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Kristy H (1252 KP) rated Valley of the Dolls in Books
May 13, 2021
A classic that doesn't stand the test of time
This is the twenty-second book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
This classic novel had been sitting on my shelves for a while, so I decided to tackle it as a part of my challenge. I still have mixed feelings about it, even writing this review a month or so later. Honestly, this book is really depressing. The beginning was interesting, and I thought I would find it very engaging, but eventually the women became reduced to annoying drug addicts whose lives revolved around their looks and men. I wasn't sure what the message was, but it wasn't one I cared for.
VALLEY OF THE DOLLS centers on three women: Anne, a young woman from a tiny town who escapes and comes to New York City; Jennifer, a beautiful woman who parlays that beauty into an acting career; and Neely, a young woman with a lovely voice who dreams of an acting and singing career. Anne finds work at a talent agency, working for Henry Bellamy, which is how she meets Jennifer. Neely is her young neighbor. At first, all three women are poor and dreaming of a better life. Over the course of the book, their fortunes change, but they do not necessarily become happier.
I was sort of horrified if this was what life was like for the rich and famous in the 40s to the 60s. So much drinking, drugs, and partying. There was such intense focus on looks--if this book was supposed to be advanced for the era, it's certainly not now! The men came across terribly, but the women were not much better. Even if they were using their bodies for power, everything just felt icky. Anne is supposed to be the model of an independent woman, as she has her own money, but she's not... I wanted to like her, but it was hard.
Overall, while I certainly found parts of this book fascinating, I cannot say I always enjoyed it. It definitely provides great historical insight into a particular era, though. I'm glad I read it--it's always interesting to see what was a classic and why at certain times. But did I like the characters and plot? Not really. 2 stars for plot, rounded to 3 stars for historical significance. (Oh and major trigger warning for the use of the "f" word in relation to queer people. Part of the times, I realize, but it became very disconcerting after a while for me.)
This classic novel had been sitting on my shelves for a while, so I decided to tackle it as a part of my challenge. I still have mixed feelings about it, even writing this review a month or so later. Honestly, this book is really depressing. The beginning was interesting, and I thought I would find it very engaging, but eventually the women became reduced to annoying drug addicts whose lives revolved around their looks and men. I wasn't sure what the message was, but it wasn't one I cared for.
VALLEY OF THE DOLLS centers on three women: Anne, a young woman from a tiny town who escapes and comes to New York City; Jennifer, a beautiful woman who parlays that beauty into an acting career; and Neely, a young woman with a lovely voice who dreams of an acting and singing career. Anne finds work at a talent agency, working for Henry Bellamy, which is how she meets Jennifer. Neely is her young neighbor. At first, all three women are poor and dreaming of a better life. Over the course of the book, their fortunes change, but they do not necessarily become happier.
I was sort of horrified if this was what life was like for the rich and famous in the 40s to the 60s. So much drinking, drugs, and partying. There was such intense focus on looks--if this book was supposed to be advanced for the era, it's certainly not now! The men came across terribly, but the women were not much better. Even if they were using their bodies for power, everything just felt icky. Anne is supposed to be the model of an independent woman, as she has her own money, but she's not... I wanted to like her, but it was hard.
Overall, while I certainly found parts of this book fascinating, I cannot say I always enjoyed it. It definitely provides great historical insight into a particular era, though. I'm glad I read it--it's always interesting to see what was a classic and why at certain times. But did I like the characters and plot? Not really. 2 stars for plot, rounded to 3 stars for historical significance. (Oh and major trigger warning for the use of the "f" word in relation to queer people. Part of the times, I realize, but it became very disconcerting after a while for me.)
Kristy H (1252 KP) rated Musical Chairs in Books
Sep 17, 2020
A charming and delightful look at family and friendship
Bridget and Will are the best of friends--and nothing more--despite what everyone thinks. For over thirty years, they've been the two long-standing members of the Forsyth Trio. The third founding member, Gavin, went on to great success and stardom, leaving Bridget and Will to fill the position with a rotating crew of musicians. Before starting up the trio again, Bridget plans on spending the summer at her country house in Connecticut near her father, the famous musician Edward Stratton. But things go awry quickly. Her boyfriend breaks it off with her; her twenty-something twins surprise her by returning to the house for the summer, bringing their chaos with them; and the older Edward announces he's getting married. Will and Bridget decide to relaunch the Forsyth Trio at the wedding, but it all hinges on getting Gavin to return--someone they've both been avoiding for quite some time.
This is a charming and funny story. If it sounds all over the place, it's only because it's a reflection on Bridget's life, which is a total mess at the beginning of our tale. Each character in Poeppel's heartfelt tome is wonderful: real and true, standing out on the page as their own person. I fell easily for poor Bridget, hapless Will, the twins, and our host of side characters, ranging from Bridget's very New York-ish sister to Gwen to uppity Edward and his assistant to the local Connecticut townfolk who swarm to try to keep Bridget--and her cottage--from falling apart.
There's a lot of focus on music here--with Bridget, Will, and Edward all musicians, and it makes for a different and lovely book. While plenty of serious things happen, overall this is a sweet and funny story. I found myself smiling and laughing often while reading. There are some downright laugh out loud scenes. Bridget's inability to master technology, coupled with the helplessness of her twins, allow for some wonderful moments. But what really shines through is how much everyone here loves each other--Bridget and her kids, the whole Stratton family, and Will, who is truly part of the clan. How nice to read a book where, even if everyone might fight a day, their compassion and caring for each other shines through.
And, of course, I have a soft spot for any book featuring twins, so I enjoyed a prominent storyline featuring them.
Overall, this is delightful book that offered a wonderful distraction to the woes of the world. It's a funny and kind look at family and friendship, and it simply made me happy. 4+ stars.
