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BankofMarquis (1832 KP) rated Back to the Future (1985) in Movies
Mar 30, 2018
Almost a perfect film
I was flipping channels the other day and ran across BACK TO THE FUTURE, it was just about to start and since I hadn't seen it in quite awhile, I figured I'd catch the first part of it before venturing off to other surfing opportunities. As often happens in this sort of situation, I ended up transfixed by this film and watched the whole thing. After it was over, I asked myself why did I enjoy this film so much and my answer was fascinating (at least to me) -
BACK TO THE FUTURE is about as perfect of a film as there is.
Why? Let's start with the structure of this film. It follows the classic 3 Act structure. ACT 1: set up the premise, the gimmick (if any) and the stakes. ACT 2: escalate the stakes and throw in complications and obstacles. ACT 3: Resolve everything.
Seems like a pretty simple formula, right? So why do so many get it wrong? Quite simply, they don't keep it simple and then execute (almost to perfection) the simplicity of the structure. Let's break down the 3 Acts of BACK TO THE FUTURE.
ACT 1 - set up the premise, the gimmick and the stakes. The premise & gimmick is simple, time travel is possible and our hero travels back in time and is stranded there. The stakes are even simpler - our hero must find a way to get Back to the Future.
ACT 2 - escalate the stakes and throw in complicaitons and obstacles. The stakes are escalated by the fact that our hero interrupts the timeline of when his mother met his father, thus there is the very real possibility that he will cease to exist for his parents never met. Our hero must find a way to bring his mother and father together. The complications are that his parents are not the boring old fuddy-duddy's that our hero thought they were, his father is a peeping-Tom nerd and his mother is a randy high-schooler who falls in love (lust?) with our hero, her son. Further complicating things is that the time machine must find enough power to make the time travel device (the flux-capacitor!) work, power that is not readily available in this timeline. Adding one more complication to the mix is the school bully who is constantly after our hero.
ACT 3 - resolve everything. This is where this film excels. EVERY loose end is tied up. Our hero find a way to reunite his mother and father, the bully is put in his place, a source of energy is found and our hero's journey comes to a succesful conclusion.
There is much, much more to this film than those plot points, but I just wanted to show how deceptively simple and efficient this plot is. Kudo's must go out to screenwriter's Robert Zemeckis (more on him later) and Bob Gale for coming up with this idea and executing it so well. Gale (1941, KOLCHAK: THE NIGHT STALKER) said he came up with this idea when he saw his father's high school yearbook and dreamed about going back to meet him. He stated that he doubted that he and his father would have been friends.
An interesting side fact: The University of Southern California Film school's writing classes use the screenplay for Back to the Future as the model of "The Perfect Screenplay". So, I rest my case.
But a "perfect" screenplay would be worthless without near perfect execution of putting the words and actions up on the screen - and this film achieves that as well. Director (and co-screenwriter) Robert Zemeckis (WHO FRAMED ROGER RABBIT, FORREST GUMP) cleary had a vision of how to make this film and did not waiver from it. The action is strong, the fluidness of the film is solid and the performances are all top-notch. The only thing that might knock this film down a peg or two is some of the 32 "special effects" shots that - to look at it these days - seem somewhat archaic (see the flames between Doc Brown's and Marty's feet when the DeLorean first goes forward in time). But for the time, these special effects are state-of-the-art.
Speaking of performances, Michael J. Fox became a movie star with this film, and rightfully so. His Marty McFly is charming, quirky, intelligent, dorky - all at the same time. His uncomfortableness with his teen age mother is palatable. Credit must go with Director Zemeckis, who - after he couldn't get Fox released from his contract on the TV show FAMILY TIES - went (famously) with his 2nd choice, Eric Stoltz. When Stolt's seriousness and "method" acting was not meshing with the type of film he wanted to make, Zemeckis made the bold decision to fire Stoltz and worked out a deal where he can use Fox at night while Fox shot Family ties during the day.
Playing against Fox, brilliantly, is Christopher Lloyd as "Doc" Emmit Brown. A two-time Emmy winner (at the time) for playing crazy Jim Ignatowski on the TV show TAXI, Lloyd played Doc Brown as "part Einstein, part composer Leopold Stokowski", creating what would be the benchmark for "brilliant, scatter-brained scientist". Leah Thompson does the finest performance of her career as Marty's mother and Crispin Glover was beyond quirky as Marty's nerd/loser Dad. Finally Thomas F. Wilson is the embodiment of bully as "Biff" Tannen.
After the success of this film, two other BACK TO THE FUTURE films were made - films that I feel were good, but somewhat diluted the perfection of this film. No matter. Sit down, relax and enjoy one of the most "perfect" films ever made.
