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Erika Kehlet (21 KP) rated Ashley Bell in Books
Feb 19, 2018
This was the best Dean Koontz novel I've read since the first Odd Thomas. I loved Bibi, and there was a great cast of supporting characters, including her parents, her best pal Pogo, and her fiance, a Navy Seal named Pax. Not everyone was on Bibi's side, however, and once again Mr. Koontz proves that sometimes the scariest monsters are those who wear human faces.
This is one of those stories that is very hard to talk about without giving too much away, and I would not want to ruin the surprises for anyone who might choose to read the book. With that said, here's what I can tell you without spoiling anything.... The novel starts out with Bibi, a novelist, discovering that she has brain cancer. After hearing that she has less then a year to live, she surprises everyone (except maybe herself) by waking completely cancer free the next morning. As a celebratory gift, her parents send a psychic to Bibi, and during her reading, she discovers that her life was spared so that she could save someone named Ashley Bell. The journey that Bibi has to make in her quest to locate Ashley forces her to revisit places and experiences from her own past that she has long since forgotten.
The buildup in this novel started out slow but constant, and once it got moving I couldn't put it down. Any Dean Koontz fan, or any thriller fan for that matter, will love this one. While Dean Koontz may be thought of as a horror writer, and there are some paranormal elements to this story, non-horror fans should enjoy this one also.
<i>Note: I received a free copy from NetGalley in exchange for an honest </i>review.
This is one of those stories that is very hard to talk about without giving too much away, and I would not want to ruin the surprises for anyone who might choose to read the book. With that said, here's what I can tell you without spoiling anything.... The novel starts out with Bibi, a novelist, discovering that she has brain cancer. After hearing that she has less then a year to live, she surprises everyone (except maybe herself) by waking completely cancer free the next morning. As a celebratory gift, her parents send a psychic to Bibi, and during her reading, she discovers that her life was spared so that she could save someone named Ashley Bell. The journey that Bibi has to make in her quest to locate Ashley forces her to revisit places and experiences from her own past that she has long since forgotten.
The buildup in this novel started out slow but constant, and once it got moving I couldn't put it down. Any Dean Koontz fan, or any thriller fan for that matter, will love this one. While Dean Koontz may be thought of as a horror writer, and there are some paranormal elements to this story, non-horror fans should enjoy this one also.
<i>Note: I received a free copy from NetGalley in exchange for an honest </i>review.
Kevin Wilson (179 KP) rated A Quiet Place (2018) in Movies
Jul 17, 2018
Incredible acting (3 more)
Unique take on the monster horror genre
Superb cast
Super intense
The most intense I've felt in a movie!!
This is an incredible movie. I cannot find a single fault to this movie.
The acting is incredible and that's without very little dialogue. The whole idea if the movie is: you make a sound, you die. This made me feel very intense at times especially considering the main female lead (Emily blunt) was pregnant. Even stuff as simple as moving medicine bottles had to be moved very carefully and this kept me on the edge of my seat. It's funny how very little and slight sounds and movements can sound so loud and scary. This was a very unique concept which added so much.
John Krisinki is an incredible actor and director. The movie is shot beautifully. He manages to not only bring the horror perfectly but he brings forward the importance of family and what a parent would do to protect their children. The kids were cast perfectly and every part of the cast brings so much emotion to the roles, they completely suck you in and you really care about them.
The CGI was great and not knowing exactly what the monsters are or where they came from brought another level of creepy to them. There were twists I didn't see happened within the first 10 minutes and the movie is paced incredibly well.
I'd be very interested to see a sequel to this with a whole new cast but not sure what the plot could be without reusing this same plot. I did get a feeling of cloverfield from this and could easily see this as being some kind of spinoff to those movies.
1 of the best movies I've seen of this genre. Could definitely recommend watching this.
The acting is incredible and that's without very little dialogue. The whole idea if the movie is: you make a sound, you die. This made me feel very intense at times especially considering the main female lead (Emily blunt) was pregnant. Even stuff as simple as moving medicine bottles had to be moved very carefully and this kept me on the edge of my seat. It's funny how very little and slight sounds and movements can sound so loud and scary. This was a very unique concept which added so much.
John Krisinki is an incredible actor and director. The movie is shot beautifully. He manages to not only bring the horror perfectly but he brings forward the importance of family and what a parent would do to protect their children. The kids were cast perfectly and every part of the cast brings so much emotion to the roles, they completely suck you in and you really care about them.
