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The Mark of Fate ( The Marked book 3)
Book
War will be waged, lives will be lost… One step forward and two steps back. That’s what it...
David McK (3770 KP) rated The Loki Sword (Fireborn #3) in Books
Sep 18, 2022
I'm not sure why, but for some reason I haven't really connected with Angus Donald's 'Fire Born' novels, finding them to be the weakest of his three series that I have read (The Outlaw Chronicles and the Holcroft Blood series).
I don't know why that is; it's just one of those things.
However, I'll still read these novels, just not be in as much of a rush to do so as with the others.
This is the third in his FireBorn series (after both The Last Berserker: An action-packed Viking adventure and The Saxon Wolf: A Viking epic of berserkers and battle) and is also, for my money, the best of those three novels. That may be because of the nature of this - a band of travellers setting out on a quest, leading to a battle and a return home, with the author himself admitting the influence of the works of JRR Tolkien on this particular entry.
I don't know why that is; it's just one of those things.
However, I'll still read these novels, just not be in as much of a rush to do so as with the others.
This is the third in his FireBorn series (after both The Last Berserker: An action-packed Viking adventure and The Saxon Wolf: A Viking epic of berserkers and battle) and is also, for my money, the best of those three novels. That may be because of the nature of this - a band of travellers setting out on a quest, leading to a battle and a return home, with the author himself admitting the influence of the works of JRR Tolkien on this particular entry.
The Accursed King (The Plantagenet Legacy #4)
Book
What happens when a king loses his prowess? The day Henry IV could finally declare he had vanquished...
Historical Fiction Plantagenet Dynasty Henry V Henry IV
Elektra
Book
The House of Atreus is cursed. A bloodline tainted by a generational cycle of violence and...
Greek Mythology Historical fiction Retellings Feminism Audiobook
Hazel (2934 KP) rated The Wilderness Retreat in Books
Feb 26, 2023
Hmmm ... I've got to admit that I struggled with this book. I finished it but only just and only with a bit of skim reading along the way.
What I liked about it: the setting and the general creepiness.
What I didn't like about it: the main character ... well, actually, most of the characters if I'm honest, the repetitive nature of some of the story, the dream sequences, lack of anything much happening most of the time and whilst the "mystery" was intriguing in the beginning, the twist was, for me, pretty obvious.
I'm sorry I didn't enjoy this as much as I was hoping but I guess you can't please everyone all of the time and there are plenty of very positive reviews for this book so if it sounds like your kind of story, give it a go.
Thank you to HQ and NetGalley for enabling me to read and share my thoughts of The Wilderness Retreat.
What I liked about it: the setting and the general creepiness.
What I didn't like about it: the main character ... well, actually, most of the characters if I'm honest, the repetitive nature of some of the story, the dream sequences, lack of anything much happening most of the time and whilst the "mystery" was intriguing in the beginning, the twist was, for me, pretty obvious.
I'm sorry I didn't enjoy this as much as I was hoping but I guess you can't please everyone all of the time and there are plenty of very positive reviews for this book so if it sounds like your kind of story, give it a go.
Thank you to HQ and NetGalley for enabling me to read and share my thoughts of The Wilderness Retreat.
David McK (3770 KP) rated The Casebook of Sherlock Holmes (Sherlock Holmes #9) in Books
May 12, 2024
"Come at once if convenient. If not convenient, come at once all the same - SH"
The final entry in Arthur Conan Doyle's Sherlock Holmes canon, which - again - I experienced through a mixture of reading and listening to the Stephen Fry narrated Audible version, and which is also really once again a collection of short stories rather than a single over-arching narrative.
What is unique in this collection, though, is that some of the stories are presented as Holmes himself delivering the narrative, rather than Watson acting as the biographer.
I also noticed - perhaps reflecting the nature of the time in which they were written, and Doyle's own interests - that there are more of the, shall we say, supernatural elements in the case chosen ("The adventure of the Sussex Vampire" springs to mind, for example) although - in all cases - the supernatural elements are later debunked by Holmes himself.
