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Sassy Brit (97 KP) rated Talon, Come Fly with Me in Books
Jun 5, 2019
I’m reviewing Talon, Come Fly With Me, by Gigi Sedlmayer. Here are my thoughts:
“Talon, Come Fly With Me” is a sweet book, for children, although I’m sure adults would love this, too. This is just the sort of book I would have loved to have read with my son when he was younger.
On the surface this is a story about a nine year old girl called Matica, living among the mountains of Peru with two condors she’s claimed as her own. In as much as you can claim two wild birds. But in fact it’s much more than that. The author, Gigi Sedlmayer, delves into more serious issues in a way which is suitable for children to read and understand. For example, she touches upon what it’s like to be a child with a disability, not fitting in, and feeling socially inadequate. She also covers subjects of which I sense are very close to her own heart; the protection of condors, habitat loss, and their possible extinction.
I totally felt for the condors, Tamo and Tima, when the poachers were coming to steal their egg, and there a few really tense scenes where the poachers are involved, which had me rooting for those birds to protect their young. Especially, after learning they only have one egg every two years. (If I’ve remembered that fact correctly).
But it’s not all doom and gloom. With some great laugh out loud moments, a happy ending and meaningful lessons learned, this book was a treasure of a find for me. To be honest, I wasn’t sure what to expect from a children’s book about condors, which seemed so far removed from my usual reads, but Gigi Sedlmayer is an award winning author, so I hoped it would be good. And it was. Even though I’m not a kid. ?
It was lovely to meet Talon, of whom this series of books is based around. Condors are strange looking creatures. To some these large birds look so ugly, but they’re actually quite beautiful in their own way. In fact, through this book I’ve learned so much more about them, they now have an additional fan. What a great way to introduce children (and adults) to these amazing birds! I love learning real facts in fictional books, especially about wildlife, and the author did this so well, without information dumping.
Overall: For young and the not so young, this book is a lovely introduction to not only condors and their habitat, but of living a totally different life from our own in the Peruvian mountains. (That is, if you’re not actually an Indian who can speak Arawakan, and reading this from your home in Peru! ). On top of that, it’s a positive book, which highlights how we should be more accepting of others, their cultures, and differences, whatever they may be. Whether you’re a monster of a bird, or child with a disability, things are not always as they, at first, may seem. If this sounds like your sort of read, don’t hesitate to buy it. You should love it!
“Talon, Come Fly With Me” is a sweet book, for children, although I’m sure adults would love this, too. This is just the sort of book I would have loved to have read with my son when he was younger.
On the surface this is a story about a nine year old girl called Matica, living among the mountains of Peru with two condors she’s claimed as her own. In as much as you can claim two wild birds. But in fact it’s much more than that. The author, Gigi Sedlmayer, delves into more serious issues in a way which is suitable for children to read and understand. For example, she touches upon what it’s like to be a child with a disability, not fitting in, and feeling socially inadequate. She also covers subjects of which I sense are very close to her own heart; the protection of condors, habitat loss, and their possible extinction.
I totally felt for the condors, Tamo and Tima, when the poachers were coming to steal their egg, and there a few really tense scenes where the poachers are involved, which had me rooting for those birds to protect their young. Especially, after learning they only have one egg every two years. (If I’ve remembered that fact correctly).
But it’s not all doom and gloom. With some great laugh out loud moments, a happy ending and meaningful lessons learned, this book was a treasure of a find for me. To be honest, I wasn’t sure what to expect from a children’s book about condors, which seemed so far removed from my usual reads, but Gigi Sedlmayer is an award winning author, so I hoped it would be good. And it was. Even though I’m not a kid. ?
It was lovely to meet Talon, of whom this series of books is based around. Condors are strange looking creatures. To some these large birds look so ugly, but they’re actually quite beautiful in their own way. In fact, through this book I’ve learned so much more about them, they now have an additional fan. What a great way to introduce children (and adults) to these amazing birds! I love learning real facts in fictional books, especially about wildlife, and the author did this so well, without information dumping.
Overall: For young and the not so young, this book is a lovely introduction to not only condors and their habitat, but of living a totally different life from our own in the Peruvian mountains. (That is, if you’re not actually an Indian who can speak Arawakan, and reading this from your home in Peru! ). On top of that, it’s a positive book, which highlights how we should be more accepting of others, their cultures, and differences, whatever they may be. Whether you’re a monster of a bird, or child with a disability, things are not always as they, at first, may seem. If this sounds like your sort of read, don’t hesitate to buy it. You should love it!
