
Gareth von Kallenbach (980 KP) rated Free State of Jones (2016) in Movies
Aug 6, 2019
When we look at the Civil War period, we are often confronted with numbers: the numbers of the dead, the numbers of those fighting, the pay, the amount of bullets and munitions used. One thing we rarely discuss is depth with regard to the people and circumstances surrounding the war. We are concerned with particular battles and what major leaders were victorious or fell. We, either through school or the collective of movies created about the period, do not get to see the people for who they are and the variables surrounding their existence during this period. We do not have the ability to comprehend how the war affected them in losing their property, loved ones, or even how they face starvation and violence. We don’t get the chance to see slaves other than a myopic, generalized representation that doesn’t show us how they were able to survive in the face of danger multiple sides. The Free State of Jones corrects many of the mistakes and missed opportunities of previous films, of which there are many, that deal with slavery, the Civil War, the Reconstruction Era, and the South.
In The Free State of Jones, Matthew McConaughey plays Newt Knight a southerner who begins to see the hypocrisy of the Civil War and deserts from the Confederate Military. Upon his return he seeks to support his relatives and neighbors who are being taken advantage of by the Confederacy. His movement grows to where he and an army of men and women of different backgrounds begin fighting back against the Confederacy in the attempt to assert their autonomy and sovereignty.
The film is beautifully shot and allows for the display of serenity during all of the chaos that is shown throughout. One strength that director Gary Ross demonstrates is his ability to demonstrate that there were many layers to the War. Slavery is the central theme and he goes beyond this to show how much race played into the war and its lasting effect that we are still dealing with today. He points out through the film that we had a moment to be a transformative nation, but there were so many people who wanted to the status quo to remain that they prevented any and all social progress that seemed to threaten their perceived social standing. With respect to slavery, Free State gives voices to slaves and Freedmen during the period rather than having them on the periphery or invisible all together. The film offers an authenticity and depth that many films of this period are fearful or reluctant to engage in. There is warfare, there is violence, there is struggle, but the film offers more. It shows humanity. It demonstrates how people recognized what was wrong and took a stand. It also does not play with the history in order to have issues romanticized. It is honest in its application and for some, that will not sit well.
In The Free State of Jones, Matthew McConaughey plays Newt Knight a southerner who begins to see the hypocrisy of the Civil War and deserts from the Confederate Military. Upon his return he seeks to support his relatives and neighbors who are being taken advantage of by the Confederacy. His movement grows to where he and an army of men and women of different backgrounds begin fighting back against the Confederacy in the attempt to assert their autonomy and sovereignty.
The film is beautifully shot and allows for the display of serenity during all of the chaos that is shown throughout. One strength that director Gary Ross demonstrates is his ability to demonstrate that there were many layers to the War. Slavery is the central theme and he goes beyond this to show how much race played into the war and its lasting effect that we are still dealing with today. He points out through the film that we had a moment to be a transformative nation, but there were so many people who wanted to the status quo to remain that they prevented any and all social progress that seemed to threaten their perceived social standing. With respect to slavery, Free State gives voices to slaves and Freedmen during the period rather than having them on the periphery or invisible all together. The film offers an authenticity and depth that many films of this period are fearful or reluctant to engage in. There is warfare, there is violence, there is struggle, but the film offers more. It shows humanity. It demonstrates how people recognized what was wrong and took a stand. It also does not play with the history in order to have issues romanticized. It is honest in its application and for some, that will not sit well.