As a whole? I thoroughly enjoyed my time in the company of Holmes and Watson.
The final entry in Arthur Conan Doyle's Sherlock Holmes canon, which - again - I experienced through a mixture of reading and listening to the Stephen Fry narrated Audible version, and which is also really once again a collection of short stories rather than a single over-arching narrative.
What is unique in this collection, though, is that some of the stories are presented as Holmes himself delivering the narrative, rather than Watson acting as the biographer.
I also noticed - perhaps reflecting the nature of the time in which they were written, and Doyle's own interests - that there are more of the, shall we say, supernatural elements in the case chosen ("The adventure of the Sussex Vampire" springs to mind, for example) although - in all cases - the supernatural elements are later debunked by Holmes himself.
As a whole? I thoroughly enjoyed my time in the company of Holmes and Watson.
Mark @ Carstairs Considers (2532 KP) rated The Maze in the Heart of the Castle in Books
Apr 3, 2026 (Updated Apr 3, 2026)
Journey with Colin Through the Maze
This book follows Colin, who has recently lost his parents. He’s struggling, as you would expect for any sixteen-year-old who was in that situation. So when a family friend tells him that there is a castle on Rheembeck Mountain that might hold the answer for him, he sets out. When Colin arrives, he learns he will have to journey through a maze in the castle to find what he is looking for. Will he find it?
After reading The Tightrope Walker, I decided I had to track this book down. It is episodic in nature, and that works here, with each complication keeping me engaged. Colin is really the only character we see the entire way through, and we get to see him really grow. The story is an allegory for grieving, and it mostly works. I just felt like it stumbled at the end. Even so, I’m really glad I picked up the book.
After reading The Tightrope Walker, I decided I had to track this book down. It is episodic in nature, and that works here, with each complication keeping me engaged. Colin is really the only character we see the entire way through, and we get to see him really grow. The story is an allegory for grieving, and it mostly works. I just felt like it stumbled at the end. Even so, I’m really glad I picked up the book.
David McK (3770 KP) rated Frank Herbert's Dune, the Graphic Novel book 3: The Prophet in Books
Apr 6, 2025
My exposure to Dune - despite knowing the basics i.e. Science fiction, Sandworms, Arrakis - really only comes from the 2021 (Dune) and 2024 (Dune: part 2) movies.
Which I'm well aware, due to the nature of the medium, leaves a lot out.
As such, it's interesting reading this (after having read the previous 2 entries in the same graphic novel series) to see how much is familiar, and how much is changed.
Oh, the basics are there right enough (in the movies), but there are several differences to the story: Paul Atriedes sister (only teased in Part 2), here, being the most prominent example.
Not having read the 'original' original, I can't say how much was changed for the move from print to graphic novel medium, but I do believe that the authors/artists/stencillers here did try to stick as close as possible to that story.
I can understand why it was slimmed down for the move to the big screen.
Which I'm well aware, due to the nature of the medium, leaves a lot out.
As such, it's interesting reading this (after having read the previous 2 entries in the same graphic novel series) to see how much is familiar, and how much is changed.
Oh, the basics are there right enough (in the movies), but there are several differences to the story: Paul Atriedes sister (only teased in Part 2), here, being the most prominent example.
Not having read the 'original' original, I can't say how much was changed for the move from print to graphic novel medium, but I do believe that the authors/artists/stencillers here did try to stick as close as possible to that story.
I can understand why it was slimmed down for the move to the big screen.
Hard Headed Woman
Book
No one but Hannah Johansson believes her father was murdered. Not even her mother. The doctors say...
Comedy Mystery
Gareth von Kallenbach (980 KP) rated Arctic (2019) in Movies
Jul 2, 2019
This week has been one of the coldest on record across much of the United States. The “polar vortex” has brought with it sub-zero temps complete with snow and ice. It seems only fitting that Arctic a survival movie co-written and directed by YouTube star Joe Penna would be releasing the very same week. In his first feature film directorial debut Penna brings both the beauty and the dangers of the Arctic (Iceland in this case) to the big screen.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.





