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Lyndsey Gollogly (2893 KP) rated The Plotters in Books
Oct 16, 2023
154 of 235
Book
The Plotters
By Un-su Kim
⭐️⭐️⭐️
Behind every assassination, there is an anonymous mastermind--a plotter--working in the shadows. Plotters quietly dictate the moves of the city's most dangerous criminals, but their existence is little more than legend. Just who are the plotters? And more important, what do they want?
Reseng is an assassin. Raised by a cantankerous killer named Old Raccoon in the crime headquarters "The Library," Reseng never questioned anything: where to go, who to kill, or why his home was filled with books that no one ever read. But one day, Reseng steps out of line on a job, toppling a set of carefully calibrated plans. And when he uncovers an extraordinary scheme set into motion by an eccentric trio of young women--a convenience store clerk, her wheelchair-bound sister, and a cross-eyed librarian--Reseng will have to decide if he will remain a pawn or finally take control of the plot.
Crackling with action and filled with unforgettable characters, The Plotters is a deeply entertaining thriller that soars with the soul, wit, and lyricism of real literary craft.
I really enjoyed this book it was dark, twisty and violent. A look into the dark world of an assassin life one that doesn’t like doing what he does. Knowing he has only one way out. I wasn’t expecting to like it at all it was a mystery book I had in a subscription box. It was really well translated too.
Book
The Plotters
By Un-su Kim
⭐️⭐️⭐️
Behind every assassination, there is an anonymous mastermind--a plotter--working in the shadows. Plotters quietly dictate the moves of the city's most dangerous criminals, but their existence is little more than legend. Just who are the plotters? And more important, what do they want?
Reseng is an assassin. Raised by a cantankerous killer named Old Raccoon in the crime headquarters "The Library," Reseng never questioned anything: where to go, who to kill, or why his home was filled with books that no one ever read. But one day, Reseng steps out of line on a job, toppling a set of carefully calibrated plans. And when he uncovers an extraordinary scheme set into motion by an eccentric trio of young women--a convenience store clerk, her wheelchair-bound sister, and a cross-eyed librarian--Reseng will have to decide if he will remain a pawn or finally take control of the plot.
Crackling with action and filled with unforgettable characters, The Plotters is a deeply entertaining thriller that soars with the soul, wit, and lyricism of real literary craft.
I really enjoyed this book it was dark, twisty and violent. A look into the dark world of an assassin life one that doesn’t like doing what he does. Knowing he has only one way out. I wasn’t expecting to like it at all it was a mystery book I had in a subscription box. It was really well translated too.
The Killer’s Wife
Book
A serial killer, a woman on the run, and an obsessive parole officer tangle in a psychological net...
Psychological Thriller Suspense
Acanthea Grimscythe (300 KP) rated Long Black Veil in Books
May 16, 2018
Last month, I received my first physical review copy of a book: Long Black Veil by Jennifer Finney Boylan. I heard about the title through a friend of mine and, after I reading its synopsis, I felt excited. Despite the story's label as a thriller, the majority of the story focuses on Judith Carrigan and her secrets. The plot's so-called mystery is a minor detail in this narrative.
I don't do a lot of research before I read a recommended book. For the most part, I look at its genre, the back cover blurb, and its general rating. I don't read other reviews until after I complete the book. By doing this, I avoid pre-conceived notions of a story's characters. With that in mind, there are details of this book I will not discuss. Some of this is due to a desire to keep this spoiler free. Others are not my story to tell. These facts help to define Judith as a character, but they do not exonerate her.
A dark past isn't uncommon. For Judith, there are skeletons in her closet capable of destroying her entire life. She can either sacrifice what she has built and save an innocent man or let things unfold. It is this latter option that she leans toward and, as a result, she strikes me as being nearly as selfish as Flynn's Amy Dunne in Gone Girl. I have mixed feelings about Long Black Veil because of this. Part of me wants to comfort Judith while another part of me wishes to throttle her.
Despite centering around Judith instead of the decades old mystery than haunts her, Boylan excels at creating an intriguing narrative. It's the passion with which she writes Judy that warms my heart to her, that provides me with the ability to feel even a modicum of sympathy for her struggles. Like all of us, Judy has a right to happiness. Boylan pens Judith beautifully as she reaches for that penultimate feeling that eludes many of us.