Mike Wilder (20 KP) rated Road House (1989) in Movies
May 30, 2018
Very underrated
Contains spoilers, click to show
So what kind of film do you get when you have great one liners, bar fights, guns, knives, egos, strippers, blues music, a polar bear and a monster truck? You get one of the most enjoyable and entertaining films of the late 80's, Road House. The film follows James Dalton (Patrick Swayze) a cooler (bouncer) and the best in the business, as he takes employment with Frank Tilghman (Kevin Tighe) the owner of the Double Deuce in Jasper, Missouri. The bar is the roughest in town and he needs Dalton to clean it up. However corrupt business man and crime boss Brad Wesley (Ben Gazzara) stands in his way. After the classic "chick flick" Dirty Dancing, Patrick Swayze was Hollywood gold. Women loved him and men wanted to be him. The film was full of romance. Then along came Road House, a complete opposite to Dirty Dancing, a little romance and loads of action. The film has a great cast including Patrick Swayze, Kevin Tighe, Ben Gazzara, Kelly Lynch, Marshall R. Teague, Red West, Kathleen Wilhoite, John William Young, John Doe, Kurt James Stefka, Keith David & Terry Funk. The cast works well together and it is full of great performances. Naturally Patrick Swayze at the height of his career stands miles apart from the rest of the cast as Dalton. A character that can hurt you with his words just as much as his fists. Tragically, 20 years later Swayze had his life cut short by cancer. His death is still a major loss to the entertainment industry, but his legacy will live on in the great performances and memorable characters he played. The film also a features a great performance by the late great blues guitarist Jeff Healey as Cody. It's the music in the film that goes a long way to achieving the right feel for the film. Everything works well from the characters, the music to the setting. Set in a rural area the scenery is breath-taking and it is used to great effect. But it's the fight choreography that stands out from many other films. Great bar fights are pretty much a thing of the past, but here they are full of action and humour just like the classic westerns. The one on one fights are brutal, mainly for the realism they portray. The script is awesome and full of classic lines mainly from Dalton and although many are cheesy, when he says it, it feels right. The director surprisingly hasn't made many films but the ones I have seen of his I really like and I know I am in the minority. See my review of Gladiator (1992) for more by this director. This is truly a great film, although very underrated. It is also one of my personal all-time favourites. There are a couple of versions of this so ensure that you see the USA or UK version released after 2002 as these are the uncut editions. So grab a few beers and a few friends, but this on a big screen and turn the sound way up for a really great movie experience.
Hazel (1853 KP) rated Memoirs of a Neurotic Zombie (Memoirs of a Neurotic Zombie #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
One day in Ohio Adam Meltzer is celebrating his twelfth birthday when suddenly he dies from a fatal be sting. Then he comes back to life – sort of. Jeff Norton’s children’s book <i>Memoirs of a Neurotic Zombie</i> is a comical tale narrated by Adam who is, as the title suggests, a zombie.
Three months after his death Adam claws his way out of his coffin and heads home where he attempts to carry on with life (afterlife?) even though his sister has taken over his bedroom and all his clothes have been donated to charity. Oh, and his body had already started decomposing. However it is not long until he discovers that he is not the only unnatural being in his neighbourhood. Connected by their weirdness, Adam becomes firm friends with Corina (a half-vampire) and Ernesto (a chupacabra). Inspired by a school science project (being half-dead is no reason for exemption, apparently) the three of them set out to track down the bee that killed Adam and solve the mystery concerning his return from the grave.
<i>Memoirs of Neurotic Zombie</i> is full of humour targeted at nine to twelve year olds, so reviewing this from an adult’s perspective if rather difficult. As people get older child humour becomes less funny, particularly in relation to certain bodily functions – namely poo. Even though being a children’s book limits the amount of seriousness, some of the story line did not feel quite right. Adam’s parents and sister were far too accepting of the situation and the lies he told at school to explain what had happened were rather farfetched.
