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Bong Mines Entertainment (15 KP) rated Hell Yeah - Single by Raffaella in Music

Jul 10, 2019

Stan Taylor is an LA-based singer-songwriter and Bubbs is a music producer. Not too long ago, they released an adorable R&B tune, entitled, “Since I Had You”.

“Just a simple approach to the kinds of music we love, writing about life in our mid-20s and trying to find someone to settle down with. Stan and I get lost in the melodies of Marvin Gaye and the old soul heroes but throw in our own new school approach. Sprinkling in a few live instruments to go along with a Dilla-inspired groove. Hope you enjoy it as much as we enjoyed making it.” – Bubbs

‘Since I Had You’ tells a romantic tale of a young guy who feels a certain type of way whenever his significant other isn’t around him.

Apparently, she departed in the morning to do something important, and ever since then, he’s been miserable, missing her dearly.
Later, he admits that the thought of her makes him lose his cool. Therefore, he smokes a cigarette to calm down.

Even though it’s only been several hours since they last held each other, he can’t wait to be back in her warm embrace.

‘Since I Had You’ contains a relatable storyline and ear-welcoming vocals. Also, the likable tune possesses groovy instrumentation flavored with a nostalgic R&B/Soul aroma.

Kudos

LeftSideCut (3776 KP) rated The Final Destination (2009) in Movies

Sep 18, 2019 (Updated Oct 25, 2019)

A big stinking low

There's not a whole lot of positive things to say about the fourth entry into the Final Destination franchise.

For starters, there's not one character here to root for. Every one is unlikable - you could argue that the writers were trying to make them this unlikable on purpose, so we as an audience can revel in their inevitably over the top death, but that tactic doesn't work, as shown throughout this pile of horse sh*t.

At this point in the franchise, much like the third film, it feels as though the kills are the main draw.
And to be honest, it's all very boring this time around. The writers try to be creative here and there, but the overuse of CGI and 3D gimmicks on show make the death scenes unintentionally goofy and cheap looking, rather than having any of the shock value carried by the first two films.
The lack of practical effects is mind boggling, as once again, stunt co-ordinator David R. Ellis directs, the same man responsible for the fantastic highway scene in FD2. The extra features show that he used practical effects whilst filming but for some unknown reason, the finished film just has CGI spaffed over everything.

You're not missing out on much if you give this one a pass.