The CGI was great and not knowing exactly what the monsters are or where they came from brought another level of creepy to them. There were twists I didn't see happened within the first 10 minutes and the movie is paced incredibly well.
I'd be very interested to see a sequel to this with a whole new cast but not sure what the plot could be without reusing this same plot. I did get a feeling of cloverfield from this and could easily see this as being some kind of spinoff to those movies.
1 of the best movies I've seen of this genre. Could definitely recommend watching this.
Goddess in the Stacks (553 KP) rated Krampus in Books
Dec 17, 2018
A dark fairytale with occasional illustrations
Let's head into Christmas with something out of the ordinary, shall we? This was one heck of a dark fairytale, set in West Virginia, in a town where everyone knows everyone and the head of police is in cahoots with the local crime lord.
The story opens on Christmas Eve with Jesse Walker, failed husband and father, depressed, alone, and contemplating suicide, until he sees Santa Claus attacked and fleeing into the sky, leaving behind his magic sack. What he doesn't know is that Santa's attackers are mostly after the magic sack, and what he thinks is his salvation turns out to be what traps him into everything that follows.
And what follows is a thrillride! Jesse is roped into being one of Krampus' servants, along with his belsnickels, people Krampus has lent a portion of his magic to. The magic twists them into fur-covered monsters, but also grants them healing and near-immortality.
Between trying to rekindle the lost traditions of Yule and hunting down Santa Claus to end him for good, Jesse also struggles to save his wife and daughter from the possibly-murderous cop they're living with.
By the end of the book I wasn't sure who to cheer for, other than Jesse and one of the belsnickels, Isabel. But Krampus? He might be right, but is he good? I'm not sure. Similarly, except for his millennia-past misdeeds, Santa is good NOW. But I'm not sure he's right. In an ideal world, the two of them could come to some compromise and apologize to each other, but this is a dark fairytale, so of course that's not the case!
I enjoyed this book, even if there wasn't a lot of happiness in it. It definitely embodies the Appalachia Gothic idea.
You can find all my reviews at http://goddessinthestacks.com
The story opens on Christmas Eve with Jesse Walker, failed husband and father, depressed, alone, and contemplating suicide, until he sees Santa Claus attacked and fleeing into the sky, leaving behind his magic sack. What he doesn't know is that Santa's attackers are mostly after the magic sack, and what he thinks is his salvation turns out to be what traps him into everything that follows.
And what follows is a thrillride! Jesse is roped into being one of Krampus' servants, along with his belsnickels, people Krampus has lent a portion of his magic to. The magic twists them into fur-covered monsters, but also grants them healing and near-immortality.
Between trying to rekindle the lost traditions of Yule and hunting down Santa Claus to end him for good, Jesse also struggles to save his wife and daughter from the possibly-murderous cop they're living with.
By the end of the book I wasn't sure who to cheer for, other than Jesse and one of the belsnickels, Isabel. But Krampus? He might be right, but is he good? I'm not sure. Similarly, except for his millennia-past misdeeds, Santa is good NOW. But I'm not sure he's right. In an ideal world, the two of them could come to some compromise and apologize to each other, but this is a dark fairytale, so of course that's not the case!
I enjoyed this book, even if there wasn't a lot of happiness in it. It definitely embodies the Appalachia Gothic idea.
You can find all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated Where the Wild Things Are (2009) in Movies
Aug 9, 2019
A film adaptation of Maurice Sandak’s beloved childhood tale of the same name, “Where the Wild Things Are” brings to life the worlds of Max a very imaginative child coming to grips with the emotional changes in his life. From his mom’s new boyfriend to his sister’s move into the teen years, Max is feeling very alone and runs away to a place where his needs are the first priority. In his world, Max is crowned king and he begins to deal with the issues of his real life through interaction and play with a variety of wildly imaginative monsters.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Taking a short children’s book and turning it into a compelling full-length film was the job of screenplay writers, David Eggers and Spike Jonzes, who also directed the picture. Among the film’s producers was Sandak and it shows. The film is seamlessly consistent with the original book while providing new and exciting content.
The roles are strongly cast from the lead of Max played by the up and coming Max Records, to that of the monster Carol voiced by James Gandolfini. The visual fantasy presented combines real and digital elements smoothly enough to accurately depict Max’s imagination while remaining realistic to the point of believability. Additionally, the fun yet abstract soundtrack manages to highlight the ups and downs of childhood exploration.