An important element to the story was that Adam was suffering from OCD and as a result was gripped by a fear of dirt, bacteria and disease – rather ironic considering his physical condition. There is nothing wrong with writing for children about characters with disorders such as OCD, however there was no explanation about the seriousness of this mental illness. Adam’s behaviour was used to make him appear less “normal” than other children his age – something campaigners are encouraging people <u>not</u> to think!
There were some deliberate inaccuracies in Adam’s narrative, which added to the hilarity, although how much the reader will benefit from these will depend on their own intelligence. On the other hand there were one or two errors that may not have been intentional. “I lurched forward like a tweenage Frankenstein” – surely that should be “Frankenstein’s monster”? Unless, of course, Norton intended Adam not to be aware that Frankenstein was the scientist?
The storyline overall is enjoyable and something children, particularly boys, would enjoy. Then again it may not be suitable for the more sensitive child as it deals with themes of death and paranormal creatures. Adam comes across as rather intelligent for his age – despite taking some things too literally – so there are footnotes to explain definitions of difficult words or to clarify something further. In spite of a few misgivings I would recommend this book to its intended target audience.
One day in Ohio Adam Meltzer is celebrating his twelfth birthday when suddenly he dies from a fatal be sting. Then he comes back to life – sort of. Jeff Norton’s children’s book <i>Memoirs of a Neurotic Zombie</i> is a comical tale narrated by Adam who is, as the title suggests, a zombie.
Three months after his death Adam claws his way out of his coffin and heads home where he attempts to carry on with life (afterlife?) even though his sister has taken over his bedroom and all his clothes have been donated to charity. Oh, and his body had already started decomposing. However it is not long until he discovers that he is not the only unnatural being in his neighbourhood. Connected by their weirdness, Adam becomes firm friends with Corina (a half-vampire) and Ernesto (a chupacabra). Inspired by a school science project (being half-dead is no reason for exemption, apparently) the three of them set out to track down the bee that killed Adam and solve the mystery concerning his return from the grave.
<i>Memoirs of Neurotic Zombie</i> is full of humour targeted at nine to twelve year olds, so reviewing this from an adult’s perspective if rather difficult. As people get older child humour becomes less funny, particularly in relation to certain bodily functions – namely poo. Even though being a children’s book limits the amount of seriousness, some of the story line did not feel quite right. Adam’s parents and sister were far too accepting of the situation and the lies he told at school to explain what had happened were rather farfetched.
An important element to the story was that Adam was suffering from OCD and as a result was gripped by a fear of dirt, bacteria and disease – rather ironic considering his physical condition. There is nothing wrong with writing for children about characters with disorders such as OCD, however there was no explanation about the seriousness of this mental illness. Adam’s behaviour was used to make him appear less “normal” than other children his age – something campaigners are encouraging people <u>not</u> to think!
There were some deliberate inaccuracies in Adam’s narrative, which added to the hilarity, although how much the reader will benefit from these will depend on their own intelligence. On the other hand there were one or two errors that may not have been intentional. “I lurched forward like a tweenage Frankenstein” – surely that should be “Frankenstein’s monster”? Unless, of course, Norton intended Adam not to be aware that Frankenstein was the scientist?
The storyline overall is enjoyable and something children, particularly boys, would enjoy. Then again it may not be suitable for the more sensitive child as it deals with themes of death and paranormal creatures. Adam comes across as rather intelligent for his age – despite taking some things too literally – so there are footnotes to explain definitions of difficult words or to clarify something further. In spite of a few misgivings I would recommend this book to its intended target audience.
Gareth von Kallenbach (980 KP) rated Beowulf (2007) in Movies
Aug 14, 2019
The classic Epic poem Beowulf has come to the big screen in a stunning CGI extravaganza under the direction of Director Robert Zemeckis.
For those not familiar with the poem, it is an ancient Danish poem that talks of the heroic exploits of the hero Beowulf, as he battles all manner of bizarre creatures. The poem was told orally from generation to generation and eventually became known to many as the source of much of the early great literature from the western world.
I first became familiar with the tale some twenty years ago during my early years in private school where our headmaster had it as required reading for all of his students in honors level English.
The film stays very close to the poem and tells the tale of King Hrothgar (Sir Anthony Hopkins), a troubled leader whose kingdom is under siege by a hideous creature known as Grendel (Crispin Glover).
During a brutal attack by Grendel which results in the loss of many lives, King Hrothgar promises half the gold in his kingdom to any hero who can rid the land once and for all of the foul creature that has caused so much suffering.
