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JT (287 KP) rated Triple Frontier (2019) in Movies
Mar 10, 2020
Triple Frontier is the latest straight-to-Netflix blockbuster that manages to hit the right notes at the right times. More often than not Netflix originals aren’t anything to get excited about, although occasionally there is a diamond in the rough.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Charles Burbridge (13 KP) rated The Hurricane Heist (2018) in Movies
Mar 24, 2018
Imagine, if you will, a film released in theaters, with Syfy Channel level special effects, acting, and writing. Imagine, if you will, a hurricane that has skulls not so well hidden in the storm clouds in nearly every shot. Imagine, if you will, the hackneyed plot of people trying to steal old money from the Treasury before it gets shredded. You will have imagined Hurricane Heist.
Now, this film is bad, but it's not garden variety bad. It's bad enough that it wrapped itself all the way back around to entertaining. Hurricane Heist is blatantly dumb yet the actors, as much as they can, play it straight. For an hour and a half, you will ask yourself, "Can this movie get any dumber?" The answer is, "Yes. Yes, it can."
Was I entertained? Greatly. Is there any way that I can recommend spending any money on seeing a movie that has nothing going for it besides your incredulity at the fact that it not only got made, but got a theatrical release? No. But, for dang sure, if it shows up on Netflix or on something that you already pay for, check it out, if only for a few minutes. You won't gain anything from those few minutes, but there's a fairly high chance that you will laugh.
Now, this film is bad, but it's not garden variety bad. It's bad enough that it wrapped itself all the way back around to entertaining. Hurricane Heist is blatantly dumb yet the actors, as much as they can, play it straight. For an hour and a half, you will ask yourself, "Can this movie get any dumber?" The answer is, "Yes. Yes, it can."
Was I entertained? Greatly. Is there any way that I can recommend spending any money on seeing a movie that has nothing going for it besides your incredulity at the fact that it not only got made, but got a theatrical release? No. But, for dang sure, if it shows up on Netflix or on something that you already pay for, check it out, if only for a few minutes. You won't gain anything from those few minutes, but there's a fairly high chance that you will laugh.
David McK (3185 KP) rated The City of Shifting Waters (Valérian and Laureline, #1) in Books
Jan 28, 2019
Like many others, I'm sure, I first only heard of Valerian as a result of the absolutely-bonkers 2017 movie 'Valerian and the City of a Thousand Planets'.
Reading the interviews with the stars that came out at around about that time, I learnt that Valerian was actually a French comic, and that it had influenced elements of the really-rather-fun Bruce Willis flick 'The Fifth Element'. I caught Valerian when it showed up on Netflix and, while it was OK, it wasn't really anything special.
When I saw this comic given away as a freebie on Comixology, I thought I would give it a try: I don't know what I was expecting (something closer to the movie?), but this most definitely wasn't it!
This is set largely in the (then) future of the mid-80s, where the world is in ruins and New York is about to be swallowed by the ocean. Valerian and Laureline are both time-travelers, who must travel back to this period of their history: a period in which little is known about, a sort-of second Dark Ages.
This comic does show it's age, particularly in it's treatment of Laureline (who doesn't seem to really do all that much) and in Sun Rae: truth be told, it just never really gripped me at all.
Reading the interviews with the stars that came out at around about that time, I learnt that Valerian was actually a French comic, and that it had influenced elements of the really-rather-fun Bruce Willis flick 'The Fifth Element'. I caught Valerian when it showed up on Netflix and, while it was OK, it wasn't really anything special.
When I saw this comic given away as a freebie on Comixology, I thought I would give it a try: I don't know what I was expecting (something closer to the movie?), but this most definitely wasn't it!
This is set largely in the (then) future of the mid-80s, where the world is in ruins and New York is about to be swallowed by the ocean. Valerian and Laureline are both time-travelers, who must travel back to this period of their history: a period in which little is known about, a sort-of second Dark Ages.
This comic does show it's age, particularly in it's treatment of Laureline (who doesn't seem to really do all that much) and in Sun Rae: truth be told, it just never really gripped me at all.
