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Movie Metropolis (309 KP) rated X2: X-Men United (2003) in Movies
Jun 10, 2019
Fans had to wait three years for the release of X2, and with it came a much better film in almost every way. By introducing new mutants including Nightcrawler, played fabulously by Alan Cumming, to proceedings, X2 was a triumph in the superhero genre that brought this untested genre into the mainstream. The opening scene in which Nightcrawler tries to assassinate the US President is one of the best action sequences put in a superhero film, with perfect pacing and great tension building.
https://moviemetropolis.net/2019/06/01/the-entire-x-men-franchise-ranked/
https://moviemetropolis.net/2019/06/01/the-entire-x-men-franchise-ranked/
Kevin Phillipson (9973 KP) created a post
Dec 31, 2020
Dean (6925 KP) rated The New Mutants (2020) in Movies
Jul 18, 2021 (Updated Jul 18, 2021)
The cast (1 more)
Last section of the film
Not much X appeal
Put off watching this for a while after mainly bad reviews for it. It's definitely a bit strange for an X-Men film as it feels much like a teen horror. It reminded me of @The Ward (2010) as these mutants are held in a creepy looking hospital facility that's isolated.
Thankfully the cast does have some talent and Anya Taylor-Joy steals the light in her scenes.
Once past the slow and dull first half of the film it did pick up a bit for the finale. Most likely disappointing for X-Men fans but Horror fans might like it more.
Thankfully the cast does have some talent and Anya Taylor-Joy steals the light in her scenes.
Once past the slow and dull first half of the film it did pick up a bit for the finale. Most likely disappointing for X-Men fans but Horror fans might like it more.
Quinn Blackburn (3 KP) rated Svaha in Books
May 1, 2018
Potential and Change
Set in a future where people have retreated to walled cities, if they are lucky. Between the cities lies ravaged wasteland, mutants, polluted landscapes, disaster. Only Native American Enclaves have avoided the pollution running rampant through land and society. Years ago they withdrew with their superior technology, waiting for the day when their skills are needed to restore the Earth and heal the people. Gazhee, dogscout of the People, has been sent from his Enclave to report back on conditions and serve as the eyes of his people. His first task is to find out what happened to the Enclave plane brought down by someone in the nearest city. Has the time for healing begun, or is all hell about to break loose?
Jesters_folly (230 KP) rated This Island Earth (1955) in Movies
Sep 28, 2019
Contains spoilers, click to show
A scientist working on a new form of atomic energy is recruited by the mysterious Exeter to work with other scientists on secret project, but all is not what it seems.
This Island Earth is a classic 1950’s Sci-Fi flick, it starts as a bit of a mystery, a plane fails and is then remotely controlled, strange components arrive from an unknown company and Exeter is strange. Considering the age of the film, the effects aren’t too bad, there is the almost obligatory use of coloured light when things are being controlled, there are no visible string on the flying saucer and the costumes aren’t too terrible. Without going over the top with make up or prosthetics the film mangers to show that there is something ‘otherworldly’ about Exeter and his companions and even the alien planet of Metaluna is quite good.
This Island Earth also has, what has to be one of my all-time favourite aliens, the Metaluna Mutant. These are the total opposite of Exeter and costumed to look totally alien. They are almost pointless to the plot of the film. The normal Metaluna’s are not really an enemy so, to add a bit of threat to the end the film the mutants are introduced as a servant type race that have been mind-controlled but the hero’s run into a couple that are hurt which gives the opportunity to have the female lead chased around for a few minutes. The point is the mutants are unnecessary, the Metaluna leader has already created a threat which could have been used.
This Island Earth easily fits into the ‘Atomic fear’ movies of the 1950’s but also shows the hope the world had for nuclear power which makes the film a refreshing change from the normal alien invasion flic.
This Island Earth is a classic 1950’s Sci-Fi flick, it starts as a bit of a mystery, a plane fails and is then remotely controlled, strange components arrive from an unknown company and Exeter is strange. Considering the age of the film, the effects aren’t too bad, there is the almost obligatory use of coloured light when things are being controlled, there are no visible string on the flying saucer and the costumes aren’t too terrible. Without going over the top with make up or prosthetics the film mangers to show that there is something ‘otherworldly’ about Exeter and his companions and even the alien planet of Metaluna is quite good.
This Island Earth also has, what has to be one of my all-time favourite aliens, the Metaluna Mutant. These are the total opposite of Exeter and costumed to look totally alien. They are almost pointless to the plot of the film. The normal Metaluna’s are not really an enemy so, to add a bit of threat to the end the film the mutants are introduced as a servant type race that have been mind-controlled but the hero’s run into a couple that are hurt which gives the opportunity to have the female lead chased around for a few minutes. The point is the mutants are unnecessary, the Metaluna leader has already created a threat which could have been used.
