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2019's Winners of the American Music Awards - celebrating the latest and greatest talents of the contemporary music scene.
Taylor Swift
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Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. As one of the world's...
Billie Eilish
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Billie Eilish Pirate Baird O'Connell (born December 18, 2001), known professionally as Billie...
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Kane Allen Brown is an American singer and songwriter who first came to the attention of the public...
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Erika (17788 KP) rated Ghosts of Sugar Land (2019) in Movies
Dec 18, 2019
I came across this short film on Netflix and decided to watch it because it was about Sugar Land. It featured a group of Muslim friends, and a dude that became Muslim and ended up radicalized.
My favorite part about the whole short film was that the guys being interview all wore hilarious Halloween masks to hide their identity because of the nature of the documentary. It also shows an interesting dichotomy between modern, 1st generation American Muslims and traditional Muslims.
My favorite part about the whole short film was that the guys being interview all wore hilarious Halloween masks to hide their identity because of the nature of the documentary. It also shows an interesting dichotomy between modern, 1st generation American Muslims and traditional Muslims.
Louise (64 KP) rated Ms. Marvel, Vol. 1: No Normal in Books
Jul 2, 2018
WARNING!!! There is going to be a lot of fangirling in this review.
To say I loved this graphic novel is an understatement. This is my favourite graphic novel that I have read so far ( I am fairly new to them) If I could rate this more than 5 stars I would.I read this for a few different reasons,first being that it has some pretty great reviews, second it's short but entertaining and I love myself some superheroes and third for a boost so I can hit my Goodreads challenge.
So....on to the actual review. Khamala Khan is our protagonist, she's a muslim-american who manages to mysteriously get super powers and becomes the new Ms Marvel. This should be Khamala's dream come true as she is obsessed with superheroes, however it's not as easy as anticipated when she is put in situations where she has to start saving people lives and learning how to control these powers that have been bestowed upon her.
Khamala is a fantastic protagonist, her character has so much depth! What with her religious beliefs, strict parents and trying to find her true identity. It was great to read about a Teenage Muslim girl whose life was run around her family's beliefs, the struggles that she come across, such as friends and parties and not having the freedom that she craves.
I enjoyed all the side characters to the story, the Jock, the cool girl and Khamala's family were all written in really well and each had their own.
It was also funny as Khamala realises that being a superhero is not all it's cracked up to be, especially when she feels very exposed in her skintight outfit and high heel boots. (Obviously not practical for defeating bad guys)
The artwork in this novel was stunning and very much suited the storyline. This would make an excellent start for anyone that has never read a graphic novel before. The characters are fleshed out, the story line is very straight forward and no jumping back and forth and it also touches upon relative topics.
I cannot wait to get my hands on the second volume of this series and is definitely on my wish list for Xmas.
I rated this 5 out of 5 stars
To say I loved this graphic novel is an understatement. This is my favourite graphic novel that I have read so far ( I am fairly new to them) If I could rate this more than 5 stars I would.I read this for a few different reasons,first being that it has some pretty great reviews, second it's short but entertaining and I love myself some superheroes and third for a boost so I can hit my Goodreads challenge.
So....on to the actual review. Khamala Khan is our protagonist, she's a muslim-american who manages to mysteriously get super powers and becomes the new Ms Marvel. This should be Khamala's dream come true as she is obsessed with superheroes, however it's not as easy as anticipated when she is put in situations where she has to start saving people lives and learning how to control these powers that have been bestowed upon her.
Khamala is a fantastic protagonist, her character has so much depth! What with her religious beliefs, strict parents and trying to find her true identity. It was great to read about a Teenage Muslim girl whose life was run around her family's beliefs, the struggles that she come across, such as friends and parties and not having the freedom that she craves.
I enjoyed all the side characters to the story, the Jock, the cool girl and Khamala's family were all written in really well and each had their own.
It was also funny as Khamala realises that being a superhero is not all it's cracked up to be, especially when she feels very exposed in her skintight outfit and high heel boots. (Obviously not practical for defeating bad guys)
The artwork in this novel was stunning and very much suited the storyline. This would make an excellent start for anyone that has never read a graphic novel before. The characters are fleshed out, the story line is very straight forward and no jumping back and forth and it also touches upon relative topics.