In stark contrast to my complaint regarding the story centering around Judith, Boylan somehow manages to give readers too many insights into this unraveling mystery. The story beings with six characters. Seven, to be technical. Throughout its pages, we end up with no less than six different perspectives. This makes it a difficult to follow at times, especially in regards to Judith's memories. (Again, this is a detail you will discover by reading the book, so I will not divulge it.)
Boylan succeeds, despite the plethora of perspectives, at keeping the story moving along. The further in you read, the more twists you encounter - some of which threw me off entirely. While this is not one of my favorite titles and likely will not merit a re-read, it was not unpleasant.
I would like to thank Blogging for Books for providing me with a copy of this book for the purpose of unbiased review.
I don't do a lot of research before I read a recommended book. For the most part, I look at its genre, the back cover blurb, and its general rating. I don't read other reviews until after I complete the book. By doing this, I avoid pre-conceived notions of a story's characters. With that in mind, there are details of this book I will not discuss. Some of this is due to a desire to keep this spoiler free. Others are not my story to tell. These facts help to define Judith as a character, but they do not exonerate her.
A dark past isn't uncommon. For Judith, there are skeletons in her closet capable of destroying her entire life. She can either sacrifice what she has built and save an innocent man or let things unfold. It is this latter option that she leans toward and, as a result, she strikes me as being nearly as selfish as Flynn's Amy Dunne in Gone Girl. I have mixed feelings about Long Black Veil because of this. Part of me wants to comfort Judith while another part of me wishes to throttle her.
Despite centering around Judith instead of the decades old mystery than haunts her, Boylan excels at creating an intriguing narrative. It's the passion with which she writes Judy that warms my heart to her, that provides me with the ability to feel even a modicum of sympathy for her struggles. Like all of us, Judy has a right to happiness. Boylan pens Judith beautifully as she reaches for that penultimate feeling that eludes many of us.
In stark contrast to my complaint regarding the story centering around Judith, Boylan somehow manages to give readers too many insights into this unraveling mystery. The story beings with six characters. Seven, to be technical. Throughout its pages, we end up with no less than six different perspectives. This makes it a difficult to follow at times, especially in regards to Judith's memories. (Again, this is a detail you will discover by reading the book, so I will not divulge it.)
Boylan succeeds, despite the plethora of perspectives, at keeping the story moving along. The further in you read, the more twists you encounter - some of which threw me off entirely. While this is not one of my favorite titles and likely will not merit a re-read, it was not unpleasant.
I would like to thank Blogging for Books for providing me with a copy of this book for the purpose of unbiased review.
Gareth von Kallenbach (980 KP) rated The Girl on the Train (2016) in Movies
Jun 19, 2019
Rachael (Emily Blunt) is a woman who has hit rock bottom. Her downward spiral has cost her a marriage, her career, and everything else she cherished and left her a severe alcoholic. Rachael is so far gone that she rides the commuter train into New York every day secretly drinking along the way. There is some method to this madness as the train goes by her former home and this allows Rachael a look in at the woman who replaced her and the new family her ex now enjoys.
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
In the new film “The Girl on the Train”, based on the book of the same name by Paula Hawkins, the locale has been changed from London to New York but much of the content has been left unchanged which should thrill fans of this highly popular novel.
Rachael has become fascinated with a couple two houses down from her old home and she watches and fantasizes about the perfect life she imagines they have.
The reality is that Megan (Haley Bennett) is living in a controlling and abusive relationship and holds a dark secret of her own which she reveals to her therapist as well as her desire to run away and also take him as a lover.
When Rachael sees Megan in an embrace with someone other than her husband one day, she decides to confront Megan and express her anger over her assumed infidelity even though Rachael has never met her much less learned her name and only knows of her from being in the same workout class and seeing her on the train.
Rachael awakens one morning covered in blood and in a have and is unable to remember what has happened. To make matters worse, Megan has gone missing and her husband is the primary suspect in the disappearance.
Despite being warned away numerous times by her ex Tom (Justin Theroux) and his wife Anna (Rebecca Ferguson), Rachael continues to regain her memories of what happened that evening even though she continues to have issues differentiating reality from fantasy in a situation with high stakes and dire consequences.
What follows is a compelling thriller that kept me interested even though I was able to unravel the mystery 30 minutes or so before the conclusion of the film. I had not read the book or much on the film going in as I wanted to try to crack the mystery without any additional help, but still found it an interesting and entertaining film. There was more eroticism than one may expect at first glance but the film weaves a great story of multiple characters all with various degrees of dysfunction.
