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Merissa (13169 KP) rated Ebb and Flow (Ebb & Flow #1) in Books
Aug 27, 2025
EBB AND FLOW is the first book in the series of the same name, and is set in the same universe as the author's Real Werewolves Don’t Eat Meat series, although it says it is not a direct part of that series. Saying that, I did feel as though I'd missed out on something, and had to double-check this was book one I was reading. Right at the end of the book, at the end of the last chapter, there is a paragraph about how you can read what happened to Quinn in a book called Heart and Home. I'll be honest, I was surprised to read that, and think maybe that should be book one in the series, because I've obviously missed out a chunk. Apparently, Quinn is also in Take Some Tahini, probably with more backstory too.
Moving on, Quinn is a young werewolf, both literally and figuratively. He's not had an easy time of it, but is now with Tobias, the Anax of the United States, as one of his guards. All of this is covered in the previously mentioned book, I presume. Anyway, Silas, the Anax of Canada, requests Quinn's presence, so he goes. Once there, he sees Malachi, his older mate, who hasn't returned his calls or texts. What will happen now they're under the same roof?
This book is pretty much non-stop action, although the timeframe is only short. At this point, I'm completely lost over why people are trying to kill the two Anaxes, and wondering if Quinn is just a bad luck charm. There is a lot of back-and-forth between Quinn and Malachi, and even now, I'm not sure if Malachi is 100% 'in' with Quinn, or if he'll change his mind again.
This was an intriguing read, and I will continue with the series.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 27, 2025
Moving on, Quinn is a young werewolf, both literally and figuratively. He's not had an easy time of it, but is now with Tobias, the Anax of the United States, as one of his guards. All of this is covered in the previously mentioned book, I presume. Anyway, Silas, the Anax of Canada, requests Quinn's presence, so he goes. Once there, he sees Malachi, his older mate, who hasn't returned his calls or texts. What will happen now they're under the same roof?
This book is pretty much non-stop action, although the timeframe is only short. At this point, I'm completely lost over why people are trying to kill the two Anaxes, and wondering if Quinn is just a bad luck charm. There is a lot of back-and-forth between Quinn and Malachi, and even now, I'm not sure if Malachi is 100% 'in' with Quinn, or if he'll change his mind again.
This was an intriguing read, and I will continue with the series.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 27, 2025
BankofMarquis (1832 KP) rated Pieces of a Woman (2020) in Movies
Apr 16, 2021
Realistic view of Grieving
Films about grief are a tricky proposition, for while they can be cathartic and life-affirming, they can also be dour, depressing experiences that spiral downward under it’s own weight.
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Gareth von Kallenbach (980 KP) rated Clerks II (2006) in Movies
Aug 14, 2019
In 1994, Writer/Director/Producer Kevin Smith emerged as a talented filmmaker to watch with his independent film Clerks The film was a no holds barred look at the lives of two desk clerks, who toil away behind the counters of a video and convince store.
The film was made on a tight budget with a cast of unknowns who discussed all manner of issues from life, love, and beyond in very graphic and outlandish terms as they go through a very long day and evening on the job.
The film went on to be a darling at Sundance and paved the way from Kevin Smith to do a series of films which featured lovable yet realistic characters trying to understand life, and get by in a world where they do not always seem to fit. Of course the films always had Smith’s trademark ability to discuss topics in new and unique ways that blended raunchy moments with inspired dialogue and genuine emotions.
A few years back I interviewed Kevin Smith in support of his film Jersey Girl and it seemed that he was on the fast track to do films such as The Green Hornet and Fletch Lives. Despite the series of frustrations due to reported studio conflicts over his Superman Lives script, it seemed that Kevin was moving towards larger budget studio films.
Fate can be a funny thing, especially in Hollywood, and while preparing the 10th anniversary DVD edition of Clerks as well as the work on the short-lived Clerks animated series, Smith reportedly became inspired as to what the characters from his breakout film had become ten years further on.
