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Purple Phoenix Games (2266 KP) rated Yummy Yummy Monster Tummy in Tabletop Games
Jan 14, 2022
The Kids Table series from Purple Phoenix Games seeks to lightly explore games that are focused toward children and families. We will do our best to give some good insight, but not bog your down with the millions of rules…
In Yummy Yummy Monster Tummy (which, again, I think I will just call “this game” from here on out), players are kids who are visiting their grandfather and hear noises in the attic. When the kids check out the noises, they find colorful little friendly monsters roaming about! These monsters are all super hungry, and you have found that they love eating items that are the same color as their fur. Oh, but they hate anything considered to be a “vitamin.” Sound familiar, parents?
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup this game, first download the official app to your phone or tablet. Yes, an app. Start the app and choose your skill level. Grab all the cards belonging to the Attic set, shuffle them, deal each player the appropriate amount of cards, and place the rest of the deck face-down to form a draw pile. You are now ready to play!
This game is a cooperative game, so players are all trying to win as a team. The whole object of the game is to play cards that will match the monster’s fur that shows up on the app. The color of the cards are very important, as the cards that are played (scanned by the app) will be mixed together to form the new color. So if the monster on screen is red, adding a blue and brown card just won’t do. This not only helps teach colors and mixing, but also encourages cooperation and concentration – something my kids definitely benefit from having in a game.
As the game progresses, other creatures are added that require players to scan other cards, or that give special abilities. I will leave those to you to discover through your plays; I do not wish to spoil much of anything.
Shown below is a screenshot from one of our games, so that you can see what most of the game looks like and how cute the little monsters are.
Players will continue to play cards, draw new cards, and try their hands at mixing the correct colors to match the monster as closely as they can until the app is finished throwing monsters at you. At that time, your success is evaluated and you may even progress to the next mission, or to a new area altogether, adding a new set of cards to the existing deck. This increases possibilities for new color combinations, but also slowly adds in new rules to keep the game interesting and fresh.
My little boy and I have played this game about three million times since we received it from Lucky Duck Games. We cannot get enough of it, and have tried to introduce other players to it with tons of success. The overall premise is very cute and easy to grasp. Even when adding in new creatures and their special rules, he has been handling it remarkably.
I really appreciate the effort that has gone into developing a hybrid app/board game for kids that is just really fun for all who play it. I have seen where this has been redeveloped and rethemed from a different game with more sensitive subject matter. So that’s a boon.
I think the hardest part about playing this game is finding the sweet spot of where to hold the card so that the front-facing camera on the device is able to scan the QR code on the card backs. I know my kid had a difficult time figuring out what “5-10 inches away from the camera” actually meant. An easy fix, and we were on our way to our hundredth play.
If you haven’t had the opportunity to play one of these app-drive hybrid games, I definitely recommend picking up a copy of Yummy Yummy Monster Tummy right away. It is very light, designed for children AND adults, and will provide innumerable hours of quality time with family.
Oh, and don’t worry about reading the rulebook. Just download the app, shuffle the cards, and let the app whisk you away… to your grampa’s attic. Enjoy!
In Yummy Yummy Monster Tummy (which, again, I think I will just call “this game” from here on out), players are kids who are visiting their grandfather and hear noises in the attic. When the kids check out the noises, they find colorful little friendly monsters roaming about! These monsters are all super hungry, and you have found that they love eating items that are the same color as their fur. Oh, but they hate anything considered to be a “vitamin.” Sound familiar, parents?
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup this game, first download the official app to your phone or tablet. Yes, an app. Start the app and choose your skill level. Grab all the cards belonging to the Attic set, shuffle them, deal each player the appropriate amount of cards, and place the rest of the deck face-down to form a draw pile. You are now ready to play!
This game is a cooperative game, so players are all trying to win as a team. The whole object of the game is to play cards that will match the monster’s fur that shows up on the app. The color of the cards are very important, as the cards that are played (scanned by the app) will be mixed together to form the new color. So if the monster on screen is red, adding a blue and brown card just won’t do. This not only helps teach colors and mixing, but also encourages cooperation and concentration – something my kids definitely benefit from having in a game.
As the game progresses, other creatures are added that require players to scan other cards, or that give special abilities. I will leave those to you to discover through your plays; I do not wish to spoil much of anything.
Shown below is a screenshot from one of our games, so that you can see what most of the game looks like and how cute the little monsters are.