The cast is very strong and take what could at first be a routine mystery and turned it into one of the best and most entertaining Dramas of the year.
http://sknr.net/2016/10/07/the-girl-on-the-train/
Lucy Buglass (45 KP) rated A Simple Favor (2018) in Movies
Jun 20, 2019
A sexy, stylish and smart mystery
The first time I saw a trailer for A Simple Favor, I was sucked in. We learn that this story follows Emily, a mysterious, secretive woman, and why she went missing. I love a good mystery, and immediately knew I had to go and see it ASAP to answer that simple question: what happened to Emily? On a separate note, I really like both Kendrick and Lively, so was interested to see the two of them in the leading roles. The trailer alluded to some interesting dynamics between the two, which made it more appealing.
The film is told from Kendrick’s perspective, as a single mum and lifestyle vlogger, Stephanie. She has a reputation for always wanting to keep her hands busy and stick her nose in everything, much to the annoyance of the other mums in the neighbourhood. Because of this, she is quite an isolated character, which ultimately leads her to befriend Emily. The two are polar opposites; Stephanie is a quirky, awkward and cheerful person, whilst Emily is sarcastic, brash and cynical. This pairing is a delight to watch on screen, as their friendship becomes a strange and complicated one.
When we’re first introduced to Emily, she has a powerful presence, emphasised by her luxurious and fashionable dress sense. One thing that has stood out to me and many other reviewers, is the stunning costume and set design and how they contrast with each other throughout the narrative. Characters personalities are brought to life through their wardrobes, perfectly crafted to speak louder than words could. I don’t normally place so much focus on costumes in my reviews, but in A Simple Favor’s case, it’s so important.
Unsurprisingly, the story is full of twists and turns as we are gradually shown what truly did happen to Emily. There’s not much I can say about this without spoiling it, but it’s a thrilling ride from start to finish. Admittedly it feels far-fetched in places, but I wasn’t bothered by this to the extent some others were. It isn’t the strongest thriller story I’ve seen, but it was still very entertaining.
Emily’s husband and son play central roles too, both expertly acted throughout. Class divide is a clear theme throughout the film, and I loved the way both Stephanie’s and Emily’s family compared and often clashed with each other. The visuals do a great job of emphasising this divide, juxtaposing luxurious environments with more humble ones. The visuals do make up for a weaker storyline, as they transport you to the characters world.
Overall, A Simple Favor is worth a watch and makes for a very entertaining couple of hours. If you’re a fan of thrillers with a bit of comedy thrown into the mix, I’m sure you’ll enjoy this one. It’s nothing particularly outstanding, but I still thought it was a good film.
https://lucygoestohollywood.com/2018/10/08/a-simple-favor-a-sexy-stylish-and-smart-mystery/
The film is told from Kendrick’s perspective, as a single mum and lifestyle vlogger, Stephanie. She has a reputation for always wanting to keep her hands busy and stick her nose in everything, much to the annoyance of the other mums in the neighbourhood. Because of this, she is quite an isolated character, which ultimately leads her to befriend Emily. The two are polar opposites; Stephanie is a quirky, awkward and cheerful person, whilst Emily is sarcastic, brash and cynical. This pairing is a delight to watch on screen, as their friendship becomes a strange and complicated one.
When we’re first introduced to Emily, she has a powerful presence, emphasised by her luxurious and fashionable dress sense. One thing that has stood out to me and many other reviewers, is the stunning costume and set design and how they contrast with each other throughout the narrative. Characters personalities are brought to life through their wardrobes, perfectly crafted to speak louder than words could. I don’t normally place so much focus on costumes in my reviews, but in A Simple Favor’s case, it’s so important.
Unsurprisingly, the story is full of twists and turns as we are gradually shown what truly did happen to Emily. There’s not much I can say about this without spoiling it, but it’s a thrilling ride from start to finish. Admittedly it feels far-fetched in places, but I wasn’t bothered by this to the extent some others were. It isn’t the strongest thriller story I’ve seen, but it was still very entertaining.
Emily’s husband and son play central roles too, both expertly acted throughout. Class divide is a clear theme throughout the film, and I loved the way both Stephanie’s and Emily’s family compared and often clashed with each other. The visuals do a great job of emphasising this divide, juxtaposing luxurious environments with more humble ones. The visuals do make up for a weaker storyline, as they transport you to the characters world.
