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Awix (3310 KP) rated On Chesil Beach (2018) in Movies

Jun 1, 2018

Bleak British Repressed Sexuality a Go Go!

Handsomely mounted BBC film starts off looking like many another period-set literary adaptation, then turns into something rather different. Newlyweds Edward and Florence are on the brink of their wedding night; both are nervous, and struggling with the expectations society and their upbringing has placed upon them. (The fact that society hasn't bothered to educate them in the slightest about what can, or should, go on in the bedroom really doesn't help on this voyage into, or possibly out of, virgin territory.) Not all goes to plan; a small but genuine tragedy unfolds.

Not the kind of film you walk home from whistling, unless you're some kind of militant celibacy advocate, but an undeniably fine one (or so it seems to me): very good performances from the young stars, and well-judged direction. Initially the film seems like a slightly dark comedy-drama of manners (the excruciating scenes of people failing to have sex are very awkward to watch), but it develops into something profoundly moving and deeply sad before the end. Thank God for the permissive society.

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David McK (3649 KP) rated The Blooding (Matthew Hawkwood, #5) in Books

Jan 30, 2019

The most recent book (at the time of writing) in [a:James McGee|223959|James McGee|https://d.gr-assets.com/authors/1389430491p2/223959.jpg] Matthew Hawkwood series, this is primarily set during the 'forgotten war' of 1812 between Great Britain and the fledgling USA, with Hawkwood newly arrived in the country while trying to get home to London from his escapades in France in the previous novel ([b:Rebellion|11254850|Seeds of Rebellion (Beyonders, #2)|Brandon Mull|https://d.gr-assets.com/books/1388247992s/11254850.jpg|16181497]).

I say mostly as, for approximately the first half, the novel actually flits back and forth - almost chapter about - between current events and those of Hawkwood's childhood (also in the States).

I also have to say that, as the series has progressed, it has seemingly moved further and further away from it's original Bow Street Runner in the Regency period: moving closer, perhaps, in mold (IMO) to the classic Sharpe stories of Bernard Cornwell, and - as a consequence - becoming in danger of losing it's own flavour that originally made it stand out.

Having said that, however, this - I felt - was an improvement on the previous book, which I personally struggled somewhat to connect with.