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Kristy H (1252 KP) rated This Poison Heart in Books
Jul 8, 2021
Wonderful and captivating YA fantasy
Briseis knows she has a rare gift--with just a touch, she can grow plants. But this gift also attracts attention. So when she inherits an estate in rural New York from a relative, Briseis and her moms see this as a chance to get away and perhaps learn to control her power. Upon arriving at her new home, Briseis finds it to be beautiful--and mysterious. The property is filled with secret gardens and the house itself with notes and clues about her family's past. Then the local townsfolk start showing up at Briseis' doorstep, and she realizes the house once served as an apothecary. Briseis has an uncanny knack for whipping up the healing potions everyone desires, but the more she investigates, she realizes there is a darker side to the house and its powers. One that could have dangerous consequences for Briseis and her entire family.
"I was pretty sure that growing a poisonous bush in the park wasn't what they had in mind for how I should spend my summer."
This was a completely awesome book! The story is totally engrossing. There are poisonous plants, secret gardens, Greek mythology, and a gothic vibe--what's not to love? Briseis is an amazing character. She's strong, brave, and tough; she's also bisexual and loved unconditionally by her two moms, Mom and Mo. The book offers such a great family dynamic, with an excellent attitude toward adoption. It's no big deal that Bri is bi or that she has two Moms--it's just a fact of life. How I appreciate that in a YA book.
"'Did I--did I inherit the Addams Family Mansion?'"
I've read several books lately with Greek mythology and didn't care for them, but this one broke the mold. The stories are woven in perfectly and add to the plot flawlessly. The story is completely captivating and I loved all the strong women in it. It's also part mystery, part myth, which adds to the page-turning aspect. (Be forewarned, this is book #1, so this ends on a bit of a cliffhanger.)
Overall, cannot recommend this book enough. It's a unique and mesmerizing fantasy. The fact that it's so queer inclusive is lovely. I'll be impatiently waiting for book #2. 4.5 stars.
"I was pretty sure that growing a poisonous bush in the park wasn't what they had in mind for how I should spend my summer."
This was a completely awesome book! The story is totally engrossing. There are poisonous plants, secret gardens, Greek mythology, and a gothic vibe--what's not to love? Briseis is an amazing character. She's strong, brave, and tough; she's also bisexual and loved unconditionally by her two moms, Mom and Mo. The book offers such a great family dynamic, with an excellent attitude toward adoption. It's no big deal that Bri is bi or that she has two Moms--it's just a fact of life. How I appreciate that in a YA book.
"'Did I--did I inherit the Addams Family Mansion?'"
I've read several books lately with Greek mythology and didn't care for them, but this one broke the mold. The stories are woven in perfectly and add to the plot flawlessly. The story is completely captivating and I loved all the strong women in it. It's also part mystery, part myth, which adds to the page-turning aspect. (Be forewarned, this is book #1, so this ends on a bit of a cliffhanger.)
Overall, cannot recommend this book enough. It's a unique and mesmerizing fantasy. The fact that it's so queer inclusive is lovely. I'll be impatiently waiting for book #2. 4.5 stars.
Phillip McSween (751 KP) rated Amélie (2001) in Movies
Sep 30, 2019
Beautiful Movie With a Beautiful Ending
You watch a film like Amelie and you leave thinking, “Some directors just have it figured out more than others.” This movie is pure genius from start to finish, one of my all-time faves for a number of reasons. In this story, Amelie seeks to change the world and make it a better place by helping the people around her.
Acting: 10
While I don’t know many of these actors since this a French film, I was impressed by the multitude of brilliant performances. Audrey Tautou shines as main character Amelie, carrying with her a sincere innocence that is hard not to gravitate towards. From the smaller roles, like Amelie’s parents, to the more pivotal roles, every actor/actress impressed me to no end.
Beginning: 10
Characters: 10
The movie revolves around Amelie’s sensational character. You are captivated by her from her very first moments on screen as a young child. She leads an interesting life that revolves around a number of interesting people. I know I’m being vague, but this is one of those films that’s best experienced when you know very little about it.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
A classic film is one that breaks the mold giving you something that you won’t find anywhere else. That is very much the case in Amelie as it carries a style all its own. The film is interwoven with grainy flashbacks that are uniquely done in unforgettable fashion. It is hard not to be captivated by these scenes as they unfold. I also appreciate how it dives into the challenges that shy introverts face on a daily basis.
Pace: 10
Plot: 10
Great story with enough diversions to keep you entertained throughout. It is such a simple idea, but is pulled off with complex characters and stories-within-stories. It’s almost disappointing when it ends.
