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Naughty Mabel Sees It All
Naughty Mabel Sees It All
8
8.0 (1 Ratings)
Book Rating
Naughty Mabel makes her return with this second volume, which I found a huge improvement over her first story (Nathan Lane is such a comedy genius, and for him to resort to fart humor, regardless of how funny kids will find it, left me disappointed). This time out, Mabel is seeing things, which makes her inherent naughtiness even worse, and until her parents can figure out why she's seeing things, Mabel continues to wreak havoc. Dan Krall's illustrations are perfect once again, and I'm actually now hoping that we'll be seeing more of Mabel in the future.
  
The Lion King (1994)
The Lion King (1994)
1994 | Action, Animation, Drama
Jeremy Irons and James Earl Jones. (0 more)
Hakuna Matata
The Lion King- such a classic. Its perfect, amazing, fantasic and phenomenal and than thier just had to remake last year, live action style because of $$$ and have beyonce voice one of the charcters and have a second soundtrack with rap stars??? Anyways, the songs are so excellent, you have... "Circle of Life", "I Just Cant Wait to be King", "Be Perpared", "Hakuna Matata" and "Can't You Feel The Love Tonight".

The plot: This Disney animated feature follows the adventures of the young lion Simba (Jonathan Taylor Thomas), the heir of his father, Mufasa (James Earl Jones). Simba's wicked uncle, Scar (Jeremy Irons), plots to usurp Mufasa's throne by luring father and son into a stampede of wildebeests. But Simba escapes, and only Mufasa is killed. Simba returns as an adult (Matthew Broderick) to take back his homeland from Scar with the help of his friends Timon (Nathan Lane) and Pumbaa (Ernie Sabella).

A classic film.
  
The Producers (2005)
The Producers (2005)
2005 | Comedy, Musical
If I had never seen the original, this may have been decent
No question that the original 1968 film is one of the greatest comedies of all time. Anyone who's seen the original is going to have a hard time not comparing this film to the original. As soon as this movie started, I knew I was in trouble. Let's just say that Nathan Lane & Matthew Broderick don't even come close to Zero Mostel & Gene Wilder. But it doesn't stop there. There is nobody in this film that is better than anyone in the original film. I realize they needed people that could not only act, but sing & in some cases, dance. But one cannot look at the first 10 minutes of the film & think, "Those are the worst impressions of Mostel & Wilder I've ever seen." Broderick is the hardest to look at. He just doesn't come off as natural when he becomes hysterical or when he's explaining things to Bialystock. Nathan Lane fares better, but somehow the jokes come out very stale & unfunny.

Some of my favorite jokes from the original are just awful in this film. For example, in the original, Max says, "Well, you know what they say; smile & the world smiles with you." He then turns & looks into the camera & says, "This man should be in a straight-jacket." Crossing the 4th wall works so well. Yet, in this film, Lane says the line to a statue. During the out-takes on the DVD, we see Lane deliver the line to the camera, ala Mostel. But he stops, realizing that he's not supposed to do it the same way as Zero, but the new, lamer version. The Hitler tryouts are also ruined in comparison to the original. In the original, the man singing "Have You Ever Heard the German Band", points to the piano player & orders, "You Vill Play It!" Hilarious. In this one the same character turns & say, "Play the song, please." or something weak like that. And finally, when the man (who has become a mentally challenged man for this film) goes to sing "The Little Wooden Boy", he goes into a stupid little dance, & when he is just about to start, the director yells, "Next!" Nowhere near as funny as the original, where we see a man so sure of himself & so confident get ready to sing & then is cut off with the much funnier, "Thank you!" More problems arise with the changing of the story from the original. The main change is the omission of LSD (Dick Shawn's character). I heard they removed him as a hippie wouldn't work today. So, instead of just making him something other than a hippie, let's get rid of him & throw the character of Franz in there. Doesn't work. Then, when the play is finally put on, the director, a very homosexual Roger DeBris, comes out & sings, creating an obviously gay Hitler. And the audience then loves the show. How weak. There are other changes too, none of them good.

Now, let's get to the good points of this film. Some of the original songs are pretty good. Broderick redeems his bad acting for some good singing & dancing. Even Will Ferrel does a pretty good job. I can't say the same for Uma Thurman though, as her song is annoying & screechy! There are some funny parts in the movie, & they are all new to the story as all the original jokes fall flat (even without comparison). But there are not enough of the funny parts to save this film.

I can see how some may like the Broadway aspect of this film & I myself might have if the film itself didn't stink on the whole. So, I'll stick to the original film, this film had no reason to be made & now that I have seen it, it had no reason to be watched either.