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Manda (5 KP) rated Logan (2017) in Movies
Jul 11, 2018
Beware I will ruin the movie for you
Contains spoilers, click to show
This movie was a great watch, really, I’m not trying to bash it. Though the heartwrench I received after watching it LAST year I am still dealing with and just the poster makes me cringe.
The movie begins with Logan and Xavier the latter taking care and doing what he can to support the two.
There is a lot of death in this movie and we the watchers have to deal with Wolverine and his struggle with keeping himself alive after the experiments done on him has begun to poison his body. He does find out he has a kick ass daughter and ends up trying to keep her and several other mutant children safe as they journey to Canada to escape the crazy ass government people who want to turn them into weapons and studies etc.
In the end he does what he begrudgingly sets out to do that costs him dearly.
The movie begins with Logan and Xavier the latter taking care and doing what he can to support the two.
There is a lot of death in this movie and we the watchers have to deal with Wolverine and his struggle with keeping himself alive after the experiments done on him has begun to poison his body. He does find out he has a kick ass daughter and ends up trying to keep her and several other mutant children safe as they journey to Canada to escape the crazy ass government people who want to turn them into weapons and studies etc.
In the end he does what he begrudgingly sets out to do that costs him dearly.
David McK (3169 KP) rated X-Men: Days of Future Past in Books
Jan 30, 2019
The inspiration behind the X-Men film of the same name, in which a member of the team (or rather, therir consciousness) is sent back in time from the dystiopian future of 2013(!) to the early 198os to stop the assissination of a US Senator: an assiassination that directly leads to fear and mistrust of mutant-kind, and the creation of the robotic Sentinels who police their society.
What is interesting is just how much of this is similar to the events of the movie - often times, the movie bears the barest resemblance to the source material - even if the particulars are different.
For instance, in the movie it's Wolverine who is sent back in time; here it's Kitty Pryde (is she even in any of the movies?). Magneto plays a much larger role in the movie than here; where he's in the future but not so much in the past. Finally, Mystique's role is much enlarged in the movie - perhaps as a direct result of Jennifer Lawrence's star power?
But in either case, the main beats are the same.
What is interesting is just how much of this is similar to the events of the movie - often times, the movie bears the barest resemblance to the source material - even if the particulars are different.
For instance, in the movie it's Wolverine who is sent back in time; here it's Kitty Pryde (is she even in any of the movies?). Magneto plays a much larger role in the movie than here; where he's in the future but not so much in the past. Finally, Mystique's role is much enlarged in the movie - perhaps as a direct result of Jennifer Lawrence's star power?
But in either case, the main beats are the same.
Awix (3310 KP) rated The New Mutants (2020) in Movies
Aug 31, 2020
Absolutely the last gasp of the original X Men movie franchise essentially gets a dump release, which to be honest it deserves. Five young people with burgeoning mutant powers are confined in a spooky old hospital; they variously squabble and bond while creepy things happen around them.
Interesting idea to do a horror movie using Marvel characters: the problem is that this one isn't very frightening (flat characters and too much bland CGI); the script and performances aren't strong enough to support the introspective tone and inert feel of the movie. Plus, the story is built around a conceit which is very, very easy to guess if you're familiar with these characters. A couple of half-decent performances and the climax (when it most resembles a conventional superhero movie) acquires a certain momentum, but it feels very drab and pointless. Maybe the corporate politics that have kept the film stuck on a shelf for years haven't helped, but I doubt this could ever have been much more impressive.
Interesting idea to do a horror movie using Marvel characters: the problem is that this one isn't very frightening (flat characters and too much bland CGI); the script and performances aren't strong enough to support the introspective tone and inert feel of the movie. Plus, the story is built around a conceit which is very, very easy to guess if you're familiar with these characters. A couple of half-decent performances and the climax (when it most resembles a conventional superhero movie) acquires a certain momentum, but it feels very drab and pointless. Maybe the corporate politics that have kept the film stuck on a shelf for years haven't helped, but I doubt this could ever have been much more impressive.
David McK (3169 KP) rated Venom: Let There Be Carnage (2021) in Movies
Sep 5, 2023
Well.
That was ... different.
I'd read a few reviews of the first Venom movie that basically described it as a rom-com between Eddie Brock and the symbiote Venom.