Jessi Bone (48 KP) rated From Auction Block to Glory: The African American Experience in Books
Mar 18, 2019
From the Auction Block to Glory examines the lives and stories of African Americans during the civil war years. Where transplanted and enslaved African Americans were bought and sold as property to the battlefield where two dozen black soldiers won the Congressional Medal of Honor. Beginning with a history of slavery from its European origins to its establishment in the New World. With the succession phases of African American involvement in the World effort. When the North faced a potentially disastrous manpower crisis at the end of 1862, more than 200,000 African Americans rose to the occasion and joined the forces supplementing the Union's dissipating army, salvaging the North's hope of reuniting the nation. The issuing of the Emancipation Proclamation and the repeals of the 1792 militia law transformed the military and political climate in the North. African American's were now free to fight on the side of the North but stereotypes were as such that black soldiers were under pressure to prove their combat capabilities. From the early battles and victories at Milliken's Bend and Port Hudson to the Fifty-Fourth Massachusetts Volunteer Infantries famous attack on Fort Wagner, African American's demonstrated their fighting.
From the Auction Block to Glory by Phillip Thomas Tucker Ph.D. is 128 pages long and looks at the African American experience from slavery to emancipation. I found the book very insightful as it looked at the side of slavery not just from the slave's point of view but from the perspective of the Southern owners and the North's needs end the slavery. The painting, photographs, and stretches bring the past to life and allow additional visual confirmation of what the words were saying and gives you a rare and unique view of the world that they lived in. I found the book very informative and an enjoyable read. Dr. Tucker writing style is in a communicative style similar to a conversation from him to you which makes you want to finish the book in one sitting.
From the Auction Block to Glory by Phillip Thomas Tucker Ph.D. is 128 pages long and looks at the African American experience from slavery to emancipation. I found the book very insightful as it looked at the side of slavery not just from the slave's point of view but from the perspective of the Southern owners and the North's needs end the slavery. The painting, photographs, and stretches bring the past to life and allow additional visual confirmation of what the words were saying and gives you a rare and unique view of the world that they lived in. I found the book very informative and an enjoyable read. Dr. Tucker writing style is in a communicative style similar to a conversation from him to you which makes you want to finish the book in one sitting.
Ryan Hill (152 KP) rated The Last Samurai (2003) in Movies
Jun 23, 2019
" I will tell you, how he lived"
The honour and code of the samurai has always been enticing to a Western civilisation that is far removed from such customs, which perhaps makes The Last Samurai such an enticing, enigmatic film. Edward Zwick crafts quite an epic adventure rich in mythology & thematic resonance that while traditionally Hollywood in its construction still manages to exist a cut above many such movies of its ilk, a touch of class surrounding how the story of Captain Nathan Algren is put together, based as it is on several real life legendary American figures who played key roles in the Satsuma Rebellion in Japan during the late 19th century. This isn't a direct re-telling of those events but serves as a leaping off point to construct a tale about a stranger in a strange land, of a man haunted by fighting an unjust war who rediscovers his honour & place in the world through a dying culture. Zwick's film is slick, sweeping, beautifully shot and frequently involving, backed up by a strong performance by Tom Cruise in one of those roles that remind you just what a good actor he can be.
In the role of Algren, Cruise begins a dejected man living out of a bottle, bereft of purpose & suffering post-Civil War nightmares of a man touted as a hero despite feeling the guilt of slaughtering Indians crushed under the might of a military machine; in that sense, The Last Samurai is very anti-war in its message, John Logan's story painting the Americans and specifically the Imperialist Japanese not in the greatest light. Cruise takes Algren on a traditional voyage of discovery, first pitted against the samurai code & eventually becoming consumed by it, consumed by the similarity of the way of the warrior between both cultures - and Ken Watanabe's dignified samurai 'rebel' Katsumoto learns from him, as well as the other way around, with Cruise remaining stoic & only getting flashes of a chance to display the usual Cruise charm, but that's OK - Algren isn't the kind of character to benefit from that, Cruise's natural magnetism is enough here. Wit is provided thankfully through, albeit briefly, Billy Connolly as a tough old Irish veteran & chiefly Timothy Spall as our portly 'narrator' of sorts, who serves to help mythologise Algren & the legend itself. Zwick is most concerned with that, you see, the idea of legends and how men become them, exploring that concept alongside digging into the cultural rituals and practises of a changing Japan.
