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Baby Driver (2017)
Baby Driver (2017)
2017 | Action, Comedy
The music. It's not the same old stuff you hear every day on the radio it's old school classics. (0 more)
Flashback to why he's in this guys debt to begin with? I'd love to see it. (0 more)
B.A.B.Y.
I avoided this movie for a while because so far I have loved everything with Ansel Elgort in it and I didn't want to break this streak. With nothing else I fancies watching and it had been on my list on Netflix I gave in.
Firstly, fell in love with baby immediately. How he behaves at home and how he is behind the wheel kind of transitioned well I think, it wasn't complicated it just flowed.
Kevin Spacey plays a character you want to hate but because it's Kevin Spacey you just can't.
Jamie Foxx though. I love the guy in this he really makes you hate him. He's suave, dangerous, unpredictable and merciless perfectly.
The Darling and Buddy story (trying not to spoil it) is an unexpected surprise in a film such as this.
It's nice to see a film so unique in the way it all works out. One thing I did find is the Baby/Debora story progressed a little too fast but other than that, great film definitely think it's worth a watch
  
Bring it on, Ghost
Bring it on, Ghost
2016 | Comedy, Horror, Romance
9
8.7 (3 Ratings)
TV Show Rating
Park Bong-pal can see ghosts, he uses this ability to make money as an exorcist. On one of his jobs he meets Kim Hyeon-ji, a ghost who can't remember her own death. Park Bong- pal agrees to help Kim Hyeon-ji find out about her past if she helps him exorcise the evil ghost but Kim Hyeon-ji isn't the only one with a mysterious past and Park Bong-pal's might just kill both of them.
Bring it on, Ghost is a Korean, horror, romance, comedy romance series on Netflix. Each episode is a 'Monster of the week' type of story with also builds up the story of Park Bong-pal and how he gained the ability to see ghosts and what it means to his future.
The horror aspect of the series is quite tame, some of the ghosts are creepy but the show focus's on Park Bong-pal and Kim Hyeon-ji's relationship and works on building up the over aching series story line.
Being about ghosts there are the occasional episodes that touch on suicide and child abuse but these are handled well and manly focus on the effect such actions have on the survives and are not glorified or used for shock value.
  
The New Legends of Monkey
The New Legends of Monkey
2018 | Fantasy
9
7.3 (9 Ratings)
TV Show Rating
The New Legends of Monkey is the Netflix reboot of the 70's 'Monkey' (aka Monkey Magic) and follows a similar storyline, Demons are over running the world and a monk named Tripitaka must free the Monkey King and track down the sacred scrolls.
Most people will remember the original Monkey as seeming a bit low budget and silly so when you first see the 'The New Legends of Monkey' you may be forgiven for thinking that it's going to be different, Monkey is good looking (& doesn't have his cloud), the fights and action scenes are well choreographed and there is some tension. It is different, it's been updated but, as you watch you realise that the humour is still there, Monkey is now a himbo, vain and self centred but in a likeable way, none of the gods know what it's like to be human but all still have their own problems with make them likable. Tripitaka is the straight monk to all the gods foolishness as she tries to keep them on mission.
The series is silly without being stupid and does allow for character growth as having some emotional scenes and, overall dose a good job of re booting the original.
  
Enola Holmes (2020)
Enola Holmes (2020)
2020 | Adventure, Crime, Drama
Lavish slab of Holmesian schlock, which managed to get Netflix sued by the Conan Doyle estate on the grounds that it depicts Sherlock Holmes having emotions: frankly, this is the least of the film's divergences from the canon. The great detective's slightly manic younger sister is home-schooled by her mother, and then goes off to London when said matriarch vanishes on her sixteenth birthday.

Doesn't really bear much resemblance to the original canon, nor to the realities of Victorian London or much else, really: there isn't a great deal of detecting going on, but there is a lot of earnest messaging about finding your own path and giving the patriarchy a good kicking. Has clearly had some money spent on it; Brown has a certain presence and Cavill, while arguably miscast, is less problematic than you might expect. For a film which appears to be aimed at a fairly young audience there are some moments of surprisingly nasty violence, but on the whole it's fairly inoffensive. I imagine members of the target audience will probably enjoy it a lot more than me; I think I'll be sticking with Young Sherlock Holmes when I'm in the mood for this sort of thing.