This is a charming and funny story. If it sounds all over the place, it's only because it's a reflection on Bridget's life, which is a total mess at the beginning of our tale. Each character in Poeppel's heartfelt tome is wonderful: real and true, standing out on the page as their own person. I fell easily for poor Bridget, hapless Will, the twins, and our host of side characters, ranging from Bridget's very New York-ish sister to Gwen to uppity Edward and his assistant to the local Connecticut townfolk who swarm to try to keep Bridget--and her cottage--from falling apart.
There's a lot of focus on music here--with Bridget, Will, and Edward all musicians, and it makes for a different and lovely book. While plenty of serious things happen, overall this is a sweet and funny story. I found myself smiling and laughing often while reading. There are some downright laugh out loud scenes. Bridget's inability to master technology, coupled with the helplessness of her twins, allow for some wonderful moments. But what really shines through is how much everyone here loves each other--Bridget and her kids, the whole Stratton family, and Will, who is truly part of the clan. How nice to read a book where, even if everyone might fight a day, their compassion and caring for each other shines through.
And, of course, I have a soft spot for any book featuring twins, so I enjoyed a prominent storyline featuring them.
Overall, this is delightful book that offered a wonderful distraction to the woes of the world. It's a funny and kind look at family and friendship, and it simply made me happy. 4+ stars.
Jesters_folly (230 KP) rated The Kitchen (2019) in Movies
Sep 24, 2019
Contains spoilers, click to show
When their mobster husbands are all sent to prison, three women decide that the only way they can survive is to take over their criminal enterprise’s, the quest is can their friendship last.
The Kitchen is based on comics released by DC Vertigo and is set in ‘Hell’s Kitchen’, New York during the 1970’s and focus’ on the lives of the wives of an Irish/American mob and their struggle to maintain a basic life style once their husbands have been arrested. Each of the women have a different type of relationship with their husbands; Kathy is in a seemingly normal, loving relationship, Claire is in an abusive relationship and Ruby is in a mixed marriage which is looked down on by alto for the other characters. One of the threads of the film is how each woman reacts to their husbands being away and what will happen when they return.
First off, this is not a comedy, I have seen some reviews where people seem to have been expecting a few laughs, mainly because of the casting of Melissa McCarthy and Tiffany Haddish. The Kitchen has violence, abuse, attempted rape, bad language, lots of guns, prostitutes and shootings but no humour. I think there was only one time anyone laughed (in the cinema audience) and that was when the characters were being shown how to dispose of a dead body.
I have to say that this is a good, well written female lead film, the premise is not forced and there is a reason the characters are female and in a situation that women would not normally be in, especially for the time it is set. Even though the characters are slightly stereotyped (The beaten woman trying to get stronger, the loving wife trying to keep things together) they are not turned into a joke or overly exaggerated and is a big step up from the Ghostbuster’s remake which also had McCarthy as part of an all-female team. Like Ghostbusters there is also a male character who helps the team, Gabriel, but the Kitchen avoids turning him into a joke unlike Chris Hemsworth in ghostbusters.
It could be said that the way the male characters are portrayed is bad, most of them are either thugs, stupid or crazy but this not due to any kind of feminism agenda but is a slightly stereotyped view of how a segment of people were seen, most of the people they deal with are the Irish/American mobsters. This is also shown by the Italians; they are not portrayed in the same way.
I do get the feeling that The Kitchen will be remembered more for scenes and its characters than for the overall movie as there are some bits that seem to drag but, overall it is a film worth watching.
The Kitchen is based on comics released by DC Vertigo and is set in ‘Hell’s Kitchen’, New York during the 1970’s and focus’ on the lives of the wives of an Irish/American mob and their struggle to maintain a basic life style once their husbands have been arrested. Each of the women have a different type of relationship with their husbands; Kathy is in a seemingly normal, loving relationship, Claire is in an abusive relationship and Ruby is in a mixed marriage which is looked down on by alto for the other characters. One of the threads of the film is how each woman reacts to their husbands being away and what will happen when they return.
First off, this is not a comedy, I have seen some reviews where people seem to have been expecting a few laughs, mainly because of the casting of Melissa McCarthy and Tiffany Haddish. The Kitchen has violence, abuse, attempted rape, bad language, lots of guns, prostitutes and shootings but no humour. I think there was only one time anyone laughed (in the cinema audience) and that was when the characters were being shown how to dispose of a dead body.
I have to say that this is a good, well written female lead film, the premise is not forced and there is a reason the characters are female and in a situation that women would not normally be in, especially for the time it is set. Even though the characters are slightly stereotyped (The beaten woman trying to get stronger, the loving wife trying to keep things together) they are not turned into a joke or overly exaggerated and is a big step up from the Ghostbuster’s remake which also had McCarthy as part of an all-female team. Like Ghostbusters there is also a male character who helps the team, Gabriel, but the Kitchen avoids turning him into a joke unlike Chris Hemsworth in ghostbusters.
It could be said that the way the male characters are portrayed is bad, most of them are either thugs, stupid or crazy but this not due to any kind of feminism agenda but is a slightly stereotyped view of how a segment of people were seen, most of the people they deal with are the Irish/American mobsters. This is also shown by the Italians; they are not portrayed in the same way.
I do get the feeling that The Kitchen will be remembered more for scenes and its characters than for the overall movie as there are some bits that seem to drag but, overall it is a film worth watching.
okletmereviewit (4 KP) rated Doctor Strange (2016) in Movies
May 11, 2018
One heck of a ride
Contains spoilers, click to show
I went to see Doctor Strange last night and let me tell you, it was one hell of a ride. I saw it in 3D which is the only way I will watch movies nowadays, because its so immersive and makes the movie really come alive, at least in my opinion. Marvel Studios did a really amazing job on capturing the essence of this movie. If you want a good idea on how it is, think The Matrix meets Inception, meets Harry Potter.
