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Hazel (1853 KP) rated Way Down Dark (The Australia Trilogy, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Way Down Dark</i> is the first in the <i>Australia</i> trilogy by J.P. Smythe, a brand new dystopian series for young adult readers. The world has been destroyed and humans boarded space ships in order to find somewhere to live, however, generations later the passengers aboard <i>Australia</i> have not found anywhere. The years have taken their toll on the ship, which is slowly falling to pieces, it’s inhabitants reduced to scavengers.
Recently orphaned Chan is living alone and trying to fend for herself as the Lows, an ever-increasing band of murderous thugs, wage war on everyone else. Nowhere is safe and quite often Chan finds herself in a situation where it is either kill or be killed. When Chan’s mother died her last instructions were to stay out of trouble, be selfish and don’t die. Chan on the other hand finds it extremely difficult to be selfish when she sees other people in life threatening situations. Thankfully she has Angela, a fifty something woman, looking out for her. But then Angela introduces Chan to a part of the ship no one has ever been to before, a part that challenges the truth behind the stories believed by everyone about the destruction of Earth. This new knowledge fuels Chan’s determination to save the lives of as many she can, thus finding herself in perilous situations.
Despite being set in the distant future, the characters at the beginning are living lives similar to those of the past – making clothes, shoes and weapons from scratch, picking fruit in the arboretum in order to eat. So although many dystopian novels involve some kind of enhanced technology, <i>Way Down Dark</i> does not, which separates it from other books of the same genre.
As well as Chan’s narrative, the novel also contains Angela’s stories of the past when Chan’s mother was young. These help to explain some of the situations the characters find themselves in now. It is also through Angela that Chan begins to discover the truth about the ship <i>Australia</i> and the lies they have been led to believe.
The main characters are very likable and display a range of personalities, each adding something different to the story. Chan is quick thinking, strong-willed and unselfish whereas, although Angela cares and protects, she keeps more to herself rather than jump into the fight in order to be a hero. Finally, Jonah, a young man who teams up with Chan and Angela, is a mix of Chan’s personalities with a religious streak, or what passes as religious on the <i>Australia</i>.
Although it is less futuristic than other popular young adult novels such as <i>Divergent</i> or <i>The Hunger Games</i>, readers are bound to enjoy <i>Way Down Dark</i> and its sequels. It is full of action, violence and survival told from the point of view of a teenage girl. <i>Way Down Dark</i> is a highly recommended, gripping novel, which promises to satisfy the needs of dystopian lovers.
Gareth von Kallenbach (980 KP) rated The Maze Runner (2014) in Movies
Aug 6, 2019
Kids have one heck of an imagination, and “The Maze Runner” gives off the impression that is exactly where its plot came from. The film is an adaption of the first book in the young adult sci-fi series written by James Dashner.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
In the film, the action starts right out of the gate with a boy in a cage being delivered up to a strange place. Upon his arrival, he encounters a group of boys, each of which arrived in the same way. The boys created a sort of primitive community in a beautiful green glade. Each boy is assigned a specific role in order to contribute to their survival. None of them are able to remember where they came from or their life before arriving.
The plot quickly begins to revolve around the boys who have been deemed maze runners. The glade in which the community resides is surrounded, or I should say enclosed, by a gigantic stone maze. The maze runners run through the maze trying to find out more about it in order to eventually escape. But, the maze is unsolvable because it changes shape each day and is too dangerous to stay in overnight.
The main protagonist Thomas (Dylan O’Brien) quickly interjects himself into the maze runner role, against the wishes of the community. But it isn’t long until he proves himself capable of the role when he becomes the first boy to kill what they call a “griever.” His arrival marks the beginning of new hope for the boys’ escape. At this point, one must wonder why none of the boys had ever killed a “griever” before the arrival of Thomas.
The “grievers” are cyborg spiders residing within the maze. They are the main threat keeping the boys confined to the glade, and they come off as an incredibly hokey aspect of the film. However, this may be really enjoyable for fans of corny science fiction.
