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Erika (17788 KP) rated The Life and Trials of Oscar Pistorius (30 for 30) in TV
Nov 25, 2020
I love ESPN's 30 for 30 series (the Tonya Harding documentary is one of my favorite sports docs). When I saw that they had done a series about Oscar Pistorius, I was all in.
This series consists of 4 episodes, that are nearly 2 hours each. To clarify, these TV shows with really long eps are not the norm in the USA, like they are elsewhere.
I had watched the Dateline ep on the Pistorious murder a few weeks before I watched this series. Of course, the narrative is of that one was skewed towards the story of domestic violence, and justice for Reeva. This is the story that's peddled all over the world. Not that it's wrong, I'm a supporter of women in domestic situations, but it's always struck me as extremely biased.
This doc did focus on Oscar, his upbringing, and his quest to complete in the able-bodied (sheesh - that's awful) Olympics. His side of the story is highly plausible, and his actions were a product of his upbringing. The documentary films really shed like on the social situation in South Africa at the time. Honestly, I only took one history class that dealt with continent in general, so there wasn't really a focus on the country itself. Seriously, the only things that stood out in my mind regarding South Africa were their incredibly odd accents, Mandela, and District 9. So, I found the additional information extremely interesting.
Overall, I found it to be far more balanced than anything I had seen in the past regarding the case, which was refreshing.
This series consists of 4 episodes, that are nearly 2 hours each. To clarify, these TV shows with really long eps are not the norm in the USA, like they are elsewhere.
I had watched the Dateline ep on the Pistorious murder a few weeks before I watched this series. Of course, the narrative is of that one was skewed towards the story of domestic violence, and justice for Reeva. This is the story that's peddled all over the world. Not that it's wrong, I'm a supporter of women in domestic situations, but it's always struck me as extremely biased.
This doc did focus on Oscar, his upbringing, and his quest to complete in the able-bodied (sheesh - that's awful) Olympics. His side of the story is highly plausible, and his actions were a product of his upbringing. The documentary films really shed like on the social situation in South Africa at the time. Honestly, I only took one history class that dealt with continent in general, so there wasn't really a focus on the country itself. Seriously, the only things that stood out in my mind regarding South Africa were their incredibly odd accents, Mandela, and District 9. So, I found the additional information extremely interesting.
Overall, I found it to be far more balanced than anything I had seen in the past regarding the case, which was refreshing.
Caffeinated Fae (464 KP) rated Murder Notes (Lilah Love #1) in Books
Apr 15, 2019
Meh.
When I heard that Lisa Renee Jones had written a mystery I have to admit, I was a little confused. I’m not a huge fan of mysteries and I tend to hate how predictable they. With that said, I do love a good suspense thriller every now and then. I was a big fan of Lisa Renee Jones’ romances so I was hoping that this might be a mystery that I loved. I truly had hopes that the author would delve deeper into the thriller aspect of this book. Unfortunately, it seems like this book just fell flat for me.
One thing that seemed off to me was how many redundant phrases there were. The author really seemed to love “Murder Girl,” “Devil in the Details,” and “Otherworld.” These were used constantly and it became annoying after a bit. The writing was not my favorite either. It could be that Lisa was taking on the Mystery genre so she was trying hard to change her voice, unfortunately, it seemed to fall flat to me.
The plot was interesting and it did keep me guessing but though intrigued, I never felt the need to pick up this book. I wouldn’t have read it as fast as I did if it wasn’t for the fact that I was on her ARC team. There were no moments where I was on the edge of my seat wondering what was going to happen next. It’s a little disappointing how slow this story was.
The redeeming part of this book was how intricate the plot line was. Though it was slow, it was elaborate and interesting. I never knew what to expect and I appreciated it. There were, of course, a few no brainers with the book but I enjoyed how thought out the plot was. It kept my attention even though it was a slow read.
All in all, I won’t be continuing on in the series. Though the plot kept my interest I was definitely not impressed.