If you don't know the story of Doctor Strange, well let me fill you in. Dr. Steven Strange was a brilliant neurosurgeon, and an egotist. In the movie, we find Doctor Strange (played by Benedict Cumberbatch) washing up to perform brain surgery. His prideful, ways have him showboating the surgery by not waiting for any imaging equipment and dislodging a bullet from the brain of a person who was thought to be dead.
After he has preformed a miracle surgery, he is rushing through traffic to go to a gala, when he hits another car, and crashes. In the process of crashing he crushes his hands, the very tools to which he was made famous for. After countless surgeries and experimental procedures he is left in destitute.
He then begins to wander the city and comes across a man who had sever spinal cord injury and was supposed to never walk again, but was and playing basketball, who tells him of a spiritual retreat that he went on in order to heal himself. Using what money he has left Dr. Strange flies to Kathmandu to search out this mystical temple and its healer.
He wanders the streets of Kathmandu, looking for any signs of where this holy temple may be. Getting desperate, and weary of looking. He makes a fated turn down a back alley street, where he is assaulted by a group of Pick Pockets, who target him as easy prey. They are quickly dispatched as Mordo (played by Chiwetel Ejiofor) beats them down, thus saving Strange from certain death by the hands of petty thugs.
Mordo takes Dr. Strange to the temple, explaining that The Ancient One (played by Tilda Swinton) may be able to help him, but that he would have to be very humble in asking for help. Dr. Strange with his medical, and scientific knowledge, begins to dismiss the teachings and workings of The Ancient One, as no more than metaphysical BS. The Ancient One then sends Dr. Strange on a quick out of body journey throughout the multiverse the whole time narrating the journey with deep wisdom. And then quickly after he is brought back from this journey he is banished to the streets and the doors locked behind him. Begging and pleading for hours, Mordo convinces The Ancient One to accept him for training.
Through what can be assumed as months of training, Dr. Steven Strange begins learning the mystical arts and excelling at a phenomenal rate. While studying he discovers The Eye of Agamotto. A powerful talisman capable of augmenting time and space. He then uses it to reveal the missing pages of a manuscript, and discovers that The Ancient One has been harnessing energies from a dark dimension to prolong her life, and a realm of a dimensional being known as Dormammu. Dormammu wants nothing else than to absorb the Earth into his being and make it part of the dark dimension. Doctor Strange then learns that Dormammu's henchmen are devising a plot to overtake 3 power houses throughout the world, in order to allow his reign of power to be complete.
Doctor Strange then must battle Kaecilius (played by Mads Mikkelsen) a former student of The Ancient One, and top disciple of Dormammu, for control of the Sanctum's (three mystical power houses that create a magical shield that protects the earth). This is the point in the movie where Steven begins to really take point and understand the extent of the power that he has learned. An epic magical battle of the wills ensues where Dr. Strange, Mordo, and Kaecillius, all take the the streets of New York in 'Mirror Dimension' where Kaecillius bends space and time to create an augmented reality (if you have seen Inception this is where they flip the world upside down and sideways and things get really visually intense), The battle of wills continues until finally The Ancient One joins the fight and battles her former pupil in a no holds battle. She is then critically injured and all of reality returns to normal. As she lays dying in a hospital room, she and Strange exchange an emotional yet sagely goodbye on the Astral Plane.
Doctor Strange returns to the New York Sanctum only to find that it had been destroyed. He and Mordo go to Hong Kong, the where they discover that the last Sanctum has fallen and that Dormammu is in the process of over taking the Earth with help from his lackey Kaecillius. Acting on instinct and whim, Doctor Strange uses The Eye of Agamotto to turn back time and restore the city and Sanctum back to its original form, when Kaecillius breaks the spell and concentration of Doctor Strange. DS then flies into the heart of the dark dimension bringing along with him The Eye of Agamotto, where he then traps Dormammu and himself in an endless time loop. Driving Dormammu mad realizing that he is trapped inside of time and no longer existing outside of time. Strange strikes a bargain that Dormammu will retreat from the Earth and take with him all of his followers never to return again, to which a defeated and angry Dormammu agrees and calls back his forces. The movie ends with Doctor Strange taking up the mantel of Sorcerer Supreme.
If you don't know the story of Doctor Strange, well let me fill you in. Dr. Steven Strange was a brilliant neurosurgeon, and an egotist. In the movie, we find Doctor Strange (played by Benedict Cumberbatch) washing up to perform brain surgery. His prideful, ways have him showboating the surgery by not waiting for any imaging equipment and dislodging a bullet from the brain of a person who was thought to be dead.
After he has preformed a miracle surgery, he is rushing through traffic to go to a gala, when he hits another car, and crashes. In the process of crashing he crushes his hands, the very tools to which he was made famous for. After countless surgeries and experimental procedures he is left in destitute.
He then begins to wander the city and comes across a man who had sever spinal cord injury and was supposed to never walk again, but was and playing basketball, who tells him of a spiritual retreat that he went on in order to heal himself. Using what money he has left Dr. Strange flies to Kathmandu to search out this mystical temple and its healer.
He wanders the streets of Kathmandu, looking for any signs of where this holy temple may be. Getting desperate, and weary of looking. He makes a fated turn down a back alley street, where he is assaulted by a group of Pick Pockets, who target him as easy prey. They are quickly dispatched as Mordo (played by Chiwetel Ejiofor) beats them down, thus saving Strange from certain death by the hands of petty thugs.