Despite some delays caused by the departure of the Weinstein brothers from Miramax and the reluctance of one of the principal cast members, who was concerned that they would not be able to recapture the magic of the first film, “Clerks II” has arrived and is easily one of the funniest films I have ever seen.
The stars of the first film Dante (Brian O’Halloran), and Randal (Jeff Anderson), now find themselves working at a fast food store called Moobys, and as usual, Randal never finds a shortage of bizarre and outrageous topics to impart his wisdom and theories to a usual shocked Dante. It is learned that Dante is about to work his last shift, as in the morning he is moving to Florida from his New Jersey home, in order to get married and start a new career as a manager at a business owned by his future father in law.
Dante also must contend with his friendship with his manager Becky (Rosario Dawson), who wants to make sure that he is moving and getting married for the right reasons and not because it is expected of him.
Of course there are no shortage of characters in the film who add to the merriment, from the customers, to an employee named Elias (Trevor Fehrman), whose mild mannered ways and bizarre obsession with Lord of the Rings makes him a constant foil for the ever irascible Randal, who never loses interest in finding new ways to give Elias a hard time.
Then there are series favorites Jay and Silent Bob, (Jason: Mewes), and (Kevin Smith). The two slackers and drug dealers have now cleaned up their act. They still sell drugs; they just no longer use them. Jay is also prone to spouting his theories on religion to his customers, as he attempts to pass the faith while passing pot.
The duo feature throughout the film and offer some of the funniest moments in the film including a hilarious parody of The Silence of the Lambs.
As the day and evening plays out, one manner of hilarious and outrageous event after another occurs, which forces Dante and Randal to evaluate their lives, as well as what truly being happy and successful means.
While some may say this film is just a collection of crude humor that would be underscoring the true triumph of the film. Smith once again shows that he can portray flawed but realistic characters with surprising realism and charm. The characters know who they are, and make no apologies for being what society would call rough around the edges or failures they are being true to themselves and it is their frank and blunt ways of communicating that make them real and endear them to the audience.
They face the same issues that most of us have to face in life when we examine the paths we take, as well as the decisions we make and the resulting consequences which underscores the ultimate fact that one must be true to themselves.
A true classic and easily the best film Kevin Smith has ever done do not miss this film.
The film was made on a tight budget with a cast of unknowns who discussed all manner of issues from life, love, and beyond in very graphic and outlandish terms as they go through a very long day and evening on the job.
The film went on to be a darling at Sundance and paved the way from Kevin Smith to do a series of films which featured lovable yet realistic characters trying to understand life, and get by in a world where they do not always seem to fit. Of course the films always had Smith’s trademark ability to discuss topics in new and unique ways that blended raunchy moments with inspired dialogue and genuine emotions.
A few years back I interviewed Kevin Smith in support of his film Jersey Girl and it seemed that he was on the fast track to do films such as The Green Hornet and Fletch Lives. Despite the series of frustrations due to reported studio conflicts over his Superman Lives script, it seemed that Kevin was moving towards larger budget studio films.
Fate can be a funny thing, especially in Hollywood, and while preparing the 10th anniversary DVD edition of Clerks as well as the work on the short-lived Clerks animated series, Smith reportedly became inspired as to what the characters from his breakout film had become ten years further on.
Despite some delays caused by the departure of the Weinstein brothers from Miramax and the reluctance of one of the principal cast members, who was concerned that they would not be able to recapture the magic of the first film, “Clerks II” has arrived and is easily one of the funniest films I have ever seen.
The stars of the first film Dante (Brian O’Halloran), and Randal (Jeff Anderson), now find themselves working at a fast food store called Moobys, and as usual, Randal never finds a shortage of bizarre and outrageous topics to impart his wisdom and theories to a usual shocked Dante. It is learned that Dante is about to work his last shift, as in the morning he is moving to Florida from his New Jersey home, in order to get married and start a new career as a manager at a business owned by his future father in law.
