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Phillip McSween (751 KP) rated Bad Times at the El Royale (2018) in Movies
Feb 13, 2019
Great Mystery
A strange mystery unfolds at a seedy motel that resides on the border of California and Nevada.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The cinematics of Bad Times At the El Royale are both vibrant and dark at the same time. The El Royale hotel itself is captured in a nostalgic sense where you get the feel that it’s full of history and not all good history either. There is a seedy undertone that’s unshakeable throughout. I love how director Drew Goddard plays with different elements like rain and close spaces. The two-way mirror scenes definitely increase the intensity of the film. There is so much to appreciate here, I will probably have to watch this again to get the full grasp.
Conflict: 7
While the film definitely could have used more action, the scenes that do exist are pretty solid. It leaves you guessing as you have no idea how things are going to play out. Who will die next? Will this person find what they’re looking for? The conflict is not always driven through direct action, but tension as well. There is one scene in particular involving Jeff Bridges, Cynthia Erivo, and Dakota Johnson that is easily my favorite in the entire movie.
Genre: 9
The characters really contribute in making this a strong mystery. Most times, it’s hard to tell up from down and you get just a little bit closer as you learn the backstory of each of the motel residents. From beginning to end, you wonder how things will ultimately play out amongst the group. Clever twists and turns along the way help to give the film life.
Memorability: 8
Never quite seen anything like it which makes Bad Times memorable in and of itself. It all goes back to the one scene I mentioned above, a scene that paralyzed me and had me on the edge of my seat. It was masterfully crafted and I can think of about three other scenes (at least) that come almost as close. Much discussion was had on the drive home.
Pace: 7
Although the twists keep things interesting the movie does get slow in some spots. It’s almost like it’s lulling you to sleep before picking up the pace yet again, like a car shifting gears. Some may have balked at the singing interludes, but I welcomed them. Erivo’s voice is captivating and heartwarming.
Plot: 10
Great storytelling here filled with intrigue and misdirection. From beginning to end, I felt pretty entertained for the most part. Watching everything unfold and all the stories collide was a definite treat.
Resolution: 10
Overall: 91
Great beginning that hooks you immediately. A shady cast of characters. Solid performances from the likes of Bridges and Chris Hemsworth. Solid ending. Bad Times At the El Royale is an awesome movie that is well worth your time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 10
The cinematics of Bad Times At the El Royale are both vibrant and dark at the same time. The El Royale hotel itself is captured in a nostalgic sense where you get the feel that it’s full of history and not all good history either. There is a seedy undertone that’s unshakeable throughout. I love how director Drew Goddard plays with different elements like rain and close spaces. The two-way mirror scenes definitely increase the intensity of the film. There is so much to appreciate here, I will probably have to watch this again to get the full grasp.
Conflict: 7
While the film definitely could have used more action, the scenes that do exist are pretty solid. It leaves you guessing as you have no idea how things are going to play out. Who will die next? Will this person find what they’re looking for? The conflict is not always driven through direct action, but tension as well. There is one scene in particular involving Jeff Bridges, Cynthia Erivo, and Dakota Johnson that is easily my favorite in the entire movie.
Genre: 9
The characters really contribute in making this a strong mystery. Most times, it’s hard to tell up from down and you get just a little bit closer as you learn the backstory of each of the motel residents. From beginning to end, you wonder how things will ultimately play out amongst the group. Clever twists and turns along the way help to give the film life.
Memorability: 8
Never quite seen anything like it which makes Bad Times memorable in and of itself. It all goes back to the one scene I mentioned above, a scene that paralyzed me and had me on the edge of my seat. It was masterfully crafted and I can think of about three other scenes (at least) that come almost as close. Much discussion was had on the drive home.
Pace: 7
Although the twists keep things interesting the movie does get slow in some spots. It’s almost like it’s lulling you to sleep before picking up the pace yet again, like a car shifting gears. Some may have balked at the singing interludes, but I welcomed them. Erivo’s voice is captivating and heartwarming.
Plot: 10
Great storytelling here filled with intrigue and misdirection. From beginning to end, I felt pretty entertained for the most part. Watching everything unfold and all the stories collide was a definite treat.
Resolution: 10
Overall: 91
Great beginning that hooks you immediately. A shady cast of characters. Solid performances from the likes of Bridges and Chris Hemsworth. Solid ending. Bad Times At the El Royale is an awesome movie that is well worth your time.