Watching this, so must have the producers of this film as they have seemingly 'doubled down' on that aspect, with Tom Hardy again portraying by Eddie Brock and voicing Venom, with lots of internal conversations going on between the two (that sound vaguely like something out of Deadpool), and with the two of them arguing and bickering the part out with each other, leading to a (temporary) breakup of sorts.
As for Woody Harrelson? He portrays the serial killer whom the symbiote Carnage latches onto (although it's never fully explained how Carnage came to be from a sliver of Venom), alongside Naoime Harris's Shriek, who surprised me right at the start of the film in that she is a mutant. In the Spiderman Shared Universe
All in all, I have to say, I *think* this is an improvement on the first, but it is a close call.
That was ... different.
I'd read a few reviews of the first Venom movie that basically described it as a rom-com between Eddie Brock and the symbiote Venom.
Watching this, so must have the producers of this film as they have seemingly 'doubled down' on that aspect, with Tom Hardy again portraying by Eddie Brock and voicing Venom, with lots of internal conversations going on between the two (that sound vaguely like something out of Deadpool), and with the two of them arguing and bickering the part out with each other, leading to a (temporary) breakup of sorts.
As for Woody Harrelson? He portrays the serial killer whom the symbiote Carnage latches onto (although it's never fully explained how Carnage came to be from a sliver of Venom), alongside Naoime Harris's Shriek, who surprised me right at the start of the film in that she is a mutant. In the Spiderman Shared Universe
All in all, I have to say, I *think* this is an improvement on the first, but it is a close call.
Gareth von Kallenbach (965 KP) rated Teenage Mutant Ninja Turtles: Out of the Shadows (2016) in Movies
Aug 6, 2019
When they rebooted the Teenage Mutant Ninja Turtles in 2014, I was vastly disappointed that they were ruining my childhood. I did not enjoy the film and really disliked the turtle’s large disfigured physical appearance. Months later, I watched the film again and realized it was not as bad as I originally thought. I then realized that the film was not made for someone who grew up with the Ninja Turtles and now in his thirties (Me) and instead made for kids today. It’s a kid’s movie through and thorough. And its 2016 sequel is no different.
I am happy to say that Teenage Mutant Ninja Turtles: Out of the Shadows is better than its predecessor in almost every way. It’s funnier and delivers the action at an almost frantic fast pace which will no doubt keep the youngsters eyes firmly fixed to the screen. For Dads, Megan Fox is back as April O’Neal and Moms get eye candy of their own with Casey Jones, who is played by Stephen Amell (Arrow). Both deliver the type of performance you would expect for a film like this, fun, upbeat and whimsical. Add in Will Arnett reprising his role as Vern and you have several laughs as this group interacts with the turtles.
On the villain side, we are introduced to the mutated Rhino Rocksteady and Warthog Bebop who are The Shredder’s new henchmen. Both of them are big, dumb, over the top…and they love it! This has been one of the best on screen representations of the duo yet. They add their own fun pace every time they are on film.
As a kids film, those expecting some kind of great explanation or exposition for story development will be disappointed. But those just looking to go along for the ride will feel right at home. The film doesn’t even balk at the opportunity to bring a new character from dimension X, introduce inter-dimension portals and the Technodrome with only a one liner here or there that explains the significance of those items. And then, before we can think of any holes in the explanation, we are taken away to the next set of fast paced and fun action scenes that makes us not care about clarification.
I am happy to say that Teenage Mutant Ninja Turtles: Out of the Shadows is better than its predecessor in almost every way. It’s funnier and delivers the action at an almost frantic fast pace which will no doubt keep the youngsters eyes firmly fixed to the screen. For Dads, Megan Fox is back as April O’Neal and Moms get eye candy of their own with Casey Jones, who is played by Stephen Amell (Arrow). Both deliver the type of performance you would expect for a film like this, fun, upbeat and whimsical. Add in Will Arnett reprising his role as Vern and you have several laughs as this group interacts with the turtles.
On the villain side, we are introduced to the mutated Rhino Rocksteady and Warthog Bebop who are The Shredder’s new henchmen. Both of them are big, dumb, over the top…and they love it! This has been one of the best on screen representations of the duo yet. They add their own fun pace every time they are on film.
