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The Woman Underwater
Book
No one disappears without a trace…. Don’t try to tell Victoria Sands that time heals all...
Mystery Suspense Thriller
Mermaid of New York (Mermaid of Venice, #3) by Jincey Lumpkin
Book
Mermaid Gia Acquaviva’s thrilling adventures continue. She must travel to New York to fight a...
Adult Fantasy Romance
Bridge at the Beach (A Clyde Smith Mystery #4)
Book
Clyde’s idyllic afternoon in the surf with his mates is interrupted by the news that there’s...
Crime Thriller Series
Sarah (7799 KP) rated Gatecrash (2021) in Movies
Feb 19, 2021
Enjoyably strange
Gatecrash is a 2021 psychological thriller from Lawrence Gough, based on a play by Terry Hughes. It opens with a rather beautiful and picturesque shot of the English countryside at dusk, when a speeding car disturbs the peace and alongside a prominent score, promises us a rather tense and thrilling start to the film.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
And in this aspect it doesn’t disappoint. Gatecrash disposes with any preamble and pitches us straight into the action. A couple return to a rather maze-like and futuristically styled home in the middle of an argument, but what at first seems like a domestic argument is in fact much more serious: the husband, Steve (Ben Cura), has just committed a hit and run. He’s drunk, abusive and wants his wife, Nicole (Olivia Bonamy), to take the blame. And it wasn’t just an innocent accident as Steve not only knocked someone over, he drove over them again in his rush to flee.
The first 15 minutes follows this argument and then as it ends as Nicole and Steve separate inside the house; him to clean up any evidence from the accident and her to discretely take a pregnancy test. This soon begins to drag, and fortunately we’re saved by a sinister phone call from the landline, that appears to be coming from Steve’s mobile, that he hasn’t seen since the hit and run. This soon escalates into something verging on horror territory as we follow Nicole around their now claustrophobic house.
It’s this middle act that I enjoyed the most as Gatecrash turns into a tense and almost terrifying thriller, as Nicole and Steve have to face off against a mysterious and menacing police officer (Samuel West) who arrives on their doorstep. West is possibly my favourite part of this film, his character is completely over the top and ridiculous yet still portrays this strange, ominous air. It’s strange to find a character who is immensely fun to watch yet still manages to terrify you. He’s further helped by his character’s unexplained and questionable motives that give this thriller an intriguing air of mystery.
Following on from the aftermath of the hit and run, the film jumps to a later time after Nicole has had her baby and again the couple are visited by another mysterious stranger, this one called Sid (Anton Lesser). At first Sid seems like a kind, lovely old man but his unusual air and conversation soon unveil yet more hidden and sinister motives that culminate in a tense finale.
It’s this final act that I was least keen on. At first the dialogue between Sid, Nicole and Steve is gripping but it seems to drag on and keep going round in circles before it finally gets to some dramatic piece of action. This dragging dialogue is definitely Gatecrash’s biggest flaw, and this is in no doubt down to it’s theatre origins. On the stage I can see dialogue like this working well, but as a film it needs a lot more oomph to keep our attention. The cast do well to keep us entertained though, Olivia Bonamy puts in a very understated performance as Nicole and Ben Cura was delightful to watch as Steve purely because the character is a rather despicable excuse for a man. And fortunately Gough’s cinematography works well with the few action scenes to try and make up for the slumps in the dialogue heavy earlier scenes.
Overall Gatecrash is a fairly enjoyable thriller and is worth watching purely for its general air of mystery and the tense and exciting second act.
Kristy H (1252 KP) rated In a Dark, Dark Wood in Books
Feb 13, 2018
Nora hasn't heard from her friend Clare in over 10 years, until she receives an invite to her "hen party" (bachelorette party for us Americans) from one of Clare's friends. Clare and Nora were the best of friends in school, until a series of events brought them apart, and she eventually decides to attend, along with their friend Nina. However, when Nora and Nina arrive, they gather with a group of Clare's friends at an isolated house in the woods. Things seem off from the beginning and go downhill from there.
This book was a juggernaut that I couldn't stop reading. It was a fast read with a captivating plot that overcame some of its other flaws, mainly some mildly annoying characters who lacked development and performed some outlandish actions based on the past. The book unfolds from Nora's point of view in bits and pieces, and she's an unreliable narrator as well (suffering from some memory loss), which really allows the suspense to build. Note that despite the title, it's not a scary book, per se, just a thriller or mystery. It's a fun read, trying to piece together the various threads to reach the conclusion. I felt a little bad for those caught up in the schoolhouse games of the characters, for sure.
Overall, would have liked to have gotten to know the characters and their motivations a bit more (some very high stakes actions occur, which are a little hard to believe - a lot of the plot requires suspending disbelief at times, if you really think things through), but still an enjoyable and fast-paced thriller. 3.5 stars.
This book was a juggernaut that I couldn't stop reading. It was a fast read with a captivating plot that overcame some of its other flaws, mainly some mildly annoying characters who lacked development and performed some outlandish actions based on the past. The book unfolds from Nora's point of view in bits and pieces, and she's an unreliable narrator as well (suffering from some memory loss), which really allows the suspense to build. Note that despite the title, it's not a scary book, per se, just a thriller or mystery. It's a fun read, trying to piece together the various threads to reach the conclusion. I felt a little bad for those caught up in the schoolhouse games of the characters, for sure.