Overall, A Simple Favor is worth a watch and makes for a very entertaining couple of hours. If you’re a fan of thrillers with a bit of comedy thrown into the mix, I’m sure you’ll enjoy this one. It’s nothing particularly outstanding, but I still thought it was a good film.
https://lucygoestohollywood.com/2018/10/08/a-simple-favor-a-sexy-stylish-and-smart-mystery/
Sensitivemuse (246 KP) rated Her Every Fear in Books
Mar 5, 2018
Suspenseful with a hateful villain!
I love these kinds of stories where there’s a twist with a horrible villain that’s rotten to the core. There’s plenty of mystery and the creep factor is definitely there throughout the book.
What I liked about the book was the mood and the way it’s written. The element of mystery is excellent. You’re even doubting Kate and questioning her sanity because of certain events in the book. When you realize it’s all real the creep factor greatly increases.
The characters in this book are well done. You do feel for Corbin but at the same time, he brought it upon himself. (Doesn’t anyone just TALK about it anymore? It’s all about just lashing out and getting revenge???!!) And Henry, he’s just a special character all in his own group. I’ve read some pretty hateful characters...but Henry’s pretty high up on the list. He’s got some pretty serious issues and he’s overall a pretty unlikable character. But, to his credit he’s devious. Devious to the point where he could be a runner for villain of the year. His planning and methods were crafty and calculating. Imagining having someone like Henry in your vicinity is enough to get the hairs on your arms rise.
The plot was well done and flowing nicely. There is also a good amount of backstory throughout the novel so it helps you understand the actions and behavior of the characters, and that’s what I really enjoyed the most of this book. The climax of the novel was also very well done and everything comes to a perfect closing towards the end.
Two things that irked me in this book; Kate and Alan. Alan’s creepy in his own way (harmless creep) but a creep nevertheless. He’s awkward and not that likable but then again, Kate’s choices aren’t really that stellar anyway (not her fault).
Another thing; I have no idea why the author had to be so descriptive to the point as to describe *exactly* what novel Kate’s reading, what type of music Alan is listening to, etc. Are you trying to name drop? To advertise? It was to the point where it got annoying - perhaps it’s because I’ve had bad experiences with this type of writing so I’m thinking that’s why it stands out and irked me. Next time, no need to advertise? Please?
Greatly recommended for thriller lovers! You got a good villain to hate here!
What I liked about the book was the mood and the way it’s written. The element of mystery is excellent. You’re even doubting Kate and questioning her sanity because of certain events in the book. When you realize it’s all real the creep factor greatly increases.
The characters in this book are well done. You do feel for Corbin but at the same time, he brought it upon himself. (Doesn’t anyone just TALK about it anymore? It’s all about just lashing out and getting revenge???!!) And Henry, he’s just a special character all in his own group. I’ve read some pretty hateful characters...but Henry’s pretty high up on the list. He’s got some pretty serious issues and he’s overall a pretty unlikable character. But, to his credit he’s devious. Devious to the point where he could be a runner for villain of the year. His planning and methods were crafty and calculating. Imagining having someone like Henry in your vicinity is enough to get the hairs on your arms rise.
The plot was well done and flowing nicely. There is also a good amount of backstory throughout the novel so it helps you understand the actions and behavior of the characters, and that’s what I really enjoyed the most of this book. The climax of the novel was also very well done and everything comes to a perfect closing towards the end.
Two things that irked me in this book; Kate and Alan. Alan’s creepy in his own way (harmless creep) but a creep nevertheless. He’s awkward and not that likable but then again, Kate’s choices aren’t really that stellar anyway (not her fault).
Another thing; I have no idea why the author had to be so descriptive to the point as to describe *exactly* what novel Kate’s reading, what type of music Alan is listening to, etc. Are you trying to name drop? To advertise? It was to the point where it got annoying - perhaps it’s because I’ve had bad experiences with this type of writing so I’m thinking that’s why it stands out and irked me. Next time, no need to advertise? Please?
Greatly recommended for thriller lovers! You got a good villain to hate here!
Zuky the BookBum (15 KP) rated Painkiller in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/painkiller-by-n-j-fountain
<i><b>I cannot go on like this. I feel such a burden to you. You are young and can start again. You deserve that chance. By the time you read this I will be dead. Do not grieve for me, for I am now without pain.</i></b>
This was a real page-turner from page one! Would have been unputdownable if it hadnt been for the fact that I <i>had</i> to put it down while at work.