Alison Pink (7 KP) rated The Next Right Thing: A Novel in Books
Jan 15, 2018
I won a copy of this book from First Reads on Goodreads.
First of all I have to say that it wasn't bad or good...more of an okay read. There was action & drama. There was a whole host of characters, but the downside to that in my opinion is that none of them were all that well developed with the exception of Randy the main character. His girlfriend MP, seemed important at the beginning of the book, but then she pretty much disappeared. I cound Troy & Emma to be the most fascinating characters, but they weren't developed to the extent that they could've been.
The book tells the story of ex-cop Randy Chalmers, who is now a highly in demand home builder & recovering alcoholic. One day his mentor Terry turns up long dead in a hotel room of an apparent heroin overdose in a seedy motel room. The catch is, Terry had been clean upwards of 15 years. So the former detective in Randy takes over when he begins to doubt that a simple O.D. is how he best friend died. In the course of his not so under the radar investigation, he stumbles across something much bigger & finds that his friend is smack in the middle of it.
The story was a promising idea that wasn't brought to it's fullest potential. It was a fast, okay read, but not one that I find myself dying to share with someone.
First of all I have to say that it wasn't bad or good...more of an okay read. There was action & drama. There was a whole host of characters, but the downside to that in my opinion is that none of them were all that well developed with the exception of Randy the main character. His girlfriend MP, seemed important at the beginning of the book, but then she pretty much disappeared. I cound Troy & Emma to be the most fascinating characters, but they weren't developed to the extent that they could've been.
The book tells the story of ex-cop Randy Chalmers, who is now a highly in demand home builder & recovering alcoholic. One day his mentor Terry turns up long dead in a hotel room of an apparent heroin overdose in a seedy motel room. The catch is, Terry had been clean upwards of 15 years. So the former detective in Randy takes over when he begins to doubt that a simple O.D. is how he best friend died. In the course of his not so under the radar investigation, he stumbles across something much bigger & finds that his friend is smack in the middle of it.
The story was a promising idea that wasn't brought to it's fullest potential. It was a fast, okay read, but not one that I find myself dying to share with someone.
Dark Places: The Haunted House in Film
3.0
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Horror films revel in taking viewers into shadowy places where evil resides, whether it is a house,...
The Book of Cold Cases
9.0
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A true crime blogger gets more than she bargained for while interviewing the woman acquitted of two...
ghost story
Andy K (10823 KP) rated The Devil's Rejects (2005) in Movies
Oct 16, 2019
Chinese, Japanese, Dirty knees, look at these!
Shortly after the events of House of 1,000 Corpses, Sheriff Wydell and his band of deputies approach and surround the homestead occupied by everyone's favorite murderous, diabolical, psychotic family. Inside, lazy slumbering quickly turns to mounting a counter offensive when the family realizes what is about to happen. The ensuring shootout claims several victims before the aid of tear gas precedes a law enforcement home invasion. Unfortunately, only one family member is captured while Baby and Otis escape out the back. Baby calls their father, Captain Spaulding, to inform him of the pending doom on his way so he can meet up with them subsequently.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
Tim McGuire (301 KP) rated Honey Boy (2019) in Movies
Mar 3, 2020
392. Honey Boy. A story about a boy, who's dad made a living off him, by pimping him out to Hollywood, ensuring he would grow up to be a weirdo, the Shia LeBeouf story. Ok, it's written by him, oh and it stars him as Tom Cruise's character from Born on the Fourth of July, only he's not in a wheel chair, he has a son. Dad, James and son, Otis live in a motel, close by the movie studios where Otis is a child actor, doing child actor things...insert Corey Feldman stories here... while his dad, lives off him, and doing other shady things and not being a good dad, and how the two deal with that. Movie also tells the tale of twenty-something Otis, and his adult acting life is... insert Shia LeBeouf stories here... where he relives the memories we are watching. Guy who plays older Otis, Lucas Hedges, has LeBeouf's super annoying way of aggressive, spit-talking and mannerisms down pact, even though it's not supposed to be him in the first place...ooops. I really did enjoy the movie I just felt there were several places where I felt the filmmakers were patting themselves on the back, saying to themselves 'yea man, this is deep. stretch this out a little longer, man, really show that this 12 year old boy's relationship with the prostitute across the way is beautiful, not creepy in any way at all.' Worth the watch, check it out! Filmbufftim on FB
CSI: Crime Scene Investigation - Season 9
6.0
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As the team grieve for their fallen colleague ("For Warrick"), Grissom makes a life changing...