Mordo takes Dr. Strange to the temple, explaining that The Ancient One (played by Tilda Swinton) may be able to help him, but that he would have to be very humble in asking for help. Dr. Strange with his medical, and scientific knowledge, begins to dismiss the teachings and workings of The Ancient One, as no more than metaphysical BS. The Ancient One then sends Dr. Strange on a quick out of body journey throughout the multiverse the whole time narrating the journey with deep wisdom. And then quickly after he is brought back from this journey he is banished to the streets and the doors locked behind him. Begging and pleading for hours, Mordo convinces The Ancient One to accept him for training.
Through what can be assumed as months of training, Dr. Steven Strange begins learning the mystical arts and excelling at a phenomenal rate. While studying he discovers The Eye of Agamotto. A powerful talisman capable of augmenting time and space. He then uses it to reveal the missing pages of a manuscript, and discovers that The Ancient One has been harnessing energies from a dark dimension to prolong her life, and a realm of a dimensional being known as Dormammu. Dormammu wants nothing else than to absorb the Earth into his being and make it part of the dark dimension. Doctor Strange then learns that Dormammu's henchmen are devising a plot to overtake 3 power houses throughout the world, in order to allow his reign of power to be complete.
Doctor Strange then must battle Kaecilius (played by Mads Mikkelsen) a former student of The Ancient One, and top disciple of Dormammu, for control of the Sanctum's (three mystical power houses that create a magical shield that protects the earth). This is the point in the movie where Steven begins to really take point and understand the extent of the power that he has learned. An epic magical battle of the wills ensues where Dr. Strange, Mordo, and Kaecillius, all take the the streets of New York in 'Mirror Dimension' where Kaecillius bends space and time to create an augmented reality (if you have seen Inception this is where they flip the world upside down and sideways and things get really visually intense), The battle of wills continues until finally The Ancient One joins the fight and battles her former pupil in a no holds battle. She is then critically injured and all of reality returns to normal. As she lays dying in a hospital room, she and Strange exchange an emotional yet sagely goodbye on the Astral Plane.
Doctor Strange returns to the New York Sanctum only to find that it had been destroyed. He and Mordo go to Hong Kong, the where they discover that the last Sanctum has fallen and that Dormammu is in the process of over taking the Earth with help from his lackey Kaecillius. Acting on instinct and whim, Doctor Strange uses The Eye of Agamotto to turn back time and restore the city and Sanctum back to its original form, when Kaecillius breaks the spell and concentration of Doctor Strange. DS then flies into the heart of the dark dimension bringing along with him The Eye of Agamotto, where he then traps Dormammu and himself in an endless time loop. Driving Dormammu mad realizing that he is trapped inside of time and no longer existing outside of time. Strange strikes a bargain that Dormammu will retreat from the Earth and take with him all of his followers never to return again, to which a defeated and angry Dormammu agrees and calls back his forces. The movie ends with Doctor Strange taking up the mantel of Sorcerer Supreme.
Bob Mann (459 KP) rated Marriage Story (2019) in Movies
Sep 28, 2021
One Mann’s Movies Review of “Marriage Story” – a “Kramer vs Kramer lite” in my book, albeit with some great acting performances.
K vs K Lite.
For me, mention the phrase “divorce movie” and there’s only one film that comes to mind – the Oscar-laden classic from 1979 starring an immaculate Dustin Hoffman and Meryl Streep. THAT toy plane; THOSE stiches! (Gulp). This is the yardstick by which I judge such movies… and to be honest, “Marriage Story” didn’t measure up.
The story.
We start the movie seeing the apparently idyllic married life of theatre impresario Charlie (Adam Driver) and his lead actress and muse Nicole (Scarlett Johansson), together bringing up their young child. But spin forwards and the pair are in the middle of an ‘amicable’ separation, with Nicole returning to her home roots in California and Charlie having an expensive commute to and from New York where he’s struggling to premiere his show on Broadway.
But despite an agreement to keep lawyers out of the equation, Nicole is persuaded to lawyer up with Nora Fanshaw (Laura Dern) tightening up the legal screws until Charlie’s life risks being torn apart. It’s time for him to fight back.
Well regarded by the Academy.
As for “Kramer vs Kramer”, this is a movie that has been garlanded with multiple Oscar nominations. Both Driver and Johansson are nominated in the lead acting roles and Laura Dern seems to be favourite for the Best Supporting Actress gong (after winning the Golden Globe and the BAFTA). Three more Oscar nominations come for the score (by Randy Newman); the original screenplay (by director Noah Baumbach); and a Best Film nomination.
Both leads deliver really emotional performances, with Johansson in particular being very believable in the role. But who knew she was so short?! She always strikes me as a statuesque beauty, but she’s only 5′ 3” and it’s particularly noticeable in a scene filmed at Warner Brothers Studios.
It’s also fabulous to see both the great Alan Alda (here showing signs of his Parkinson’s) and Ray Liotta on screen again, as both low-rent and top-dollar lawyers respectively.
But WHY exactly are they divorcing?
I found the whole set up of the movie as frustrating. There seemed no clear understanding of why the separation is happening. True there is an affair involved (and Mrs Movie Man and I have always lived our nearly 40 years of marriage with the understanding that a “one strike” rule applies). But notwithstanding that, it seems to be more of a ‘drifting apart’ that’s gone on. I just wanted to give them a good shaking and get them to work it out!
This is all obviously unfair – because (and I also know this from experience) that in many marriages ‘shit happens’: some people do just want to do different things; feel suffocated; etc. And – thinking about it – I’m not sure there was any real reason given for Meryl Streep‘s departure in K vs K: which was part of the reason for Dustin Hoffman‘s character’s frustration.
Who do you sympathise with?
This is a movie where the audience is bound to take a side. But for me, there was only one side to take and that was Charlie’s. The actions of Nicole seem reprehensible and unforgivable, and when there are lines to be crossed she seems to have little hesitation in crossing them.