I have not had a chance to read the series myself, but something tells me details were left out of the film which would have brought the quality of the plot up a level.
Unfortunately, the plot is poorly developed in crucial areas which could have made the film great, had they been further developed. For example, the creators of the strange place and the robotic spiders are not given much depth. The lack of detail in this area is what gives the execution of the plot a make-believe feel. Perhaps this part of the plot is purposefully left open to lay the ground work for the rest of the series to be made into film.
All criticism aside, what makes “The Maze Runner” enjoyable is that it stems from a unique idea. It takes the audience on a new adventure. However, I would hardly say the film aims to please a young adult audience. Its execution seems tailored for tweens. It lacks any real graphic violence, staying well within its PG rating.
I give “Maze Runner” 3 out of 5 stars.
Rachel King (13 KP) rated Extras (Uglies, #4) in Books
Feb 11, 2019
I enjoyed this book as an epilogue to the Ugly Trilogy. It resolved the one aspect that I thought was left hanging in Specials, the fate of the planet Earth itself in regards to how the current human race treated it, as opposed to how the Rusties were notorious for destroying it. I liked that I got to see how Tally and the other Cutters were viewed from an outsider with the viewpoint of Aya Fuse. In addition, the reputation economy that Aya lived in was unnervingly familiar to our own Western society of blogging, social networking, computer and television-centered lifestyles. Of the four books, I found this one the most enlightening and original, in the same genre as other dystopian literature. It seeks to reveal the truth through a piece of fiction, or as one character in the book proclaims, "I guess you sometimes have to lie to find the truth."
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
Gareth von Kallenbach (980 KP) rated Suicide Squad: Hell to Pay (2018) in Movies
Jun 19, 2019
The deadly, demented, and dangerous, and dysfunctional Task Force X has returned in “Suicide Squad: Hell to Pay”. The new animated film from Warner Bros Home Entertainment features the voice talents of Christian Slater, Vanessa Williams, Greg Grunberg, Tara Strong, and many others in an adult themed story which should delight fans of the series who thought the PG-13 approach of the live action film did not do the series the proper treatment they believed was due.
The worst of the worst have been recruited to recover a mysterious artifact and thanks to the explosives implanted in their heads; their control and compliance is expected.
Deadshoot, Harley Quinn, Copperhead, Captain Boomerang, Killer Frost, and others set out to complete their mission despite their usual issues with authority, the world, and each other. Naturally they are not unopposed as Captain Zoom, Banshee, and others stand in their way.
As the team fights others and amongst themselves, the body count piles up as this is not a kid’s movie and the blood and bullets fly frequently.
The animation and voice acting is first rate as you would expect from Warner Bros and the large cast works very well bringing their characters to life and infusing them with a complexity which is deeply engaging.
In another triumph for the studio, the movie delivers all that fans expect and more and let us hopes we will be seeing Task Force X again in the very near future.
http://sknr.net/2018/04/10/suicide-squad-hell-to-pay/
The worst of the worst have been recruited to recover a mysterious artifact and thanks to the explosives implanted in their heads; their control and compliance is expected.
Deadshoot, Harley Quinn, Copperhead, Captain Boomerang, Killer Frost, and others set out to complete their mission despite their usual issues with authority, the world, and each other. Naturally they are not unopposed as Captain Zoom, Banshee, and others stand in their way.
As the team fights others and amongst themselves, the body count piles up as this is not a kid’s movie and the blood and bullets fly frequently.
The animation and voice acting is first rate as you would expect from Warner Bros and the large cast works very well bringing their characters to life and infusing them with a complexity which is deeply engaging.
In another triumph for the studio, the movie delivers all that fans expect and more and let us hopes we will be seeing Task Force X again in the very near future.
http://sknr.net/2018/04/10/suicide-squad-hell-to-pay/
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