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
BACK TO THE FUTURE is about as perfect of a film as there is.
Why? Let's start with the structure of this film. It follows the classic 3 Act structure. ACT 1: set up the premise, the gimmick (if any) and the stakes. ACT 2: escalate the stakes and throw in complications and obstacles. ACT 3: Resolve everything.
Seems like a pretty simple formula, right? So why do so many get it wrong? Quite simply, they don't keep it simple and then execute (almost to perfection) the simplicity of the structure. Let's break down the 3 Acts of BACK TO THE FUTURE.
ACT 1 - set up the premise, the gimmick and the stakes. The premise & gimmick is simple, time travel is possible and our hero travels back in time and is stranded there. The stakes are even simpler - our hero must find a way to get Back to the Future.
ACT 2 - escalate the stakes and throw in complicaitons and obstacles. The stakes are escalated by the fact that our hero interrupts the timeline of when his mother met his father, thus there is the very real possibility that he will cease to exist for his parents never met. Our hero must find a way to bring his mother and father together. The complications are that his parents are not the boring old fuddy-duddy's that our hero thought they were, his father is a peeping-Tom nerd and his mother is a randy high-schooler who falls in love (lust?) with our hero, her son. Further complicating things is that the time machine must find enough power to make the time travel device (the flux-capacitor!) work, power that is not readily available in this timeline. Adding one more complication to the mix is the school bully who is constantly after our hero.
ACT 3 - resolve everything. This is where this film excels. EVERY loose end is tied up. Our hero find a way to reunite his mother and father, the bully is put in his place, a source of energy is found and our hero's journey comes to a succesful conclusion.
There is much, much more to this film than those plot points, but I just wanted to show how deceptively simple and efficient this plot is. Kudo's must go out to screenwriter's Robert Zemeckis (more on him later) and Bob Gale for coming up with this idea and executing it so well. Gale (1941, KOLCHAK: THE NIGHT STALKER) said he came up with this idea when he saw his father's high school yearbook and dreamed about going back to meet him. He stated that he doubted that he and his father would have been friends.
An interesting side fact: The University of Southern California Film school's writing classes use the screenplay for Back to the Future as the model of "The Perfect Screenplay". So, I rest my case.
But a "perfect" screenplay would be worthless without near perfect execution of putting the words and actions up on the screen - and this film achieves that as well. Director (and co-screenwriter) Robert Zemeckis (WHO FRAMED ROGER RABBIT, FORREST GUMP) cleary had a vision of how to make this film and did not waiver from it. The action is strong, the fluidness of the film is solid and the performances are all top-notch. The only thing that might knock this film down a peg or two is some of the 32 "special effects" shots that - to look at it these days - seem somewhat archaic (see the flames between Doc Brown's and Marty's feet when the DeLorean first goes forward in time). But for the time, these special effects are state-of-the-art.
Speaking of performances, Michael J. Fox became a movie star with this film, and rightfully so. His Marty McFly is charming, quirky, intelligent, dorky - all at the same time. His uncomfortableness with his teen age mother is palatable. Credit must go with Director Zemeckis, who - after he couldn't get Fox released from his contract on the TV show FAMILY TIES - went (famously) with his 2nd choice, Eric Stoltz. When Stolt's seriousness and "method" acting was not meshing with the type of film he wanted to make, Zemeckis made the bold decision to fire Stoltz and worked out a deal where he can use Fox at night while Fox shot Family ties during the day.
Playing against Fox, brilliantly, is Christopher Lloyd as "Doc" Emmit Brown. A two-time Emmy winner (at the time) for playing crazy Jim Ignatowski on the TV show TAXI, Lloyd played Doc Brown as "part Einstein, part composer Leopold Stokowski", creating what would be the benchmark for "brilliant, scatter-brained scientist". Leah Thompson does the finest performance of her career as Marty's mother and Crispin Glover was beyond quirky as Marty's nerd/loser Dad. Finally Thomas F. Wilson is the embodiment of bully as "Biff" Tannen.
After the success of this film, two other BACK TO THE FUTURE films were made - films that I feel were good, but somewhat diluted the perfection of this film. No matter. Sit down, relax and enjoy one of the most "perfect" films ever made.
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
Mark Halpern (153 KP) rated The Blind Side (2009) in Movies
Jan 7, 2018
From rags to the Gridiron
The true story of of NFL professional player Michael Oher. It is the story about him how he was forgotten about and was being pushed through they system until the mother of a family feels for him and takes him in. The family teaches him about being part of the family and shows him he is important. They also stride to help him because of his raw size and talent joing the high school football team. Though his grades are a problem they all help him teachers included to strive and become a better student. The story is also the tale of how he made it into college and into the nfl and getting not only his high school degree but, his college degree. With out the help of the Tuohy family he might have ended up no where in life and had no future.