Resolution: 10
Concludes just as it should. It gives you the ending that you hope for without overstaying its welcome. A nice bow on a beautiful present.
Overall: 100
We watch movies for an escape, to be captivated by something better than our own mundane lives. Amelie is magical from beginning to end and the greatest movie I never knew existed until recently. To put it simply, it is damn-near perfect.
Acting: 10
While I don’t know many of these actors since this a French film, I was impressed by the multitude of brilliant performances. Audrey Tautou shines as main character Amelie, carrying with her a sincere innocence that is hard not to gravitate towards. From the smaller roles, like Amelie’s parents, to the more pivotal roles, every actor/actress impressed me to no end.
Beginning: 10
Characters: 10
The movie revolves around Amelie’s sensational character. You are captivated by her from her very first moments on screen as a young child. She leads an interesting life that revolves around a number of interesting people. I know I’m being vague, but this is one of those films that’s best experienced when you know very little about it.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
Memorability: 10
A classic film is one that breaks the mold giving you something that you won’t find anywhere else. That is very much the case in Amelie as it carries a style all its own. The film is interwoven with grainy flashbacks that are uniquely done in unforgettable fashion. It is hard not to be captivated by these scenes as they unfold. I also appreciate how it dives into the challenges that shy introverts face on a daily basis.
Pace: 10
Plot: 10
Great story with enough diversions to keep you entertained throughout. It is such a simple idea, but is pulled off with complex characters and stories-within-stories. It’s almost disappointing when it ends.
Resolution: 10
Concludes just as it should. It gives you the ending that you hope for without overstaying its welcome. A nice bow on a beautiful present.
Overall: 100
We watch movies for an escape, to be captivated by something better than our own mundane lives. Amelie is magical from beginning to end and the greatest movie I never knew existed until recently. To put it simply, it is damn-near perfect.
Doodle God™ HD
Games and Education
7.0
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Over 190 Million Players Worldwide! Available in 13 Languages UNLEASH YOUR INNER GOD AND CREATE A...
Doodle God™
Games and Education
7.0
Rate It
App
Over 190 Million Players Worldwide! Available in 13 Languages UNLEASH YOUR INNER GOD AND CREATE A...
Kristy H (1252 KP) rated The Spite Game in Books
Mar 15, 2019
Creepy and readable but rather strange
Ava was terribly bullied in high school by three girls she idolized: Melissa, Cass, Saanvi. One particular incident so traumatized her that she cannot move on and years later, she finds herself unable to get past it. So she watches her former classmates--online and in real life--and she plots. If she can just find a way to get even, Ava thinks, then she can move on with her own life. But Ava's stalking threatens to overtake her life and perhaps her sanity. She finds herself in a police station, waiting to tell her story to a detective. What has Ava done?
"The bad thing inside of me took root there. Like mold, it grew in that hot moist place. You won't want to hear any of this. My story. I know that. But if you want me to confess, then you'll have to listen."
This one reminded me of a lesser version of Roz Nay's Our Little Secret, where so much of the tale is our main character telling her woes and recapping her life while in a police station. I didn't love Ava or hate her: I often felt sorry for her. Her inability to move past high school basically crippled her entire life, and her revenge mission is all she has.
This was a weird book. It switches in time frequently, going between whatever the present moment is and then Ava remembering moments in high school. I found the timeframe to be confusing at times. Ava's singular focus on her former classmates--and getting even--could be frustrating at moments, yet the book was also oddly compelling and somewhat addictive. It certainly did a good job at capturing the meanness of high school girls. What a terrible time that is.
"I was so naive, so ready to give those girls everything: my loyalty, my trust, my devoted friendship. I was ready to spill every secret I ever had, to follow them to the ends of the earth. I guess the last bit turned out to be true, in some ways."
It was a creepy read sometimes. I guessed the ending a bit early, but that didn't really make it any less enjoyable. Overall, I found this one a little odd and a little off-putting. It was a strange read, with a pointed focus on its main character (and her own mission). Still, it was rather readable.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
"The bad thing inside of me took root there. Like mold, it grew in that hot moist place. You won't want to hear any of this. My story. I know that. But if you want me to confess, then you'll have to listen."
This one reminded me of a lesser version of Roz Nay's Our Little Secret, where so much of the tale is our main character telling her woes and recapping her life while in a police station. I didn't love Ava or hate her: I often felt sorry for her. Her inability to move past high school basically crippled her entire life, and her revenge mission is all she has.
This was a weird book. It switches in time frequently, going between whatever the present moment is and then Ava remembering moments in high school. I found the timeframe to be confusing at times. Ava's singular focus on her former classmates--and getting even--could be frustrating at moments, yet the book was also oddly compelling and somewhat addictive. It certainly did a good job at capturing the meanness of high school girls. What a terrible time that is.