This Island Earth easily fits into the ‘Atomic fear’ movies of the 1950’s but also shows the hope the world had for nuclear power which makes the film a refreshing change from the normal alien invasion flic.
Joe Goodhart (27 KP) rated New Mutants by Zeb Wells: The Complete Collection in Books
Nov 30, 2020
So, thanks to recent good deals on Comixology, as well as mandated COVID-19 stay-@-home in NC (it's the same elsewhere in the U.S., but I just felt like throwing out where I am in the mess), I have taken it upon myself to catch up with some classic Marvel mutant madness that I had missed first time around. For this week's excursion, I took on Zeb Wells' NEW MUTANTS run.
First, let me say that I had never read anything Wells had written before this. That being said, I would agree with what I saw a number of people saying in their reviews: that Zeb Wells does a bang-up job of writing for X-youngins! The dialogue and characterization never felt off or just plain badly written. It felt like he had a genuine fondness for the characters, and it was reflected in the way he treated them in the stories.
The only thing that prevented me from giving it four Stars was the art. I felt the stories detailed were interesting and several towards the end were very tense and exciting to me. However, that art? Not so much.
It started out great in the beginning w/the art by Dio Neves during "Return of the Legion". However, it just became a sea of inconsistency, as just too many artists of varied styles made for a mess that kept it from being a four Star book!
Final conclusion.. The art, while severely conflicting with the differences in styles, was not a high point of the book. Zeb Wells' writing? So, so good! Made me remember that not all the X-books at that point in time were angst-y and full of internalized self-conflicts!
Next on my list? I have the two volumes of Dan Abnett and Andy Lanning's run of NEW MUTANTS, which picks up after Wells' run. To coin a phrase from comedian John Mulaney's act, "This oughta be good!". See y'all when I am finished with that one.
First, let me say that I had never read anything Wells had written before this. That being said, I would agree with what I saw a number of people saying in their reviews: that Zeb Wells does a bang-up job of writing for X-youngins! The dialogue and characterization never felt off or just plain badly written. It felt like he had a genuine fondness for the characters, and it was reflected in the way he treated them in the stories.
The only thing that prevented me from giving it four Stars was the art. I felt the stories detailed were interesting and several towards the end were very tense and exciting to me. However, that art? Not so much.
It started out great in the beginning w/the art by Dio Neves during "Return of the Legion". However, it just became a sea of inconsistency, as just too many artists of varied styles made for a mess that kept it from being a four Star book!
Final conclusion.. The art, while severely conflicting with the differences in styles, was not a high point of the book. Zeb Wells' writing? So, so good! Made me remember that not all the X-books at that point in time were angst-y and full of internalized self-conflicts!
Next on my list? I have the two volumes of Dan Abnett and Andy Lanning's run of NEW MUTANTS, which picks up after Wells' run. To coin a phrase from comedian John Mulaney's act, "This oughta be good!". See y'all when I am finished with that one.
Ross (3282 KP) rated Logan (2017) in Movies
May 29, 2018
The Wolverine film we've all been waiting for
Finally we get a decent gory, angry Wolverine and for once a dark, violent character being stuck with a child doesn't make him more mild, it made her more ... violent.
The film sees Logan caring for Charles Xavier struggling with dementia and catastrophic seizures, driving a limousine to make ends meet in a world where mutants are outlawed. He ends up journeying across America with young Mexican mutant Laura, whose powers match Wolverine's. While the plot is not particularly new or complex, it is good enough to carry the action.
The action is so much darker and more bloody than in any other X-Men film - I strongly believe Deadpool opened the door for them to make a truly adult film (not like that!), with no spandex in sight.
I see this as the final chapter in Hugh Jackman's time as Wolverine, though I can see more life still in the X-Men franchise (or a re-boot thereof).
The film sees Logan caring for Charles Xavier struggling with dementia and catastrophic seizures, driving a limousine to make ends meet in a world where mutants are outlawed. He ends up journeying across America with young Mexican mutant Laura, whose powers match Wolverine's. While the plot is not particularly new or complex, it is good enough to carry the action.
The action is so much darker and more bloody than in any other X-Men film - I strongly believe Deadpool opened the door for them to make a truly adult film (not like that!), with no spandex in sight.
I see this as the final chapter in Hugh Jackman's time as Wolverine, though I can see more life still in the X-Men franchise (or a re-boot thereof).