*I received this book in exchange for an honest review.
One thing that seemed off to me was how many redundant phrases there were. The author really seemed to love “Murder Girl,” “Devil in the Details,” and “Otherworld.” These were used constantly and it became annoying after a bit. The writing was not my favorite either. It could be that Lisa was taking on the Mystery genre so she was trying hard to change her voice, unfortunately, it seemed to fall flat to me.
The plot was interesting and it did keep me guessing but though intrigued, I never felt the need to pick up this book. I wouldn’t have read it as fast as I did if it wasn’t for the fact that I was on her ARC team. There were no moments where I was on the edge of my seat wondering what was going to happen next. It’s a little disappointing how slow this story was.
The redeeming part of this book was how intricate the plot line was. Though it was slow, it was elaborate and interesting. I never knew what to expect and I appreciated it. There were, of course, a few no brainers with the book but I enjoyed how thought out the plot was. It kept my attention even though it was a slow read.
All in all, I won’t be continuing on in the series. Though the plot kept my interest I was definitely not impressed.
*I received this book in exchange for an honest review.
Gareth von Kallenbach (965 KP) rated A Perfect Getaway (2009) in Movies
Aug 9, 2019
If “Survivorman” hadn’t given me enough reason to never spend time on a remote beach, “A Perfect Getaway” has sealed my resolve. Cliff (Steve Zahn) and Cidney (Milla Jovovich) are newlyweds honeymooning on a remote Hawaiian Island when rumors of a murderous couple begin to circulate. Cliff and Cidney soon find themselves in a triangle of couples, any of which could be the killers.
The film is more akin to a blending of “The Rundown” and “Idle Hands”, than the non-stop creep fest I had expected. Avoiding the exhausted remote Hawaiian island murder movie clichés, “A Perfect Getaway” contains a funny attention-grabbing game of who-done it complete with movie terms worked directly into the plot.
This is a film all about well-crafted characters. All the leads are fun to watch and everyone is bound to have a favorite; from the self proclaimed ‘American Jedi’ Nick (Timothy Olyphant) to the bubbly newlywed Cindy. For me it was the standout performance of Kiele Sanchez as Gina that was the most dramatic and suspenseful.
While I was hesitant to see a film about another a remote island in Hawaii covered in killers, “A Perfect Getaway” blasts past my sense of been there-done-that. The general feel of a mystery novel scattered through the lead characters creates a funny film reminiscent of my R. L. Stine years.
The location is beautiful and haunting, as is to be expected, and the camera is used in a way that truly puts viewers in the film’s action. While “A Perfect Getaway” does drag a little in the beginning staying into the real meat of the film is worth the wait. Additionally viewers will wonder why the film’s characters continue to spend time on an island reported to house a set of murders, but if you can discard these obvious mistakes “A Perfect Getaway” is a refreshing trip.
The film is more akin to a blending of “The Rundown” and “Idle Hands”, than the non-stop creep fest I had expected. Avoiding the exhausted remote Hawaiian island murder movie clichés, “A Perfect Getaway” contains a funny attention-grabbing game of who-done it complete with movie terms worked directly into the plot.
This is a film all about well-crafted characters. All the leads are fun to watch and everyone is bound to have a favorite; from the self proclaimed ‘American Jedi’ Nick (Timothy Olyphant) to the bubbly newlywed Cindy. For me it was the standout performance of Kiele Sanchez as Gina that was the most dramatic and suspenseful.
While I was hesitant to see a film about another a remote island in Hawaii covered in killers, “A Perfect Getaway” blasts past my sense of been there-done-that. The general feel of a mystery novel scattered through the lead characters creates a funny film reminiscent of my R. L. Stine years.