Seeming more like a masterpiece from Japanese animator Hayao Miyazaki than an American created live action children’s film, the detailed crafting and imaginatively honest perspective created by “Where the Wild Things Are” takes viewers back into their youth. A delight that is enjoyable, heartfelt and true to the spirit of the book, “Where the Wild Things Are”, is a must see film for any child inside or out.
Grumpy Goblin (123 KP) rated Monstress, Volume 1: Awakening in Books
Jul 25, 2019
The artwork is just breathtaking (3 more)
A complex, yet enjoyable storyline
Brilliant layout
Great quality paper and printing
I could not get enough of this.. Absolutely amazing.
Contains spoilers, click to show
I enjoy reading GNs that aren't necessarily classed as mainstream and this kept popping up on adverts. I found a copy for £4.99 on world books and figured why not give it a try.
To say I'm happy I did Woupd be an understatement... On receiving it the beauty of the artwork on the front cover just grabbed me and the pictures online really don't do it justice.
Id like to say also, it's not one I'd those GNs that has full concept pieces on the front and back covers and maybe a few inside and then the main layouts are less detailed.. Each drawing is as beautiful as the last with a mix of steampunk and art deco merged into a dark styled piece of art.
The story complimented the art perfectly and I read it from front to back in one sitting.
The story is complex seeing conflict between humans and Arcanics and you can tell there is so much backstory just waiting to be added to further volumes. The single page introductions to certain parts of the Lore within the world was extremely well done and not too overwhelming.
The story is certainly not without shock factor, seeing what is portraid as young Arcanic children tortured, eaten and with missing limbs scattered through the pages as well as a fair amount of blood and gore.
Overall the whole experience into this new dark fantasy of war, magic and monsters has been amazing and I cannot wait to carry on with this series.
To say I'm happy I did Woupd be an understatement... On receiving it the beauty of the artwork on the front cover just grabbed me and the pictures online really don't do it justice.
Id like to say also, it's not one I'd those GNs that has full concept pieces on the front and back covers and maybe a few inside and then the main layouts are less detailed.. Each drawing is as beautiful as the last with a mix of steampunk and art deco merged into a dark styled piece of art.
The story complimented the art perfectly and I read it from front to back in one sitting.
The story is complex seeing conflict between humans and Arcanics and you can tell there is so much backstory just waiting to be added to further volumes. The single page introductions to certain parts of the Lore within the world was extremely well done and not too overwhelming.
The story is certainly not without shock factor, seeing what is portraid as young Arcanic children tortured, eaten and with missing limbs scattered through the pages as well as a fair amount of blood and gore.
Overall the whole experience into this new dark fantasy of war, magic and monsters has been amazing and I cannot wait to carry on with this series.
Kaz (232 KP) rated The Silence (2019) in Movies
Jul 6, 2019 (Updated Jul 7, 2019)
A mediocre film
Contains spoilers, click to show
Even though 'The Silence' is based on a novel in its own right, it's impossible not to compare this to 'A Quiet Place'. Unfortunately, 'A Quiet Place' is a much better film.
The chemistry between the characters in 'A Quiet Place' was very good, I cared about what happened to them, which made that film successful. With 'The Silence', the characters felt one dimensional and, even thought they were a family, their relationship seemed very forced. I found some of the decisions that they made throughout the film, to be really implausible.
Also, what gave 'A Quiet Place' a sense of authenticity, was the fact that the deaf character in the story, was played be a deaf actress. In 'The Silence', this wasn't the case.
I thought that the plot at the beginning was predictable, but passable. However, towards the end of the film, a threat from a sect was inexplicably thrown in, and for me, the film completely unraveled.
'The Silence' had a few jump scares, but this film didn't keep me on the edge of my seat. The creatures themselves, were a cross between 'Gremlins' and dinosaurs from 'Jurassic Park' and it wasn't particularly scary, because of their bad CGI.
Despite its flaws, I stayed watching until the end of the film and to be honest, I wish I hadn't. The ending was rushed and unsatisfactory. It didn't have much of a resolution at all and left me wondering if I'd missed something, as everything was resolved so quickly.
If you want to watch an 'apocalyptic/monsters taking over the world 'type of a film, I don't recommend watching 'The Silence'. Watch 'A Quiet Place' instead.
The chemistry between the characters in 'A Quiet Place' was very good, I cared about what happened to them, which made that film successful. With 'The Silence', the characters felt one dimensional and, even thought they were a family, their relationship seemed very forced. I found some of the decisions that they made throughout the film, to be really implausible.
