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Sun of Blood and Ruin
6.0
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Mexican history and Mesoamerican mythology meet in this thrilling historical fantasy with magic,...
The House of Odysseus
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From the author of the critically acclaimed Ithaca - A Sunday Times Historical Fiction Book of the...
Historical fiction Greek mythology
Amy (7 KP) rated Goddess of Troy in Books
Jan 17, 2018 (Updated Jan 17, 2018)
Terrible. Total destruction.
Contains spoilers, click to show
The premise is one that P.C. Cast recycles throughout her work which is of taking modern women and dropping them into the worlds of myth and magic.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
Inky Books (3 KP) rated Eon: Dragoneye Reborn (Eon, #1) in Books
Jun 21, 2018
When I was young and impressionable (well, not really impressionable, I’ve actually always been the stubborn and fiery redhead I am now, just a little more shy) I read a book about a sixteen year old girl, in a man’s world, pretending to be a twelve year old boy. In this same book there were also dragons, no not the ones you hunt to steal their treasure, but the kind that you bond with and can gain amazing powers from.
Of course it has dragons; how could I resist? Ever since reading Eargon I’ve had a thing for books with dragons in them, though it is rather hard to find some where it isn’t all about dragon hunting. Anyone have any suggestions?
Anyway, so this book was one of my favorites as a teenager because of the world building as well as the secrets and powers that the characters have. And I really do like it, though I’m probably going to say more bad things than I will good for a reason I will explain later.
So, the good things:
Main character, Eona. I guess I feel like she is similar to me in a way. She can be stubborn but also knows when to hold herself back when she needs to. She can be rather forceful and hostile while also having a nicer, sweeter side. She struggles with much through the book and it gives the book a more realistic feeling.
The world of the Dragoneyes. It’s ancient Chinese mythology, and mythology is something I like to read and learn about. It is very interesting to read about, and the author did her research on the subject.
And the bad things:
The book moved rather slowly. Yes, there was a lot that happened, but there was also a large amount of the politics of the world that got involved to. Politics isn’t something I like, it’s actually something I am starting to hate in recent years. So this doesn’t appeal to me. When I got closer to the end I skimmed, half because I knew what was happening for the most part, half because I was getting so bored with the back and forth of the characters.
The characters. Most of the characters had a fake feeling to them. They seemed one sided and all kind of reacted in similar ways when faced with these situations. They were almost flat and didn’t seem real.
Eona. Yes I know she is in the good things too, but I really dislike her fatal flaw. It took her most of the book to figure out (even though she wasn’t even the one who figured it out in the end) what the secret was to her power. It was rather annoying and I wish the author would have allowed Eona to figure it out a bit soon and have some more of the awesome power in there.
The good aspects of this book do outweigh the bad ones, but it still caused me to think hard about the rating I would give it.
Of course it has dragons; how could I resist? Ever since reading Eargon I’ve had a thing for books with dragons in them, though it is rather hard to find some where it isn’t all about dragon hunting. Anyone have any suggestions?
Anyway, so this book was one of my favorites as a teenager because of the world building as well as the secrets and powers that the characters have. And I really do like it, though I’m probably going to say more bad things than I will good for a reason I will explain later.
So, the good things:
Main character, Eona. I guess I feel like she is similar to me in a way. She can be stubborn but also knows when to hold herself back when she needs to. She can be rather forceful and hostile while also having a nicer, sweeter side. She struggles with much through the book and it gives the book a more realistic feeling.
The world of the Dragoneyes. It’s ancient Chinese mythology, and mythology is something I like to read and learn about. It is very interesting to read about, and the author did her research on the subject.
And the bad things:
The book moved rather slowly. Yes, there was a lot that happened, but there was also a large amount of the politics of the world that got involved to. Politics isn’t something I like, it’s actually something I am starting to hate in recent years. So this doesn’t appeal to me. When I got closer to the end I skimmed, half because I knew what was happening for the most part, half because I was getting so bored with the back and forth of the characters.
The characters. Most of the characters had a fake feeling to them. They seemed one sided and all kind of reacted in similar ways when faced with these situations. They were almost flat and didn’t seem real.