The location is beautiful and haunting, as is to be expected, and the camera is used in a way that truly puts viewers in the film’s action. While “A Perfect Getaway” does drag a little in the beginning staying into the real meat of the film is worth the wait. Additionally viewers will wonder why the film’s characters continue to spend time on an island reported to house a set of murders, but if you can discard these obvious mistakes “A Perfect Getaway” is a refreshing trip.
Andy K (10821 KP) rated Dial M for Murder (1954) in Movies
Sep 15, 2019
An unsavory proposition
When ranking Hitchcock's elite films, Dial M For Murder doesn't usually get mentioned in the top 5 including Psycho, Rear Window, Vertigo North By Northwest and maybe The Birds, but it should be. I went through a Hitchcock phase myself a few years back (I would think most serious film fans would at some point). Although, I still have several to go, most still hold up as suspense/thriller classics definitely including this film.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
Ex tennis pro Tony Wendice, now married to beautiful and wealthy Margot, has discovered her secret, she's been seeing another man. Months earlier he discovered a love letter from her lover in her handbag and secretly blackmailed for with this information.
Tony decides to invite an old college acquaintance, currently an unsavory character over to their home to explain his plot for this man killing his wife. He would then stand to inherit her fortunes as he is the beneficiary of her will. The man agrees so the plot is set.
The next evening, Tony is out with friends (to ensure his alibi) and phones Margot late in the evening so she rises to answer with the perpetrator waiting for her. After he slips a stocking around her neck to strangle her, a struggle ensues. Instead of her murder, Margot manages to stab the assailant in the back with a pair of nearby scissors. The man falls to the ground in pain driving the scissors deeper within finishing the job for him instead.
The ensuing police investigation initially feels the facts just don't add up since there was no break in and the man did not have a key on him, but he did have the love letter Tony planted on him before the police initially arrived. Fingers eventually point toward Margot as the killer since the facts seem to lead that way.
The 3rd act is brilliant in the way the eventual plot is discovered and how the police ensure Tony incriminates himself as the true antagonist.
Hitchcock's use of camera framing and movement to reveal certain scene elements only when he wants you to see them is one of my favorite elements of his films. He obviously chose source materials which suited his natural abilities to tell sinister or suspenseful stories and this one works just as well as some of his more famous classics.
Ray Milland is charming and diabolical as Tony, never letting on to his beautiful wife (the gorgeous Princess Grace Kelly) the dastardly scheme he has cooked up for her demise or his initial deeds of blackmail. The reveal at the beginning of the murder plot takes the audience on maybe a typical Hitchcock suspense route, but you never know where or when the twists are going to come, but you are willing to go along for the ride.
Your emotions turn from shock having seen the murder to disgust when Margot is eventually blamed for it and then finally to delight when Tony performs just as the police want him to in the end.
Acanthea Grimscythe (300 KP) rated The Chalk Man in Books
May 16, 2018
It’s hard to believe that The Chalk Man by C. J. Tudor is a debut; it’s even harder to believe that it’s not considered horror. Though the book focuses primarily on a whodunnit sort of plot, it borrows heavily from my favorite genre. Certain elements of The Chalk Man are downright grisly, which is a welcoming change from many of the mystery books I tend to read. Then again, I love gore and that’s no secret.
The Chalk Man bounces flawlessly between past and present as the story of an unfortunate girl’s murder unravels. Normally, I find back and forth plots confusing. Tudor approaches this not by labeling each shift as a new chapter, but by naming the chapters with the year they take place. This weaving of the plot creates a sense of urgency, with each chapter ending on the cusp of a new discovery. When all the cards are on the table, nothing is as it seems. The popular, snarky definition of the word “assume” definitely plays a heavy-handed role in this book and Tudor pulls it off well.
Creating complex characters appears to be another forte of Tudor’s. By complex, I mean that his cast, much like the plot, has as several layers to it. In some cases, this can make a story difficult to comprehend, but Tudor exercises some caution in giving any of his characters too many traits.