"I was so naive, so ready to give those girls everything: my loyalty, my trust, my devoted friendship. I was ready to spill every secret I ever had, to follow them to the ends of the earth. I guess the last bit turned out to be true, in some ways."
It was a creepy read sometimes. I guessed the ending a bit early, but that didn't really make it any less enjoyable. Overall, I found this one a little odd and a little off-putting. It was a strange read, with a pointed focus on its main character (and her own mission). Still, it was rather readable.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Our Time Has Come: How India is Making its Place in the World
Book
In the last 25 years, India-soon to be the most populous nation in the world-has experienced...
Kristy H (1252 KP) rated The Roommate in Books
May 6, 2021
A fun, sexy romance
Clara Wheaton comes from a wealthy family--the well-to-do Wheatons are infamous for many things, but socialite Clara has made a life around pleasing her parents and doing everything just right. But she's breaking out of the mold for the first time: heading across the country to move in (as a roommate) with her longtime childhood crush, Everett. But when Everett picks Clara up at the airport, he breaks the news that he's leaving to tour with his band, and she'll be living with a stranger, Josh. Josh seems friendly enough, but uppity Clara has no intentions of sharing a place with someone she doesn't know. When she researches him on the Internet, she makes a startling discovery about his profession. Clara realizes any association with Josh may turn her into another Wheaton scandal. But the more she gets to know him, she realizes Josh is more than his job. And he has a lot to say about women and sexuality and the power of women deserving better sex.
"Somewhere in her bloodline, a Wheaton had crossed Fate, cursing his descendants to pay the price. That was the only explanation for why, the one and only time Clara had taken a leap of faith, she'd landed with a spectacular belly flop."
THE ROOMMATE was one of those books that seemed to be everywhere for a while. I think if it hadn't been quite so hyped, I would have enjoyed it more. I liked it, but did not love it. Josh and Clara are a good couple, but didn't have that irresistible chemistry and witty banter that takes a romance to the next level.
Clara was too worried about the impression she made on everyone--Josh, her family, strangers, etc. I get that she came from a well-known family, but the fact that she dodged her mom's phone calls for weeks because she was too afraid to tell her she wasn't living with Everett was a bit much. But I could relate to a lot of Clara, and I appreciated her growth process. Josh was an interesting character and certainly not typical of what you see in a lot of romances. Neither seemed fully developed to me, though, and perhaps that's why it was hard to fully root for them.
Still, this is a cute and sexy book. It's a fast read and I enjoyed its push for female sexual empowerment. I'll definitely pick up the next book in the series. 3 stars.
"Somewhere in her bloodline, a Wheaton had crossed Fate, cursing his descendants to pay the price. That was the only explanation for why, the one and only time Clara had taken a leap of faith, she'd landed with a spectacular belly flop."
THE ROOMMATE was one of those books that seemed to be everywhere for a while. I think if it hadn't been quite so hyped, I would have enjoyed it more. I liked it, but did not love it. Josh and Clara are a good couple, but didn't have that irresistible chemistry and witty banter that takes a romance to the next level.
Clara was too worried about the impression she made on everyone--Josh, her family, strangers, etc. I get that she came from a well-known family, but the fact that she dodged her mom's phone calls for weeks because she was too afraid to tell her she wasn't living with Everett was a bit much. But I could relate to a lot of Clara, and I appreciated her growth process. Josh was an interesting character and certainly not typical of what you see in a lot of romances. Neither seemed fully developed to me, though, and perhaps that's why it was hard to fully root for them.
Still, this is a cute and sexy book. It's a fast read and I enjoyed its push for female sexual empowerment. I'll definitely pick up the next book in the series. 3 stars.
City Music by Kevin Morby
4.0
Rate It
Album Watch
City Music is the new album by Kevin Morby, which will be released via Dead Oceans. Full of listless...
Alternative rock
Phillip McSween (751 KP) rated Being There (1979) in Movies
Mar 26, 2018
Decent
A gardener with no professional skills has to strike out on his own when the owner of his estate dies.
Acting: 10
Beginning: 4
Being There gets off to an extremely slow start and I think it has more to do with expectations than anything. I don't know what exactly I was looking for, but it seemed as if the film started out laying the groundwork for what was to come, but it was trying to feel its way into the story. If your film is going to be over two hours long, it should be because there is a lot of meat in the film, not because its got a slow start latched on to it.