I cannot wait to get my hands on the second volume of this series and is definitely on my wish list for Xmas.
I rated this 5 out of 5 stars
Kyera (8 KP) rated Amina's Voice in Books
Feb 1, 2018
Aminas Voice is a powerful middle-grade novel that I believe is so important for young readers to experience. Amina is a Pakistani-American, so we are given a wonderfully diverse, young voice to understand her world and it is so important in the current world climate. We, as a people, need to foster a sense of understanding and acceptance rather than fear and hate.
One of the events that happen in the books is heartbreaking and you wonder how people could behave in that manner. Unfortunately, these things happen in the real world and its dismaying to see people treat other fellow human beings in a less than honourable and respectful manner. It was so wonderful to see the community come together after the event, no matter their race or religion to help their neighbors. It is a ray of light in the darkness.
This short book follows Aminas life from her sixth-grade classes and middle school friends to her time at the Mosque with her Muslim friends and family. The tale is honest and heartwarming, allowing us into her mind and connecting with her family. Although it is a short tale, it is no less important to read. I would highly recommend it to middle-grade readers (and really anyone else who is open to middle-grade fiction) because it is such a powerful and important read.
One of the events that happen in the books is heartbreaking and you wonder how people could behave in that manner. Unfortunately, these things happen in the real world and its dismaying to see people treat other fellow human beings in a less than honourable and respectful manner. It was so wonderful to see the community come together after the event, no matter their race or religion to help their neighbors. It is a ray of light in the darkness.
This short book follows Aminas life from her sixth-grade classes and middle school friends to her time at the Mosque with her Muslim friends and family. The tale is honest and heartwarming, allowing us into her mind and connecting with her family. Although it is a short tale, it is no less important to read. I would highly recommend it to middle-grade readers (and really anyone else who is open to middle-grade fiction) because it is such a powerful and important read.
Goddess in the Stacks (553 KP) rated Love, Hate, and Other Filters in Books
Jun 18, 2018
This book made a big splash when it came out in January, and rightly so, as I've finally discovered for myself! Written by an Indian-American, Love, Hate, and Other Filters follows Maya Aziz, a seventeen-year-old born in America to Indian immigrant parents. She's the only Muslim girl at her school, and while she feels like she sticks out, she doesn't feel discriminated against until a terrorist attack happens in her state. She had -just- gotten most of her issues worked out before the attack, but in the aftermath of the attack, and the community's response to it, her parents clamp down on her freedom, and she struggles to get her life back.
I really loved Maya in this book; I can understand her parents' fears, but also her rebellion when they take away the freedom she values. I think my favorite character, though, was the side character Kareem. I kind of hope Ahmed writes another book and tells us his story. He was just so NICE.
I loved the writing and the characters overall, but there were a few sentences that made me pause and repeat them in my head because they were just outstanding.
"The vows are simple, the same kind of pledges I've heard at weddings of every faith. Except at the end, there is no kiss. I close in for the money shot anyway, hoping for a moment of rebellion from Ayesha and Saleem. But no. No public kissing allowed. Full stop. The no kissing is anticlimactic, but some taboos cross oceans, packed tightly into the corners of immigrant baggage, tucked away with packets of masala and memories of home."
And also, about arranged marriages and being a good Indian daughter:
"And the Muslim? The Indian? That girl, she doesn't even get the dream of the football captain. She gets a lifetime of being stopped by the FAA for random bag searches every time she flies. She gets the nice boy, the sensible boy, the one her parents approve of and who she will grow to love over years and children and necessity."
Maya is a whip-smart young girl who wants to be a film maker, and she spends most of her time behind a camera, observing. Her observations are really what make this book shine, and her snark had me laughing throughout the book.
I really loved this book, if you couldn't tell! I love minority-driven YA, and this one reminds me quite a lot of Saints and Misfits. Given how much I loved both of these, I really need to read When Dimple Met Rishi!
You can find all my reviews at http://goddessinthestacks.wordpress.com
I really loved Maya in this book; I can understand her parents' fears, but also her rebellion when they take away the freedom she values. I think my favorite character, though, was the side character Kareem. I kind of hope Ahmed writes another book and tells us his story. He was just so NICE.
