"[sings] "I got a crush on us!" He's like "vampires came and vampires went, I won't forget this magic feeling", just so geeky, fucking brilliant lyrics, full of cliches, but done in the most hilarious way: "not stupid stuff like your cousin wrote". What the fuck are you talking about? I remember at the time seeing American Splendor, which is this film about Robert Crumb and Harvey Pekar who's this comic book drawer in America, and I was listening to Jad Fair, and there's the whole [adopts nasal American accent] "nerd" thing that's a big part of my teenage music taste. The awkwardness of being in love and the geekiness of American culture. Terrible B-movies with Nicolas Cage, that was a big part of my university life, the trashiness and the shitness. I just really like how he talks about falling in love, the whole album's immersed in Halloween party punch, you're just at this geeky Halloween party he's talking about, and he's like "I love you more than soda pop", "you pop on my tongue and I'm so happy", loads of amazing American cultural references, that as an English kid, it's so cool. You get it. I like the hybrid of Teenage Fanclub and Jad Fair, because I couldn't say I was really into TF, but something happened, I just discovered that album and being in love with someone, my boyfriend at the time, we just loved that album because it's just so happy as well. It's innocent and happy and unashamedly geeky and loved-up. There's so many times you listen to that record and it makes you smile, and there's a lot of darkness and heaviness in my list, so I would recommend that album to anyone. First thing in the morning, summer in your car. It's got a real identity, that record, more than any other, it's a real thing in itself, you totally know what you're going to get and you totally love every moment."

"This is a comedy for you movie nerds (but that’s probably why you’re on Rotten Tomatoes anyway, because you are a film nerd). This movie is called American Movie, and it’s a documentary comedy. Man, oh man, I remember seeing this film with Horatio Sanz: we were in the theater, and we were crying so hard from laughing, we were hugging each other and punching each other because we were laughing too hard. It’s about a man trying to make a horror movie. He calls it Cove–en, and it’s about a coven, but he doesn’t like the way “coven” rhymes with “oven,” that doesn’t make sense, so he calls it, mispronounces the title for his film, and calls it Cove-en. He tries to get his dad to act in the movie, and his dad is going like, “You have something to live for. Jesus told me so.” And he’s like, “All right, Dad, do it again, but your teeth are falling out.” And he goes, “Cole, you have something to live for. Jesus told me so.” And he goes, “Geez, I hear his teeth clickety clacking in the audio, it’s unusable.” I mean it is crying funny. He takes a dentist, a local dentist [who] wants to be an actor, and he’s ramming his head into a closet that he was supposed to have scored so that it easily breaks away, but he forgets to score the wood so he’s actually ramming a human’s head into a wooden cabinet. [The man] is screaming, and he’s ramming this poor man’s head into the thing. So cut, and the guy’s holding his head. He’s like, “Oh, my gosh.” He’s like “Uh, man, I’m sorry, I forgot to cut that board.” It’s one of the best movies I’ve ever seen. It will make you cry laughing. If you love filmmaking, you will appreciate this. The two guys, the two stars of the movie, are true stars."