The Chalk Man is a quick, entertaining read which is always a plus. The constant action kept the book from becoming a chore and thus I was able to devour it in a few days. I’d like to thank Penguin’s First to Read program for providing me with a free copy of this book. This review reflects my own opinion.
The Chalk Man bounces flawlessly between past and present as the story of an unfortunate girl’s murder unravels. Normally, I find back and forth plots confusing. Tudor approaches this not by labeling each shift as a new chapter, but by naming the chapters with the year they take place. This weaving of the plot creates a sense of urgency, with each chapter ending on the cusp of a new discovery. When all the cards are on the table, nothing is as it seems. The popular, snarky definition of the word “assume” definitely plays a heavy-handed role in this book and Tudor pulls it off well.
Creating complex characters appears to be another forte of Tudor’s. By complex, I mean that his cast, much like the plot, has as several layers to it. In some cases, this can make a story difficult to comprehend, but Tudor exercises some caution in giving any of his characters too many traits.
The Chalk Man is a quick, entertaining read which is always a plus. The constant action kept the book from becoming a chore and thus I was able to devour it in a few days. I’d like to thank Penguin’s First to Read program for providing me with a free copy of this book. This review reflects my own opinion.
Heather Cranmer (2721 KP) rated Spare Room in Books
Feb 19, 2020 (Updated Feb 19, 2020)
While browsing Audible one day for an audiobook to listen to, I stumbled upon Spare Room by Dreda Say Mitchell. The book synopsis instantly had me hooked, and I knew I had to listen to this book. I ended up liking Spare Room very much!
Lisa is a young women with some psychological problems. However, she is determined to make it on her own without relying on her parents. When she spots an ad in the newspaper for a spare room in London for a great price, she inquires about the room and ends up living there. After finding a suicide note in her room, Lisa decides to find out more about this man while trying to figure out her own murky past. However, all this will place Lisa in grave danger.
The plot for Spare Room was highly interesting and written very well. Mitchell did a fantastic job at making it easy to transport readers into the setting. I felt like I was with Lisa every step of the way. The pacing, for the most part, is decent, and I found myself having to know more. There were a few spots were the pacing slowed, but for the most part, this book had a lot of action. I had to know more about Lisa's past. There were times I was questioning whether Lisa was sane horrific things happen to her or if she was just losing her mind. There were quite a few plot twists. Some were predictable, but others, I never saw coming. All of my questions were answered by the end of the book, and there were no cliff hangers which I was happy about.
The characters in Spare Room all felt realistic and like they were real people instead of characters in a novel. Mitchell did such a great job of breathing life into each individual character. Lisa was such a complex woman. I admired her tenacity to find out the truth at all costs even when she had everything going against her. Her determination was fierce, and she never let anyone get in her way. Alex was a sweetheart, and I loved how caring he was towards Lisa and how much he helped her out. Lisa's parents cared for Lisa, it was obvious, but I found myself wishing they would go about helping Lisa in better ways. Martha and Jack were fantastic! I always found myself not trusting Martha even though she came across as completely innocent to begin with, and I was always wondering if Jack really was as bad as Lisa thought he was. Patsy was probably my favorite character. That old woman reminded me of my grandma a lot of the time.
The narration, done by Kristin Atherton, was pretty good for the most part. I felt like Atherton started out the beginning of the book a bit flat, but she quickly got better. Her accents and voice changes for different characters were fantastic especially for the characters of Jack and Patsy.
Trigger warnings for Spare Room include violence, animal murder, attempted murder, murder, suicide, alcohol, some sex (though not graphic), profanity, and gas-lighting.
All in all, Spare Room weaves an interesting story with a fantastic cast of characters that will suck you right into their world. I would definitely recommend Spare Room by Dreda Say Mitchell to everyone aged 16+ who loves a great solid story.