Many people seem to rave about this movie, but…
…I found the pace to be inconsistent. At one point, the story just stops for a soulful rendition by Charlie of a song in a bar, and I frankly just got bored with it. And while there’s a steady build up of the legal case involved, suddenly we seem to skip to a resolution without any real rationale for it. Or did I fall asleep??
A further irritation for me was Julie Hagerty as Nicole’s mum Sandra. She does the kooky mum turn that she did perfectly well in last year’s funny “Instant Family“, but its a role that really didn’t seem to fit in this movie. There’s an element of slapstick comedy in these scenes that just didn’t suit the general tone of the movie.
Overall, I just don’t share the love for this movie. Given the choice, I’d much rather watch Kramer vs Kramer again.
And what was that punchline?
By the way, Alan Alda is a fantastic comedian, and really knows how to deliver a joke. In this movie he’s regaling Charlie with a long-winded story (on the clock) when Charlie interrupts him. How did it end…. Alda revealed the full joke after a press screening at the New York Film Festival… and it’s a corker!
This woman’s at her hairdresser’s, and she says, “I’m going to Rome on holiday.”
He says, “Oh really, what airline are you taking?”
She says, “Alitalia.”
He says, “Alitalia, are you crazy? That’s terrible, don’t take that.”
He says, “Where are you gonna stay?”
She says, “I’m gonna stay at The Hassler.”
“The Hassler! What, are you kidding? They’re renovating the Hassler. You’ll hear hammering all night long. You won’t sleep! What are you gonna see?”
She says, “I think I’m going to try to go to the Vatican.” “The Vatican? You’ll be standing in line all day long—”
(Charlie interrupts at this point, but the joke goes on)
So she goes to Rome. She comes back, and the hairdresser says, “How was it?”
She says, “It was a great trip, it was wonderful.”
“How was the Vatican?”
“Wonderful! We happened to meet the Pope.”
“You met the Pope?”
“Yeah, and he spoke to me.”
“What did he say to you?”
“He said, ‘Where’d you get that f***ing haircut?’”
LOL!
For me, mention the phrase “divorce movie” and there’s only one film that comes to mind – the Oscar-laden classic from 1979 starring an immaculate Dustin Hoffman and Meryl Streep. THAT toy plane; THOSE stiches! (Gulp). This is the yardstick by which I judge such movies… and to be honest, “Marriage Story” didn’t measure up.
The story.
We start the movie seeing the apparently idyllic married life of theatre impresario Charlie (Adam Driver) and his lead actress and muse Nicole (Scarlett Johansson), together bringing up their young child. But spin forwards and the pair are in the middle of an ‘amicable’ separation, with Nicole returning to her home roots in California and Charlie having an expensive commute to and from New York where he’s struggling to premiere his show on Broadway.
But despite an agreement to keep lawyers out of the equation, Nicole is persuaded to lawyer up with Nora Fanshaw (Laura Dern) tightening up the legal screws until Charlie’s life risks being torn apart. It’s time for him to fight back.
Well regarded by the Academy.
As for “Kramer vs Kramer”, this is a movie that has been garlanded with multiple Oscar nominations. Both Driver and Johansson are nominated in the lead acting roles and Laura Dern seems to be favourite for the Best Supporting Actress gong (after winning the Golden Globe and the BAFTA). Three more Oscar nominations come for the score (by Randy Newman); the original screenplay (by director Noah Baumbach); and a Best Film nomination.
Both leads deliver really emotional performances, with Johansson in particular being very believable in the role. But who knew she was so short?! She always strikes me as a statuesque beauty, but she’s only 5′ 3” and it’s particularly noticeable in a scene filmed at Warner Brothers Studios.
It’s also fabulous to see both the great Alan Alda (here showing signs of his Parkinson’s) and Ray Liotta on screen again, as both low-rent and top-dollar lawyers respectively.
But WHY exactly are they divorcing?
I found the whole set up of the movie as frustrating. There seemed no clear understanding of why the separation is happening. True there is an affair involved (and Mrs Movie Man and I have always lived our nearly 40 years of marriage with the understanding that a “one strike” rule applies). But notwithstanding that, it seems to be more of a ‘drifting apart’ that’s gone on. I just wanted to give them a good shaking and get them to work it out!
This is all obviously unfair – because (and I also know this from experience) that in many marriages ‘shit happens’: some people do just want to do different things; feel suffocated; etc. And – thinking about it – I’m not sure there was any real reason given for Meryl Streep‘s departure in K vs K: which was part of the reason for Dustin Hoffman‘s character’s frustration.
Who do you sympathise with?
This is a movie where the audience is bound to take a side. But for me, there was only one side to take and that was Charlie’s. The actions of Nicole seem reprehensible and unforgivable, and when there are lines to be crossed she seems to have little hesitation in crossing them.
Many people seem to rave about this movie, but…
…I found the pace to be inconsistent. At one point, the story just stops for a soulful rendition by Charlie of a song in a bar, and I frankly just got bored with it. And while there’s a steady build up of the legal case involved, suddenly we seem to skip to a resolution without any real rationale for it. Or did I fall asleep??
A further irritation for me was Julie Hagerty as Nicole’s mum Sandra. She does the kooky mum turn that she did perfectly well in last year’s funny “Instant Family“, but its a role that really didn’t seem to fit in this movie. There’s an element of slapstick comedy in these scenes that just didn’t suit the general tone of the movie.
Overall, I just don’t share the love for this movie. Given the choice, I’d much rather watch Kramer vs Kramer again.
And what was that punchline?
By the way, Alan Alda is a fantastic comedian, and really knows how to deliver a joke. In this movie he’s regaling Charlie with a long-winded story (on the clock) when Charlie interrupts him. How did it end…. Alda revealed the full joke after a press screening at the New York Film Festival… and it’s a corker!
