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Awix (3310 KP) rated The Giant Claw (1957) in Movies
Mar 14, 2018
Notorious Z-grade monster movie is actually quite entertaining if you treat it as an unintentional comedy. Plot just shows what horrors can result when research into particle physics gets it on with Japanese monster movies, as there is a mind-boggling attempt to give proceedings a veneer of scientific plausibility by saying the giant bird-monster has an anti-matter shield, explaining why they don't just shoot the damn thing down.
The fact that some of the scenes between Morrow and Corday could conceivably be quite effective in a more conventional movie just adds to the general weirdness of the whole Giant Claw experience. Normally I would attempt to describe the impact made by the boggle-eyed monster puppet, but words are just not enough. All you really need to know is that star Jeff Morrow left the first screening of the movie he saw early, afraid he might be recognised, went home and allegedly started drinking. I would say get the drinking out of the way before you watch the movie.
The fact that some of the scenes between Morrow and Corday could conceivably be quite effective in a more conventional movie just adds to the general weirdness of the whole Giant Claw experience. Normally I would attempt to describe the impact made by the boggle-eyed monster puppet, but words are just not enough. All you really need to know is that star Jeff Morrow left the first screening of the movie he saw early, afraid he might be recognised, went home and allegedly started drinking. I would say get the drinking out of the way before you watch the movie.
Awix (3310 KP) rated Dogora (1964) in Movies
Jul 20, 2019 (Updated Jul 20, 2019)
Bonkers Japanese sci-fi from the Godzilla team makes most of those movies look like models of restraint and gritty realism. Odd things are afoot in Japan as seemingly random objects - coal, trucks, bank robbers, buildings - start spontaneously floating into the air. 'I never jump to conclusions but I think a giant space monster is probably responsible,' says the lead cop investigating the case. Of course, he is correct, and it's up to the usual team of cops, scientists, and soldiers to save the day.
The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.
The really weird thing about Dogora - and this is saying something - is that the giant diamond-eating monster element is not the oddest thing about this film. Most of it looks and feels like a particularly frantic cops-and-robbers thriller with the odd giant floating blob sequence edited in under protest. Still, the script has Shinichi Sekizawa's usual cheerful wit and the special effects are, believe it or not, excellent. Good fun if you like tokusatsu movies; the climax, in which wasp venom is used to try and petrify the monster and a gun battle turns into a dynamite-chucking contest, has to be seen to be believed.
KyleQ (267 KP) rated The Host (2006) in Movies
Jul 22, 2020
A really entertaining creature feature!
A mutant creature emerges from a river in South Korea, kidnapping a young girl, her family races to save her.
Directed by Bon Joon Ho (Parasite, Okja, Snowpiercer), The Host blends horror, drama, and comedy seamlessly together.
When it was released in the USA, The Host was dubbed over, oddly enough. Generally, I hate dubbed live-action movies because they're always so cheesy, but the cheese really fits into this movie, making it more fun.
The films lead is Kang-ho Song (Parasite) who does a great job, he is believable, likable, and humorous. I empathized with him, surprisingly.
I did wish that the pace was a little quicker and that the monster would've been in the film more. But in general, I enjoyed the movie. I would recommend it to fans of monster movies, but really I'll recommend it to everyone.
Directed by Bon Joon Ho (Parasite, Okja, Snowpiercer), The Host blends horror, drama, and comedy seamlessly together.
When it was released in the USA, The Host was dubbed over, oddly enough. Generally, I hate dubbed live-action movies because they're always so cheesy, but the cheese really fits into this movie, making it more fun.
The films lead is Kang-ho Song (Parasite) who does a great job, he is believable, likable, and humorous. I empathized with him, surprisingly.
I did wish that the pace was a little quicker and that the monster would've been in the film more. But in general, I enjoyed the movie. I would recommend it to fans of monster movies, but really I'll recommend it to everyone.