JT (287 KP) rated Rim of the World (2019) in Movies
Mar 10, 2020
Given the success of Stranger Things it would seem that the mismatched relationship of a group of adolescent teens would make for great viewing. The format has had plenty of success in the past, think The Goonies and Lost Boys, but here it just seems tiresome and flat.
Teens at a summer camp get caught up in an alien invasion which leaves them with the option – whether to save the world or not – they do of course. And so begins a quest to through California to deliver an important piece of information that holds the key to defeating the alien race. Director McG really doesn’t have a grip on this one, relying on toilet humour and a pointless romantic sub plot to carry the film through to its final conclusion.
Makes me want to have kids just so I can insist they don’t watch this
Where the above mentioned films had a real sense of 80s nostalgia and a group of kids who you genuinely had an interest in, Rim of the World feels like an interlude to the next big retro throwback. Picking four stereotypes which pretty much cover off the socially inept and outcast, is almost annoying. Poor jokes and not very good special effects does little to elevate it to a Netflix success.
Teens at a summer camp get caught up in an alien invasion which leaves them with the option – whether to save the world or not – they do of course. And so begins a quest to through California to deliver an important piece of information that holds the key to defeating the alien race. Director McG really doesn’t have a grip on this one, relying on toilet humour and a pointless romantic sub plot to carry the film through to its final conclusion.
Makes me want to have kids just so I can insist they don’t watch this
Where the above mentioned films had a real sense of 80s nostalgia and a group of kids who you genuinely had an interest in, Rim of the World feels like an interlude to the next big retro throwback. Picking four stereotypes which pretty much cover off the socially inept and outcast, is almost annoying. Poor jokes and not very good special effects does little to elevate it to a Netflix success.
Acanthea Grimscythe (300 KP) rated Deep Blue Sea (1999) in Movies
May 12, 2018
Deep Blue Sea will always have a special place in my heart. At the time of its release, I was eight years old and it’s one of the few horror movies (if you can call it that) that I was allowed to watch. With that said, it’s a guilty pleasure and finding it on Netflix the other night was pretty amazing.
They say the path to Hell is paved with good intentions and Deep Blue Sea reminds us exactly how such proverbs can come true. Dr. Susan McAlester’s unhealthy obsession with finding a cure for Alzheimer’s guides her to costly extremes – and no price is too high in her book. It’s a classic example of sacrificing the few to aid the many, and it is, admittedly, a little overdone.
That said, this movie has some pretty awesome, if dated, death scenes – which I won’t go into detail about in case you haven’t seen it. What I can say is that this is actually a movie where Samuel L. Jackson doesn’t say “motherfucking.” (Feel free to correct me if I’m wrong, but I don’t recall hearing it at all, which was a shocker.)
Naturally, Deep Blue Sea isn’t something that’s breathtakingly amazing. It’s got its moments though, and it is a fun jaunt through what goes wrong when you mess with things you don’t know about. Seriously, it’s worth a watch for some of its silly little comedic moments, at that. Pretty solid three out of five.
They say the path to Hell is paved with good intentions and Deep Blue Sea reminds us exactly how such proverbs can come true. Dr. Susan McAlester’s unhealthy obsession with finding a cure for Alzheimer’s guides her to costly extremes – and no price is too high in her book. It’s a classic example of sacrificing the few to aid the many, and it is, admittedly, a little overdone.
That said, this movie has some pretty awesome, if dated, death scenes – which I won’t go into detail about in case you haven’t seen it. What I can say is that this is actually a movie where Samuel L. Jackson doesn’t say “motherfucking.” (Feel free to correct me if I’m wrong, but I don’t recall hearing it at all, which was a shocker.)
Naturally, Deep Blue Sea isn’t something that’s breathtakingly amazing. It’s got its moments though, and it is a fun jaunt through what goes wrong when you mess with things you don’t know about. Seriously, it’s worth a watch for some of its silly little comedic moments, at that. Pretty solid three out of five.