As a kids film, those expecting some kind of great explanation or exposition for story development will be disappointed. But those just looking to go along for the ride will feel right at home. The film doesn’t even balk at the opportunity to bring a new character from dimension X, introduce inter-dimension portals and the Technodrome with only a one liner here or there that explains the significance of those items. And then, before we can think of any holes in the explanation, we are taken away to the next set of fast paced and fun action scenes that makes us not care about clarification.
Ross (3282 KP) rated Rogue: Untouched in Books
May 11, 2021
Great X-person origin story+
Anyone who has seen the first X-men film will be aware of Rogue's backstory to an extent - an unfortunate teenage snog leaving a boy in a coma and resulting in her spending all her time isolated from touching others and spending her allowance on gloves.
In that film, Rogue is played by the wonderful Anna Paquin, who also starred as Sookie Stackhouse in True Blood. It both helped and confused me that in this book Rogue is waiting tables in a smalltown diner, blurring the lines between Rogue and Sookie for me. I kept expecting a vampire to walk through the diner doors. Instead, we are treated to the superb cajun Gambit, my favourite character from the early 90s cartoon series. He helps Rogue (Anna Marie) to discover that she has some mutant powers and how they could be used.
At the same time, Rogue meets two mysterious ladies who are seeking new students for their academy and encourage her to take a chance and give up her waiting career.
Rogue then finds herself embroiled in Gambit's past exploits with a mutant slave trader and has to quickly learn to use her powers (and those of the mutants around her) to escape their capture.
The book flows well, with plenty of character development for Rogue and a satisfying cast of familiar and new (to me at least!) mutants along the way - including one late reveal that I'm sure all readers will see coming a mile off.
While the book never dragged and the pace was great, I did struggle to get through this book as quickly as I had hoped. This is more down to things going on outwith my reading schedule (stupidly listening to 500 albums, marking professional exams and the kids' school holidays). However, while I can't quite put my finger on anything specific, the book didn't quite drag me back in for a sneaky 10 minutes during the day.
I did enjoy this book, as with some of the other Marvel novels issued recently, and would recommend it to anyone looking for something a bit super-hero-y but in a novel.
I received a free advance copy of this book from the publishers and netgalley in exchange for an honest review.
In that film, Rogue is played by the wonderful Anna Paquin, who also starred as Sookie Stackhouse in True Blood. It both helped and confused me that in this book Rogue is waiting tables in a smalltown diner, blurring the lines between Rogue and Sookie for me. I kept expecting a vampire to walk through the diner doors. Instead, we are treated to the superb cajun Gambit, my favourite character from the early 90s cartoon series. He helps Rogue (Anna Marie) to discover that she has some mutant powers and how they could be used.
At the same time, Rogue meets two mysterious ladies who are seeking new students for their academy and encourage her to take a chance and give up her waiting career.
Rogue then finds herself embroiled in Gambit's past exploits with a mutant slave trader and has to quickly learn to use her powers (and those of the mutants around her) to escape their capture.
The book flows well, with plenty of character development for Rogue and a satisfying cast of familiar and new (to me at least!) mutants along the way - including one late reveal that I'm sure all readers will see coming a mile off.
While the book never dragged and the pace was great, I did struggle to get through this book as quickly as I had hoped. This is more down to things going on outwith my reading schedule (stupidly listening to 500 albums, marking professional exams and the kids' school holidays). However, while I can't quite put my finger on anything specific, the book didn't quite drag me back in for a sneaky 10 minutes during the day.
I did enjoy this book, as with some of the other Marvel novels issued recently, and would recommend it to anyone looking for something a bit super-hero-y but in a novel.
I received a free advance copy of this book from the publishers and netgalley in exchange for an honest review.
Awix (3310 KP) rated Contagion (2011) in Movies
Apr 4, 2019
One Flu Over - The Cooker's Next
Steven Soderbergh's crack at the all-star disaster movie genre starts well but is eventually tripped up by its own insistence on naturalism and scientific rigour. Gwyneth Paltrow comes back from a business trip with mutant pig-bat flu, drops dead, gets cremated (see review title), authorities struggle to contain the spread of the virus. Gwynnie's widower Matt Damon wanders about looking mournful wondering how well he really knew his wife.
