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Cori June (3033 KP) rated Tristan Strong Punches a Hole in the Sky (Tristan Strong #1) in Books

Feb 19, 2022  
Tristan Strong Punches a Hole in the Sky (Tristan Strong #1)
Tristan Strong Punches a Hole in the Sky (Tristan Strong #1)
Kwame Mbalia | 2019 | Paranormal, Science Fiction/Fantasy, Young Adult (YA)
10
8.5 (2 Ratings)
Book Rating
the characters (2 more)
the story
Good read for anyone
This is a great middle grade book. The story is compelling and deep. Tristan is a boy who is struggling with growing up, figuring out how to deal with losing his best friend, and feeling like a disappointment to his parents and grandparents. It's a rollercoaster of feelings and a great story.
If you don't know anything or much about African American or African folktales or mythology, it's ok. I really know only two (John Henry the reason why I bought the book.) and have only a passing knowledge of some of the characters and others I didn't know at all. And that didn't distract from the story. I will be looking the stories up because I want to know more about them. That kind of curiosity is something that I feel makes a great book.
I look forward to reading the next story.
  
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Merissa (13358 KP) rated The Eternal (Mythology #3) in Books

May 31, 2023  
The Eternal (Mythology #3)
The Eternal (Mythology #3)
Helen Boswell | 2015 | Romance, Science Fiction/Fantasy, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
The finale of the Mythology series does not disappoint in any way, shape, or form. I felt that Helen Boswell made a brave step in that a lot of this book is from the point of view of Jonathan, instead of just Hope and Micah like usual. This means that you definitely see things differently and find out reasons for the way that he has acted and the things he has done.

With plot twists and turns aplenty, this is one nail-biting climax that will keep you on the edge of your seat as you turn from page to page, afraid to put it down in case something happens whilst you're away!

Excellently written, and smoothly paced as per the author's style, this made for a thrilling climax to the series and I have no hesitation in highly recommending this series.

* Verified Purchase on Amazon *

Merissa
Archaeolibrarian - I Dig Good Books!
Mar 31, 2016
  
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Rachel King (13 KP) rated American Gods in Books

Feb 11, 2019  
American Gods
American Gods
Neil Gaiman | 2005 | Fiction & Poetry, Science Fiction/Fantasy
10
8.3 (72 Ratings)
Book Rating Watch
I have only ever read one other adult book ( I don't count Coraline) by Gaiman, which was vastly different from this book in both style and mood - Stardust. A friend recommended I read this book many years ago since I like mythology. I found this book really had not much to do with mythology in the classic sense. Instead the characters that were pulled from mythology, such as Odin, Anansi, Horus, Bast, and Ganesha, among others, behaved like has-been D-list celebrities that struggle to survive in a country that is repeatedly described as "...a bad land for gods." The powers they rarely put on display were minimal and amounted to the same kind of "magic" as a skilled pick-pocket, con-artist, or amateur magician. The few times any real power is observed is once during the sexual scene of a re-invented Queen of Sheba (I'll spare you the R-rated details) and when the gods travel "behind the scenes," a state of existence that only the gods can enter.
While the names of classical mythology fit into the category of the Old Gods, there are New Gods that have taken root in America, born from cultural obsessions that have evolved and devolved over the years, such as railroads - a man dressed as a railroad conductor, television - a voice talking through Lucille Ball on a rerun of I Love Lucy, vehicles - stocky men that seemed to resemble vehicles themselves, and internet - a short, nerdy, nervous kid, among other American fixations and stereotypes.
In addition, one of the scenic devices used throughout the plot is what Gaiman's characters describe as places of power - side-of-the-road dives that road-trippers visit for no apparent reason, such as a place boasting the largest doll collection in America or the biggest wheel of cheese. And no, Disneyworld is not one of them.
One of the things I found interesting about this Gaiman-born world is that the Old Gods only exist in the New World when regular people travel from other countries and bring their memories and practices with them, even when they don't intend to stay themselves. The gods are "born" from these average people, and even though they can be killed by others, they don't die otherwise, but instead alternately starve or thrive based on the behavior of the people who live and die in the New World. They all have counterpart manifestations of themselves in the countries they are pulled from, but one's existence does not affect the other - though they do seem to be aware of each other.
All of this is merely the background of the main plot, which centers around the activities and travels of a seemingly mortal man with a single name, Shadow. I never did "get" the one-name thing, but whatever. Through Shadow's narration, the reader learns of an impending storm - a battle between the Old Gods and New Gods, the former fighting for survival and the latter fighting for dominance. Shadow works for a mysterious "Mr. Wednesday" and is randomly haunted by his dead wife, Laura, but otherwise seems to have little drive of his own for most of the book. In fitting irony, he has his own brand of "magic" - an obsession for coin tricks to pass the time from his days spent in prison - which I could never really follow the descriptions of.
To be completely honest, I truly did enjoy this book, though I am struggling to say exactly why. Perhaps I was fascinated by the "shadowy" way that Gaiman told the story, or how he developed this over-the-hill world of gods and goddesses that better resembled America's middle and poor classes' struggles for survival, money, and influence. Some of the personal touches that Shadow's character added to the plot made him at times surprisingly endearing. In addition, the way that Shadow seemed to address the reader at the very end of the book was so satisfying that I laughed out loud and had to read it again several times. Something about that just brought the book to life for me and help me to fully appreciate the versatile style of Gaiman. This is one of those books you don't have to fully understand to fully appreciate.