Damien Echols recommended The Mothman Prophecies (2002) in Movies (curated)
Bostonian916 (449 KP) rated Kong Island (A.K.A. The King of Kong Island) (1968) in Movies
Jul 9, 2020
One of my guilty pleasures is terrible monster movies. I expected as much with Kong Island. They over achieved in the terrible department and under achieved in the monster department.
The entire premise of the film is centered around a crazy scientist who is attempting to control the minds of an ape population (and inexplicably, a random woman who apparently appeared one day from the Kong Gods) and make all of them his slaves.
The graphics didn't bother too much as this was a movie from 1968 and expectation were as such. But the story was so severely lacking that it made watching the 92 minute film feel like 92 hours, give or take.
The entire premise of the film is centered around a crazy scientist who is attempting to control the minds of an ape population (and inexplicably, a random woman who apparently appeared one day from the Kong Gods) and make all of them his slaves.
The graphics didn't bother too much as this was a movie from 1968 and expectation were as such. But the story was so severely lacking that it made watching the 92 minute film feel like 92 hours, give or take.
Connor Sheffield (293 KP) rated The Wolf Man (1941) in Movies
May 25, 2017
A classic Universal Monster Movie (2 more)
Lon Chaney Jr
Claude Rains
Even a Man who is pure of heart....
Even a man who is pure of heart, and says his prayers by night, may become a wolf when the wolfsbane blooms, and the Autumn moon is bright.
Heard that before in other werewolf movies, well this was it's origin. Created purely for the film, this poem even had some people believing it was an original folklore saying. If you have watched a handful of werewolf movies, then you will have noticed a lot of similarities;
- Silver bullets
- Wolfsbane
- Full Moon
- Not being able to retreat their acts from their loved ones
- Pentagrams
- Gypsies
- Gypsy Curses
- A Bite or scratch from the werewolf turns you
Some of these were originally created by the writers working on this film, and have become stereotypes that inspire many other werewolf films, TV Shows, Books, and Games etc.
The portrayal of Lawrence Talbot, by Lon Chaney Jr. is one that makes the classic Universal Monsters so special. Just like Frankenstein's Monster, the audiences of the 40's would have been frightened and horrified by these creatures, enough so that they wouldn't realise that they are in actual fact, suppose to sympathize with them, because when you watch the creatures being chased and hunted,the angry mobs fail to understand that these creatures never wanted this. Frankenstein's Monster never asked to be created, or to have the brain of a criminal mistakenly placed into his head instead of that of a civilized man. Larry Talbot never asked for the Wolf Man's curse, which he encountered whilst trying to save the life of a young female friend of his love interest.
With a great story and, at the time, revolutionary stop motion effects for the wolf man transformation, but of course the most important aspect, the beautifully crafted practical effects, the makeup that brings the creature to life, is incredible. My favourite of the classic Universal Monster Movies and one of my favourite movies of all time.
Heard that before in other werewolf movies, well this was it's origin. Created purely for the film, this poem even had some people believing it was an original folklore saying. If you have watched a handful of werewolf movies, then you will have noticed a lot of similarities;
- Silver bullets
- Wolfsbane
- Full Moon
- Not being able to retreat their acts from their loved ones
- Pentagrams
- Gypsies
- Gypsy Curses
- A Bite or scratch from the werewolf turns you
Some of these were originally created by the writers working on this film, and have become stereotypes that inspire many other werewolf films, TV Shows, Books, and Games etc.
The portrayal of Lawrence Talbot, by Lon Chaney Jr. is one that makes the classic Universal Monsters so special. Just like Frankenstein's Monster, the audiences of the 40's would have been frightened and horrified by these creatures, enough so that they wouldn't realise that they are in actual fact, suppose to sympathize with them, because when you watch the creatures being chased and hunted,the angry mobs fail to understand that these creatures never wanted this. Frankenstein's Monster never asked to be created, or to have the brain of a criminal mistakenly placed into his head instead of that of a civilized man. Larry Talbot never asked for the Wolf Man's curse, which he encountered whilst trying to save the life of a young female friend of his love interest.