Dante also must contend with his friendship with his manager Becky (Rosario Dawson), who wants to make sure that he is moving and getting married for the right reasons and not because it is expected of him.
Of course there are no shortage of characters in the film who add to the merriment, from the customers, to an employee named Elias (Trevor Fehrman), whose mild mannered ways and bizarre obsession with Lord of the Rings makes him a constant foil for the ever irascible Randal, who never loses interest in finding new ways to give Elias a hard time.
Then there are series favorites Jay and Silent Bob, (Jason: Mewes), and (Kevin Smith). The two slackers and drug dealers have now cleaned up their act. They still sell drugs; they just no longer use them. Jay is also prone to spouting his theories on religion to his customers, as he attempts to pass the faith while passing pot.
The duo feature throughout the film and offer some of the funniest moments in the film including a hilarious parody of The Silence of the Lambs.
As the day and evening plays out, one manner of hilarious and outrageous event after another occurs, which forces Dante and Randal to evaluate their lives, as well as what truly being happy and successful means.
While some may say this film is just a collection of crude humor that would be underscoring the true triumph of the film. Smith once again shows that he can portray flawed but realistic characters with surprising realism and charm. The characters know who they are, and make no apologies for being what society would call rough around the edges or failures they are being true to themselves and it is their frank and blunt ways of communicating that make them real and endear them to the audience.
They face the same issues that most of us have to face in life when we examine the paths we take, as well as the decisions we make and the resulting consequences which underscores the ultimate fact that one must be true to themselves.
A true classic and easily the best film Kevin Smith has ever done do not miss this film.
Midge (525 KP) rated Chocolate Cream Pie Murder in Books
Feb 26, 2019
Captivating Cozy Mystery!
“Chocolate Cream Pie Murder” is the twenty-fourth book in the Hannah Swensen Series by the author, Joanne Fluke. Why did I want to read this novel? Well, I love to curl up on the sofa on a dark winter’s night, or any time, really, with a mug of hot chocolate and a good cozy mystery and if it’s about food, as this one is, then so much the better!
I haven’t read any of the other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
When Hannah’s Bakery, The Cookie Jar, becomes the setting of a TV special about movies filmed in Minnesota, Hannah hopes the spotlight will be shining on her bakery, and not the unsavoury scandal about her personal life. But that’s impossible with a disturbing visit from someone she once believed was her one and only love, a group of bodyguards following her every move, and a murder victim in her bedroom. Now, moving to her mother Delores’ penthouse, Hannah and an old flame team up to solve a case and as suspects emerge and secrets hit close to home, Hannah must find the killer prowling around Lake Eden before someone takes a slice out of her…
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place there was still a lot going on. I found many of the characters very funny and easy to relate to, particularly Hannah herself and many of the other characters in the book were extremely amusing and unusual. I even liked the bad guy, the one everyone loves to hate.
The book had a natural, steady pace, and even though the murder occurred towards the end, I was kept guessing until the surprising reveal. Delightful and entertaining “Chocolate Cream Pie Murder” is a quick, light read for all cozy mystery fans.
{Thank you to NetGalley and Kensington Publishing for the free copy of this novel and for giving me the opportunity to provide an honest review.}
I haven’t read any of the other books in this series yet, however, I don’t think that this spoilt my enjoyment of this novel. That said, there is nothing more exciting than picking up a book which is the first in a new series.
When Hannah’s Bakery, The Cookie Jar, becomes the setting of a TV special about movies filmed in Minnesota, Hannah hopes the spotlight will be shining on her bakery, and not the unsavoury scandal about her personal life. But that’s impossible with a disturbing visit from someone she once believed was her one and only love, a group of bodyguards following her every move, and a murder victim in her bedroom. Now, moving to her mother Delores’ penthouse, Hannah and an old flame team up to solve a case and as suspects emerge and secrets hit close to home, Hannah must find the killer prowling around Lake Eden before someone takes a slice out of her…
I liked that the opening chapters drew me into the story and captured my attention immediately. Although I had to wait a while before an actual murder took place there was still a lot going on. I found many of the characters very funny and easy to relate to, particularly Hannah herself and many of the other characters in the book were extremely amusing and unusual. I even liked the bad guy, the one everyone loves to hate.