Scott Tostik (389 KP) rated Baby Driver (2017) in Movies
Jul 25, 2017
Car chase scenes (2 more)
Killer Ensemble casr
Amazing Soundtrack
Damn that kid can Drive!!!!
I'm not a huge action fan. I usually only watch horror films. But when one of my favorite directors suggests a movie. I check it out. And Joe Lynch, you didn't disappoint.
Baby Driver had me, quite literally biting my nails and sitting on the edge of my seat.
The cast put forward an effort that can not be denied. It was cool to see Jon Hamm play a real mother fucker of a bad guy. Going balls deep into a performance that had me begging for his demise.
Kevin Spacey was asking as always.
And Ansol Elgort played the title roll with so much emotion that you could completely feel what he was feeling on screen.
And besides all those facts. The soundtrack kicked total ass.
Watch it fellow Smashbombers... it will not disappoint.
Baby Driver had me, quite literally biting my nails and sitting on the edge of my seat.
The cast put forward an effort that can not be denied. It was cool to see Jon Hamm play a real mother fucker of a bad guy. Going balls deep into a performance that had me begging for his demise.
Kevin Spacey was asking as always.
And Ansol Elgort played the title roll with so much emotion that you could completely feel what he was feeling on screen.
And besides all those facts. The soundtrack kicked total ass.
Watch it fellow Smashbombers... it will not disappoint.
Alison Pink (7 KP) rated Secret Daughter in Books
Jan 15, 2018
This novel tells the story of two families who become intertwined despite living half a world apart and without really knowing or ever even meeting each other. One is a poor family struggling to survive in rural India. The other is a pair of medical school students who meet and fall in love, one being from India.
The American couple end up having fertility issues, while the destitute couple in India are exactly the opposite. Not wanting to know her husband has disposed of another unwanted girl, the Indian mother smuggles her baby daughter to an orphanage in Mumbai. And it is there, where the American couple end up adopting her.
The story moves through the life of the girl in parallel with the lives of her adoptive and biological parents. In the end it is a tear jerker, but has a great message about who your real family is.
The American couple end up having fertility issues, while the destitute couple in India are exactly the opposite. Not wanting to know her husband has disposed of another unwanted girl, the Indian mother smuggles her baby daughter to an orphanage in Mumbai. And it is there, where the American couple end up adopting her.
The story moves through the life of the girl in parallel with the lives of her adoptive and biological parents. In the end it is a tear jerker, but has a great message about who your real family is.
Suswatibasu (1703 KP) rated Eleanor Oliphant Is Completely Fine in Books
Sep 19, 2017
Completely different to what I expected, witty but rather sad
I've heard that this book is a comedy because of the narrator's frank outlook on life, however this is definitely not the case.
Eleanor Oliphant is socially awkward, very blunt but well spoken and seems to have a few dysfunctional issues. The author then explores why this must be the case, especially her relationship with her past and her controlling mother. The novel is about trauma and mental health, and how depression can cause people to act out in unusual ways. It is funny at times when she has no clue about social conventions and how much emphasis is put on the mundane.
It's important for showing that one isn't 'mad' for being different, merely misguided and that by addressing problems head on and getting the right support Eleanor Oliphant is actually completely fine.
Eleanor Oliphant is socially awkward, very blunt but well spoken and seems to have a few dysfunctional issues. The author then explores why this must be the case, especially her relationship with her past and her controlling mother. The novel is about trauma and mental health, and how depression can cause people to act out in unusual ways. It is funny at times when she has no clue about social conventions and how much emphasis is put on the mundane.
It's important for showing that one isn't 'mad' for being different, merely misguided and that by addressing problems head on and getting the right support Eleanor Oliphant is actually completely fine.
Whatchareadin (174 KP) rated Close Your Eyes in Books
May 10, 2018
I think this book was incredible. It tells the story of two women who are deeply connected in an unimaginable way. Lauren is a real-estate agent in Texas. She and her brother Alex have been living with the thought that their father murdered their mother when they were just kids. Now Lauren is unable to commit to her long time. boyfriend and Alex is off to Baghdad with Doctors without Borders. Alex has been the only constant in Lauren's life, how is she going to survive without him?
Sylvia is in her forties and pregnant. She is leaving Colorado and her boyfriend Ray and heading back home to New York. There, she is hoping her best friend Victoria will blethered for her, just as Sylvia had been there countless times before.
When their paths cross, they will both find out life changing things.