With a great story and, at the time, revolutionary stop motion effects for the wolf man transformation, but of course the most important aspect, the beautifully crafted practical effects, the makeup that brings the creature to life, is incredible. My favourite of the classic Universal Monster Movies and one of my favourite movies of all time.
LoganCrews (2861 KP) rated The Host (2006) in Movies
Sep 21, 2020
Profoundly idiosyncratic, but also overlong and sloppy. Should it be sufficient that this has something to say about Korean culture, excessive US force, and familial relationships when it dawdles *this* excessively and is more passive about its (still very sound) ideals than anything? Mainly tries to be a satiric spin on the prototypical monster movie, but ends up being this pseudo-Del-Toro-esque comedy that doesn't really have all that much of a benefit as opposed to if it were played straight. There is stuff to value here: that monster is pretty fucking cool, the cast act their hearts out, and there's some okay cinematography every now and again. But most of the positives fizzle out as this drones on. One of those monster movies that center around the characters over the monster itself - which would be fine - if they weren't such nonentities in their own story, defined by a single quirk each. The plot isn't much better as it fails to reconcile with the scope of itself - throwing in deus ex machinas that are supposedly momentous but just sorta come right out of nowhere, acting like they had sufficient buildup but... they didn't? Desperately wanted to love this, as everybody involved shows full commitment to this project, but it just does too many things wrong. Kind of a chore, predictable, and of very little consequence. A way better monster movie - at least - than 𝘗𝘢𝘤𝘪𝘧𝘪𝘤 𝘙𝘪𝘮: 𝘜𝘱𝘳𝘪𝘴𝘪𝘯𝘨.
Micah Ulibarri (79 KP) rated A Quiet Place (2018) in Movies
Apr 18, 2018
I hate horror movies. And yet, from the first trailer, I couldn't wait to see this film.
I'm a huge John Krasinski and Emily Blunt fan, so that was the first part, but to know that he also had a part in the writing and direction, my interest was piqued.
I was blown away by it. It is the first time I have ever enjoyed myself in a horror film. Ever. I did get scared. There was definitely a psychological weight. Most importantly, I got choked up where I was supposed to.
It was a marvelously written and acted film and had a theme that I think will stand the test of time. A theme where to some extent... The monster... Isn't really the monster.
I'm a huge John Krasinski and Emily Blunt fan, so that was the first part, but to know that he also had a part in the writing and direction, my interest was piqued.
I was blown away by it. It is the first time I have ever enjoyed myself in a horror film. Ever. I did get scared. There was definitely a psychological weight. Most importantly, I got choked up where I was supposed to.
It was a marvelously written and acted film and had a theme that I think will stand the test of time. A theme where to some extent... The monster... Isn't really the monster.
Mike Allred recommended The Man Who Fell to Earth (1976) in Movies (curated)
LeftSideCut (3778 KP) rated The Monster Squad (1987) in Movies
Mar 13, 2021
The Monster Squad is of course a 80s classic, and one of the great gateway horrors for a younger audience to enjoy.
Its biggest selling point is it's premise and the subsequent rogues gallery of classic horror monsters, as a group of misfit school kids (and Rudy, that weird older teenager who hangs round younger kids because it makes him feel cooler or some shit) take on the likes of Frankenstein's Monster, The Wolfman, The Mummy, The Creature from the Black Lagoon, and their leader Count Dracula. It's a hell of a lot of fun, especially for people who enjoy the old Universal movies.
The whole cast are pretty likable, a decent screenplay thanks to Shane Black and director Free Dekker, and delivers some solid effects work to top it all off.
Its biggest selling point is it's premise and the subsequent rogues gallery of classic horror monsters, as a group of misfit school kids (and Rudy, that weird older teenager who hangs round younger kids because it makes him feel cooler or some shit) take on the likes of Frankenstein's Monster, The Wolfman, The Mummy, The Creature from the Black Lagoon, and their leader Count Dracula. It's a hell of a lot of fun, especially for people who enjoy the old Universal movies.
The whole cast are pretty likable, a decent screenplay thanks to Shane Black and director Free Dekker, and delivers some solid effects work to top it all off.