The book had a natural, steady pace, and even though the murder occurred towards the end, I was kept guessing until the surprising reveal. Delightful and entertaining “Chocolate Cream Pie Murder” is a quick, light read for all cozy mystery fans.
{Thank you to NetGalley and Kensington Publishing for the free copy of this novel and for giving me the opportunity to provide an honest review.}
Lesley (60 KP) rated A Steep Price in Books
Aug 10, 2018
Tracy Crosswhite never disappoints!
I LOVE Tracy Crosswhite and this newest entry into the series was no exception. I laughed, I cried, I gasped. This is the review that I posted on my blog.
Moving right along. My beloved Tracy Crosswhite is back for book #6, A Steep Price. Every time Robert Dugoni releases a new book in this series, I feel like I get to see old friends again. Kins, Vic, Faz, Dan, Dan's DOGS!, and of course Tracy herself. I love this series because it feels authentic, manages to remain heartwarming in the face of grim subject matters, and really makes you care about the characters.
This time around, Tracy and Kins are investigating the death of a young Indian woman whose best friend has reported her missing after delivering some life-changing news. Unfortunately, when she is found murdered in a shallow grave in the park, it creates more questions than answers. As they delve deeper into her life, they find a lot of ambition that was hampered by her familys societal expectations, her grim determination to raise money for medical school at any cost despite her parents wishes to return home and accept an arranged marriage, and the seedy underworld of "Sugar Dating", which has enough loopholes to escape being classified as prostitution, despite being dangerous and borderline sex work. Tracy is feeling threatened and on edge due to their newest team member, another female who seems to be snooping in private files and isn't honest about the circumstances of an officer-involved shooting in the case that Vic and Faz are tackling currently. A young activist woman who spoke out against gangs and the drug trade in her underprivileged area gets shot and killed. The guys think it's connected to a local gang leader whose father they put in prison years earlier. The hotter the trail gets, the more in danger they are. Little Jimmy blames them for putting his dad away, and for his subsequent death in prison when a rival gang member stabbed him. Just as things are reaching a boiling point, Tracy and Kins figure out exactly who their killer is and they're hot on the trail. The book, like the others in the series, was a fun, fast-paced read with heart and a satisfying conclusion. I highly recommend starting this series!
Moving right along. My beloved Tracy Crosswhite is back for book #6, A Steep Price. Every time Robert Dugoni releases a new book in this series, I feel like I get to see old friends again. Kins, Vic, Faz, Dan, Dan's DOGS!, and of course Tracy herself. I love this series because it feels authentic, manages to remain heartwarming in the face of grim subject matters, and really makes you care about the characters.
This time around, Tracy and Kins are investigating the death of a young Indian woman whose best friend has reported her missing after delivering some life-changing news. Unfortunately, when she is found murdered in a shallow grave in the park, it creates more questions than answers. As they delve deeper into her life, they find a lot of ambition that was hampered by her familys societal expectations, her grim determination to raise money for medical school at any cost despite her parents wishes to return home and accept an arranged marriage, and the seedy underworld of "Sugar Dating", which has enough loopholes to escape being classified as prostitution, despite being dangerous and borderline sex work. Tracy is feeling threatened and on edge due to their newest team member, another female who seems to be snooping in private files and isn't honest about the circumstances of an officer-involved shooting in the case that Vic and Faz are tackling currently. A young activist woman who spoke out against gangs and the drug trade in her underprivileged area gets shot and killed. The guys think it's connected to a local gang leader whose father they put in prison years earlier. The hotter the trail gets, the more in danger they are. Little Jimmy blames them for putting his dad away, and for his subsequent death in prison when a rival gang member stabbed him. Just as things are reaching a boiling point, Tracy and Kins figure out exactly who their killer is and they're hot on the trail. The book, like the others in the series, was a fun, fast-paced read with heart and a satisfying conclusion. I highly recommend starting this series!