I loved the writing and the characters overall, but there were a few sentences that made me pause and repeat them in my head because they were just outstanding.
"The vows are simple, the same kind of pledges I've heard at weddings of every faith. Except at the end, there is no kiss. I close in for the money shot anyway, hoping for a moment of rebellion from Ayesha and Saleem. But no. No public kissing allowed. Full stop. The no kissing is anticlimactic, but some taboos cross oceans, packed tightly into the corners of immigrant baggage, tucked away with packets of masala and memories of home."
And also, about arranged marriages and being a good Indian daughter:
"And the Muslim? The Indian? That girl, she doesn't even get the dream of the football captain. She gets a lifetime of being stopped by the FAA for random bag searches every time she flies. She gets the nice boy, the sensible boy, the one her parents approve of and who she will grow to love over years and children and necessity."
Maya is a whip-smart young girl who wants to be a film maker, and she spends most of her time behind a camera, observing. Her observations are really what make this book shine, and her snark had me laughing throughout the book.
I really loved this book, if you couldn't tell! I love minority-driven YA, and this one reminds me quite a lot of Saints and Misfits. Given how much I loved both of these, I really need to read When Dimple Met Rishi!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Hazel (1853 KP) rated Return to the Little Coffee Shop of Kabul (The Little Coffee Shop of Kabul #2) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Five years since the publication of her fictional debut, fans of Deoborah Rodriguez will be pleased to know they can finally get their hands on the sequel: Return to the <i>Little Coffee Shop of Kabul</i>. In the first book (<i>The Little Coffee Shop of Kabul</i>) we are introduced to Sunny, a 38-year-old American, who has set up a coffee shop in the heart of Afghanistan. Now she has returned to the US, after the unfortunate death of her boyfriend, to a house on an island she did not really want. Meanwhile, her coffee shop struggles to continue in the hands of her Afghan friends.
The narrative alternates between the USA and Afghanistan, keeping the reader informed of two completely different scenarios. Sunny is dealing with the loss of Jack and her conflicted feelings over whether she should stay and live Jack’s dream lifestyle or return to her beloved Kabul. On the other hand, Yazmina and the others reveal to the reader how difficult and dangerous life is for the Afghanistan natives, especially for the women who have very little rights.
As well as the original characters, there are a number of new names introduced to the story. In Afghanistan a young girl is trying to escape an arranged marriage to an evil, rich man – something that has disastrous consequences for herself and her newfound friends. On the other side of the world, Layla, Yazmina’s sister, is experiencing Western culture living with Sunny, and is shocked at how friendly men and women are with each other.
Another new face to add to the mix is Kat, a young woman who escaped to America as a child and has turned her back on the traditions of Islam and the Afghan culture. Despite her growing friendship with Layla, she refuses to agree with Layla’s beliefs, particularly in regards to the <i>hijab</i>. Neither girl’s opinion is more valid than the other however, as they have both had completely different upbringings. Kat has spent the better part of her life relishing in the freedom of Western culture, whereas Layla finds comfort in her traditions.
<i>Return to the Little Coffee Shop of Kabul </i>contains a couple of powerful messages. Firstly, as Sunny realizes, you need to be thankful for what you have got and not assume that going back to a lifestyle you used to follow would be the same as it once was. On the flip side, the Muslim family in Kabul begins to learn that they do not have to put up with the strict, unfairness in the treatment of women, and can strive to do something about it.
It is not necessary to have read the previous book, as there is enough character description and history mentioned within the narrative for new readers to be able to follow along. It is also suitable for book groups as it contains a series of reading group questions at the end of the novel.
Despite its upsetting scenes,<i> Return to the Little Coffee Shop of Kabul </i>is essentially a happy book. The character Sunny, definitely lives up to her name; there is no over emphasis on any of the negative situations she or her friends find themselves in. In a world where it would be easy to fall into despair, Rodriguez has written a story with a positive outlook on life and hope for the future.