Players will continue to play cards, draw new cards, and try their hands at mixing the correct colors to match the monster as closely as they can until the app is finished throwing monsters at you. At that time, your success is evaluated and you may even progress to the next mission, or to a new area altogether, adding a new set of cards to the existing deck. This increases possibilities for new color combinations, but also slowly adds in new rules to keep the game interesting and fresh.
My little boy and I have played this game about three million times since we received it from Lucky Duck Games. We cannot get enough of it, and have tried to introduce other players to it with tons of success. The overall premise is very cute and easy to grasp. Even when adding in new creatures and their special rules, he has been handling it remarkably.
I really appreciate the effort that has gone into developing a hybrid app/board game for kids that is just really fun for all who play it. I have seen where this has been redeveloped and rethemed from a different game with more sensitive subject matter. So that’s a boon.
I think the hardest part about playing this game is finding the sweet spot of where to hold the card so that the front-facing camera on the device is able to scan the QR code on the card backs. I know my kid had a difficult time figuring out what “5-10 inches away from the camera” actually meant. An easy fix, and we were on our way to our hundredth play.
If you haven’t had the opportunity to play one of these app-drive hybrid games, I definitely recommend picking up a copy of Yummy Yummy Monster Tummy right away. It is very light, designed for children AND adults, and will provide innumerable hours of quality time with family.
Oh, and don’t worry about reading the rulebook. Just download the app, shuffle the cards, and let the app whisk you away… to your grampa’s attic. Enjoy!
Although Fire is listed as the second book in the Graceling Realm series, it is really a prequel and generally unrelated to the first book. The events of Fire take place some 30+ years before the events of Graceling and in a different land. Although the two are somehow magically connected by a series of mountain tunnels, they don't know about one another. I didn't realize this when I started reading the book and was quite confused for a while.
The book starts with an extensive prol0gue which introduces us to a character that only re-emerges in the story for a short time near the conclusion. While I understand his inclusion, as it is the only thing that ties Graceling and Fire together I don't see its purpose in the story. It was not particularly interesting to read and didn't give me a better sense of who the character was. Personally, I would have rather the prologue not have been included in the story as it certainly made my interest in the book wane.
The prologue set a slow and unengaging pace for the start of the book that did not remedy itself for some time. Although the start of the book was enjoyable enough, it didn't really really intriguing until the second half. That is when I really fell in love with the characters and the plot. In Fire, we are introduced to Monsters rather than Gracelings. Human Monsters have special abilities, although there aren't many of them in the Dells. Instead, most of the Monsters are animals with abilities beyond their average non-Monster kin. I don't feel like the Monster idea is well explained in the books and I wish the author had developed that aspect of the world building more.
When we first meet Fire, she is not a very likeable character (at least in my opinion). Her Monster abilities make her so beautiful that people can't control themselves around her and usually either want to possess her or kill her so no one else can have her. Harsh. She also has the ability to get inside people's heads and manipulate their thoughts. Scary. Those combined made it difficult to relate to her character, although over the course of the novel her personality was developed more and she became a little more human.
There were many other characters in the book, but Prince Brigand or Hannah were definitely my favourites. They made the story more enjoyable and I loved the scenes that they were in. Hannah was fiesty and not afraid to stand up for what she believed in, even though she wasn't quite six yet. Prince Brigand loved his brother's Kingdom and did what he must to protect it, even if it would put his life at risk.
The world building was good overall, the characters developed slightly over the course of the story and the pacing was generally decent although there were a few inclusions to the story that significantly slowed the pacing down. My biggest concern/problem with the book was the character I mentioned from the prologue's inclusion into the story later on. He didn't fit in with the story initially and his re-introduction just completely threw off the plot. Our characters went off on this side storyline that didn't add anything to the plot and reinforces for me that his inclusion wasn't necessary. I understand that he was the only aspect that binds the two books together, but his inclusion detracts from the otherwise enjoyable story.
In the end, his inclusion and the small details thrown in throughout the story took away from the world of the Dells that was very enjoyable. The book would have certainly been rated more favourably by me if those aspects were removed. Overall though, I really enjoyed reading the book and can't wait to finish the series (although it is also another jump in time and space, so be prepared for some confusion initially.)
The book starts with an extensive prol0gue which introduces us to a character that only re-emerges in the story for a short time near the conclusion. While I understand his inclusion, as it is the only thing that ties Graceling and Fire together I don't see its purpose in the story. It was not particularly interesting to read and didn't give me a better sense of who the character was. Personally, I would have rather the prologue not have been included in the story as it certainly made my interest in the book wane.