Overall, would have liked to have gotten to know the characters and their motivations a bit more (some very high stakes actions occur, which are a little hard to believe - a lot of the plot requires suspending disbelief at times, if you really think things through), but still an enjoyable and fast-paced thriller. 3.5 stars.
A murder in reverse
This is a thriller that begins with a murder. We are left with the puzzle of solving why Natalie, an Instagram star, is murdered and by whom. The style can be a little confusing at times, and the title gives some indication as to why: Rewind. The book plays out along the lines of a recording, where chapters are titled ‘Rewind’, ‘Pause’ and ‘Play’. Once I got into the swing of things, it became clearer as to what was going on.
It’s a clever book, actually. I was never quite sure who had committed the murder, even when it seemed obvious. There are some disturbing characters who could all have been responsible- and I liked that we couldn’t be sure. I liked the contrast of Natalie’s seemingly perfect life against that of the other characters, and I did like the very capable Gardaì (Irish Police) - so often, police are portrayed as incompetent. I didn’t really trust myself to guess who had committed the murder, so many of the characters could have - I should say that I’m not really one of those readers who start a thriller thinking they’ll solve the mystery. I just like to read along for the ride - and this is certainly an interestingly twisty, turny ride!
I liked the ending from the journalist very much. It summed everything up really well (and helped to explain everything that I was left questioning at the end). I don’t think I’ve seen this approach before, especially the chapters named Rewind, Pause, Play.
Many thanks to The Pigeonhole for serialising this book. I really enjoyed it.
It’s a clever book, actually. I was never quite sure who had committed the murder, even when it seemed obvious. There are some disturbing characters who could all have been responsible- and I liked that we couldn’t be sure. I liked the contrast of Natalie’s seemingly perfect life against that of the other characters, and I did like the very capable Gardaì (Irish Police) - so often, police are portrayed as incompetent. I didn’t really trust myself to guess who had committed the murder, so many of the characters could have - I should say that I’m not really one of those readers who start a thriller thinking they’ll solve the mystery. I just like to read along for the ride - and this is certainly an interestingly twisty, turny ride!
I liked the ending from the journalist very much. It summed everything up really well (and helped to explain everything that I was left questioning at the end). I don’t think I’ve seen this approach before, especially the chapters named Rewind, Pause, Play.
Many thanks to The Pigeonhole for serialising this book. I really enjoyed it.
Her Sister's Lie
7.0
Rate It
Book
In this riveting psychological thriller, the international bestselling author of The Bones of You...
mystery thriller
The Survivors
Book
Jane Harper is one of Australia's most loved and successful authors and The Survivors is her latest...
Darren (1599 KP) rated A Cure For Wellness (2017) in Movies
Jun 20, 2019
Story: A Cure for Wellness starts young executive Lockhart (DeHaan) is sent to a remote wellness centre in Switzerland to bring the CEO Pembroke (Groener) back to help close a merge in New York. After being involved in a car accident Lockhart finds himself with a broken leg and now a patient of the Wellness Program.
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/
Still searching for Pembroke, Lockhart makes a deal with the director Volmer (Issacs) to stay for a couple of days to finish up the treatment for Pembroke. In this time Lockhart meets a mysterious young woman Hannah (Goth) the only other young patient who he tries to unlock the secrets of the program, which will test his own sanity.
Thoughts on A Cure for Wellness
Characters/Performance – Lockhart is the driven ambitious young man who has nearly reach the peak of his career at such a young age, he is haunted by his past which does include his father’s suicide and his mother’s death, this leaves him alone but in search for answers once he becomes the latest patient in the program. Volmer is the director of the clinic, he constantly remains calm through any incidents that occur and does have his own motives for the clinic. Hannah is the mysterious young woman also in the clinic, she is the only young patient there and she is Volmer’s main project but we are left to wonder about her past.
Performance wise, Dane DeHaan is good in this leading role and you can clearly see why he is tipped for a great career. Jason Isaacs always makes for a good doctor figure and this is no exception, while Mia Goth continues to make a name for herself in these stranger roles.
Story – The story is filled with questions which always makes for a good story, I will have to point out that this is a long film nearing the 2 and half hour’s mark and even at that you can see how the pace can be questioned but it doesn’t feel long. We get a new look into the asylum genre which I feel is something we needed but the weakness is that we never hit the full levels of any of the genres involved.
Fantasy/Horror/Mystery – The fantasy elements of this film come from the world we are placed into, this also comes for the sci-fi side of everything too. The horror comes from see what happens within the walls which is quite shocking at times but the best use of the genres comes from the mystery element which keeps us guessing from start to finish as we simply don’t know where it will go.
Settings – With most of the film taking place in the clinic we find ourselves trapped just like Lockhart in a place which doesn’t have an escape because being there means you don’t want to leave.
Final Thoughts – This is one long mystery thriller that doesn’t stop you wanting to see where the film will go and then it will leave you shocked by the end.
Overall: A rewarding mystery thriller
https://moviesreview101.com/2017/06/02/movie-reviews-101-midnight-horror-a-cure-for-wellness-2017/