Gareth von Kallenbach (980 KP) rated Get Hard (2015) in Movies
Jun 19, 2019
For high rolling stock trader James King (Will Ferrell), life is pretty amazing. Not only does he live in a lavish house in an exclusive Los Angeles community, but he is engaged to the lovely Alissa (Allison Brie). James is oblivious to many of those around him save for his future father in law Martin (Craig T. Nelson), who has recently rewarded him with a partnership at his brokerage.
Life has not been as sunny for Darnelll (Kevin Hart), a devoted family man who runs his car detailing place and looks to find a way to get the $30,000 he needs to purchase a better home in a better neighborhood for his family.
Fate steps in when James is charged with several trading violations and is sentenced to ten years in San Quentin. For the self-absorbed and highly-sheltered James this is equivalent to a death sentence and he is eager to find a way out of his mess.
With his world in chaos, James hires Darnell to be his prison consultant, as he is convinced Darnell must have done time due to his color and station in life. Although offended, Darnell hides this and agrees to spend the next few weeks before James has to report to jail training him to survive.
Although motivated to earn the money he needs, Darnell soon gains sympathy for James and in time, begins to believe he may be innocent of the charges levied upon him. In between the crude but often very funny training segments James endures, the two bond and work with one another to overcome the challenges presented to them before time runs out.
Ferell and Hart have a very good chemistry with one another and there are some very funny moments in the film. One moment had Hart portraying various prison yard characters at the same time and his frantic way of moving between characters at the same time was something to behold.
The film does tread on some racial stereotypes often but they at least mix it up and do not focus entirely upon one race or group.
While at times slow and requiring some leaps of faith from the audience, the two leads make the film a funny and enjoyable distraction that will keep you laughing enough to make it worth your while.
http://sknr.net/2015/03/27/get-hard/
Life has not been as sunny for Darnelll (Kevin Hart), a devoted family man who runs his car detailing place and looks to find a way to get the $30,000 he needs to purchase a better home in a better neighborhood for his family.
Fate steps in when James is charged with several trading violations and is sentenced to ten years in San Quentin. For the self-absorbed and highly-sheltered James this is equivalent to a death sentence and he is eager to find a way out of his mess.
With his world in chaos, James hires Darnell to be his prison consultant, as he is convinced Darnell must have done time due to his color and station in life. Although offended, Darnell hides this and agrees to spend the next few weeks before James has to report to jail training him to survive.
Although motivated to earn the money he needs, Darnell soon gains sympathy for James and in time, begins to believe he may be innocent of the charges levied upon him. In between the crude but often very funny training segments James endures, the two bond and work with one another to overcome the challenges presented to them before time runs out.
Ferell and Hart have a very good chemistry with one another and there are some very funny moments in the film. One moment had Hart portraying various prison yard characters at the same time and his frantic way of moving between characters at the same time was something to behold.
The film does tread on some racial stereotypes often but they at least mix it up and do not focus entirely upon one race or group.
While at times slow and requiring some leaps of faith from the audience, the two leads make the film a funny and enjoyable distraction that will keep you laughing enough to make it worth your while.
http://sknr.net/2015/03/27/get-hard/
Hazel (1853 KP) rated Oh Yeah, Audrey! in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Fans of Audrey Hepburn are bound to love Tucker Shaw’s latest contemporary young adult novel <i>Oh Yeah, Audrey!</i> especially if they admire her as much as sixteen year old Gemma Beasley does. The novel takes place over a time period of twenty-six hours beginning at 5:00am outside <i>Tiffany’s</i> in New York. Through Tumblr Gemma has “met” other Audrey fanatics and has arranged a get together in honour of the twentieth anniversary of the legendary star’s death.