Lisa is a young women with some psychological problems. However, she is determined to make it on her own without relying on her parents. When she spots an ad in the newspaper for a spare room in London for a great price, she inquires about the room and ends up living there. After finding a suicide note in her room, Lisa decides to find out more about this man while trying to figure out her own murky past. However, all this will place Lisa in grave danger.
The plot for Spare Room was highly interesting and written very well. Mitchell did a fantastic job at making it easy to transport readers into the setting. I felt like I was with Lisa every step of the way. The pacing, for the most part, is decent, and I found myself having to know more. There were a few spots were the pacing slowed, but for the most part, this book had a lot of action. I had to know more about Lisa's past. There were times I was questioning whether Lisa was sane horrific things happen to her or if she was just losing her mind. There were quite a few plot twists. Some were predictable, but others, I never saw coming. All of my questions were answered by the end of the book, and there were no cliff hangers which I was happy about.
The characters in Spare Room all felt realistic and like they were real people instead of characters in a novel. Mitchell did such a great job of breathing life into each individual character. Lisa was such a complex woman. I admired her tenacity to find out the truth at all costs even when she had everything going against her. Her determination was fierce, and she never let anyone get in her way. Alex was a sweetheart, and I loved how caring he was towards Lisa and how much he helped her out. Lisa's parents cared for Lisa, it was obvious, but I found myself wishing they would go about helping Lisa in better ways. Martha and Jack were fantastic! I always found myself not trusting Martha even though she came across as completely innocent to begin with, and I was always wondering if Jack really was as bad as Lisa thought he was. Patsy was probably my favorite character. That old woman reminded me of my grandma a lot of the time.
The narration, done by Kristin Atherton, was pretty good for the most part. I felt like Atherton started out the beginning of the book a bit flat, but she quickly got better. Her accents and voice changes for different characters were fantastic especially for the characters of Jack and Patsy.
Trigger warnings for Spare Room include violence, animal murder, attempted murder, murder, suicide, alcohol, some sex (though not graphic), profanity, and gas-lighting.
All in all, Spare Room weaves an interesting story with a fantastic cast of characters that will suck you right into their world. I would definitely recommend Spare Room by Dreda Say Mitchell to everyone aged 16+ who loves a great solid story.
Gareth von Kallenbach (965 KP) rated Green Room (2015) in Movies
Aug 6, 2019
After a fruitless tour, a punk group, The Ain’t Rights, find themselves out of money and stealing gas to get back home. When a recommendation from a fan looking for an interview leads them to play one more show out in the backwoods of Oregon to a crowd of white supremacists, they become witnesses to a murder and barricade themselves in the green room. With no clear escape, they enter into a deadly battle of wills with the owner of the club, and his band of skinheads, and quickly discover that they have no intention of letting them leave alive.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
It’s to the point now where if the A24 logo is at the front of a flick, chances are I’m handing over my hard-earned cash. Enemy, Locke, A Most Violent Year, Ex Machina, Slow West – they’ve been distributing some of my favorite films from the last few years and are fast becoming a powerhouse for indie movies, not unlike Focus Features a little more than a decade ago. Unfortunately, this means I set my expectations a little too high on my way into Green Room, which was not hard to do when you combine A24’s track record with the emerging talent of writer/director Jeremy Saulnier. Blue Ruin, his second feature, was the surprise indie hit of 2013. Expertly crafted and deliberately paced, it harkened back to 70’s-style bleak and gritty filmmaking. Green Room also features some of the DNA that made Blue Ruin great, those quite moments of high-tension leading into heart-stopping explosions of extreme violence are present and accounted for, but a thinner plot and characters who are severely underdeveloped show that this story, to its detriment, was in much more of a rush to get where it was going than its predecessor was.