Sylvia is in her forties and pregnant. She is leaving Colorado and her boyfriend Ray and heading back home to New York. There, she is hoping her best friend Victoria will blethered for her, just as Sylvia had been there countless times before.
When their paths cross, they will both find out life changing things.
Bookapotamus (289 KP) rated Special Topics in Calamity Physics in Books
May 25, 2018
I loved, loved, loved this book! 5 STARS!
Blue Van Meer is a young girl studying at Harvard who decides to write about her life. Kind of a brainiac, and a bit odd, she starts with some tidbits of her childhood. Her mother died when she was very young, so she was raised primarily by her eccentric father who is a professor that moved her around a lot, from place to place. But most of the book takes place in Blue's high school years, particularly her senior year where she meets and befriends her teacher Hannah Schneider and joins an elite group of eccentrics, named the Bluebloods. And then, there is a murder.
Its a great mystery, a definite page-turner and you see how this murder has impacted Blue's life, and my goodness, it just gets better and better as you read on. I'm a big fan of Pessl's now!
Blue Van Meer is a young girl studying at Harvard who decides to write about her life. Kind of a brainiac, and a bit odd, she starts with some tidbits of her childhood. Her mother died when she was very young, so she was raised primarily by her eccentric father who is a professor that moved her around a lot, from place to place. But most of the book takes place in Blue's high school years, particularly her senior year where she meets and befriends her teacher Hannah Schneider and joins an elite group of eccentrics, named the Bluebloods. And then, there is a murder.
Its a great mystery, a definite page-turner and you see how this murder has impacted Blue's life, and my goodness, it just gets better and better as you read on. I'm a big fan of Pessl's now!
ClareR (6167 KP) rated The Catherine Howard Conspiracy (The Marquess House Trilogy #1) in Books
Apr 13, 2019
This is set in two timelines: modern day and the Tudor Court. Dr Perdita Rivers and her twin sister, Piper, have been left an enormous bequest by their maternal grandmother. Perdita’s grandmother was a renowned Tudor historian, and had cut off all ties with her granddaughters after the death of their mother. So this is a bit of a shock!
The other timeline follows Catherine Howard in the lead up to her marriage to Henry VIII, and those fateful months that followed it.
I really do like historical novels, and the Tudor period has always particularly fascinated me. I loved all of the historical detail (and I know a lot of it is just conjecture, but it’s fun to imagine!), and Perdie’s research was very interesting too. I’d love a library like hers!
I’m very much looking forward to reading the second instalment as the ending was most intriguing!!
The other timeline follows Catherine Howard in the lead up to her marriage to Henry VIII, and those fateful months that followed it.
I really do like historical novels, and the Tudor period has always particularly fascinated me. I loved all of the historical detail (and I know a lot of it is just conjecture, but it’s fun to imagine!), and Perdie’s research was very interesting too. I’d love a library like hers!
I’m very much looking forward to reading the second instalment as the ending was most intriguing!!
Books&Football (34 KP) rated Pride and Prejudice (2005) in Movies
Jan 23, 2018
Mr. Darcy - need I say more? (1 more)
I am sure if there were a class on romance, this would be required watching / reading
Romance is not dead
This story makes me swoon and offers reassurance that romance is not dead. Even if you are not a fan of Jane Austen, this movie is beautiful. The scenery makes me ache to go to England and take in the countryside. The costumes are authentic and the score really adds to the music. But, above all, is the story of the Bennett Family. The Bennett's need to marry off their five girls and hopefully to wealthy men. Simple right? Not really. Mrs. Bennett and three of her daughters are.... embarrassing. They gossip, are loud and silly. Finally, there is good news on the horizon for the Bennett's, a new wealthy man has moved into the county.
Mark @ Carstairs Considers (2544 KP) rated The Wrong Girl (Jane Ryland, #2) in Books
Mar 9, 2018
This is the second book about reporter Jane Ryland and Boston detective Jake Brogan. This time around, Jane is helping a former co-worker find out if she was sent to the wrong woman while trying to track down her birth mother. Meanwhile, she is also covering a murder that Jake is investigating. A woman is found murdered. Two kids under 3, both alive, are in the next room. It looks like a simple domestic dispute except the woman has no ID anywhere in the apartment.
I loved the book. It started fast and never let me go until I reached the end. The characters were great as well, and I had a blast spending time with all of them.
I got the book via Amazon Vine.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/07/book-review-wrong-girl-by-hank.html">Carstairs Considers</a>.
I loved the book. It started fast and never let me go until I reached the end. The characters were great as well, and I had a blast spending time with all of them.
I got the book via Amazon Vine.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/07/book-review-wrong-girl-by-hank.html">Carstairs Considers</a>.