More a collection of subplots than an actual narrative, but there are plenty of good moments and strong performances to begin with (maybe not Jude Law's Australian accent, come to think of it). The problem is that Soderbergh sets out to do this seriously, which means that he struggles to build the thing to a proper climax with any real sense of closure: a real pandemic would be horrible, but not apocalyptic in the way it's usually presented in movies and TV shows. Soderbergh can't help but be effortlessly watchable and stylish though. Not sure what the point of the film is, except to traumatise germophobes and hypochondriacs, but it's good at that and engaging for everyone else.
More a collection of subplots than an actual narrative, but there are plenty of good moments and strong performances to begin with (maybe not Jude Law's Australian accent, come to think of it). The problem is that Soderbergh sets out to do this seriously, which means that he struggles to build the thing to a proper climax with any real sense of closure: a real pandemic would be horrible, but not apocalyptic in the way it's usually presented in movies and TV shows. Soderbergh can't help but be effortlessly watchable and stylish though. Not sure what the point of the film is, except to traumatise germophobes and hypochondriacs, but it's good at that and engaging for everyone else.
Mark @ Carstairs Considers (2053 KP) rated Dashing Through the Snowbirds in Books
Dec 23, 2022 (Updated Dec 23, 2022)
Programming an Ice Cold Murder
It’s a few days before Christmas, but Meg’s house isn’t full of visiting relatives like normal. Instead, it’s full of Canadians who are there trying to finish up a rush project. They are working with Mutant Wizards, Meg’s brother’s computer company. Their CEO, however, is less than ethical. Just as Meg starts to learn some of the things he’s been doing recently, he is killed out in her yard. Is she harboring a killer in her house?
It had a very busy couple of weeks, and I hadn’t realized just how stressful until I sat down with this book and began to truly relax while visiting Meg’s world again. As with the other Christmas entries in the series, the Christmas spirit comes through on every page. But it never forgets it is a murder mystery. The climax could have been a little stronger, but I’m being nitpicky there. I absolutely love this cast of characters, and I delighted in spending more time with them. They had me smiling and laughing as I read. If you need a dose of Christmas spirit, this book will definitely give it to you.
It had a very busy couple of weeks, and I hadn’t realized just how stressful until I sat down with this book and began to truly relax while visiting Meg’s world again. As with the other Christmas entries in the series, the Christmas spirit comes through on every page. But it never forgets it is a murder mystery. The climax could have been a little stronger, but I’m being nitpicky there. I absolutely love this cast of characters, and I delighted in spending more time with them. They had me smiling and laughing as I read. If you need a dose of Christmas spirit, this book will definitely give it to you.
Movie Metropolis (309 KP) rated X-Men: Days of Future Past (2014) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
More DC than Marvel
Bryan Singer’s return to the X-Men franchise comes at the perfect time both for the series and its director.
After last year’s poorly executed Jack the Giant Slayer, Singer needed to come back to home turf and after a string of irritating X-Men films, including the entertaining but soulless X-Men: The Last Stand and the downright offensive Wolverine origins story, it seems the superhero series needed to do the same.
But can a re-partnering 11 years after the brilliant X2 restore the magic of one of Marvel’s best comics?
Partially is the answer here. Singer restores the cinematic flair and sparkle of the series and brings back a lot of old faces but forgets a lot of the fun in the process.
x-men-days-of-future-past-character-poster-01.jpgDays of Future Past is set in a dystopian future as a war between mutants and humans continues to rage. Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and many other fan favourites return to the series after being absent for some time. We follow these characters as they try to escape the sentinels; an army of robots impressively rendered in CGI designed to kill any mutant on sight, friend or foe.
The only way to stop the war is to send a mutant back to 1973 when the sentinel program was put in motion. Unfortunately, Hugh Jackman’s Wolverine is the chosen one and remains the lead character throughout the film.
Back in 1973, the mutants from X-Men First Class are blissfully unaware of what lies in store for them, though they still have their own personal battles to deal with.
As the film progresses, it becomes painfully obvious that this is very much a “First Class” era film. James McAvoy’s impressive take on the young Charles Xavier returns, as does Michael Fassbender’s Magneto.
