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100 Ideas for Primary Teachers: Transition to Secondary School
5.0
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Book
100 IDEAS: QUICK - EASY - INSPIRED - OUTSTANDING The move from primary to secondary school can be an...
Dogs of Courage: When Britain's Pets Went to War 1939-45
Christy Campbell and Clare Campbell
Book
In Bonzo's War, Clare Campbell told the fascinating story of what it was like for Britain's pets...
ClareR (5726 KP) rated Below the Big Blue Sky in Books
Jul 30, 2020 (Updated Jul 30, 2020)
I read this wonderful book, not having read the book that comes before it: ‘The Last Days of Rabbit Hayes’. This didn’t spoil my reading enjoyment at all though, and stood on its own perfectly well. Saying that, I have now bought Rabbit Hayes - mainly because I don’t want to let go of the wonderful characters in this book just yet!
This is the story of how Rabbits family and best friend cope after her death. It’s the story about their grief, their loss and how they go about getting on with their lives in the aftermath.
I can’t even tell you how often this book made me cry, but I can say that I laughed in equal measure. The author has created these highly likeable, realistic characters, and it’s so easy to empathise with them.
I just loved it. I was an absolute mess whilst reading it (thank god for reading during the summer holidays!), but I loved it. Oh, and when I grow up, I want to be just like Molly Hayes. That woman is the mistress of the one liner and rules in the art of foul language. As my son would say: #goals.
I would highly recommend this book.
Thank you to The Pigeonhole for serialising this, and to Anna McPartlin for joining in!
This is the story of how Rabbits family and best friend cope after her death. It’s the story about their grief, their loss and how they go about getting on with their lives in the aftermath.
I can’t even tell you how often this book made me cry, but I can say that I laughed in equal measure. The author has created these highly likeable, realistic characters, and it’s so easy to empathise with them.
I just loved it. I was an absolute mess whilst reading it (thank god for reading during the summer holidays!), but I loved it. Oh, and when I grow up, I want to be just like Molly Hayes. That woman is the mistress of the one liner and rules in the art of foul language. As my son would say: #goals.
I would highly recommend this book.
Thank you to The Pigeonhole for serialising this, and to Anna McPartlin for joining in!
DD
Death Dines in
8.0
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Book
Food, wine and good mysteries make for an unbeatable combination as shown in this anthology of 16...
Lyndsey Gollogly (2893 KP) rated The Taking in Books
Apr 7, 2024
67 of 220
Book
The Taking
By Dean Koontz
⭐️⭐️
On the morning that will mark the end of the world they have known, Molly and Niel Sloan awaken to the drumbeat of rain. It has haunted their dreams through the night, and now they find an eerily luminous and golden downpour that drenches their small Californian mountain town. As hours pass they hear news of extreme weather phenomena across the globe. An obscuring fog turns once familiar streets into a ghostly labyrinth. By evening, the town has lost all communication with the outside world. First TV and radio go dead, then the Internet and phone lines. The young couple gathers together with some neighbours, sensing a threat they cannot identify or even imagine. The night brings strange noises, and mysterious lights drift among the trees. The rain diminishes with the dawn but a moody grey-purple twilight prevails. Within the misty gloom the small band will encounter something that reveals in a terrifying instant what is happening to the world -- something that is hunting them with ruthless efficiency.
I really liked how this started and it was doing ok then I got bored by the end I was glad it was ending. Someone told me this was one of his best books it kinda puts me off reading anymore if that’s the case.
Book
The Taking
By Dean Koontz
⭐️⭐️
On the morning that will mark the end of the world they have known, Molly and Niel Sloan awaken to the drumbeat of rain. It has haunted their dreams through the night, and now they find an eerily luminous and golden downpour that drenches their small Californian mountain town. As hours pass they hear news of extreme weather phenomena across the globe. An obscuring fog turns once familiar streets into a ghostly labyrinth. By evening, the town has lost all communication with the outside world. First TV and radio go dead, then the Internet and phone lines. The young couple gathers together with some neighbours, sensing a threat they cannot identify or even imagine. The night brings strange noises, and mysterious lights drift among the trees. The rain diminishes with the dawn but a moody grey-purple twilight prevails. Within the misty gloom the small band will encounter something that reveals in a terrifying instant what is happening to the world -- something that is hunting them with ruthless efficiency.
I really liked how this started and it was doing ok then I got bored by the end I was glad it was ending. Someone told me this was one of his best books it kinda puts me off reading anymore if that’s the case.
Bob Mann (459 KP) rated The Roads Not Taken (2020) in Movies
Sep 15, 2020
Javier Bardem and Elle Fanning act their socks off (1 more)
Robbie Ryan cinematography is Oscar worthy
Pain and not a lot of Glory.
If you like your movies action packed you are going to dislike this movie. If you like light and uplifting stories you are going to positively loathe this one! For everyone else, "The Roads Not Taken" is a very thought-provoking piece of film-making from writer/director Sally Potter that I have a lot of respect for. Even more so, since I learned that the film is based on the director's time caring for her now deceased brother Nic, diagnosed with early onset dementia in 2010.
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
It's not a promising premise. "The Roads Not Taken" concerns a New Yorker with dementia being taking to the dentist and the opticians. Gripped yet? Nope... didn't think so. But stay with me here.
