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Noel Gallagher recommended Village Green Preservation Society by The Kinks in Music (curated)

"The Kinks, like The Who, are one of those quintessentially great English singles bands but I’ve listened to this album so many times and I just fucking love it. It’s obviously such a big influence on Damon Albarn’s writing. You know the song ‘Big Sky’? 'Big sky, too big to cry.' You can almost hear someone shouting 'Parklife!' at the end of it, do you know what I mean? On the opening track you’ve got the lyrics mentioning all the strawberry jam, Fu Manchu, Mrs Mop and all this quintessentially English stuff, and when I started getting older so I was listening to records not just feeling them it suddenly hit me, 'These lyrics are fucking outrageous. How do you get all that stuff in there and make it work?' The album is incredible. I’ve got an old album of interviews with Ray Davies and he was saying that he thought it was important that we keep all of this traditional stuff like afternoon tea, cricket and cucumber sandwiches alive because American culture was taking over the world but he couldn’t imagine it taking over England. But then you realise… oh shit… it did. What a cunt. What a cunt. It took ages to come out because of legal shit, got delayed for three years and then no one bought it. I presented him with an award a few years ago and I thought, now’s my chance to get to know more about the writing of such a great album. So I was like, 'So Village Green, tell me about this great album…' And he’s grumpy at the best of times and just went: [snaps] 'Oh, I don’t know.' I was like, 'Ok, good to get that one sorted out finally. Nice to meet you.'"

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LeftSideCut (3778 KP) rated The Mist (2007) in Movies

Nov 30, 2020

The Mist (2007)

2007 | Horror

8.0

(49 Ratings)

Movie Rating Watch

"It appears we may have a problem of some magnitude."

The Mist is flat out fantastic for a handful of reasons.
Firstly, it has a ridiculously good cast - Thomas Jane, Marcia Gay Harden, Andre Braugher, Tony Jones, Laurie Holden, Jeffrey DeMunn, William Sadler, Alexa Davalos, Sam Witwer...there isn't a weak link at all, and it's a damn good job - The Mist isn't a straight forward creature feature. Although it's does have it's fair share of monster moments, it's main focus is on the dangers of fanatacism, and the delusions of human beings, as a lot of regular Joes who are just scared of the events unfolding, start to blindly follow the words of Mrs. Carmody, someone who is truly unhinged, and truly believes what she preaches - it's a concept all too familiar in today's real world, and Marcia Gay Harden puts in a show stopping performance, and is one the easiest-to-hate horror antagonists ever put to screen.

The titular Mist is realised superbly, and also does a good job at hiding the CGI monsters effectively. What we do get shown is just enough for a decent payoff, and there are some breathtaking shots during the films climax. For the most part though, it's a masterclass in stimulating the audiences imagination, and is scary in what you don't actually see.
And the of course there is THAT ending. If you somehow haven't seen The Mist yet, then go in with as little knowledge as possible, and let that ending just destroy your very soul. Its propels what is a good horror, into an all timer, even if it is a straight up depression simulator.

Really worth a look for any fans of horror, sci-fi, monsters, or Stephen King, and seek out the black and white version for extra satisfaction!

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Gareth von Kallenbach (971 KP) rated The Personal History of David Copperfield (2019) in Movies

Oct 8, 2020

This retelling of Charles Dickens’ David Copperfield takes us from his birth, through his adolescence and adulthood. With the tempo set like a whirling dervish from the moment David (Dev Patel) takes us with him to witness his birth and travel along through his pivotal life moments as he tells his story.

We see his birth where his mother, Clara Copperfield (Morfydd Clark, playing a double role, later as Dora Spenlow) a slight, fantastical woman, and the steadfast housekeeper, Peggotty (Daisy May Cooper) go through the hectic confusion while people mill about, entering and exiting during the process of birth. His Aunt, Betsy (Tilda Swinton) goes about, adding to the calamity insistent that the child of her late brother would be a girl, who would carry her legacy as a Trotwood. Her eccentricity noted immediately as she storms out once learning the child is a boy.

The film progresses, with the same quick tempo, through his brief, idyllic childhood with his mother, then his trip to Yarmouth summering with Peggotty’s family where his imagination begins its bloom in the house that is a boat, by the sea. Once David returns home, he is informed that his mother had married, and his stepfather sends him to London. He is sent to live with Mr. & Mrs. Micawber (Peter Capaldi and Bronagh Gallagher) while he works at the bottle factory.

David’s life goes from famine to feast, bear to bull. However, he has learned resilience through his encounters with people of all classes and situations. As Copperfield makes his way through life, the tempo slows down, and the frenzy subsides.

Yes, it’s a remake, the film is beautifully made, the cast is an incredibly talented international group. Hugh Laurie and Tilda Swinton provide an endearing portrait of eclectic personalities. The film is just a charming and whimsical piece of storytelling.

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Heather Cranmer (2721 KP) created a post

Oct 21, 2020

Sneak a peek at the Christian historical romance series AMERICAN WONDERS COLLECTION by Regina Scott on my blog. There's also a GIVEAWAY to win both books in the series, a tote bag, book swag, and a $25 Barnes & Noble gift card - three winners total!

https://alltheupsandowns.blogspot.com/2020/10/book-blog-tour-and-giveaway-nothing.html

**BOOK SYNOPSIS OF NOTHING SHORT OF WONDROUS (AMERICAN WONDERS COLLECTION #2)**
In 1886, the U.S. government gave control of Yellowstone, the country's first national park, to the cavalry to stop predation by poachers, hunters, and vandals. Mrs. Kate Tremaine is all for the change. The young widow and her late husband held the lease to operate one of the hotels in the park. She has raised her six-year-old son among God's wonders and knows every inch of the mountainous park like the back of her hand. It is her home, and she has vowed to protect it.

Lieutenant William Prescott needs someone of Kate's caliber more than he knows. Congress has appropriated funds for only one guide, who is required elsewhere in the park, and the cavalryman is having some trouble finding his way around much less tracking down the troublemakers. As Kate and her son help him, he doesn't dare give in to the tender feelings she raises in him. A tragic mistake eight years ago nearly derailed his career and made him question his own abilities. Not even Kate's encouragement or God's forgiveness can blot out the stain on his conscience.

When Kate's son disappears, Will and Kate must work together to rescue the boy and protect the park. In doing so, they may just find that two wounded hearts can lead to one powerful love when God is in control.