Also, what gave 'A Quiet Place' a sense of authenticity, was the fact that the deaf character in the story, was played be a deaf actress. In 'The Silence', this wasn't the case.
I thought that the plot at the beginning was predictable, but passable. However, towards the end of the film, a threat from a sect was inexplicably thrown in, and for me, the film completely unraveled.
'The Silence' had a few jump scares, but this film didn't keep me on the edge of my seat. The creatures themselves, were a cross between 'Gremlins' and dinosaurs from 'Jurassic Park' and it wasn't particularly scary, because of their bad CGI.
Despite its flaws, I stayed watching until the end of the film and to be honest, I wish I hadn't. The ending was rushed and unsatisfactory. It didn't have much of a resolution at all and left me wondering if I'd missed something, as everything was resolved so quickly.
If you want to watch an 'apocalyptic/monsters taking over the world 'type of a film, I don't recommend watching 'The Silence'. Watch 'A Quiet Place' instead.
LeftSideCut (3776 KP) rated The Descent (2005) in Movies
Nov 23, 2019 (Updated Nov 23, 2019)
I remember first watching The Descent not long after it came out. I was in my late teens and it was smack bang in the middle of a weird time for horror, where there was just a lot of dross being fired out every other week.
The Descent was a breath of fresh air in that respect. The set up hooks you in almost immediately, with an familiar yet effective tragedy strikes Sarah, one of our heroines. A while later, a group of friends manage convince Sarah to join them on a vacation in North Carolina, where they plan to explore an underground cave system.
You know how these things go by now - everything goes wrong and before long, the group are fighting to survive.
The thing is, it takes a while for the Descent to show it's true hand when it comes to anything other worldly. It's effectively scary before any monsters show up, using extreme claustrophobia, and low visibility to throw the viewer into the tense unknown.
The first time you see a monster made me jump out of my seat, and jump scares don't get me very often. From there in out, the movie shifts from subtle horror, to all out terror and panic. It's all pretty thrilling.
The all female cast are great. They feel real and relatable, and sell the situation perfectly.
It's Neil Marshall showing that he does know what he's doing in his otherwise mixed bag of a back catalogue.
Some of the effects used are looking pretty dated by this point, but it's not enough to detract from an otherwise positive horror experience, and of course, that ending... (I believe it was changed for US audiences). It's bleak and ballsy and adds a cherry on top. Definitely worth seeking out the unchanged version if you like horror!
The Descent was a breath of fresh air in that respect. The set up hooks you in almost immediately, with an familiar yet effective tragedy strikes Sarah, one of our heroines. A while later, a group of friends manage convince Sarah to join them on a vacation in North Carolina, where they plan to explore an underground cave system.
You know how these things go by now - everything goes wrong and before long, the group are fighting to survive.
The thing is, it takes a while for the Descent to show it's true hand when it comes to anything other worldly. It's effectively scary before any monsters show up, using extreme claustrophobia, and low visibility to throw the viewer into the tense unknown.
The first time you see a monster made me jump out of my seat, and jump scares don't get me very often. From there in out, the movie shifts from subtle horror, to all out terror and panic. It's all pretty thrilling.
The all female cast are great. They feel real and relatable, and sell the situation perfectly.
It's Neil Marshall showing that he does know what he's doing in his otherwise mixed bag of a back catalogue.
Some of the effects used are looking pretty dated by this point, but it's not enough to detract from an otherwise positive horror experience, and of course, that ending... (I believe it was changed for US audiences). It's bleak and ballsy and adds a cherry on top. Definitely worth seeking out the unchanged version if you like horror!
LeftSideCut (3776 KP) rated Doom: Annihilation (2019) in Movies
Feb 7, 2020
Doom Annihilation is not a good film, no sir, but it's honestly not as terrible as I expected it to be.
The main problem stems from the low budget - a low budget doesn't always mean a bad end product, but when that end product is a sci-fi horror based on a hyper violent video game, there are going to be issues.
The whole film has a plastic cheap look to it. It works to a certain degree - it does have a kind of Starship Troopers-esque aesthetic (a good thing), but the cheap looking weapons and re used sets are a glaring eyesore.
The monsters a very generic for the most part, but I do respect that the bulk of them are practical. The CGI that is used is mostly awful, with a few exceptions - the occasional exterior shots of the base are passable, and the ending sequence doesn't look too bad - but otherwise, it's used infrequently, and for good reason.