Green Room’s major selling point is of course, Patrick Stewart. Adding one part Cameron Alexander (Stacy Keach’s character from American History X) to one part Walter White/Heisenberg, his performance will undoubtedly go down as one of the greatest departures of our time. Having said that, and believe me when I say I’m loathe to fly in the face of what an exceptional casting choice this was, he is frustratingly underutilized. It does speak to what an unrivaled talent he is when he can build most of his menace from the other side of a locked door, but regardless of how solid the performance is, his presence is merely a set-piece. A role with this little screen time rivals Anthony Hopkins in The Silence of the Lambs (they both had what probably amounted to about 15 minutes of screen time, or less), but I’m certain Stewart’s won’t leave as lasting an impression. To be blunt, if you’re queuing up just for him, you may come away disappointed.
The flip side to this comes about through Imogen Poots as Amber, friend to the murder victim and unfortunate enough to get trapped backstage with the band. Much of the best dialogue, along with some incredible moments of jaw-dropping spontaneity, comes her way and it’s her deadpan delivery that steals the show. Though we are supposed to root for the band, it was her cynical “inside man” that drew me further into their nightmare situation and kept me hoping that she might be the one to survive and give the skinheads the brutal justice they deserved.
For now, I’m sticking to my guns and giving Green Room just half marks, but I look forward to a second viewing at home in a few months, where I’m certain my opinion of it will improve, due to my expectations being more aligned and the foreknowledge that this is simple and standard survival horror fare…that just happens to feature Picard as a neo-Nazi.
Karica Truebenbach (156 KP) rated Serpentine in Books
Sep 29, 2018
Finally!
So I just finished Serpentine in the Anita Blake series. I borrowed it from the library because, well, the series has gone down in quality. In this one, Anita is back to kicking ass and taking names! All of my favorite characters are back (Edward, Olaf, Nicky) and happily, Richard and his baggage are nowhere to be found. Anita's let go of alot of her own so she didn't push and moan her way through this one. Finally.
In Serpentine, Anita and her fiances are in Florida for Edward and Donna's wedding, where Micah has also been in contact with a new group of "Weres" whose body parts become actual snakes. Of course, despite promising to use this time as a threesome vacation, the Four Horsemen have to solve a murder and a kidnapping, deal with a new flavor of psychic, a wedding party that is completely crazy, and keep her relationship going. There is some sex (which honestly makes me happy), but it's not the focus of the story. This book reminds readers that Anita has always been a badass with badass friends, and they start doing what they do best. Even Donna shows some fire, though it quickly goes out again. Still, Anita hardly does any magic or psychic stuff compared to the other books and manages to come out swinging. Hamilton seems to have gotten the memo about the series, because this book finally focused on the action outside of the bedroom.
In Serpentine, Anita and her fiances are in Florida for Edward and Donna's wedding, where Micah has also been in contact with a new group of "Weres" whose body parts become actual snakes. Of course, despite promising to use this time as a threesome vacation, the Four Horsemen have to solve a murder and a kidnapping, deal with a new flavor of psychic, a wedding party that is completely crazy, and keep her relationship going. There is some sex (which honestly makes me happy), but it's not the focus of the story. This book reminds readers that Anita has always been a badass with badass friends, and they start doing what they do best. Even Donna shows some fire, though it quickly goes out again. Still, Anita hardly does any magic or psychic stuff compared to the other books and manages to come out swinging. Hamilton seems to have gotten the memo about the series, because this book finally focused on the action outside of the bedroom.
Jamie (131 KP) rated Red Sister in Books
May 18, 2017
Excellent writing style (2 more)
Well developed characters
Fascinating world and magic system
A fun dark fantasy with an interesting world
Nona has a natural ability to fight and at nine years old she’s already convicted of murder. She finds herself whisked away to a special covenant that trains young girls to become assassins, and herein lies the base of the plot and all I can say is WOW. I was absolutely blown away by Red Sister.
The world building in this book is phenomenal and I want to know so much more about it. The sun is dying, the planet is slowly being enclosed in ice and with it humanity is changing, becoming desperate and looking to prophecies. There is a focus on the four races, each with unique talents in combat. The magic system is complex and is split between two schools of magic, and there is a plethora of diverse specializations for both.