This woman’s at her hairdresser’s, and she says, “I’m going to Rome on holiday.”
He says, “Oh really, what airline are you taking?”
She says, “Alitalia.”
He says, “Alitalia, are you crazy? That’s terrible, don’t take that.”
He says, “Where are you gonna stay?”
She says, “I’m gonna stay at The Hassler.”
“The Hassler! What, are you kidding? They’re renovating the Hassler. You’ll hear hammering all night long. You won’t sleep! What are you gonna see?”
She says, “I think I’m going to try to go to the Vatican.” “The Vatican? You’ll be standing in line all day long—”
(Charlie interrupts at this point, but the joke goes on)
So she goes to Rome. She comes back, and the hairdresser says, “How was it?”
She says, “It was a great trip, it was wonderful.”
“How was the Vatican?”
“Wonderful! We happened to meet the Pope.”
“You met the Pope?”
“Yeah, and he spoke to me.”
“What did he say to you?”
“He said, ‘Where’d you get that f***ing haircut?’”
LOL!
Corey Richard Bennett (10 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 18, 2019 (Updated Jul 18, 2019)
Great follow-up to Avengers Endgame (2 more)
Extremely relatable teen angst and romance
Accurate potrayal of the Spider Man character
Contains spoilers, click to show
The last film in the 4th phase of Marvel's Cinematic Universe is a fitting bookend for the Universe so far, and where the Cinematic Universe is heading. After losing his mentor, Tony Stark, Spider-Man Peter Parker tries to resume a life of normality. With high hopes of romance with classmate MJ abroad in Europe, Peter is drawn into a ploy that is ultimately being triggered by fake interloper Mysterio AKA Quentin Beck. With use of virtual reality tech, and military grade drones, Beck tricks Nick Fury, and Peter into thinking beings known as Elementals are attacking Earth. Seemingly with all other Avengers busy or not home, Fury calls upon Tony Stark's chosen successor to help Mysterio in slaying the new beasts.
This is peak portrayal of the web-slinger as Tom Holland makes you really feel for his teenage character who is balancing a life of normality and a life with huge responsibility. Peter constantly thinks of his friends well-being and hiding his secret identity throughout Europe. Then there is the aspect of Peter's budding romance for MJ, played beautifully by Zendaya. This incarnation of MJ is quirky and awkward, which is not like any other portrayals I have seen before, but it matches with Holland's Parker, as he too is awkward as most teenagers trying to find themselves in life.
Now the bad guy. Mysterio is a long well known enemy in the Spider-Man lore, so the twist that he is Master of Illusion should not be a shock, but the trailers did a good job painting the possibility that we were seeing a new incarnation of the dome-headed man of mystery. The trailers also got fans excited, with the possibility of a multiverse being created by the snap of Thanos, now referred to as the Blip by the people of Earth. The multiverse could have been the way to shoe-horn the X-Men into the MCU, but alas it was all a ploy to get the ever powerful Stark Tech glasses (known as EDITH Even Dead I'm The Hero) away from Peter, as Tony had left them to him in his will. Tricking everyone including usually tactful Nick Fury, Mysterio gains Peter's trust, and then his glasses, as Peter thinks Beck is a more fitting replacement to Iron-Man than Peter himself, who wants to live a normal life for the time being. Mysterio almost gets away with his plan, but with one simple slip-up Peter realizes his gaff and pursues Beck to Berlin, which brings me to the best scene (In my humble Opinion).
Knowing Peter is on his way, Beck springs his own web of illusions around Peter which tricks Peter immensely, and dazzles the fan. Tricking Peter to the point that he learns who knows of his plan, dispatches Peter via a train, which Peter barely survives. Beck moves his plans to London where he tries to enact his greatest illusion but a rejuvenated Peter (with help from Happy Hogan) thwarts Beck's plan which ultimately leads to Beck's untimely demise. But with his plan burning around him, he uses his last minutes to frame Peter in his death, and reveal his identity to the world.
In the course of the movie, Peter and MJ finally reveal their feelings for one another, and become a couple before landing back in the USA, but with Peter's secret to the world (which MJ had figured out a while back) their relationship and Peter's safety hangs in the balance. Now the only question alot of people like myself are left wondering, what's next? What's next for the MCU? and Whats next for Spider-Man? Well for the MCU, Black-Widow's solo movie seems to be next in line with Guardians 3 in the Horizon. As for Spider-Man, Marvel and Sony's deal has one more movie left, so hopefully they make a longer agreement, as Tom Holland should being playing this role for a long time. The next film should be a fantastic spot to bring in Kraven the Hunter into the MCU, as Peter Parker is now enemy number 1 in New York and Kraven would be the best villian to set loose to hunt for Peter. Using MJ as bait or even Ned, the story rights itself, even possibly using the comic book story which Kraven buries Spider-Man. But I guess we need a few more years to find out what will happen to Peter, but this film is a great one in a line of great MCU entries.
P.S. Yeah that end-credit scene. Yup, we are getting Secret Wars storyline as the next big Avengers event.
This is peak portrayal of the web-slinger as Tom Holland makes you really feel for his teenage character who is balancing a life of normality and a life with huge responsibility. Peter constantly thinks of his friends well-being and hiding his secret identity throughout Europe. Then there is the aspect of Peter's budding romance for MJ, played beautifully by Zendaya. This incarnation of MJ is quirky and awkward, which is not like any other portrayals I have seen before, but it matches with Holland's Parker, as he too is awkward as most teenagers trying to find themselves in life.