I found myself absolutely loving Monicas character. Ive seen a couple of reviews that state her as unlikable but I thought she was very likable! She was a really unique character due to her constant pain and the way that affects her daily life and relationships. I loved that she could be sassy, lovely, and angry all in one go, she was a really fun character to immerse yourself in.
The plot of the unreliable narrator, the secretive husband etc wasnt unique, Ive read several books very similar to it in the past year in fact, but there was a certain edge to this book that made it so much more intriguing than some of the others Ive read. Its not that the twists were much better or more unpredictable than those in the other novels, its just simply that I enjoyed the writing style, characters and pace of this book more. For a mystery like this, novels usually try to cram as much as they can into the story to make the biggest number of twists possible, to get the reader excited, but this was nice and slow paced. It had just the right amount of shock moments in it, you didnt feel overwhelmed by it at all.
The ending really got to me and was certainly not how I expected this book to end up. Ill admit that I got a little emotional. If youre a mystery thriller junkie like me, I definitely recommend this, its one of the best Ive read this year.
Thanks to Netgalley and Little, Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
<i><b>I cannot go on like this. I feel such a burden to you. You are young and can start again. You deserve that chance. By the time you read this I will be dead. Do not grieve for me, for I am now without pain.</i></b>
This was a real page-turner from page one! Would have been unputdownable if it hadnt been for the fact that I <i>had</i> to put it down while at work.
I found myself absolutely loving Monicas character. Ive seen a couple of reviews that state her as unlikable but I thought she was very likable! She was a really unique character due to her constant pain and the way that affects her daily life and relationships. I loved that she could be sassy, lovely, and angry all in one go, she was a really fun character to immerse yourself in.
The plot of the unreliable narrator, the secretive husband etc wasnt unique, Ive read several books very similar to it in the past year in fact, but there was a certain edge to this book that made it so much more intriguing than some of the others Ive read. Its not that the twists were much better or more unpredictable than those in the other novels, its just simply that I enjoyed the writing style, characters and pace of this book more. For a mystery like this, novels usually try to cram as much as they can into the story to make the biggest number of twists possible, to get the reader excited, but this was nice and slow paced. It had just the right amount of shock moments in it, you didnt feel overwhelmed by it at all.
The ending really got to me and was certainly not how I expected this book to end up. Ill admit that I got a little emotional. If youre a mystery thriller junkie like me, I definitely recommend this, its one of the best Ive read this year.
Thanks to Netgalley and Little, Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
Jesters_folly (230 KP) rated Deep Red (Profondo rosso) (1975) in Movies
Jul 19, 2021
Contains spoilers, click to show
Deep Red (aka Profondo rosso) is a thriller/slasher from Italian writer/director Dario Argento.
When Marcus Daly (David Hemmings) witnesses the murder of the women living in the flat below him he finds himself in a race to find the murderer before he becomes their next victim. The films killer follows a lot of what would become familiar tropes in slasher films, the killer is rarely seen and when they are seen they are covered u, they use a number of different ways to kill their victims and they have a habit of sneaking around. There isn't necessarily a a lot of blood from the kills, that is to say blood is sprayed around but when there is blood it is filmed in such a way that you can't miss it, in fact they eye is drawn to it.
Speaking of eyes there are a lot of them, Dario Argento has his own style of filming, he uses filters and strange camera angles and, in Deep Red a lot of closeups on eyes, sometimes just for scene transitions.
As well as being a Slasher, Deep Red is a mystery, as the film progresses Marcus the protagonist find clues as to the identity of the killer giving the viewer the chance to work out who it is as well. But there are red herrings and a lot of things that don't necessarily make sense. There is a clockwork boy, used only one by the killer, there is a creepy girl with a possibly mad farther, two facts that really don't affect the story.
As I said, Deep Red contains a lot of the Slasher tropes but it predates most of them, even beating Halloween by three years and so you can see that it has a big influence on the modern (well 80's so not so modern now) slashers.
The down side is that Deep Red is slow, there is a lot of talking, although contained in this are some clues as to the killers identity and the level of violence isn't quite as much as some of the more modern films, it does however beat some of it's slasher predecessors such as Psycho.
Over all Deep Red is a good film, slightly more mystery than slasher but with enough kills to keep a slasher fan happy. The story does plod along at is own pace but over all an enjoyable film.