In short order, the heroic Beowulf (Ray Winstone), arrives with is army of warriors to take up the challenge. Beowulf is legendary for his exploits in vanishing monsters, but his boastful nature raises the concerns of Unferth (John Malkovich), who thinks that Beowulf ‘s reputation and ability is far more style than substance.
Eventually Beowulf battles Grendel, and accomplishes his goal but learns that the monster has a Demonic mother that to must be destroyed in order for peace to truly be achieved.
Beowulf sets off the kill the demon (Angelina Jolie), but finds himself unable to match her whiles, and enters into a deal that has far reaching repercussions.
The second half of the film deals with the consequences of Beowulf’s decisions and how having is not nearly as important as wanting, which leads to a spectacular and FX filled final segment.
The film is amazing, and for those lucky enough to see the film in 3D, filled with amazing visual treats.
While the film is in no way suitable for children due to the violence it contains, the story holds up very well centuries later, and provides a solidly entertaining tale of heroism, betrayal, and morality that stands the test of time.
I had concerns that the film would be a slap-dashed effort that was attempting to cash in on the success of “The 300”, but in actuality, I found this film to be far more entertaining and satisfying.
The voice work of the cast is solid, but it is clearly the visuals that drive this film, as well as the dynamic effects made possible by the latest advancements in 3D technology as the film literally bursts out of the screen.
Beowulf will not be for everyone as those unfamiliar with the work on which it is based may find it derivative or predictable, but when you consider this is literally the tale that started it all, you could make an argument, that it set the table for all future tales to follow.
For those not familiar with the poem, it is an ancient Danish poem that talks of the heroic exploits of the hero Beowulf, as he battles all manner of bizarre creatures. The poem was told orally from generation to generation and eventually became known to many as the source of much of the early great literature from the western world.
I first became familiar with the tale some twenty years ago during my early years in private school where our headmaster had it as required reading for all of his students in honors level English.
The film stays very close to the poem and tells the tale of King Hrothgar (Sir Anthony Hopkins), a troubled leader whose kingdom is under siege by a hideous creature known as Grendel (Crispin Glover).
During a brutal attack by Grendel which results in the loss of many lives, King Hrothgar promises half the gold in his kingdom to any hero who can rid the land once and for all of the foul creature that has caused so much suffering.
In short order, the heroic Beowulf (Ray Winstone), arrives with is army of warriors to take up the challenge. Beowulf is legendary for his exploits in vanishing monsters, but his boastful nature raises the concerns of Unferth (John Malkovich), who thinks that Beowulf ‘s reputation and ability is far more style than substance.
Eventually Beowulf battles Grendel, and accomplishes his goal but learns that the monster has a Demonic mother that to must be destroyed in order for peace to truly be achieved.
Beowulf sets off the kill the demon (Angelina Jolie), but finds himself unable to match her whiles, and enters into a deal that has far reaching repercussions.
The second half of the film deals with the consequences of Beowulf’s decisions and how having is not nearly as important as wanting, which leads to a spectacular and FX filled final segment.
The film is amazing, and for those lucky enough to see the film in 3D, filled with amazing visual treats.
While the film is in no way suitable for children due to the violence it contains, the story holds up very well centuries later, and provides a solidly entertaining tale of heroism, betrayal, and morality that stands the test of time.
I had concerns that the film would be a slap-dashed effort that was attempting to cash in on the success of “The 300”, but in actuality, I found this film to be far more entertaining and satisfying.
The voice work of the cast is solid, but it is clearly the visuals that drive this film, as well as the dynamic effects made possible by the latest advancements in 3D technology as the film literally bursts out of the screen.
Beowulf will not be for everyone as those unfamiliar with the work on which it is based may find it derivative or predictable, but when you consider this is literally the tale that started it all, you could make an argument, that it set the table for all future tales to follow.
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Twelve Labours of Hercules
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Charlie Cobra Reviews (1840 KP) rated The Curse of La Llorona (2019) in Movies
Jul 7, 2020
The Mexican Legend
The Curse of La Llorona is a 2019 supernatura/horror movie directed by Michael Chaves and written by Mikki Daughtry and Tobias Iaconis. The film was produced by James Wan through his Atomic Monster Productions. It is based on the Mexican folklore, is Chaves directorial debut, and is set in "The Conjuring" Universe. It stars Linda Cardellini, Raymond Cruz, and Patricia Velasquez.