The prologue set a slow and unengaging pace for the start of the book that did not remedy itself for some time. Although the start of the book was enjoyable enough, it didn't really really intriguing until the second half. That is when I really fell in love with the characters and the plot. In Fire, we are introduced to Monsters rather than Gracelings. Human Monsters have special abilities, although there aren't many of them in the Dells. Instead, most of the Monsters are animals with abilities beyond their average non-Monster kin. I don't feel like the Monster idea is well explained in the books and I wish the author had developed that aspect of the world building more.
When we first meet Fire, she is not a very likeable character (at least in my opinion). Her Monster abilities make her so beautiful that people can't control themselves around her and usually either want to possess her or kill her so no one else can have her. Harsh. She also has the ability to get inside people's heads and manipulate their thoughts. Scary. Those combined made it difficult to relate to her character, although over the course of the novel her personality was developed more and she became a little more human.
There were many other characters in the book, but Prince Brigand or Hannah were definitely my favourites. They made the story more enjoyable and I loved the scenes that they were in. Hannah was fiesty and not afraid to stand up for what she believed in, even though she wasn't quite six yet. Prince Brigand loved his brother's Kingdom and did what he must to protect it, even if it would put his life at risk.
The world building was good overall, the characters developed slightly over the course of the story and the pacing was generally decent although there were a few inclusions to the story that significantly slowed the pacing down. My biggest concern/problem with the book was the character I mentioned from the prologue's inclusion into the story later on. He didn't fit in with the story initially and his re-introduction just completely threw off the plot. Our characters went off on this side storyline that didn't add anything to the plot and reinforces for me that his inclusion wasn't necessary. I understand that he was the only aspect that binds the two books together, but his inclusion detracts from the otherwise enjoyable story.
In the end, his inclusion and the small details thrown in throughout the story took away from the world of the Dells that was very enjoyable. The book would have certainly been rated more favourably by me if those aspects were removed. Overall though, I really enjoyed reading the book and can't wait to finish the series (although it is also another jump in time and space, so be prepared for some confusion initially.)
The Greedy Cave
Games and Entertainment
App
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Bad, Dad, And Dangerous Anthology
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Book
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Paranormal Romance MM MF
Lyndsey Gollogly (2893 KP) rated Smoulder ( Anita Blake book 29) in Books
Mar 27, 2023
Contains spoilers, click to show
‼️‼️ spoiler in review ‼️‼️
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
Awix (3310 KP) rated Terror of Mechagodzilla (1975) in Movies
Mar 24, 2018 (Updated Mar 25, 2018)
Final movie in the first Godzilla series often gets some stick for supposedly killing off the original continuity, but is actually not that bad. Bacofoil-wearing aliens team up with mad scientist and his cyborg daughter to conquer the world; there are many opportunities for evil laughter at the planning meetings. The usual strategy of using giant monsters as invasion weapons is employed, despite it having utterly failed in at least five previous movies.
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'
Original director Honda comes back and at least ensures this film has a degree of dignity and craft to it: pretty good monster suits and model work, but the back projection is terrible. There's slightly more focus on character than usual (particularly that of the tragic cyborg girl), which the film seems unsure how to handle. To be honest, one of the main problems is that it's not really about Godzilla any more - he just turns up to fight the bad guys at the end and everyone else takes him for granted. By no means the worst Godzilla movie even of the 1970s, but you can see why Toho decided to take a break. Best line (possibly in the whole of cinema): 'Please kill me - Mechagodzilla's brain is installed in my stomach!'
Awix (3310 KP) rated Godzilla Vs Megaguirus (2000) in Movies
Mar 9, 2018 (Updated Mar 9, 2018)
Excitable first Godzilla movie of the 21st century has some decent special effects but a more than usually ridiculous plot. Elite anti-monster force known as, and I kid you not, the 'G-Graspers' plan to kill Godzilla by filling him full of black holes; for an elite anti-monster force they seem very unconcerned when weapons test causes an infestation of giant predatory dragonflies known as Meganulons (a call-back to the original Rodan movie in the 1950s). The dragonflies proceed to flood Tokyo (quite how they manage this is not clear) and feed on Godzilla's irradiated mutant blood, which is bound to end badly.