It helps to have watched the film <i>Breakfast at Tiffany’s</i> (I haven’t) or at least have read the book (I have), as the narrative is full of quotes and references to Holly Golightly and scenes from the film. At first it appears no one else will turn up to the meeting but eventually they do and their exciting day gets off to an enjoyable start. Although they have a strict itinerary planned out it is soon forgotten as other options arise. By asking themselves: “what would Holly do?” they end up doing a lot of things they have never done before.
It all seems too good to be true when a rich good-looking guy asks Gemma out for dinner. She accepts despite it meaning she will be ditching her friends but she promises to meet up with them later. However, Gemma soon finds herself out of her depth and feels like she has ruined the evening not just for herself, but for her friends as well.
Initially readers may expect <i>Oh Yeah, Audrey!</i> to be a very girly book but it actually has a strong message behind it. The whole time that Gemma is asking herself “what would Holly do?” she is not discovering the person she is and what she really wants. <i>Breakfast at Tiffany’s</i> may have made running away from home and living independently look like a glamorous adventure, but Gemma discovers that Holly Golightly was most likely a very lonely character.
I enjoyed this book much more than I was expecting to. It is a quick easy read that is very funny and entertaining but also moving at the end. Those who have not yet read/seen <i>Breakfast at Tiffany’s</i> will definitely be thinking about doing so after reading <i>Oh Yeah, Audrey!</i>
Fans of Audrey Hepburn are bound to love Tucker Shaw’s latest contemporary young adult novel <i>Oh Yeah, Audrey!</i> especially if they admire her as much as sixteen year old Gemma Beasley does. The novel takes place over a time period of twenty-six hours beginning at 5:00am outside <i>Tiffany’s</i> in New York. Through Tumblr Gemma has “met” other Audrey fanatics and has arranged a get together in honour of the twentieth anniversary of the legendary star’s death.
It helps to have watched the film <i>Breakfast at Tiffany’s</i> (I haven’t) or at least have read the book (I have), as the narrative is full of quotes and references to Holly Golightly and scenes from the film. At first it appears no one else will turn up to the meeting but eventually they do and their exciting day gets off to an enjoyable start. Although they have a strict itinerary planned out it is soon forgotten as other options arise. By asking themselves: “what would Holly do?” they end up doing a lot of things they have never done before.
It all seems too good to be true when a rich good-looking guy asks Gemma out for dinner. She accepts despite it meaning she will be ditching her friends but she promises to meet up with them later. However, Gemma soon finds herself out of her depth and feels like she has ruined the evening not just for herself, but for her friends as well.
Initially readers may expect <i>Oh Yeah, Audrey!</i> to be a very girly book but it actually has a strong message behind it. The whole time that Gemma is asking herself “what would Holly do?” she is not discovering the person she is and what she really wants. <i>Breakfast at Tiffany’s</i> may have made running away from home and living independently look like a glamorous adventure, but Gemma discovers that Holly Golightly was most likely a very lonely character.
I enjoyed this book much more than I was expecting to. It is a quick easy read that is very funny and entertaining but also moving at the end. Those who have not yet read/seen <i>Breakfast at Tiffany’s</i> will definitely be thinking about doing so after reading <i>Oh Yeah, Audrey!</i>
MaryAnn (14 KP) rated No Ocean Too Wide (McAlister Family #1) in Books
Nov 4, 2019
Between the years of 1869 to 1939 more than 100,000 poor British children were sent across the ocean to Canada with the promise of a better life. Those who took them in to work as farm laborers or household servants were told they were orphansbut was that the truth?