On top of the detailed world, the book also nailed atmosphere. I felt a sense of wonder as Nona learned not just about fighting, but about magic and the world around her through her classes. It gave me a nostalgic feeling about a certain school of magic that I had also enjoyed in the past. I actually liked Nona a great deal. Even though she is a tiny little ass kicker she’s also extremely flawed and has a difficult time dealing with interpersonal relationships. Having a heroine who wasn’t perfect in every way was really rather refreshing. Experiencing her school days as she befriended other girls at the covenant was just plain fun and I liked most of the characters.
As Nona’s opinions of certain friends fluctuates as the story goes along, I found my opinions of those same characters changing as well. Does Nona hate this girl because she’s truly awful? Or is it because of petty jealousy and pressure from friends that her view of this other girl is distorted? I found these subtle details about Nona’s change of heart to be clever – it really shows how her character develops over the course of the story while also making me as a reader realize just how invested I was in the character.
Oh and of course, this book is full of action. Lawrence truly has a gift with words and reading descriptions of action sequences was exhilarating. The fights are extremely violent and rather brutal. I love the way this author writes. I couldn’t get enough of it!
I think the only thing that I found frustrating was how slow the characters were to seek help when faced with danger much larger than themselves. There were several points where it was obvious certain characters were up to no good, but no one ever went to the abbess or the other sisters with information. I’m talking about the kind of danger that can get someone killed. Even worse, several characters even mention to Nona that she should tell someone and she never does. I can kind of forgive the characters because all of them are young but it’s just frustrating because it feels intentional in order to draw out the story.
Overall, Red Sister has become both one of my favorite reads of the year and now one of my favorite fantasy books. I’m excited for the rest of the series and I’m very interested in exploring more of Lawrence’s work. I may have a new favorite author!
The world building in this book is phenomenal and I want to know so much more about it. The sun is dying, the planet is slowly being enclosed in ice and with it humanity is changing, becoming desperate and looking to prophecies. There is a focus on the four races, each with unique talents in combat. The magic system is complex and is split between two schools of magic, and there is a plethora of diverse specializations for both.
On top of the detailed world, the book also nailed atmosphere. I felt a sense of wonder as Nona learned not just about fighting, but about magic and the world around her through her classes. It gave me a nostalgic feeling about a certain school of magic that I had also enjoyed in the past. I actually liked Nona a great deal. Even though she is a tiny little ass kicker she’s also extremely flawed and has a difficult time dealing with interpersonal relationships. Having a heroine who wasn’t perfect in every way was really rather refreshing. Experiencing her school days as she befriended other girls at the covenant was just plain fun and I liked most of the characters.
As Nona’s opinions of certain friends fluctuates as the story goes along, I found my opinions of those same characters changing as well. Does Nona hate this girl because she’s truly awful? Or is it because of petty jealousy and pressure from friends that her view of this other girl is distorted? I found these subtle details about Nona’s change of heart to be clever – it really shows how her character develops over the course of the story while also making me as a reader realize just how invested I was in the character.
Oh and of course, this book is full of action. Lawrence truly has a gift with words and reading descriptions of action sequences was exhilarating. The fights are extremely violent and rather brutal. I love the way this author writes. I couldn’t get enough of it!
I think the only thing that I found frustrating was how slow the characters were to seek help when faced with danger much larger than themselves. There were several points where it was obvious certain characters were up to no good, but no one ever went to the abbess or the other sisters with information. I’m talking about the kind of danger that can get someone killed. Even worse, several characters even mention to Nona that she should tell someone and she never does. I can kind of forgive the characters because all of them are young but it’s just frustrating because it feels intentional in order to draw out the story.
Overall, Red Sister has become both one of my favorite reads of the year and now one of my favorite fantasy books. I’m excited for the rest of the series and I’m very interested in exploring more of Lawrence’s work. I may have a new favorite author!