The actors involved all do the best with what they're given - lead Amy Manson is likable enough - but the poor character writing provides us with a group of cliché ridden Marines and scientists that feel like cannon fodder.
The only concrete connection to the Doom game series that I noticed was the character of Dr Betruger, but that's it. The fact that Bethesda and id Software stayed well away from this, and that the production team were not allowed to use anything from the 2016 Doom reboot onwards, shows that maybe this shouldn't have been a thing.
As a schlocky B-movie sci-fi horror, it's not completely terrible, but I can't help but feel it shouldn't have the Doom brand attached to it, and even a cheeky Wolfenstein reference won't change my mind on that.
The main problem stems from the low budget - a low budget doesn't always mean a bad end product, but when that end product is a sci-fi horror based on a hyper violent video game, there are going to be issues.
The whole film has a plastic cheap look to it. It works to a certain degree - it does have a kind of Starship Troopers-esque aesthetic (a good thing), but the cheap looking weapons and re used sets are a glaring eyesore.
The monsters a very generic for the most part, but I do respect that the bulk of them are practical. The CGI that is used is mostly awful, with a few exceptions - the occasional exterior shots of the base are passable, and the ending sequence doesn't look too bad - but otherwise, it's used infrequently, and for good reason.
The actors involved all do the best with what they're given - lead Amy Manson is likable enough - but the poor character writing provides us with a group of cliché ridden Marines and scientists that feel like cannon fodder.
The only concrete connection to the Doom game series that I noticed was the character of Dr Betruger, but that's it. The fact that Bethesda and id Software stayed well away from this, and that the production team were not allowed to use anything from the 2016 Doom reboot onwards, shows that maybe this shouldn't have been a thing.
As a schlocky B-movie sci-fi horror, it's not completely terrible, but I can't help but feel it shouldn't have the Doom brand attached to it, and even a cheeky Wolfenstein reference won't change my mind on that.
Merissa (12911 KP) rated A Company of Monsters (The Sorcerers of Verdun #2) in Books
Jan 15, 2020
A Company of Monsters is the second book in The Sorcerers of Verdun series, and it takes you right back to Geist and WWI. I would definitely recommend reading these as a series as the story does follow on from book one.
In this book, however, Geist and her squadron are sent to Russia as Houses of Sorcerers are being obliterated. Not a simple task being as WWI is happening and Russia is also going through a turbulent time. Not only that, but Amalgam shows up, together with Geist's family and the Eyes of the Kaiser which adds a whole new level to the story.
Just as with book one, Ms. Stovall has done an exceptional job with this story. The events flow from one to the other, ringing true with every word. The only reason for not giving it 5-stars this time is because of Geist herself. She seemed more... fragmented... disjointed than in book one. Which may well be how it is supposed to be but I found it slightly distracting. The relationship between her and Vergess is also confusing as, on the one hand, they have special 'intimate' names for each other, and Vergess is definitely more intense, but then we are also told that they have no chemistry between them.
On the whole, I loved this book, just not quite as much as book one. That doesn't mean this book is no good, not by a long shot. I will be continuing this series and seeing where Geist and her crew go next, AND seeing how Amalgam fits in!
Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
In this book, however, Geist and her squadron are sent to Russia as Houses of Sorcerers are being obliterated. Not a simple task being as WWI is happening and Russia is also going through a turbulent time. Not only that, but Amalgam shows up, together with Geist's family and the Eyes of the Kaiser which adds a whole new level to the story.
Just as with book one, Ms. Stovall has done an exceptional job with this story. The events flow from one to the other, ringing true with every word. The only reason for not giving it 5-stars this time is because of Geist herself. She seemed more... fragmented... disjointed than in book one. Which may well be how it is supposed to be but I found it slightly distracting. The relationship between her and Vergess is also confusing as, on the one hand, they have special 'intimate' names for each other, and Vergess is definitely more intense, but then we are also told that they have no chemistry between them.
On the whole, I loved this book, just not quite as much as book one. That doesn't mean this book is no good, not by a long shot. I will be continuing this series and seeing where Geist and her crew go next, AND seeing how Amalgam fits in!
Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
JT (287 KP) rated Godzilla: King of the Monsters (2019) in Movies
Mar 5, 2020 (Updated Mar 10, 2020)
Godzilla rises from the deep once again, this time to stand side by side with part of the human race to fend off monsters summoned by the crypto-zoological agency Monarch. Monarch has been able to devise a way to control the giant creatures using a sonar device called the Orca, in the hope that they will be able to live together in perfect harmony.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.