After the tragic loss of their father, the McAlister family is living at the edge of the poorhouse in London in 1908, leaving their mother to scrape by for her three younger children, while oldest daughter, Laura, works on a large estate more than an hour away. When Edna McAlister falls gravely ill and is hospitalized, twins Katie and Garth and eight-year-old Grace are forced into an orphans home before Laura is notified about her familys unfortunate turn of events in London. With hundreds of British children sent on ships to Canada, whether truly orphans or not, Laura knows she must act quickly. But finding her siblings and taking care of her family may cost her everything.
Andrew Fraser, a wealthy young British lawyer and heir to the estate where Laura is in service, discovers that this common practice of finding new homes for penniless children might not be all that it seems. Together Laura and Andrew form an unlikely partnership. Will they arrive in time? Will their friendship blossom into something more?
Inspired by true events, this moving novel follows Laura as she seeks to reunite her family and her siblings who, in their darkest hours, must cling to the words from Isaiah: Fear thou not; for I am with thee: be not dismayed; for I am thy God
My Thoughts: This was an interesting compelling book to read. It is honestly hard to read about children being taken away from their families by those who feel they are making the children's lives better when in fact the children are treated like slaves. This is the hard part of the book to read, but the fact is, is that this was actually happening during this time period. The author has done a tremendous job of bringing the truth out in this novel. Like every story that has hardship in it, this one does have a little hope. I certainly look forward to reading the second book in this series.
After the tragic loss of their father, the McAlister family is living at the edge of the poorhouse in London in 1908, leaving their mother to scrape by for her three younger children, while oldest daughter, Laura, works on a large estate more than an hour away. When Edna McAlister falls gravely ill and is hospitalized, twins Katie and Garth and eight-year-old Grace are forced into an orphans home before Laura is notified about her familys unfortunate turn of events in London. With hundreds of British children sent on ships to Canada, whether truly orphans or not, Laura knows she must act quickly. But finding her siblings and taking care of her family may cost her everything.
Andrew Fraser, a wealthy young British lawyer and heir to the estate where Laura is in service, discovers that this common practice of finding new homes for penniless children might not be all that it seems. Together Laura and Andrew form an unlikely partnership. Will they arrive in time? Will their friendship blossom into something more?
Inspired by true events, this moving novel follows Laura as she seeks to reunite her family and her siblings who, in their darkest hours, must cling to the words from Isaiah: Fear thou not; for I am with thee: be not dismayed; for I am thy God
My Thoughts: This was an interesting compelling book to read. It is honestly hard to read about children being taken away from their families by those who feel they are making the children's lives better when in fact the children are treated like slaves. This is the hard part of the book to read, but the fact is, is that this was actually happening during this time period. The author has done a tremendous job of bringing the truth out in this novel. Like every story that has hardship in it, this one does have a little hope. I certainly look forward to reading the second book in this series.
JT (287 KP) rated Out of the Furnace (2013) in Movies
Mar 10, 2020
Cast for so long in the trademark cowl of Batman and posing around Gotham City as the slightly disturbed and flamboyant billionaire Bruce Wayne, Christian Bale is back deep in his gritty acting roots.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
Bale plays Pennsylvania steel mill worker Russell, a man living a simplistic hard working way of life. His brother on the other hand, Rodney (Casey Affleck), is back from a tour in Iraq. He’s visibly scared and not in the least bit interested in anymore manual labour. Inciting that the country owes him a something for his sacrifice he gets into debt gambling and desperate for cash to pay off his short fall he takes bare knuckle fist fights organised by loan shark friend John Petty Willem Dafoe.
Things move from bad to worse in a surprise addition to the plot, which sees Russell endure some time behind bars and in the process loses his sick father as well as seeing girlfriend Lena (Zoe Saldana) fall into the arms of local cop Forest Whitaker. When Russell steps outside of prison for the first time he has yet another problem facing him, in the form of local drug kingpin and all round nasty, Harlan DeGroat brilliantly played by Woody Harrelson.
DeGroat is not one to be crossed as even the local police keep their distance but Rodney heads straight into the lion’s den when he accepts a fight and then is propositioned to take a dive during it; something that he is not willing to do.