When Marcus Daly (David Hemmings) witnesses the murder of the women living in the flat below him he finds himself in a race to find the murderer before he becomes their next victim. The films killer follows a lot of what would become familiar tropes in slasher films, the killer is rarely seen and when they are seen they are covered u, they use a number of different ways to kill their victims and they have a habit of sneaking around. There isn't necessarily a a lot of blood from the kills, that is to say blood is sprayed around but when there is blood it is filmed in such a way that you can't miss it, in fact they eye is drawn to it.
Speaking of eyes there are a lot of them, Dario Argento has his own style of filming, he uses filters and strange camera angles and, in Deep Red a lot of closeups on eyes, sometimes just for scene transitions.
As well as being a Slasher, Deep Red is a mystery, as the film progresses Marcus the protagonist find clues as to the identity of the killer giving the viewer the chance to work out who it is as well. But there are red herrings and a lot of things that don't necessarily make sense. There is a clockwork boy, used only one by the killer, there is a creepy girl with a possibly mad farther, two facts that really don't affect the story.
As I said, Deep Red contains a lot of the Slasher tropes but it predates most of them, even beating Halloween by three years and so you can see that it has a big influence on the modern (well 80's so not so modern now) slashers.
The down side is that Deep Red is slow, there is a lot of talking, although contained in this are some clues as to the killers identity and the level of violence isn't quite as much as some of the more modern films, it does however beat some of it's slasher predecessors such as Psycho.
Over all Deep Red is a good film, slightly more mystery than slasher but with enough kills to keep a slasher fan happy. The story does plod along at is own pace but over all an enjoyable film.
BankofMarquis (1832 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Mar 13, 2019 (Updated Mar 13, 2019)
Excellent acting from Bardem and (especially) Cruz
I have always liked, but not loved, the English language movies that Penelope Cruz and Javier Bardem have been a part of. Part of the issue, I think, is that even though they are dynamic, charismatica and GOOD LOOKING screen presences that embody the very definitioni of the term "MOVIE STAR", they are working in a language that is not their native language, so something, I think, gets lost in translation. So, it was with some excitement that I checked out the Spanish language thriller EVERYBODY KNOWS (Spanish Title: TODOS LO SOBEN).
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I wasn't disappointed. Both Bardem and (especially) Cruz shine in this familial thriller. Cruz stars as Laura, a native of Spain now living in Argentina. She (and her 2 children) come back to her small village outside of Madrid for the wedding of her younger sister. When a bad thing happens on this trip, Laura must find a way out while dealing with lingering family matters and pressures that come to the fore due to the stress of the situation.
Without putting too much of a fine point on this, Cruz is stunning. Not only is she a beautiful woman who commands the screen whenever she is on, but as her character becomes more and more physically and emotionally torn with "the situation" her raw emotions come out and you see a very real portrayal of a mother who will do anything for her children. This performance is (was?) Academy Award worthy - it is that good. This is a strong actress at the top of her game.
She is more than matched on screen by the less showey, nuanced - yet fun, at times - performance of her real life husband, Javier Bardem, who plays a person from Lara's past that is drawn into the events. Bardem won an Oscar for playing the mysterious, scary hitman, Anton Chigurh in NO COUNTRY FOR OLD MAN. This was a a character who barely spoke. In this film, he plays a lively, extroverted fun-loving person who's whole personae is called into question, quite the contrast to the English language characters I have, heretofore, known him for.
Iranian Director Asghar Farhadi (best known for THE SEPARATION) does a good job driving the story - once it gets started - he is sure handed in handling both the suspense/action moments of this movie as well as the family drama during the "many people talking around a table" scenes. This film led off the Cannes Film Festival last year and was greatly lauded.
It's not a perfect film. My friend who saw the movie with me stated (correctly) that he had never seen a movie that "started so poorly but corrected itself and finished as an excellent film" like this one did. The first 1/2 hour to 45 minutes of this 2 hour and 15 minute film is filled with introducing the myriad of characters associated with this family (and the mystery that enfolds), but it is a scattershot approach to film making and character introduction and Farhadi misses the mark more than he hits the mark during this period.
But once the mystery unfolds - and Cruz and Bardem's characters (and acting) kicks into high gear - things get quite good, quite tense and quite engrossing. Well worth the time to check it out.
Letter Grade B+: (C for the first 45 minutes, A for the last hour and a half)
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)