Logan Eccles (135 KP) rated The Dark Crystal: Age of Resistance in TV
Oct 1, 2020 (Updated Oct 2, 2020)
Henson Lives on
First off this is one I will not be able to be unbias because I've been I huge Henson fan my whole 24 years of life. Puppetry helped me find my young voice when I was too ashamed to speak with my speech impediment. That being said here's my Review. Thank you, Netflix for producing this modern-day masterpiece of pure brilliance. The mixture of classic Henson puppetry and CGI was blended well and even though most times you could tell the difference of the change and looked good. As the animation and puppetry were superb so was the story development. The progression of the story was fun, smart, and beautiful. The use of characters from the movie and newly introduced characters for the show were also smart and developed well for the overall story. The cast was a good assembly of voices, though some were easily confused for others with similarity in voices, they were still fantastic. Simon Peg was especially great as The Chamberlin was my favorite character from the movie, Simon did a great job of mimicking the voice and keeping it as special as it was, Helena Bonham also did a good job of this with Ogla. Finally, the way the show ended at a moment that tied it to the movie but also left enough space to make a possible second season was smart. When I first heard this was going to be a show and not a movie I wasn't sure it would work but it was great I highly recommend.
Charlie Cobra Reviews (1840 KP) rated I Am Mother (2019) in Movies
Jul 7, 2020
Intriguing and Intense
I Am Mother is a 2019 sci-fi/thriller movie directed by Grant Sputore, with screenplay written by Michael Lloyd Green. It was produced by Penguin Empire, Southern Light Films, Mister Smith Entertainment and Endeavor Content and distributed by Netflix and Studio Canal. The film stars Luke Hawker, Clara Ruggard, Rose Byrne, and Hilary Swank.
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
A robot named "Mother" grows a human embryo and cares for her over several years when after an extinction event, an automated bunker activates to repopulate humanity. Mother teaches a teenage girl named "Daughter" complex moral and ethical lessons advising her that she needs practice being a good parent. Daughter captures a mouse but Mother disposes of it and explains that surface contamination with the outside world makes contact potentially lethal. Their bond is tested when Daughter becomes increasingly curious about the outside world and opens the bunker's airlock to let in a wounded woman begging for help and claims all is not as Mother claims.
This movie was awesome, classic sci-fi but with great acting and special effects. I like how suspenseful it was and how it told such a compelling story. It had me paying attention to every detail and trying to predict how it was going to unravel plot wise and though some parts I could see coming, it threw a couple of curve balls here and there. There wasn't a lot to complain about other than some people saying it revealed too much a little too soon and that it was a slow paced film. I just really like the way it played out, with one of those classic, sci-fi, artificial intelligence concepts. I give this movie a 8/10. And I also give it my "Must See Seal of Approval".
Charlie Cobra Reviews (1840 KP) rated Rim of the World (2019) in Movies
Jul 7, 2020
Really Good Summer Sci-Fi Movie
Rim Of The World is a sci-fi adventure movie directed by McG from a screenplay by Zach Stentz. It was produced by Wonderland Sound and Vision and Circle of Confusion and distributed by Netflix. The film stars Jack Gore, Miya Cech, Benjamin Flores, Jr., and Alessio Scalzotto.
Alex, a smarter than average 13-year old, is forced to go to the same summer camp that his mother went to when she was a girl. The summer camp is called Rim of the World and while there he meets three other teenagers, Darius the joker, Gabriel the tough guy, and Zhen Zhen the tomboy. They all stick together when suddenly aliens begin to attack the area. A space pod crash lands and an astronaut inside entrusts Alex with the key to stopping the alien invasion. They must now travel 40 miles away on their own through dangerous obstacles but as they do they will begin to bond and become friends.
First off this movie is a perfect summer flick for watching with friends who like sci-fi. It seemed to have a lot of comparisons and similarities to The Goonies, which I believe was the inspiration for it. I liked how each character had very distinct personalities. Alex the main character, has the greatest character growth out of the group but they all change along the journey. The special effects and CGI could have been way better and at times were down right laughable. But the actors performances and the scenes where they are better really sell the film. This movie is definitely not to be taken seriously but still has moments of drama that take it up a notch. I had a fun time watching it. I give it a 7/10.