The relationship between the brothers is enthralling and totally believable. Both Bale and Affleck give controlled and sharp performances feeding off each other as the tension between them rises. The film attempts to broach the subject of the working classes, while at the same time portraying the life of the retired marine who has come back home full of nightmares and is left forgotten only to crumble into himself.
It’s a strong cast, with Harrelson’s villain commanding the screen with gusto while the likes of Saldana, Defoe and Sam Shepard play mere bit parts. But with this much talent on show not everyone can feature front and centre. The film’s setting is a perfect post-industrial stomping ground for battles both in the illegal ring and out of it, while a moody soundtrack is a perfect accompaniment to the narrative that is moving and rough around the edges.
Gareth von Kallenbach (980 KP) rated Poltergeist (2015) in Movies
Aug 6, 2019
I struggle with my view of this film. Mostly because I want to compare it to the 1982 horror classic it is a remake of. But rather than pick apart how it does or does not compare to the original I realize I must judge this film on its own merit. As such, I feel this film is just…ok. Not bad, not great, just ok.
That isn’t to say this film is not a good time. In fact, It is quite fun. I feel there are more laughs in this film than scares. Fun times indeed. Sam Rockwell and Rosemarie DeWitt play good spirited parents trying to make the best of their financial burden while moving into a new home. The three kids are the typical modern type. The older teenager concerned with her cell phone, the tech savvy son, Griffin, who seems to be sacred of everything and the “gifted” little daughter, Madison, who is innocent. The film starts lighthearted enough with jokes and everyday family squabbles. But that quickly changes as Madison starts to have conversations with her closet and the television. Yet, the only one who sees these freak events are scardy-cat Griffin, who won’t sleep in his room when there is a squirrel but doesn’t scream for his parents when he notices the electricity doing things it shouldn’t. But I digress.
And here is where the problems of this film arrive. Rather than create its own memorable scenes that sets it apart from the original, it is in such a hurry to give its own take on the classic scenes from the first film. As such, there is no real sense of rhythm to the pacing of this film that is a staple of good horror films with drawn out sense of suspense the help heighten the sense of dread. And so we are left without any real worry for our characters or us as the audience. We have a few jump scares before a long conclusion that feels more like “Classic” made for TV than big budget film.
In the end, we are left with a “popcorn” horror film that is fun but forgettable at best. Fans of the original will be disappointed. Parents who want to take their young teenage kids to their first horror film will appreciate the wholesome family feel.
That isn’t to say this film is not a good time. In fact, It is quite fun. I feel there are more laughs in this film than scares. Fun times indeed. Sam Rockwell and Rosemarie DeWitt play good spirited parents trying to make the best of their financial burden while moving into a new home. The three kids are the typical modern type. The older teenager concerned with her cell phone, the tech savvy son, Griffin, who seems to be sacred of everything and the “gifted” little daughter, Madison, who is innocent. The film starts lighthearted enough with jokes and everyday family squabbles. But that quickly changes as Madison starts to have conversations with her closet and the television. Yet, the only one who sees these freak events are scardy-cat Griffin, who won’t sleep in his room when there is a squirrel but doesn’t scream for his parents when he notices the electricity doing things it shouldn’t. But I digress.
And here is where the problems of this film arrive. Rather than create its own memorable scenes that sets it apart from the original, it is in such a hurry to give its own take on the classic scenes from the first film. As such, there is no real sense of rhythm to the pacing of this film that is a staple of good horror films with drawn out sense of suspense the help heighten the sense of dread. And so we are left without any real worry for our characters or us as the audience. We have a few jump scares before a long conclusion that feels more like “Classic” made for TV than big budget film.
In the end, we are left with a “popcorn” horror film that is fun but forgettable at best. Fans of the original will be disappointed. Parents who want to take their young teenage kids to their first horror film will appreciate the wholesome family feel.