However, only Jennifer Lawrence’s Mystique makes a lasting impact amongst the 1973 era mutants. You can see the pain and torment etched onto her face throughout theJennifer-Lawrence-mystique film and as in The Hunger Games she steals focus from everyone around her. Game of Thrones’ Peter Dinklage also joins the cast as the film’s primary antagonist Bolivar Trask and is a real joy to watch. His character is understated in every way, but he remains an iconic presence throughout.
However, as impressive as the set pieces and acting performances are, it is in the future where we wish to see more. The ‘classic’ characters are barely given any screen time which is a real shame and the real mutant cost of the war is glossed over entirely. The special effects are genuinely very good. Each of the action sequences is well choreographed and the CGI is great, especially the rendering on the future sentinels which can adapt to seek a mutant’s power – no matter what it is.
Unfortunately, the fun factor is completely lost as Singer ramps up the tension and the death toll. In fact, only one character provides the humour and that is Evan Peters’ portrayal of Quicksilver who is only on screen for 15 minutes.
Overall, X-Men: Days of Future Past is definitely the best film of the series and thankfully does away with the atrocities that have been committed previously in the franchise. However, it feels like Singer was trying so hard to repair his predecessor’s mistakes, he forgot some of the key elements of a Marvel superhero film in the process – this is more DC than Marvel.
https://moviemetropolis.net/2014/06/01/x-men-days-of-future-past-review/
After last year’s poorly executed Jack the Giant Slayer, Singer needed to come back to home turf and after a string of irritating X-Men films, including the entertaining but soulless X-Men: The Last Stand and the downright offensive Wolverine origins story, it seems the superhero series needed to do the same.
But can a re-partnering 11 years after the brilliant X2 restore the magic of one of Marvel’s best comics?
Partially is the answer here. Singer restores the cinematic flair and sparkle of the series and brings back a lot of old faces but forgets a lot of the fun in the process.
x-men-days-of-future-past-character-poster-01.jpgDays of Future Past is set in a dystopian future as a war between mutants and humans continues to rage. Charles Xavier (Patrick Stewart), Magneto (Ian McKellen), Storm (Halle Berry) and many other fan favourites return to the series after being absent for some time. We follow these characters as they try to escape the sentinels; an army of robots impressively rendered in CGI designed to kill any mutant on sight, friend or foe.
The only way to stop the war is to send a mutant back to 1973 when the sentinel program was put in motion. Unfortunately, Hugh Jackman’s Wolverine is the chosen one and remains the lead character throughout the film.
Back in 1973, the mutants from X-Men First Class are blissfully unaware of what lies in store for them, though they still have their own personal battles to deal with.
As the film progresses, it becomes painfully obvious that this is very much a “First Class” era film. James McAvoy’s impressive take on the young Charles Xavier returns, as does Michael Fassbender’s Magneto.
However, only Jennifer Lawrence’s Mystique makes a lasting impact amongst the 1973 era mutants. You can see the pain and torment etched onto her face throughout theJennifer-Lawrence-mystique film and as in The Hunger Games she steals focus from everyone around her. Game of Thrones’ Peter Dinklage also joins the cast as the film’s primary antagonist Bolivar Trask and is a real joy to watch. His character is understated in every way, but he remains an iconic presence throughout.
However, as impressive as the set pieces and acting performances are, it is in the future where we wish to see more. The ‘classic’ characters are barely given any screen time which is a real shame and the real mutant cost of the war is glossed over entirely. The special effects are genuinely very good. Each of the action sequences is well choreographed and the CGI is great, especially the rendering on the future sentinels which can adapt to seek a mutant’s power – no matter what it is.
Unfortunately, the fun factor is completely lost as Singer ramps up the tension and the death toll. In fact, only one character provides the humour and that is Evan Peters’ portrayal of Quicksilver who is only on screen for 15 minutes.
Overall, X-Men: Days of Future Past is definitely the best film of the series and thankfully does away with the atrocities that have been committed previously in the franchise. However, it feels like Singer was trying so hard to repair his predecessor’s mistakes, he forgot some of the key elements of a Marvel superhero film in the process – this is more DC than Marvel.
https://moviemetropolis.net/2014/06/01/x-men-days-of-future-past-review/
LeftSideCut (3778 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 19, 2019 (Updated Oct 25, 2019)
A dammmnnn shame
Contains spoilers, click to show
Oh boy.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.