Algren's story is placed at a time when the old ways of Japan were shifting, under the pressures of global politics & business; the Emperor here is a naive young man, sitting on an empty throne, looking to Watanabe for validation as his advisor's push to quash a rebellion fighting to preserve the old ways, preserve Japanese interests as America knocks on the door. That's why Cruise's role here is so interesting, his character learning of the samurai code & helping those around him remember their history, and Zwick explores well the concept of national identity alongside personal ideas of myth, legend & destiny. It all boils together in a careful script, never overblown, which neatly develops the relationships involved & helps you fully believe Algren's transformation into the eponymous 'last samurai'. Along the way, Zwick doesn't forget theatrics - staging plenty of well staged & intense fight scenes which utilise the strong Japanese production design, before building to a quite epic war climax with army pitted against army, with personal stakes cutting through it, backed up indeed by another superlative score by Hans Zimmer. It becomes more than just a historical swords & armour film, reaching deeper on several levels.
What could have been a slow paced, potentially ponderous movie is avoided well by Edward Zwick, who with The Last Samurai delivers one of the stronger historical adventure epics of recent years. Beautifully shot in many places, with some excellent cinematography & production standards, not to mention an impressive script well acted in particular by Tom Cruise & Ken Watanabe, Zwick creates a recognisably Hollywood picture but for once a movie that doesn't dumb down, doesn't pander and ultimately serves as an often involving, often damn well made story. Especially one to check out if you love the way of the samurai.
In the role of Algren, Cruise begins a dejected man living out of a bottle, bereft of purpose & suffering post-Civil War nightmares of a man touted as a hero despite feeling the guilt of slaughtering Indians crushed under the might of a military machine; in that sense, The Last Samurai is very anti-war in its message, John Logan's story painting the Americans and specifically the Imperialist Japanese not in the greatest light. Cruise takes Algren on a traditional voyage of discovery, first pitted against the samurai code & eventually becoming consumed by it, consumed by the similarity of the way of the warrior between both cultures - and Ken Watanabe's dignified samurai 'rebel' Katsumoto learns from him, as well as the other way around, with Cruise remaining stoic & only getting flashes of a chance to display the usual Cruise charm, but that's OK - Algren isn't the kind of character to benefit from that, Cruise's natural magnetism is enough here. Wit is provided thankfully through, albeit briefly, Billy Connolly as a tough old Irish veteran & chiefly Timothy Spall as our portly 'narrator' of sorts, who serves to help mythologise Algren & the legend itself. Zwick is most concerned with that, you see, the idea of legends and how men become them, exploring that concept alongside digging into the cultural rituals and practises of a changing Japan.
Algren's story is placed at a time when the old ways of Japan were shifting, under the pressures of global politics & business; the Emperor here is a naive young man, sitting on an empty throne, looking to Watanabe for validation as his advisor's push to quash a rebellion fighting to preserve the old ways, preserve Japanese interests as America knocks on the door. That's why Cruise's role here is so interesting, his character learning of the samurai code & helping those around him remember their history, and Zwick explores well the concept of national identity alongside personal ideas of myth, legend & destiny. It all boils together in a careful script, never overblown, which neatly develops the relationships involved & helps you fully believe Algren's transformation into the eponymous 'last samurai'. Along the way, Zwick doesn't forget theatrics - staging plenty of well staged & intense fight scenes which utilise the strong Japanese production design, before building to a quite epic war climax with army pitted against army, with personal stakes cutting through it, backed up indeed by another superlative score by Hans Zimmer. It becomes more than just a historical swords & armour film, reaching deeper on several levels.
What could have been a slow paced, potentially ponderous movie is avoided well by Edward Zwick, who with The Last Samurai delivers one of the stronger historical adventure epics of recent years. Beautifully shot in many places, with some excellent cinematography & production standards, not to mention an impressive script well acted in particular by Tom Cruise & Ken Watanabe, Zwick creates a recognisably Hollywood picture but for once a movie that doesn't dumb down, doesn't pander and ultimately serves as an often involving, often damn well made story. Especially one to check out if you love the way of the samurai.