While playing with his family in 1673 Mexico, a young boy closes his eyes only to re-open them and find his family missing. While searching for them he witnesses his mother drowning his brother in a stream. Frightened, he runs away but is caught and suffers the same fate.
300 years later, in 1973 Los Angeles, Anna Tate-Garcia (Linda Cardellini) works as a social worker and is investigating a well known client of hers, Patrica Alvarez (Patricia Velasquez) whose children have gone missing. Demanding to check on her children's well being, Anna goes to Patricia's home with a police of. She searches for the children and finds them locked in a room. Patricia attacks her as she locates the children and is dragged away by the officer while screaming for her not to open the door. Anna takes the boys, Carlos and Tomas out of the room, ignoring their request to stay in the room where they are safe. That night, two boys are found drowned in a nearby river and Anna is called in to investigate their deaths. At the scene Anna hears Patricia screaming that it was Anna's fault for their deaths. This draws Anna and her family into the frightening supernatural realm of "La Llorona" and her deadly wrath.
I felt like this movie was a tough mix of somewhat silly but still creepy. It was good but had too many jump scares that you could see coming from a mile a way. The acting was generally good with Linda Cardellini really selling the terror of fighting off the evil presence. The children's performances were kind of hit or miss for me.. The tone and atmosphere of the film was great but for me "La Llorona" was scarier when she had her face veiled rather than the highly CGI-ed one they gave her when it was removed. The opening was downright silly to me. I didn't find it scary/creepy at all but a little disturbing. Also for some reason I think they went for too many scares in daylight. I know everything scary doesn't have to be at night, but I felt like it undersold them or didn't do them justice. One aspect that I really liked was how they brought in a faith healer or shaman, in Spanish "Curandero" to the Conjuring Universe. He was an interesting original character addition. Astwo different critics put it, "convincing premise, sufficient drama, decent twists, and enough scares make it worth the watch", but "predictable jump scare treatment and dragging exposition take out the potential from this film despite decent performance Orverall I'd give this movie a 6/10.
While playing with his family in 1673 Mexico, a young boy closes his eyes only to re-open them and find his family missing. While searching for them he witnesses his mother drowning his brother in a stream. Frightened, he runs away but is caught and suffers the same fate.
300 years later, in 1973 Los Angeles, Anna Tate-Garcia (Linda Cardellini) works as a social worker and is investigating a well known client of hers, Patrica Alvarez (Patricia Velasquez) whose children have gone missing. Demanding to check on her children's well being, Anna goes to Patricia's home with a police of. She searches for the children and finds them locked in a room. Patricia attacks her as she locates the children and is dragged away by the officer while screaming for her not to open the door. Anna takes the boys, Carlos and Tomas out of the room, ignoring their request to stay in the room where they are safe. That night, two boys are found drowned in a nearby river and Anna is called in to investigate their deaths. At the scene Anna hears Patricia screaming that it was Anna's fault for their deaths. This draws Anna and her family into the frightening supernatural realm of "La Llorona" and her deadly wrath.
I felt like this movie was a tough mix of somewhat silly but still creepy. It was good but had too many jump scares that you could see coming from a mile a way. The acting was generally good with Linda Cardellini really selling the terror of fighting off the evil presence. The children's performances were kind of hit or miss for me.. The tone and atmosphere of the film was great but for me "La Llorona" was scarier when she had her face veiled rather than the highly CGI-ed one they gave her when it was removed. The opening was downright silly to me. I didn't find it scary/creepy at all but a little disturbing. Also for some reason I think they went for too many scares in daylight. I know everything scary doesn't have to be at night, but I felt like it undersold them or didn't do them justice. One aspect that I really liked was how they brought in a faith healer or shaman, in Spanish "Curandero" to the Conjuring Universe. He was an interesting original character addition. Astwo different critics put it, "convincing premise, sufficient drama, decent twists, and enough scares make it worth the watch", but "predictable jump scare treatment and dragging exposition take out the potential from this film despite decent performance Orverall I'd give this movie a 6/10.
Matthew Krueger (10051 KP) rated Aeon's End in Tabletop Games
Feb 22, 2021
Excellent Deck Builder
Aeons End- is a excellent deck builder game that has a intresting twist. Lets talk more about it.
