Baby Kicks Monitor Pro - Fetal Movement & Counter
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Baby Kicks Monitor is designed for all the pregnancy Mums as a baby kicking counter. From about...
BTCM Bitcoin Monitor, BTC Price, Bitcoin Ticker
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BTCM monitors the current Bitcoin exchange rates and network mining stats. You can also use it to...
Baby Monitor : universal video surveillance
Lifestyle and Utilities
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Baby Monitor is a universal video baby monitor that allows you to check on your baby from your...
Earthquake Alert Monitor & USGS Quake Tracker
Weather and News
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Earthquake is your live, up-to-the-minute app for all earthquake-related activity in the world. ...
Mark Halpern (153 KP) rated Cloverfield (2008) in Movies
Feb 7, 2018
Some things were good while others were really dumb. The movie is shot form a hand held camera POV that is it's saving grace.
Godzilla Against Mechagodzilla (2002)
6.3
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Movie
27th film in Toho's Godzilla series of monster movies. The Japanese government creates a colossal...
monster movie
The Giant Claw (1957)
5.0
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Movie
Low-budget monster movie. UFO sightings and unexplained aircraft losses over the North Pole turn out...
monster movie
Not Now, Bernard
Book
Bernard's got a problem. He's found a monster in the back garden but his mum and dad are just too...
Matthew Krueger (10051 KP) rated House of Frankenstein (1944) in Movies
Jun 18, 2020 (Updated Jun 18, 2020)
This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The plot: After escaping from prison, the evil Dr. Niemann (Boris Karloff) and his hunchbacked assistant, Daniel (J. Carrol Naish), plot their revenge against those who imprisoned them. For this, they recruit the powerful Wolf Man (Lon Chaney), Frankenstein's monster (Glenn Strange) and even Dracula himself (John Carradine). Niemann pursues those who wrong him, sending each monster out to do his dirty work. But his control on the monsters is weak at best and may prove to be his downfall.
Frankenstein Meets the Wolf Man (1943) had been the first on-screen pairing of two Universal Studios monsters, but The House of Frankenstein was the first multi-monster movie. Early drafts of the story reportedly involved more characters from the Universal stable, including the Mummy, the Ape Woman, the Mad Ghoul, and possibly the Invisible Man. Working titles—which included Chamber of Horrors (a reference to Lampini's travelling horror show) and The Devil's Brood—emphasized the multi-monster nature of the story.
The multi-monster approach, which emphasized box office appeal over continuity, was used in House of Dracula the following year and later in Abbott and Costello Meet Frankenstein. The House of Frankenstein marked Glenn Strange's debut as the monster. Strange, a former cowboy, had been a minor supporting player in dozens of low-budget Westerns over the preceding 15 years. He reprised the role in House of Dracula and Abbott and Costello Meet Frankenstein, and cemented the popular image of the monster as shambling, clumsy, and inarticulate. Boris Karloff, who had moved on from playing the monster to playing the mad scientist, reportedly coached Strange on how to play the role.
Some continuity errors are evident in the finished film. After Dracula is thrown from the carriage, he looks over to where his coffin has landed; in a close-up, part of his mustache is gone. Also, when Talbot transforms into the Wolf Man for the final time, his hands lack fur.
Karloff's performance in this film is his last in Universal's classic horror cycle.
Its a fun entertaining movie starring the uninversal monsters.