One thing you have to say is that Godzilla Vs Megaguirus is full of big and wacky ideas, but the human characters are unappealing, the plot is very comic-booky even for a Godzilla film (and not in a good way), and the movie can't seem to figure out which of the monsters is supposed to be the good guy. The film drags on for another fifteen minutes after the climactic battle, too. The monster suits and special effects are not too bad, but the same is true of all the Godzilla films from around this point in time, and those don't have the weird flaws of this one.
One thing you have to say is that Godzilla Vs Megaguirus is full of big and wacky ideas, but the human characters are unappealing, the plot is very comic-booky even for a Godzilla film (and not in a good way), and the movie can't seem to figure out which of the monsters is supposed to be the good guy. The film drags on for another fifteen minutes after the climactic battle, too. The monster suits and special effects are not too bad, but the same is true of all the Godzilla films from around this point in time, and those don't have the weird flaws of this one.
Awix (3310 KP) rated Godzilla: Planet of the Monsters (2017) in Movies
Feb 13, 2018 (Updated Mar 7, 2018)
Now, there's nothing wrong in principle with doing an animated Godzilla movie; most of the problems with this one arise from the fact it is largely unrecognisable as such.
Earth is abandoned due to excessive growth in the giant monster population; timey-wimey plot device means the survivors return twenty years later and find thousands of years have gone past and the place has reverted to a primeval state; the ecology is now distinctly Godzillaesque. Has their technology improved to the point where they can stand a chance against the Big G himself?
Reasonable, if somewhat convoluted premise is torpedoed by a persistent mood of nihilistic misery and absence of likeable human characters; Godzilla is largely absent, and mostly passive when he does appear. You want to see Godzilla demolishing Tokyo and fighting other monsters, not mooching about in a jungle, anyway. A good way of catching up on recent tropes in mainstream SF (this is just a nice way of saying the film is rather derivative), some interesting designs, but on the whole this is hard work to watch. English subtitles seem to have been written using Google Translate, which only adds to the essentially frustrating nature of the experience.
Earth is abandoned due to excessive growth in the giant monster population; timey-wimey plot device means the survivors return twenty years later and find thousands of years have gone past and the place has reverted to a primeval state; the ecology is now distinctly Godzillaesque. Has their technology improved to the point where they can stand a chance against the Big G himself?
Reasonable, if somewhat convoluted premise is torpedoed by a persistent mood of nihilistic misery and absence of likeable human characters; Godzilla is largely absent, and mostly passive when he does appear. You want to see Godzilla demolishing Tokyo and fighting other monsters, not mooching about in a jungle, anyway. A good way of catching up on recent tropes in mainstream SF (this is just a nice way of saying the film is rather derivative), some interesting designs, but on the whole this is hard work to watch. English subtitles seem to have been written using Google Translate, which only adds to the essentially frustrating nature of the experience.
Awix (3310 KP) rated The Darkest Hour (2011) in Movies
Jun 2, 2018 (Updated Jun 2, 2018)
Ferociously generic hot-young-things-are-chased-by-high-concept-monsters movie. (Winston Churchill does not appear, by the way.) Various American, Australian and Swedish characters bump into each other in a Moscow nightclub, hit it off (or not), then find the evening takes a bit of a turn when aliens made of invisible electricity arrive and start eating people. Lots of sneaking about and tension; it's not that difficult to guess who the aliens are going to chow down on before the end of the film, and in what order.
I suppose it looks okay, and many members of the cast have gone on to marginally better things (remakes of Judge Dredd and Robocop, plus TV work for Marvel), but the whole thing seems to be actively trying to be as forgettable as possible. The film's big innovation - the Moscow setting - ends up contributing nothing to the film, really; actual Russian characters are kept peripheral. Ultimately just a very, very bland film: Olivia Thirlby deserves some kind of mention for actually making you care slightly about her character. Apart from that this is the kind of SF film that brings science fiction into disrepute. And science. And quite probably fiction, come to that.
I suppose it looks okay, and many members of the cast have gone on to marginally better things (remakes of Judge Dredd and Robocop, plus TV work for Marvel), but the whole thing seems to be actively trying to be as forgettable as possible. The film's big innovation - the Moscow setting - ends up contributing nothing to the film, really; actual Russian characters are kept peripheral. Ultimately just a very, very bland film: Olivia Thirlby deserves some kind of mention for actually making you care slightly about her character. Apart from that this is the kind of SF film that brings science fiction into disrepute. And science. And quite probably fiction, come to that.