Five years since the publication of her fictional debut, fans of Deoborah Rodriguez will be pleased to know they can finally get their hands on the sequel: Return to the <i>Little Coffee Shop of Kabul</i>. In the first book (<i>The Little Coffee Shop of Kabul</i>) we are introduced to Sunny, a 38-year-old American, who has set up a coffee shop in the heart of Afghanistan. Now she has returned to the US, after the unfortunate death of her boyfriend, to a house on an island she did not really want. Meanwhile, her coffee shop struggles to continue in the hands of her Afghan friends.
The narrative alternates between the USA and Afghanistan, keeping the reader informed of two completely different scenarios. Sunny is dealing with the loss of Jack and her conflicted feelings over whether she should stay and live Jack’s dream lifestyle or return to her beloved Kabul. On the other hand, Yazmina and the others reveal to the reader how difficult and dangerous life is for the Afghanistan natives, especially for the women who have very little rights.
As well as the original characters, there are a number of new names introduced to the story. In Afghanistan a young girl is trying to escape an arranged marriage to an evil, rich man – something that has disastrous consequences for herself and her newfound friends. On the other side of the world, Layla, Yazmina’s sister, is experiencing Western culture living with Sunny, and is shocked at how friendly men and women are with each other.
Another new face to add to the mix is Kat, a young woman who escaped to America as a child and has turned her back on the traditions of Islam and the Afghan culture. Despite her growing friendship with Layla, she refuses to agree with Layla’s beliefs, particularly in regards to the <i>hijab</i>. Neither girl’s opinion is more valid than the other however, as they have both had completely different upbringings. Kat has spent the better part of her life relishing in the freedom of Western culture, whereas Layla finds comfort in her traditions.
<i>Return to the Little Coffee Shop of Kabul </i>contains a couple of powerful messages. Firstly, as Sunny realizes, you need to be thankful for what you have got and not assume that going back to a lifestyle you used to follow would be the same as it once was. On the flip side, the Muslim family in Kabul begins to learn that they do not have to put up with the strict, unfairness in the treatment of women, and can strive to do something about it.
It is not necessary to have read the previous book, as there is enough character description and history mentioned within the narrative for new readers to be able to follow along. It is also suitable for book groups as it contains a series of reading group questions at the end of the novel.
Despite its upsetting scenes,<i> Return to the Little Coffee Shop of Kabul </i>is essentially a happy book. The character Sunny, definitely lives up to her name; there is no over emphasis on any of the negative situations she or her friends find themselves in. In a world where it would be easy to fall into despair, Rodriguez has written a story with a positive outlook on life and hope for the future.
Joe Goodhart (27 KP) rated Ms. Marvel: Volume 3: Crushed in Books
Nov 30, 2020
This review is really for the first three volumes, including this one.
So, first let me start off by sharing a little honesty.. I read the first volume 4 or 5 months ago. I thought it fun, but not enough to pursue reading further volumes. A lot has gone down in my life since that first outing. For those of you who either a) do not know me offline, or b) have not looked at my GR profile, I was diagnosed with RRMS (relapsing-remitting multiple sclerosis) in September of last year, then two months later, we said goodbye to Lily, our 14-year-old Mini Schnauzer.
Prior to all that, I used to live a relatively structured life, with plans-of-a-sort as well as a job. I have since had to step down from my job (thanks, MS!). I have also taken to trying to lead a "sloth life". I live each day as if it were the last, preferring to not plan days in advance. I also am trying to let a lot more roll off my back, giving an honest effort to having more fun with life.
One of those things which is appearing to be helpful to my mental well-being and general happiness has been G. Willow Wilson's MS. MARVEL.
GWW took a character who was once Carol Danvers (now Captain Marvel), a superhero whose costume did nothing what so ever to aid feminism or help to have less objectifying looks for our female heroes. She gave Ms. Marvel a proper reboot, presenting us with Kamala Khan, a young Pakistani-American living in NJ. Her character is one of many who were exposed to the Terrigen Mist via a Terrigen Bomb released by Black Bolt, the Inhumans' king; her powers gained gave her the ability to be polymorphic, i.e. shape-changing.
The series presents us with an imperfect hero. Kamala struggles to balance her hero life, while hiding it from her parents. She maintains her Muslim faith, offering us glimpses into her life and much of what it entails. The handling of it is both mature yet fun, giving us a palatable, more open approach to their faith, rather than what the Idiot in the WH has tried to portray it!