Now the bad guy. Mysterio is a long well known enemy in the Spider-Man lore, so the twist that he is Master of Illusion should not be a shock, but the trailers did a good job painting the possibility that we were seeing a new incarnation of the dome-headed man of mystery. The trailers also got fans excited, with the possibility of a multiverse being created by the snap of Thanos, now referred to as the Blip by the people of Earth. The multiverse could have been the way to shoe-horn the X-Men into the MCU, but alas it was all a ploy to get the ever powerful Stark Tech glasses (known as EDITH Even Dead I'm The Hero) away from Peter, as Tony had left them to him in his will. Tricking everyone including usually tactful Nick Fury, Mysterio gains Peter's trust, and then his glasses, as Peter thinks Beck is a more fitting replacement to Iron-Man than Peter himself, who wants to live a normal life for the time being. Mysterio almost gets away with his plan, but with one simple slip-up Peter realizes his gaff and pursues Beck to Berlin, which brings me to the best scene (In my humble Opinion).
Knowing Peter is on his way, Beck springs his own web of illusions around Peter which tricks Peter immensely, and dazzles the fan. Tricking Peter to the point that he learns who knows of his plan, dispatches Peter via a train, which Peter barely survives. Beck moves his plans to London where he tries to enact his greatest illusion but a rejuvenated Peter (with help from Happy Hogan) thwarts Beck's plan which ultimately leads to Beck's untimely demise. But with his plan burning around him, he uses his last minutes to frame Peter in his death, and reveal his identity to the world.
In the course of the movie, Peter and MJ finally reveal their feelings for one another, and become a couple before landing back in the USA, but with Peter's secret to the world (which MJ had figured out a while back) their relationship and Peter's safety hangs in the balance. Now the only question alot of people like myself are left wondering, what's next? What's next for the MCU? and Whats next for Spider-Man? Well for the MCU, Black-Widow's solo movie seems to be next in line with Guardians 3 in the Horizon. As for Spider-Man, Marvel and Sony's deal has one more movie left, so hopefully they make a longer agreement, as Tom Holland should being playing this role for a long time. The next film should be a fantastic spot to bring in Kraven the Hunter into the MCU, as Peter Parker is now enemy number 1 in New York and Kraven would be the best villian to set loose to hunt for Peter. Using MJ as bait or even Ned, the story rights itself, even possibly using the comic book story which Kraven buries Spider-Man. But I guess we need a few more years to find out what will happen to Peter, but this film is a great one in a line of great MCU entries.
P.S. Yeah that end-credit scene. Yup, we are getting Secret Wars storyline as the next big Avengers event.
Kristy H (1252 KP) rated Better Together in Books
Jun 10, 2021
A cute albeit long read about family and finding yourself
Jamie and Siri wind up at the same Re-Discover Yourself Retreat at Colorado because their lives are both slowly crumbling. Jamie is an aspiring comic in LA, but she can't seem to make it through her set without throwing up. She's been kicked out of her apartment and is back at home, stuck living under her famous father's oppressive thumb. As for Siri, ballet is her entire life. But when she suffers a career-ending injury, everything she's planned for falls apart. Jamie and Siri also happen to be sisters. They've grown up entirely apart: Jamie lives with their dad in LA and Siri with their mom in New Jersey. When they reunite at the retreat, they decide to switch places and seek revenge on their estranged parents. With the help of a little magic (yes, actual magic), Jamie shows up in New Jersey, looking just like Siri and Siri arrives in LA, looking like Jamie. Before they know it, Siri's hanging out with (and falling for) Jamie's best friend Dawn. And independent Jamie might be making an actual attachment with Zarar, their instructor from camp. But can Jamie and Siri set out to do what they planned--right their childhood wrongs?
"The day everything fell apart three months ago, I tripped into this anger ditch, and I can't seem to find my way out." -Siri
I stumbled across this book because it was billed as The Parent Trap meets Freaky Friday and well, sign me up. To me, there's not a ton of The Parent Trap here, as the goal isn't to reunite Siri and Jamie's parents, but rather seek some sort of vengeance on them, as they basically split the kids up when they were six and four and then each parent abandoned one of the siblings. Jamie and Siri never saw each other again, and Siri's mom told her Jamie was imaginary. So, um, yeah she has some baggage. The parents come across as pretty hideous here, to tell you the truth! (Reexamining The Parent Trap as an adult and parent is quite eye-opening!)
Also, reading some of the other reviews for this book, apparently there is some sort of rating controversy and issue with the author? I had no clue about any of this. I have no idea who Christine Riccio is. I am one of those people who dislikes videos of all kinds. News article is only a video? Won't watch. I don't even really like Instagram reels let alone Youtube. I don't even love that my car has a backup camera. So whatever drama surrounds this book totally escapes me. If you don't like a book about magic, I guess don't read a book about magic? I thought this was pretty cute. Anyway, just a disclaimer, I guess, that my review has nothing to do with any of whatever that drama is.
You need to go into BETTER TOGETHER prepared to suspend a little disbelief if you want to fully enjoy it. There is magic involved--a happy haunted trail at the retreat that leads to the sisters looking like each other. Jamie and Siri already look really similar, so it didn't seem like maybe they needed that? (You don't in the The Parent Trap, this purist says!) Then there is their terrible parents. It's sort of hard to believe people that awful exist.
But if you accept the magic and the awful parents, this is a cute book. Is it weird? Sure. But it was definitely better than I expected after reading all the hater reviews. I liked Jamie and Siri. They were flawed (pretty expected after those parents) but funny. There's some great bisexual representation and while the book is about family, forgiveness, and reuniting, there's some sweet side romantic plots, too. Siri and Dawn were pretty adorable. And Zarar, their canoe instructor who winds up in New York, is just a cutie. Siri and Dawn each have a grandparent living near/with them who offers some great comedic relief, as well.