Eona. Yes I know she is in the good things too, but I really dislike her fatal flaw. It took her most of the book to figure out (even though she wasn’t even the one who figured it out in the end) what the secret was to her power. It was rather annoying and I wish the author would have allowed Eona to figure it out a bit soon and have some more of the awesome power in there.
The good aspects of this book do outweigh the bad ones, but it still caused me to think hard about the rating I would give it.
Goddess in the Stacks (553 KP) rated Cruel Beauty in Books
Apr 26, 2018
After reading Bright Smoke, Cold Fire I knew I HAD to find more Rosamund Hodge. She has a fantastic flair for taking fairy tales (or Shakespeare!) and twisting them into something darker but more realistic. Cruel Beauty is a twist on Beauty and the Beast, but this is no Stockholm Syndrome-suffering Beauty. She is resentful, and bitter, and angry at her father for subjecting her to this. She has trained her entire life to go to the Beast and destroy him, even if it means destroying herself too. What she find at the castle is nothing like what she expected, though, and neither is she what Hodge's Beast expects. Watching these two bitter, mocking characters dance around each other to get to the bottom of the curse and what actually happened to their world is engrossing and beautiful.
I couldn't put this book down once I started it, and I've already started Crimson Bound (Little Red Riding Hood), the next book in the same world. There's also a novella, Gilded Ashes (Cinderella), that I should snag a copy of.
The world is lovely and evocative, with gods and Forest Lords and Demons who actively participate in the world and grant wishes and make deals. It's a little bit Rumpelstiltskin, a little Fairy Godmother, a little Greek mythology, and all Rosamund Hodge. She's got talent, and writes my favorite micro-genre SO WELL.
If you like dark fairy tales, read this and then everything else Rosamund Hodge has written. It's excellent!
You can find all my reviews at http://goddessinthestacks.wordpress.com
I couldn't put this book down once I started it, and I've already started Crimson Bound (Little Red Riding Hood), the next book in the same world. There's also a novella, Gilded Ashes (Cinderella), that I should snag a copy of.
The world is lovely and evocative, with gods and Forest Lords and Demons who actively participate in the world and grant wishes and make deals. It's a little bit Rumpelstiltskin, a little Fairy Godmother, a little Greek mythology, and all Rosamund Hodge. She's got talent, and writes my favorite micro-genre SO WELL.
If you like dark fairy tales, read this and then everything else Rosamund Hodge has written. It's excellent!
You can find all my reviews at http://goddessinthestacks.wordpress.com
ClareR (5726 KP) rated Not Speaking in Books
Jun 14, 2019
Another great book chosen by The Pigeonhole (seriously, this app is ridiculously addictive). Norma Clarke tells us the story of her family. She grew up in the East End of London, the second eldest of six siblings, in a tiny flat. Her mother and father met in Greece at the end of the Second World War, and Rena came back to England after marrying Bill in Greece, and being able to speak very little English. It must have been really difficult for her.
There’s more to this than a family history though. Norma takes us through some of the social history of East London, Greek mythology (which explains some of her mother’s mindset, I think), and links some of he places she visits to her favourite authors.
It’s just such an interesting book. I wanted to know what happened to all of these people, why they weren’t speaking for one thing! It was truly a delight to read. She writes so descriptively: one minute you can’t believe that her mother can be so blunt and seemingly unfeeling (and therefore I rather disliked her for it), and the next minute, you realise she is as she is, and feel empathy for her. And during all of this, there is the rest of the family. They have their disagreements, yes, but ultimately they are family and they’re always there for one another when they are needed.
I really enjoyed this book. Many thanks to The Pigeonhole, and to Norma Clarke for reading along with us and answering questions.
There’s more to this than a family history though. Norma takes us through some of the social history of East London, Greek mythology (which explains some of her mother’s mindset, I think), and links some of he places she visits to her favourite authors.
It’s just such an interesting book. I wanted to know what happened to all of these people, why they weren’t speaking for one thing! It was truly a delight to read. She writes so descriptively: one minute you can’t believe that her mother can be so blunt and seemingly unfeeling (and therefore I rather disliked her for it), and the next minute, you realise she is as she is, and feel empathy for her. And during all of this, there is the rest of the family. They have their disagreements, yes, but ultimately they are family and they’re always there for one another when they are needed.
I really enjoyed this book. Many thanks to The Pigeonhole, and to Norma Clarke for reading along with us and answering questions.
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