Aeon’s End is a cooperative deck building game in which you and your teammates are attempting to take down a member of The Nameless before it is able to destroy your home city of Gravehold. You do this by adding powerful spells, gems, and relics to your decks and strategically using them in a way that helps you defeat the enemies that come your way.
At the beginning of each game of Aeon’s End, you’ll set up your characters’ unique decks, put together a nemesis deck for the boss monster, and create a supply of cards that players can buy throughout the game. After all of that’s done, you’re ready to play!
Turn order is determined by the turn order deck. At the start of the game and after every turn, you’ll draw a card from this deck to see whose turn it is (the nemesis or a player).
On each turn, you can do one or more of the following actions in any order:
buy a card
play a card
charge up your special ability
focus or open a breach
prep a spell
react to a keyword on a nemesis card.
Aether is the currency in the game. You’ll use it to pay for new cards (spells, relics, and gems), to focus/open breaches, and to gain charges. You’ll start out with some basic cards that give you one aether apiece, but some of the cards you buy from the supply will give you more.
You cast spells in a unique way in this game. Open breaches allow you to prep a spell without paying a cost, while closed breaches need to be focused or opened in order to use them. When you focus a breach, you simply turn it clockwise and pay the “focus” cost written on the card. The spells you prepped can be cast on your next turn; prepped spells in closed breaches must be cast, while those in open breaches don’t have to be if you want to wait until a future turn.
Another unique aspect of this game is the way deck building works. Your deck is never shuffled, so you have to think about the order in which you put cards in your discard pile. When you cast spells or buy cards from the supply, those cards will go directly into your discard pile. When you use gems or relics, you’ll wait until the end of your turn and put them on top of your discard pile in any order. When your draw deck is empty, you simply flip your discard pile to create your new draw deck.
The main way to beat the nemesis is to take its life total down to zero, but you can also win if the nemesis’ deck runs out and there are no nemesis cards in play. You’ll lose if Gravehold is destroyed or if every player is exhausted (i.e. at zero life).
Its a excellent deck builder game. I highly recordmend playing it and owning it.
Aeon’s End is a cooperative deck building game in which you and your teammates are attempting to take down a member of The Nameless before it is able to destroy your home city of Gravehold. You do this by adding powerful spells, gems, and relics to your decks and strategically using them in a way that helps you defeat the enemies that come your way.
At the beginning of each game of Aeon’s End, you’ll set up your characters’ unique decks, put together a nemesis deck for the boss monster, and create a supply of cards that players can buy throughout the game. After all of that’s done, you’re ready to play!
Turn order is determined by the turn order deck. At the start of the game and after every turn, you’ll draw a card from this deck to see whose turn it is (the nemesis or a player).
On each turn, you can do one or more of the following actions in any order:
buy a card
play a card
charge up your special ability
focus or open a breach
prep a spell
react to a keyword on a nemesis card.
Aether is the currency in the game. You’ll use it to pay for new cards (spells, relics, and gems), to focus/open breaches, and to gain charges. You’ll start out with some basic cards that give you one aether apiece, but some of the cards you buy from the supply will give you more.
You cast spells in a unique way in this game. Open breaches allow you to prep a spell without paying a cost, while closed breaches need to be focused or opened in order to use them. When you focus a breach, you simply turn it clockwise and pay the “focus” cost written on the card. The spells you prepped can be cast on your next turn; prepped spells in closed breaches must be cast, while those in open breaches don’t have to be if you want to wait until a future turn.
Another unique aspect of this game is the way deck building works. Your deck is never shuffled, so you have to think about the order in which you put cards in your discard pile. When you cast spells or buy cards from the supply, those cards will go directly into your discard pile. When you use gems or relics, you’ll wait until the end of your turn and put them on top of your discard pile in any order. When your draw deck is empty, you simply flip your discard pile to create your new draw deck.
The main way to beat the nemesis is to take its life total down to zero, but you can also win if the nemesis’ deck runs out and there are no nemesis cards in play. You’ll lose if Gravehold is destroyed or if every player is exhausted (i.e. at zero life).
Its a excellent deck builder game. I highly recordmend playing it and owning it.