The story is told from Jamie and Siri's perspectives and sometimes it takes a moment to remember which sister is speaking, though the chapters are labeled. As the book progresses, you get more used to which sister is which. Siri has a very annoying quirk where she says things like "intercoursing" instead of the f-word, which grew old quickly. The book was long--there definitely could have been some cutting down.
Still, this was a cute read and I enjoyed Siri and Jamie's story and watching each of them come into their own. I have Riccio's first book on my shelf, and I'll definitely pick it up at some point. 3.5 stars.
I received a copy of this book from Wednesday Books and Netgalley, along with Goodreads, in return for an unbiased review. Look for BETTER TOGETHER on 06/01/2021!
"The day everything fell apart three months ago, I tripped into this anger ditch, and I can't seem to find my way out." -Siri
I stumbled across this book because it was billed as The Parent Trap meets Freaky Friday and well, sign me up. To me, there's not a ton of The Parent Trap here, as the goal isn't to reunite Siri and Jamie's parents, but rather seek some sort of vengeance on them, as they basically split the kids up when they were six and four and then each parent abandoned one of the siblings. Jamie and Siri never saw each other again, and Siri's mom told her Jamie was imaginary. So, um, yeah she has some baggage. The parents come across as pretty hideous here, to tell you the truth! (Reexamining The Parent Trap as an adult and parent is quite eye-opening!)
Also, reading some of the other reviews for this book, apparently there is some sort of rating controversy and issue with the author? I had no clue about any of this. I have no idea who Christine Riccio is. I am one of those people who dislikes videos of all kinds. News article is only a video? Won't watch. I don't even really like Instagram reels let alone Youtube. I don't even love that my car has a backup camera. So whatever drama surrounds this book totally escapes me. If you don't like a book about magic, I guess don't read a book about magic? I thought this was pretty cute. Anyway, just a disclaimer, I guess, that my review has nothing to do with any of whatever that drama is.
You need to go into BETTER TOGETHER prepared to suspend a little disbelief if you want to fully enjoy it. There is magic involved--a happy haunted trail at the retreat that leads to the sisters looking like each other. Jamie and Siri already look really similar, so it didn't seem like maybe they needed that? (You don't in the The Parent Trap, this purist says!) Then there is their terrible parents. It's sort of hard to believe people that awful exist.
But if you accept the magic and the awful parents, this is a cute book. Is it weird? Sure. But it was definitely better than I expected after reading all the hater reviews. I liked Jamie and Siri. They were flawed (pretty expected after those parents) but funny. There's some great bisexual representation and while the book is about family, forgiveness, and reuniting, there's some sweet side romantic plots, too. Siri and Dawn were pretty adorable. And Zarar, their canoe instructor who winds up in New York, is just a cutie. Siri and Dawn each have a grandparent living near/with them who offers some great comedic relief, as well.
The story is told from Jamie and Siri's perspectives and sometimes it takes a moment to remember which sister is speaking, though the chapters are labeled. As the book progresses, you get more used to which sister is which. Siri has a very annoying quirk where she says things like "intercoursing" instead of the f-word, which grew old quickly. The book was long--there definitely could have been some cutting down.
Still, this was a cute read and I enjoyed Siri and Jamie's story and watching each of them come into their own. I have Riccio's first book on my shelf, and I'll definitely pick it up at some point. 3.5 stars.
I received a copy of this book from Wednesday Books and Netgalley, along with Goodreads, in return for an unbiased review. Look for BETTER TOGETHER on 06/01/2021!
Lee Ronaldo recommended Anthem of the Sun by Grateful Dead in Music (curated)
Kristy H (1252 KP) rated Hold Still in Books
Feb 13, 2018
Maya is an English professor (her specialty is Woolf) dealing with her daughter Ellie's drug addiction and general disinterest with life. The daughter of two college professors, Ellie has never lived up to her familial expectations. Instead, she's drifting, experimenting, and causing her mother great angst. So Maya sends Ellie to Florida, to stay with her friend, Annie and her family: husband Stephen and five-year-old son, Jack. Annie is having her own issues with Jack and looking for some help. But Maya doesn't tell her friend all of Ellie's woes. Then one day, disaster strikes on Ellie's watch, and things will never be the same again. Now, both Ellie and Maya must confront the aftermath of their actions.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This was an interesting book. It's told in chapters that alternate between Ellie's perspective and Maya's; they also alternate in time: before the event and after. The before chapters lead right up to said event. You know generally what has happened, but not how, so it's surprisingly suspenseful for a book that's mainly about emotions and feelings. As such, the novel conveys a stressful tension immediately. It also does an excellent job of delving into the frightening ramifications of becoming a parent. How much do we influence what our kids become? We see Maya--herself so influenced by her own family situation--and then realize her own effects on Ellie. It's startling and humbling.
However, there is a little bit of a "been there, done that" feeling when reading, of experiencing yet another novel of well-off New York parents screwing up their kids. Neither Maya nor Ellie are really likable in any capacity, and while that's not a problem per se, they are harder to relate to than one would think. (Also not likable: her husband. I felt great sympathy for the younger son, Ben.) There were moments I found myself drawn to Maya, but overall, she was too distant and too horrible to really feel any connection to whatsoever. That fact that she's nearly as immature as her daughter was perhaps the point, but I'm not sure it was one I enjoyed or felt was worth making. Also, the plotlines related to Maya's teaching assistant and other friends seem odd and inserted into the story at times.
Still, it was a well-written novel and the somewhat parallel storylines of a lost and drifting mother and daughter were well-done. I'm not sure about the ending, though. In fact, for a good part of the book, I found myself wondering more about Maya's friend, Annie. I think her story might have been one I would have enjoyed more. Overall, the novel certainly makes you feel and the parenting elements resonate. But will it stay with me? I don't think so.
I received an ARC of this novel from Netgalley (thank you!); it is available for U.S. publication on 3/21/16. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.