Elle Fanning plays Molly, daughter of the almost catatonic Leo (Javier Bardem) who is receiving a lot of support to stay in his own home. As his daughter assists him on his trip to his medical appointments, he is only about 10% 'there'. Glassy-eyed and almost incomprehensible, his utterances are often taken to refer to his present experiences. But actually, he's 90% somewhere else, revisiting two key episodes in his past life and reacting in the real world to what's happening in his dreams.
As he relives 'the roads not taken' we can piece together the elements of a life that's lived and - perhaps - lay out some elements that might have contributed to his mental decline in later life.
Before we plunge into the doom and gloom of the story, there was one moment of levity for me in the opening titles. I commented in my review of "The Farewell" that the company 'dog-tags' at the start of the film reminded me of a famous Family Guy comic moment. But this is kindergarten level compared to this movie. I assume Sally Potter must have tapped her complete phone contacts list to raise the funding for this one! Since I counted FOURTEEN different production companies referenced! Is this a record?
As you enter later life, it's common for many of us to suffer a significant source of stress. Sometimes - if you're lucky - four sources of stress. The reason? You stop worrying about your kids as much and start worrying about your aged parents and in-laws. Like heating up a frog in water, it's often imperceptible how much stress you are actually carrying with that until the last of the relatives 'shuffles off this mortal coil'. Within the grief, there's also a source of guilty relief in there somewhere. Such is the maelstrom that young Molly is in - with knobs on - given the disability of Leo. As a professional in her 20's, she is also having the juggle this responsibility with progressing her career.
It's a bit early in this turbulent year to talk of Oscar nominations. But for me, there are three standout performances in this movie:
1) Javier Bardem: what an acting masterclass! As with Daniel Day-Lewis's win in 1990 for "My Left Foot", the Academy loves a disability-based performance. I haven't seen much Oscar-buzz about this performance, but I'd personally throw his hat into the ring, for at least my long-list;
2) Elle Fanning: this young lady has been in movies since the age of 2, but rose to stardom with "Super 8". She's building a formidable filmography behind her. Here she matches Bardem shot-for-shot in the acting stakes: a caring daughter being emotionally torn apart; always needing to be in two places at the same time (as nicely positioned by the cryptic ending). A first Oscar-nomination perhaps?
3) Robbie Ryan: with an Oscar-nom previously for "The Favourite", could another one follow for this? For this is a beautiful film to look at, despite its downbeat story. There are some drop-dead gorgeous shots. One in particular is where a sun-lit Fanning has a "Marilyn Monroe subway skirt moment" at a window (with her hair being blown, I should add). Glorious. And all of the Mexican/Greek scenes (all Spain I believe) are deliciously lit and coloured.
"The Roads Not Taken" is an intelligent watch for sure, and reminiscent to me of Almodovar's "Pain and Glory": another artist's life lived again in flashback. If anything, this one is more unstructured in setting out a box of jigsaw pieces that you need to piece together through the unreliable narrator's random memories. ("Ooh, look - here's a bit with Laura Linney on it... ah, that goes there"; "So that's who Selma Hayek is"; etc.) But, as with a jigsaw, staying the course and putting the last pieces in is a very satisfying experience.
There's also a really feelgood scene in a taxi rank that restores your faith in the underlying goodness of people.... and a rant by a "Trump-voter" that gives you quite the opposite view!
Where I found some frustration was in the lack of backstory for Molly. She seems to be painted rather two-dimensionally. Yes - young with job, but of her personal life we see nothing. Adding another dimension (a young family for example) would have added yet another set of stresses to the mix. Leo's flashbacks are also focused on just two time periods. More wide-ranging reminiscences might have broadened the drama.
But I personally found "The Roads Not Taken" intensely moving. I'm not sure I could say I "enjoyed" it, but it is a worthy watch and has left me with thought-provoking images to chew on.
(For the full graphical review, please check out the One Mann's Movies here https://bob-the-movie-man.com/2020/09/15/the-roads-not-taken-2020-pain-and-very-little-glory/.)
iZombie - Season 1
8.7
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TV Season
Rose McGiver (Masters of Sex) stars in iZombie as a young medical resident turned zombie who works...
The Fatal Tree
8.0
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Book
Read our exclusive interview with Jake Arnott London, the 1720s. Welcome to 'Romeville',...
Sweet Rome (Sweet Home, #1.5)
8.0
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Book
You met Romeo Prince in the Amazon & USA Today bestselling novel, Sweet Home. Now hear the story...
Mark Halpern (153 KP) rated Molly's Game (2017) in Movies
Jan 17, 2018
Either you are in or you are out
The true story of Molly Bloom who was an Olympic class skier who ended got injured which ended her career. She moved to California cause she wanted to spread her wings and ended up working as a bottle hostess and then working for a real estate company whose owner got her controlling his high stakes poker game filled with stars and clebs. Once she got the hang of it and was threatened of being fired she spread her wings even more and branched out her own game to only get her self into the life of high stakes poker (which she only ran the games) and drugs. She ended up having Russian mob attendees in which the FBI claimed she did money laundering but, she denies that and Italian mob personal who just wanted to be "partners." Once she found out she was in way too deep she got out only to be implicated by certain other players in her circle who claimed they were forced into the game when they came under indictment for their own troubles. After two years of not running the game she is picked up by the FBI and is being charged with a slew of charges. Will she rat everyone out or will she keep their secret.
If you don't known the story first look her up on wiki and read about her and her father first cause that plays a lot in the movie.
If you don't known the story first look her up on wiki and read about her and her father first cause that plays a lot in the movie.