Like Marvel's UNBEATABLE SQUIRREL GIRL, MM is clearly a book that, at its heart, lies a good sense of fun, as well as some good life lessons along the way. In an era where the focus appears to be "Gloom Is Good" and "The Darker The Story, The Better", it is truly refreshing to read a book like this one.
As amazing as Wilson's writing is, the series' artists - Adrian Alphona, Takeshi Miyazawa and fill-in artist Jacob Wyatt (Issues 6 and 7) - all did one heckuva job providing artwork that was as fun as the writing it was supporting. All three were different, yet they shared similarities in their rendering of Kamala and her supporting cast, helping to maintain continuity rather than breaking it via wholly dissimilar art.
I know that there only few more volumes before Wilson hands the reins to Saladin Ahmed (MILES MORALES: SPIDER-MAN, BLACK BOLT), with the art being handled by with art by Minkyu Jung. I have seen Wilson's own page, where she seemed very confident in Ahmed's future handling of Kamala's adventures. That, alone, is good enough for me!
Seriously, if you have not checked out, please, please check out the adventures of MS. MARVEL. Your heart and mind, not to mention your soul, will be more the better for it! Promise!
So, first let me start off by sharing a little honesty.. I read the first volume 4 or 5 months ago. I thought it fun, but not enough to pursue reading further volumes. A lot has gone down in my life since that first outing. For those of you who either a) do not know me offline, or b) have not looked at my GR profile, I was diagnosed with RRMS (relapsing-remitting multiple sclerosis) in September of last year, then two months later, we said goodbye to Lily, our 14-year-old Mini Schnauzer.
Prior to all that, I used to live a relatively structured life, with plans-of-a-sort as well as a job. I have since had to step down from my job (thanks, MS!). I have also taken to trying to lead a "sloth life". I live each day as if it were the last, preferring to not plan days in advance. I also am trying to let a lot more roll off my back, giving an honest effort to having more fun with life.
One of those things which is appearing to be helpful to my mental well-being and general happiness has been G. Willow Wilson's MS. MARVEL.
GWW took a character who was once Carol Danvers (now Captain Marvel), a superhero whose costume did nothing what so ever to aid feminism or help to have less objectifying looks for our female heroes. She gave Ms. Marvel a proper reboot, presenting us with Kamala Khan, a young Pakistani-American living in NJ. Her character is one of many who were exposed to the Terrigen Mist via a Terrigen Bomb released by Black Bolt, the Inhumans' king; her powers gained gave her the ability to be polymorphic, i.e. shape-changing.
The series presents us with an imperfect hero. Kamala struggles to balance her hero life, while hiding it from her parents. She maintains her Muslim faith, offering us glimpses into her life and much of what it entails. The handling of it is both mature yet fun, giving us a palatable, more open approach to their faith, rather than what the Idiot in the WH has tried to portray it!
Like Marvel's UNBEATABLE SQUIRREL GIRL, MM is clearly a book that, at its heart, lies a good sense of fun, as well as some good life lessons along the way. In an era where the focus appears to be "Gloom Is Good" and "The Darker The Story, The Better", it is truly refreshing to read a book like this one.
As amazing as Wilson's writing is, the series' artists - Adrian Alphona, Takeshi Miyazawa and fill-in artist Jacob Wyatt (Issues 6 and 7) - all did one heckuva job providing artwork that was as fun as the writing it was supporting. All three were different, yet they shared similarities in their rendering of Kamala and her supporting cast, helping to maintain continuity rather than breaking it via wholly dissimilar art.
I know that there only few more volumes before Wilson hands the reins to Saladin Ahmed (MILES MORALES: SPIDER-MAN, BLACK BOLT), with the art being handled by with art by Minkyu Jung. I have seen Wilson's own page, where she seemed very confident in Ahmed's future handling of Kamala's adventures. That, alone, is good enough for me!
Seriously, if you have not checked out, please, please check out the adventures of MS. MARVEL. Your heart and mind, not to mention your soul, will be more the better for it! Promise!
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.