Mothergamer (1521 KP) rated The Witcher - Season 1 in TV
Nov 15, 2021
I love the Witcher series having read the books and played the games. It was interesting the way they had the time jumps, but I can see how that would be confusing for people new to the series. It was really well done and they got it right with Henry Cavill because he got Geralt's mannerisms and voice down perfectly. I know people have commented about that low monotone voice, but the thing is that is how Geralt talks in the games and the books. Witchers are basically mutants and one of the things that changes is how they show emotions, they can't emote very well in their face and voice. Henry Cavill got that right. I feel what they did with Fringilla's character is a little odd, but I get why they did it that way and Yennefer's story arc was very interesting. I hope to see more of her in season 2. Overall, very well done.
Emma @ The Movies (1786 KP) rated The New Mutants (2020) in Movies
Sep 2, 2020
Contains spoilers, click to show
It's been 84 years... Well, not quite but that long, but near enough.
Dani wakes in a facility, chained to a bed with no clue how she got there after a disaster that devastated her home. She soon meets four other patients, all teens with mutant powers that have been gathered to learn how to control their powers so they can safely join others like them in another facility. But with Dani's arrival, everyone is about to learn what real nightmares are made of.
I sat and stared at this blank space for a while, I have been looking forward to New Mutants for so long and I've been contemplating if that anticipation has affected my enjoyment of it now that I've finally seen it... sadly, I don't think it did.
The promise that this film had in the trailer was pretty big, it looked much darker, a lot scarier, and I was excited for such a big diversion from what we're used to. Yes, the final product was definitely different but, as always, the trailer oversells aspects that aren't really representative of the completed film.
Watching New Mutants was very familiar. There's a certain amount of X-Men/mutant recognition, but there's also touches of Glass (unfortunate considering NM was scheduled for release before it originally) and Runaways. Without a bigger hook in the story it started to feel like an ironing film... something you put on while you have other things to do. Even with all new material it lacked any punch to give it some thrill.
The film is very much an origin story for these characters rather than something in its own right. Similar to Birds Of Prey you've got a lot of new people to meet and learn about, but in BoP this is done with a traditional base story and the characters on top and here everything is new... powers, characters, environments... that excess of new information is not quite as cohesive. In the hospital environment they're all understandably at odds with the doctor and each other, but that seems to change at the drop of a hat for no logical reason.
Out of everyone I was only really impressed with Henry Zaga's portrayal of Roberto da Costa, that was probably because of the humour in his role that broke the seriousness of everything around him. There were solid dramatic moments from him too but the role of Berto did suffer a knock with one of my other issues, and that was the seemingly shoehorned sex. We get it, teens are horny in films, but why was it necessary at all? Berto's storyline could easily have been adapted into something different and Rahne's backstory seems to have been twisted slightly to include it when there was a perfectly good story there already.
I'm not massively familiar with these characters outside of the film, Berto/Sunspot was in Days Of Future Past but I didn't realise this connection until afterwards. I thought it was a shame that there wasn't really a crossover with the rest of the universe when there were opportunities all over the place. Rahne is connected to Moira MacTaggert, Sam has mutant siblings, Illyana is Colossus' sister and the Essex Corporation is likely the same company that ran the orphanage in Deadpool 2... yet the only mentions of the outside universe are thrown in and felt like they were added without much thought and only because we'd expect them to say something about it.
I'm sorry, at this point my rant is just flowing... stay with me a little longer.
What New Mutants felt like it was missing was a villain, which is odd when there are so many bad guys. You have Essex Corp, but there's not enough about them to be anything more than a thought for the future. We're then left with the inner demons from Dani's mutant power, but they're technically undefeatable because they're a creation... so this just makes the film a bonding exercise between the five of them. Something to contemplate though... if they're experiencing their own demons because of Dani's power then how is it that Illyana's smileys go for Berto and Sam when she isn't there? Surely they should vanish when she does? I'm going to have to do more reading about this team, if you know about them then please do give me a crash course.
There are still some good effects and the idea of a darker tone to the universe has a lot of potential, but let's face it, we're never likely to see it again... though the end of the film would like you to believe otherwise with its walk off into the sunset-esque moment. They went full Artemis Fowl with us and lined up a sequel... we're not getting a sequel out of that no matter how much potential they have in the wings... surely?
I still vaguely enjoyed watching New Mutants, if I had my Unlimited Card I would be seeing it again, I wouldn't even have minded getting this as a VOD title because I would have got a few viewings in for my money... but let's face it, this felt more like a double length feature at the start of a new TV series than a film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/09/the-new-mutants-movie-review-spoilers.html
Dani wakes in a facility, chained to a bed with no clue how she got there after a disaster that devastated her home. She soon meets four other patients, all teens with mutant powers that have been gathered to learn how to control their powers so they can safely join others like them in another facility. But with Dani's arrival, everyone is about to learn what real nightmares are made of.