Tim McGuire (301 KP) rated Blood Father (2016) in Movies
Apr 20, 2020
Mel Unleashed
418. Blood Father. I had the feeling the whole time that this easily could have been the script for the last Rambo flick, Sly said no, Mel just got off house arrest so, it worked out. In this, I think Mel is playing a version of himself, and just went with it. Link is an ex-con recovering alcoholic that gets a call from his missing daughter, like legit missing, reward money type missing, anyways, she just called to let her know that she just killed her Mexican mobster boyfriend, and she's on the run and needs help. So Link goes and picks up Lydia and brings her back to his home/tattoo parlor. But wouldn't you know it, those mobsters find out where she went, and show up in a pretty amusing gunfight, each time Link pulls the trigger he announces out loud the criminal charge he is now going to face. Escape they do, on the run they must go. Once at a motel, obviously terrified that a criminal organization wants her and her father dead, she still has time to be a teenage girl and come flirt with the checkout guy, and that's when she sees the TV, the law is now looking for them as well. So go deeper into hiding they must, she dyes her hair blonde, Link shaves his pretty awesome beard to look like Mel's very real mugshot, and off they go again. Will the mobsters catch up? Of course they will or there'd be no point! It's definitely not great, but still fun to watch. Filmbufftim on FB!
LeftSideCut (3776 KP) rated Psycho (1960) in Movies
Oct 4, 2020
Psycho is a true all-timer, in every sense of the phrase. It still holds up now, as well as it ever did and is simply a masterclass in suspense cinema.
Anthony Perkins is fantastic as Norman Bates. He makes the character both approachable and sinister, subtly suggesting just how unhinged he is as the narrative steams forward.
The pacing in Psycho is perfect, even before Marion Crane pulls into the Bates Motel. It successfully reels you in from the films opening (and incredible music score) and just doesn't let you until the end.
Marion Crane is of course played by Janet Leigh. She has a hypnotizing presence thought the runtime, with every line of dialogue feeling important. Her performance alongside Perkins is a huge part of what makes Psycho such a classic.
Hitchcock achieved some truly magnificent shots here as well. The infamous shower scene has rightly earned it's place in cinema history, but it's easy to forget just how chilling it is when you see a shadowy figure through the shower curtain, silently enter the room. True nightmare fuel. Another favourite moment is the overhead shot when Bates flys out of his mother's room to attack Arbogast. Makes me jump every damn time.
Bernard Herrmanns score compliments all of this wonderfully as well. It's a timeless score that is constantly frantic whilst simultaneously beautiful. Much like Jaws, it's almost impossible to think of the film without hearing parts of the iconic music theme.
Psycho is a solid masterpiece that remains effective to this day. It's the perfect thriller, and in some ways, the perfect horror.
Anthony Perkins is fantastic as Norman Bates. He makes the character both approachable and sinister, subtly suggesting just how unhinged he is as the narrative steams forward.
The pacing in Psycho is perfect, even before Marion Crane pulls into the Bates Motel. It successfully reels you in from the films opening (and incredible music score) and just doesn't let you until the end.
Marion Crane is of course played by Janet Leigh. She has a hypnotizing presence thought the runtime, with every line of dialogue feeling important. Her performance alongside Perkins is a huge part of what makes Psycho such a classic.
Hitchcock achieved some truly magnificent shots here as well. The infamous shower scene has rightly earned it's place in cinema history, but it's easy to forget just how chilling it is when you see a shadowy figure through the shower curtain, silently enter the room. True nightmare fuel. Another favourite moment is the overhead shot when Bates flys out of his mother's room to attack Arbogast. Makes me jump every damn time.
Bernard Herrmanns score compliments all of this wonderfully as well. It's a timeless score that is constantly frantic whilst simultaneously beautiful. Much like Jaws, it's almost impossible to think of the film without hearing parts of the iconic music theme.
Psycho is a solid masterpiece that remains effective to this day. It's the perfect thriller, and in some ways, the perfect horror.
The Little Grave (Detective Amanda Steele #1)
7.0
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Detective Amanda Steele stops just inside the doorway, recognizing the victim’s face instantly. He...