Lee (2222 KP) rated Away (2019) in Movies
Jan 6, 2021
Away is a multi-award-winning animation, single-handedly created by Latvian filmmaker and animator Gints Zilbalodis on a shoestring budget. It has earned a 100% fresh rating on rotten tomatoes, and in what now appears to be something of a regular occurrence for me, it turned out to be yet another movie that I absolutely loved but, I am sorry to say, I had never even heard of beforehand.
The plot of Away is a very modest one. Opening with a young man, hanging by his parachute from a lone tree that stands in a vast, desolate landscape, we see a tall, dark spirit-like figure slowly approaching. The spirit wraps itself around the boy, but as we discover later on throughout the movie, it’s not a hug that the monster is trying to administer. Breaking free of its hold, the boy runs away, with the spirit in slow pursuit, until he arrives at an opening for a forest oasis. The spirit remains standing at the opening, either unwilling or unable to enter, allowing the boy time to rest and recover. He drinks from the river, eats the fruit from the trees, swims and even makes friends with a small bird, all the while taking in the beautiful scenery.
He discovers an abandoned motorcycle and a backpack containing a map of the large island he finds himself on, along with a compass, a water bottle and keys to the motorcycle. Spotting what looks like some kind of harbour at the other side of the island, the boy sets off on the bike, past the tall spirit and off on the long journey through ever-changing and beautiful landscapes in order to reach his destination and discover what awaits him. The dark spirit immediately begins his slow pursuit, lumbering slowly after the boy with determination, like some kind of Terminator.
What follows can only be described as a series of scenes that are just animated, zen-like bliss. Not a single word is spoken throughout Away, leaving the beautiful visuals and meditative music to do all of the work, reminding me of The Red Turtle, another movie which surprised and entertained me. Director, writer, producer, animator and film score creator Gints Zilbalodis worked on Away for three and a half years, writing the story, creating the beautifully animated landscapes and characters, and composing and recording the enchanting music. There are occasional moments of tension and peril, but other than that I haven’t felt so calm and relaxed by a movie in a very long time.
Along the way, we learn of the plane crash which resulted in the boy finding himself alone on the island. But is he in some kind of Lost style remote island purgatory? And what’s the deal with his pursuer? What awaits him on the other side of the island? Well, while the storyline may be a little lacking in places, and may struggle to hold the interest of some, it really didn’t matter to me when it was presented as beautifully as this.
The plot of Away is a very modest one. Opening with a young man, hanging by his parachute from a lone tree that stands in a vast, desolate landscape, we see a tall, dark spirit-like figure slowly approaching. The spirit wraps itself around the boy, but as we discover later on throughout the movie, it’s not a hug that the monster is trying to administer. Breaking free of its hold, the boy runs away, with the spirit in slow pursuit, until he arrives at an opening for a forest oasis. The spirit remains standing at the opening, either unwilling or unable to enter, allowing the boy time to rest and recover. He drinks from the river, eats the fruit from the trees, swims and even makes friends with a small bird, all the while taking in the beautiful scenery.
He discovers an abandoned motorcycle and a backpack containing a map of the large island he finds himself on, along with a compass, a water bottle and keys to the motorcycle. Spotting what looks like some kind of harbour at the other side of the island, the boy sets off on the bike, past the tall spirit and off on the long journey through ever-changing and beautiful landscapes in order to reach his destination and discover what awaits him. The dark spirit immediately begins his slow pursuit, lumbering slowly after the boy with determination, like some kind of Terminator.
What follows can only be described as a series of scenes that are just animated, zen-like bliss. Not a single word is spoken throughout Away, leaving the beautiful visuals and meditative music to do all of the work, reminding me of The Red Turtle, another movie which surprised and entertained me. Director, writer, producer, animator and film score creator Gints Zilbalodis worked on Away for three and a half years, writing the story, creating the beautifully animated landscapes and characters, and composing and recording the enchanting music. There are occasional moments of tension and peril, but other than that I haven’t felt so calm and relaxed by a movie in a very long time.
Along the way, we learn of the plane crash which resulted in the boy finding himself alone on the island. But is he in some kind of Lost style remote island purgatory? And what’s the deal with his pursuer? What awaits him on the other side of the island? Well, while the storyline may be a little lacking in places, and may struggle to hold the interest of some, it really didn’t matter to me when it was presented as beautifully as this.