I sat and stared at this blank space for a while, I have been looking forward to New Mutants for so long and I've been contemplating if that anticipation has affected my enjoyment of it now that I've finally seen it... sadly, I don't think it did.
The promise that this film had in the trailer was pretty big, it looked much darker, a lot scarier, and I was excited for such a big diversion from what we're used to. Yes, the final product was definitely different but, as always, the trailer oversells aspects that aren't really representative of the completed film.
Watching New Mutants was very familiar. There's a certain amount of X-Men/mutant recognition, but there's also touches of Glass (unfortunate considering NM was scheduled for release before it originally) and Runaways. Without a bigger hook in the story it started to feel like an ironing film... something you put on while you have other things to do. Even with all new material it lacked any punch to give it some thrill.
The film is very much an origin story for these characters rather than something in its own right. Similar to Birds Of Prey you've got a lot of new people to meet and learn about, but in BoP this is done with a traditional base story and the characters on top and here everything is new... powers, characters, environments... that excess of new information is not quite as cohesive. In the hospital environment they're all understandably at odds with the doctor and each other, but that seems to change at the drop of a hat for no logical reason.
Out of everyone I was only really impressed with Henry Zaga's portrayal of Roberto da Costa, that was probably because of the humour in his role that broke the seriousness of everything around him. There were solid dramatic moments from him too but the role of Berto did suffer a knock with one of my other issues, and that was the seemingly shoehorned sex. We get it, teens are horny in films, but why was it necessary at all? Berto's storyline could easily have been adapted into something different and Rahne's backstory seems to have been twisted slightly to include it when there was a perfectly good story there already.
I'm not massively familiar with these characters outside of the film, Berto/Sunspot was in Days Of Future Past but I didn't realise this connection until afterwards. I thought it was a shame that there wasn't really a crossover with the rest of the universe when there were opportunities all over the place. Rahne is connected to Moira MacTaggert, Sam has mutant siblings, Illyana is Colossus' sister and the Essex Corporation is likely the same company that ran the orphanage in Deadpool 2... yet the only mentions of the outside universe are thrown in and felt like they were added without much thought and only because we'd expect them to say something about it.
I'm sorry, at this point my rant is just flowing... stay with me a little longer.
What New Mutants felt like it was missing was a villain, which is odd when there are so many bad guys. You have Essex Corp, but there's not enough about them to be anything more than a thought for the future. We're then left with the inner demons from Dani's mutant power, but they're technically undefeatable because they're a creation... so this just makes the film a bonding exercise between the five of them. Something to contemplate though... if they're experiencing their own demons because of Dani's power then how is it that Illyana's smileys go for Berto and Sam when she isn't there? Surely they should vanish when she does? I'm going to have to do more reading about this team, if you know about them then please do give me a crash course.
There are still some good effects and the idea of a darker tone to the universe has a lot of potential, but let's face it, we're never likely to see it again... though the end of the film would like you to believe otherwise with its walk off into the sunset-esque moment. They went full Artemis Fowl with us and lined up a sequel... we're not getting a sequel out of that no matter how much potential they have in the wings... surely?
I still vaguely enjoyed watching New Mutants, if I had my Unlimited Card I would be seeing it again, I wouldn't even have minded getting this as a VOD title because I would have got a few viewings in for my money... but let's face it, this felt more like a double length feature at the start of a new TV series than a film.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/09/the-new-mutants-movie-review-spoilers.html
Ross (3282 KP) rated Deadpool Classic Volume 1 in Books
Aug 20, 2018
This collection of Deadpool's first appearances gets off to a very "meh" start, with a brief appearance in an issue of New Mutants. There then follows two distinct, but similar, storylines with more of a Deadpool focus. Here the artwork is great, but there is a dated feel to it, and the cod Irish dialogue from Banshee and Syren is cringeworthy.
The final issue is the start of Joe Kelly's tenure as Deadpool writer. Here the banter and 4th wall breaking is turned up a notch and Deadpool starts to feel better defined, albeit still in dire need of a decent enemy to face. However the artwork doesn't quite sit right with me, its all a bit too quirky and cartoony (big hands and faces and every other character has a cigar between his teeth). And adding this one issue into this collection just seems odd, as Deadpool as a character is very different to the previous stories, has a completely different setup and technology and just doesn't fit in at all.
The final issue is the start of Joe Kelly's tenure as Deadpool writer. Here the banter and 4th wall breaking is turned up a notch and Deadpool starts to feel better defined, albeit still in dire need of a decent enemy to face. However the artwork doesn't quite sit right with me, its all a bit too quirky and cartoony (big hands and faces and every other character has a cigar between his teeth). And adding this one issue into this collection just seems odd, as Deadpool as a character is very different to the previous stories, has a completely different setup and technology and just doesn't fit in at all.