Alex, a smarter than average 13-year old, is forced to go to the same summer camp that his mother went to when she was a girl. The summer camp is called Rim of the World and while there he meets three other teenagers, Darius the joker, Gabriel the tough guy, and Zhen Zhen the tomboy. They all stick together when suddenly aliens begin to attack the area. A space pod crash lands and an astronaut inside entrusts Alex with the key to stopping the alien invasion. They must now travel 40 miles away on their own through dangerous obstacles but as they do they will begin to bond and become friends.
First off this movie is a perfect summer flick for watching with friends who like sci-fi. It seemed to have a lot of comparisons and similarities to The Goonies, which I believe was the inspiration for it. I liked how each character had very distinct personalities. Alex the main character, has the greatest character growth out of the group but they all change along the journey. The special effects and CGI could have been way better and at times were down right laughable. But the actors performances and the scenes where they are better really sell the film. This movie is definitely not to be taken seriously but still has moments of drama that take it up a notch. I had a fun time watching it. I give it a 7/10.
Charlie Cobra Reviews (1840 KP) rated See You Yesterday (2019) in Movies
Jul 7, 2020
A Fresh New Take On Classic Time Travel Film
See You Yesterday is a sci-fi movie directed by Stefon Bristol and written by Stefon Bristol and Fredrica Bailey. It was produced by Spike Lee and production company 40 Acres & A Mule Filmworks and distributed by Netflix. The film stars Eden Duncan-Smith, Dante Crichlow, Brian "Stro" Bradley, and Jonathan Nieves.
Two teenage prodigies, C.J. Walker (Eden Duncan-Smith) and her best friend, Sebastian Thomas (Dante Crichlow) spend every spare minute working on their latest homemade invention: backpacks that enable time travel. When one of their older brothers is killed, they put their unfinished project to the test to save him and face the perilous consequences of time travel.
This movie was very emotional. It didn't always make sense but it had a good narrative that sustained the entire film. This movie was equal parts very realistic and fantastically unreal. At its core, it's a story about grief and second chances. Who wouldn't want to go back in time and prevent a tragic event if they could. I mean that's what one of my favorite movies The Time Machine is all about. It also had a lot of social commentary. I believe the writer/director did an awesome job in this their directorial debut. Eden Duncan-Smith's acting was also top notch and really made you feel for her through her struggles and really brought to life a very relatable character. What I didn't like was that as smart as the kids were in the movie, and as good as the time travel logic was in making sense, to me it still wasn't believable that they would have been able to create time travel devices. Also the special effects weren't always the best but seemed to work well. But if you can get past that hiccup it is an emotional roller coaster and a surprising fresh take on a classic sci-fi trope. I give it a 7/10.
Two teenage prodigies, C.J. Walker (Eden Duncan-Smith) and her best friend, Sebastian Thomas (Dante Crichlow) spend every spare minute working on their latest homemade invention: backpacks that enable time travel. When one of their older brothers is killed, they put their unfinished project to the test to save him and face the perilous consequences of time travel.
This movie was very emotional. It didn't always make sense but it had a good narrative that sustained the entire film. This movie was equal parts very realistic and fantastically unreal. At its core, it's a story about grief and second chances. Who wouldn't want to go back in time and prevent a tragic event if they could. I mean that's what one of my favorite movies The Time Machine is all about. It also had a lot of social commentary. I believe the writer/director did an awesome job in this their directorial debut. Eden Duncan-Smith's acting was also top notch and really made you feel for her through her struggles and really brought to life a very relatable character. What I didn't like was that as smart as the kids were in the movie, and as good as the time travel logic was in making sense, to me it still wasn't believable that they would have been able to create time travel devices. Also the special effects weren't always the best but seemed to work well. But if you can get past that hiccup it is an emotional roller coaster and a surprising fresh take on a classic sci-fi trope. I give it a 7/10.
Charlie Cobra Reviews (1840 KP) rated Shaft (2019) in Movies
Jul 7, 2020
Shaft Gets The Shaft In This Newest Reboot/Update
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.