Characters: 10
Cinematography/Visuals: 0
For the life of me, I can't remember not one memorable shot in this film. Not a single solitary one. Believe me, I sat on this for quite a few minutes trying to remember something, anything that stood out for me. Nothing. For main character Chance (Peter Sellers) to have been a gardener, we never got to see him working his craft in one of the rich, extravagant gardens. Nothing doing.
Conflict: 4
There's not a lot of friction in the conflict, but it is fun to watch as things unfold. You know it's only a matter of time before someone uncovers the truth of what's going on with Chance, but every scene that passes where he comes out unscathed is absolutely confounding. There are never any real stakes, however, hence the lower score.
Genre: 8
When it comes to dramas, I consider Being There, highly original. It feels like Forrest Gump mixed in with a ton of political satire. It stares the norm in the face and completely breaks the mold.
Memorability: 6
While the visuals were absolutely forgettable, the film did have some solid memorable moments that stood out. In one particular scene, Chance is having a dinner conversation with Benjamin Rand (Melvyn Douglas) about the "room upstairs". Ben thinks they're talking about heaven when Chance is literally talking about the room upstairs.
Pace: 8
Once the film can get out of its own way in the beginning, it definitely managed to hold my attention with a solid pace. I was so entertained by Chance that things never really got slow again for me. His actions and presence alone kept me engaged.
Plot: 9
Resolution: 10
Overall: 69
I was rooting for Being There to be better but there were just a handful of pitfalls that kept it well short of getting an all-time rating. With solid characters that were highly entertaining, I wish it would have gotten out of the gates stronger, among other things. For me, the film is a skippable one.
Acting: 10
Beginning: 4
Being There gets off to an extremely slow start and I think it has more to do with expectations than anything. I don't know what exactly I was looking for, but it seemed as if the film started out laying the groundwork for what was to come, but it was trying to feel its way into the story. If your film is going to be over two hours long, it should be because there is a lot of meat in the film, not because its got a slow start latched on to it.
Characters: 10
Cinematography/Visuals: 0
For the life of me, I can't remember not one memorable shot in this film. Not a single solitary one. Believe me, I sat on this for quite a few minutes trying to remember something, anything that stood out for me. Nothing. For main character Chance (Peter Sellers) to have been a gardener, we never got to see him working his craft in one of the rich, extravagant gardens. Nothing doing.
Conflict: 4
There's not a lot of friction in the conflict, but it is fun to watch as things unfold. You know it's only a matter of time before someone uncovers the truth of what's going on with Chance, but every scene that passes where he comes out unscathed is absolutely confounding. There are never any real stakes, however, hence the lower score.
Genre: 8
When it comes to dramas, I consider Being There, highly original. It feels like Forrest Gump mixed in with a ton of political satire. It stares the norm in the face and completely breaks the mold.
Memorability: 6
While the visuals were absolutely forgettable, the film did have some solid memorable moments that stood out. In one particular scene, Chance is having a dinner conversation with Benjamin Rand (Melvyn Douglas) about the "room upstairs". Ben thinks they're talking about heaven when Chance is literally talking about the room upstairs.
Pace: 8
Once the film can get out of its own way in the beginning, it definitely managed to hold my attention with a solid pace. I was so entertained by Chance that things never really got slow again for me. His actions and presence alone kept me engaged.
Plot: 9
Resolution: 10
Overall: 69
I was rooting for Being There to be better but there were just a handful of pitfalls that kept it well short of getting an all-time rating. With solid characters that were highly entertaining, I wish it would have gotten out of the gates stronger, among other things. For me, the film is a skippable one.
Gareth von Kallenbach (980 KP) rated Ocean’s 8 (2018) in Movies
Jul 8, 2019
For the last five plus years all Debbie Ocean (Sandra Bullock) has had to think about was how to steal a $150 million dollar necklace of the neck of a mark during the Met Gala. Why she had all that time to think about was because she was incarcerated. The plan is flawless on paper but it would have to be to pull off this caper at one of the most high profile events of the year. Meticulously thought out and every eventuality covered. Now all she needs is a crew to make it happen. She gets her right hand girl Lou (Cate Blanchett) and they set out to plan the heist. The start with getting down on her luck designer Rose Weil (Helena Bonham Carter), who must persuade the mark, socialite actress Daphne Kluger (Anne Hathaway), to wear her dress and the diamonds to the even. Then let add a fence, Tammy (Sarah Paulson), a pick-pocket, Constance (Awkwafina), diamond expert, Amita (Mindy Kaling), and a hacker, Nine Ball (Rihanna), everyone they need to make this plan happen. The plan is made, the crew is assembled and the Met Ball is days away and all they have to do is rob a highly protected necklace in a museum filled with people and more cameras than you can count.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.